{"id":1039,"date":"2018-06-18T12:18:42","date_gmt":"2018-06-18T19:18:42","guid":{"rendered":"http:\/\/musicnow.iprorecords.com\/?p=1039"},"modified":"2022-05-12T16:45:50","modified_gmt":"2022-05-12T16:45:50","slug":"drakes-nice-for-what-returns-to-no-1-on-billboard-hot-100-juice-wrlds-lucid-dreams-tops-streaming-songs-chart","status":"publish","type":"post","link":"https:\/\/musicnow.iprorecords.com\/?p=1039","title":{"rendered":"Drake&#8217;s &#8216;Nice For What&#8217; Returns to No. 1 on Billboard Hot 100 &#038; Juice WRLD&#8217;s &#8216;Lucid Dreams&#8217; Tops Streaming Songs Chart"},"content":{"rendered":"\r\n<script>\r\nif( document.getElementById( \"builder-styles-css\" ) ) document.getElementById( \"builder-styles-css\" ).insertAdjacentHTML( \"beforebegin\", \"<link rel='stylesheet' href='https:\/\/musicnow.iprorecords.com\/wp-content\/themes\/themify-music\/themify\/themify-builder\/css\/themify-builder-style.css' type='text\/css' \/>\" );\r\n<\/script>\r\n\t\t\t<h2 class=\"article__deck\">Drake passes Michael Jackson among artists with the most weeks at the Hot 100&#8217;s summit.<\/h2>\n<p><a href=\"https:\/\/www.billboard.com\/music\/drake\">Drake<\/a>&#8216;s &#8220;Nice for What&#8221; returns to No. 1 on the\u00a0<a href=\"https:\/\/www.billboard.com\/charts\/hot-100\">Billboard Hot 100<\/a>\u00a0chart, rising from No. 2, for a seventh total week on top. With his latest frame in the lead, Drake passes\u00a0<a href=\"https:\/\/www.billboard.com\/music\/michael-jackson\">Michael Jackson<\/a>\u00a0for the second-most career weeks logged at No. 1 among solo males (38 vs. 37) in the chart&#8217;s 59-year history, with the pair trailing only\u00a0<a href=\"https:\/\/www.billboard.com\/music\/usher\">Usher<\/a>\u00a0(47 weeks) for the lead in the category.<\/p>\n<p>Meanwhile, Juice WRLD&#8217;s &#8220;Lucid Dreams&#8221; crowns the\u00a0<a href=\"https:\/\/www.billboard.com\/charts\/streaming-songs\">Streaming Songs<\/a>\u00a0survey, where it lifts 2-1, as it pushes 9-6 on the Hot 100.<\/p>\n<p>Let&#8217;s run down the top 10 of the Hot 100 (dated June 23), which blends all-genre streaming, radio airplay and digital sales data. All charts will update on Billboard.com tomorrow (June 19).<\/p>\n<p>&#8220;Nice,&#8221; released on Young Money\/Cash Money\/Republic Records, revisits the Hot 100&#8217;s top spot, as it rises 4-3 on Streaming Songs (31.6 million U.S. streams, down 8 percent, in the week ending June 14, according to Nielsen Music), after leading the list for four weeks; 6-4 on\u00a0<a href=\"https:\/\/www.billboard.com\/charts\/radio-songs\">Radio Songs<\/a>\u00a0(87.5 million in audience in the week ending June 17), becoming Drake&#8217;s 11th top five hit on the tally; and 10-7 on\u00a0<a href=\"https:\/\/www.billboard.com\/charts\/digital-song-sales\">Digital Song Sales<\/a>\u00a0(20,000 downloads sold, down 3 percent, in the week ending June 14), after spending a week at No. 1.<\/p>\n<p>Drake earns his 38th cumulative week at No. 1 on the Hot 100, totaled by his five No. 1s; he previously led as featured on Rihanna&#8217;s &#8220;What&#8217;s My Name? (one week, 2010) and &#8220;Work&#8221; (nine weeks, 2016) and with his own &#8220;One Dance,&#8221; featuring WizKid and Kyla (10 weeks, 2016), and &#8220;God&#8217;s Plan&#8221; (11 weeks, 2018).<\/p>\n<p>Drake passes Michael Jackson for the second-most weeks spent at No. 1 among solo males, after Usher. Among all artists, Drake now owns a solo share of seventh place:<\/p>\n<p><u>Most Weeks at No. 1 in Hot 100&#8217;s History<\/u><br \/>\n79, Mariah Carey<br \/>\n60, Rihanna<br \/>\n59, The Beatles<br \/>\n50, Boyz II Men<br \/>\n47, Usher<br \/>\n42, Beyonce<br \/>\n38, Drake<br \/>\n37, Michael Jackson<br \/>\n34, Elton John<br \/>\n33, Janet Jackson<br \/>\n33, Katy Perry<\/p>\n<p>(With featured billings an established element of R&amp;B\/hip-hop, Drake has earned 28 of his 38 weeks atop the Hot 100 in a lead role and 10 as a featured artist. Usher has posted all 47 of his weeks at No. 1, from nine No. 1s, as a lead, or co-lead, artist, while Jackson was billed as a lead or co-lead for all 37 of his weeks at the summit, via 13 toppers; additionally, The Jackson 5, with Jackson as a member, tallied 10 weeks at No. 1 thanks to their four leaders, all in 1970.)<\/p>\n<div class=\"fluid-width-video-wrapper\"><iframe loading=\"lazy\" id=\"fitvid0\" src=\"https:\/\/www.youtube.com\/embed\/U9BwWKXjVaI\" width=\"650\" height=\"366\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<p>Further, &#8220;Nice&#8221; logs its third stint atop the Hot 100. It debuted atop the April 21-dated chart and spent its first four weeks at No. 1; dipped to No. 2 for two weeks; returned for two more frames on top; and dropped to No. 2 a week ago. &#8220;Nice&#8221; is the first song to experience three separate Hot 100 coronations since The Weeknd&#8217;s &#8220;Can&#8217;t Feel My Face,&#8221; which notched its three weeks at No. 1 in 2015 nonconsecutively (Aug. 22, Sept. 12 and Sept. 26).<\/p>\n<p>&#8220;Nice&#8221; concurrently adds a seventh week at No. 1 on both the\u00a0<a href=\"https:\/\/www.billboard.com\/charts\/r-b-hip-hop-songs\">Hot R&amp;B\/Hip-Hop Songs<\/a>\u00a0and\u00a0<a href=\"https:\/\/www.billboard.com\/charts\/rap-song\">Hot Rap Songs<\/a>\u00a0charts.<\/p>\n<p><a href=\"https:\/\/www.billboard.com\/music\/post-malone\">Post Malone<\/a>&#8216;s &#8220;Psycho,&#8221; featuring\u00a0<a href=\"https:\/\/www.billboard.com\/music\/ty-dolla-sign\">Ty Dolla $ign<\/a>, descends to No. 2 on the Hot 100 after its sole week at the summit. It holds at No. 2 on Radio Songs (98.6 million, essentially even week-over-week) and Digital Song Sales (30,000, down 19 percent) and rises 10-7 on Streaming Songs (26.9 million, down 11 percent).<\/p>\n<p>Still, &#8220;Psycho&#8221; spends a second week at No. 1 on the\u00a0<a href=\"https:\/\/www.billboard.com\/charts\/summer-songs\">Songs of the Summer<\/a>\u00a0chart, which measures the top cumulative performing titles on the Hot 100\u00a0<a href=\"https:\/\/www.billboard.com\/articles\/columns\/chart-beat\/8459408\/songs-of-the-summer-chart-returns-2018-drake-nice-for-what\">between Memorial Day and Labor Day<\/a>.<\/p>\n<p>Rounding out the Hot 100&#8217;s top five,\u00a0<a href=\"https:\/\/www.billboard.com\/music\/cardi-b\">Cardi B<\/a>,\u00a0<a href=\"https:\/\/www.billboard.com\/music\/bad-bunny\">Bad Bunny<\/a>\u00a0and\u00a0<a href=\"https:\/\/www.billboard.com\/music\/j-balvin\">J\u00a0<\/a><a href=\"https:\/\/www.billboard.com\/music\/j-balvin\">Balvin<\/a>&#8216;s &#8220;I Like It&#8221; keep at its No. 3 peak; Drake&#8217;s &#8220;God&#8217;s Plan&#8221; lifts 5-4; and\u00a0<a href=\"https:\/\/www.billboard.com\/music\/maroon-5\">Maroon 5<\/a>&#8216;s &#8220;Girls Like You,&#8221; featuring Cardi B, slips to No. 5 from its No. 4 high, while adding top Airplay Gainer honors for a second consecutive week, as it bounds onto Radio Songs at No. 36 (32.1 million, up 93 percent).<\/p>\n<div class=\"fluid-width-video-wrapper\"><iframe loading=\"lazy\" id=\"fitvid1\" src=\"https:\/\/www.youtube.com\/embed\/mzB1VGEGcSU\" width=\"650\" height=\"366\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/div>\n<p>Juice WRLD&#8217;s &#8220;Lucid Dreams&#8221; climbs 9-6 on Hot 100, as it becomes his first No. 1 on Streaming Songs (2-1), up 8 percent to 38.8 million U.S. streams. (A data processing error resulted in incorrect earlier streaming figures for the title; thus, its streaming sum is lower than forecast last week, when it appeared that the song was challenging for No. 1 on the Hot 100.) The track concurrently climbs 48-26 on Digital Song Sales (13,000, up 38 percent).<\/p>\n<p>&#8220;Dreams&#8221; is the breakthrough hit for the 19-year-old Chicago rapper (born Jared Higgins), who gained early attention on SoundCloud, where he began posting songs in 2015, and\u00a0<a href=\"https:\/\/www.billboard.com\/articles\/columns\/hip-hop\/8244598\/juice-wrld-signs-interscope-3-million-joint-venture\">recently signed with Interscope Records<\/a>.<\/p>\n<p><a href=\"https:\/\/www.billboard.com\/music\/ella-mai\">Ella Mai<\/a>&#8216;s first Hot 100 top 10, &#8220;Boo&#8217;d Up,&#8221; backtracks to No. 7 from its No. 6 high, while leading the\u00a0<a href=\"https:\/\/www.billboard.com\/charts\/r-b-hip-hop-songs\">Hot R&amp;B Songs<\/a>\u00a0chart for a fifth week, and\u00a0<a href=\"https:\/\/www.billboard.com\/music\/zedd\">Zedd<\/a>,\u00a0<a href=\"https:\/\/www.billboard.com\/music\/maren-morris\">Maren Morris<\/a>and\u00a0<a href=\"https:\/\/www.billboard.com\/music\/grey\">Grey<\/a>&#8216;s &#8220;The Middle&#8221; reverses course on the Hot 100, rising 10-8 after reaching its No. 5 peak, as it leads Radio Songs for a sixth week (114.1 million, down 1 percent) and\u00a0<a href=\"https:\/\/www.billboard.com\/charts\/dance-electronic-songs\">Hot Dance\/Electronic Songs<\/a>\u00a0for a 20th frame.<\/p>\n<p><a href=\"https:\/\/www.billboard.com\/music\/ariana-grande\">Ariana Grande<\/a>&#8216;s &#8220;No Tears Left to Cry&#8221; returns to the Hot 100&#8217;s top 10, lifting 13-9, after debuting at its No. 3 peak (on the May 5-dated chart), and\u00a0<a href=\"https:\/\/www.billboard.com\/music\/bebe-rexha\">Bebe Rexha<\/a>\u00a0and\u00a0<a href=\"https:\/\/www.billboard.com\/music\/florida-georgia-line\">Florida Georgia Line<\/a>&#8216;s No. 2-peaking &#8220;Meant to Be&#8221; likewise revisits the top tier (12-10), while topping\u00a0<a href=\"https:\/\/www.billboard.com\/charts\/country-songs\">Hot Country Songs<\/a>\u00a0for a 29th week, extending the longest reign for a song by a duo or group in the chart&#8217;s 59-year history.<\/p>\n<p>Find out more Hot 100 news in the weekly &#8220;Hot 100 Chart Moves&#8221; column and by listening (and subscribing) to\u00a0<em>Billboard<\/em>&#8216;s\u00a0<a href=\"https:\/\/itunes.apple.com\/us\/podcast\/chart-beat\/id1082747004?mt=2\" target=\"_blank\" rel=\"noopener\">Chart Beat Podcast<\/a>\u00a0and\u00a0<a href=\"https:\/\/itunes.apple.com\/us\/podcast\/pop-shop-podcast\/id720291560?mt=2\" target=\"_blank\" rel=\"noopener\">Pop Shop Podcast<\/a>. And again, be sure to visit Billboard.com tomorrow (June 19), when all charts, including the Hot 100 in its entirety, will refresh.<\/p>\n<p>Source: billboard.com<\/p>\n<div id=\"themify_builder_content-1039\" data-postid=\"1039\" class=\"themify_builder_content themify_builder_content-1039 themify_builder themify_builder_front\">\r\n\r\n\t<\/div>\r\n<!-- \/themify_builder_content -->","protected":false},"excerpt":{"rendered":"<p>Drake passes Michael Jackson among artists with the most weeks at the Hot 100&#8217;s summit. Drake&#8216;s &#8220;Nice for What&#8221; returns to No. 1 on the\u00a0Billboard Hot 100\u00a0chart, rising from No. 2, for a seventh total week on top. With his latest frame in the lead, Drake passes\u00a0Michael Jackson\u00a0for the second-most career weeks logged at No. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1040,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[1],"tags":[],"class_list":["post-1039","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-now","has-post-title","has-post-date","has-post-category","has-post-tag","no-post-comment","no-post-author"],"jetpack_featured_media_url":"https:\/\/musicnow.iprorecords.com\/wp-content\/uploads\/2018\/06\/drake-OVO-jan-2018-a-billboard-15481.jpg","jetpack_publicize_connections":[],"_links":{"self":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/1039","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1039"}],"version-history":[{"count":1,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/1039\/revisions"}],"predecessor-version":[{"id":3039,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/1039\/revisions\/3039"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/media\/1040"}],"wp:attachment":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1039"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1039"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1039"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}