{"id":1606,"date":"2019-11-04T10:13:38","date_gmt":"2019-11-04T18:13:38","guid":{"rendered":"http:\/\/musicnow.iprorecords.com\/?p=1606"},"modified":"2022-05-12T16:45:38","modified_gmt":"2022-05-12T16:45:38","slug":"selena-gomez-scores-first-no-1-on-billboard-hot-100-with-lose-you-to-love-me","status":"publish","type":"post","link":"https:\/\/musicnow.iprorecords.com\/?p=1606","title":{"rendered":"Selena Gomez Scores First No. 1 on Billboard Hot 100 with &#8216;Lose You to Love Me&#8217;"},"content":{"rendered":"\r\n<script>\r\nif( document.getElementById( \"builder-styles-css\" ) ) document.getElementById( \"builder-styles-css\" ).insertAdjacentHTML( \"beforebegin\", \"<link rel='stylesheet' href='https:\/\/musicnow.iprorecords.com\/wp-content\/themes\/themify-music\/themify\/themify-builder\/css\/themify-builder-style.css' type='text\/css' \/>\" );\r\n<\/script>\r\n\t\t\t\n<h3 class=\"wp-block-heading\">Plus, new top 10s for Lizzo &amp; Kanye West.<\/h3>\n\n\n\n<p>Over 10 years after first appearing on the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/hot-100\">Billboard Hot 100<\/a>,&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/selena-gomez\">Selena Gomez<\/a>&nbsp;earns her first No. 1 on the chart with &#8220;Lose You to Love Me.&#8221; The ballad vaults from No. 15 to the summit following its first full week of data tracking.<\/p>\n\n\n\n<p>Plus,\u00a0<a href=\"https:\/\/www.billboard.com\/music\/lizzo\">Lizzo<\/a>\u00a0lands her second Hot 100 top 10 as &#8220;Good as Hell&#8221; bounds from No. 14 to No. 6, after the arrival of its\u00a0<a href=\"https:\/\/www.billboard.com\/articles\/news\/8540499\/lizzo-ariana-grande-good-as-hell-remix\">remix with Ariana Grande<\/a>, and\u00a0<a href=\"https:\/\/www.billboard.com\/music\/kanye-west\">Kanye West<\/a>\u00a0debuts at No. 7 with &#8220;Follow God,&#8221; from his new album\u00a0<em>Jesus Is King<\/em>, which\u00a0<a href=\"https:\/\/www.billboard.com\/articles\/business\/chart-beat\/8542364\/kanye-west-jesus-is-king-billboard-200-debut-no-1\">launches at No. 1<\/a>\u00a0on the\u00a0<a href=\"https:\/\/www.billboard.com\/charts\/the-billboard-200\">Billboard 200<\/a>.<\/p>\n\n\n\n<p>Let&#8217;s run down a busy top 10 on the Hot 100 (dated Nov. 9), which blends all-genre U.S. streaming, radio airplay and sales data. All charts will update on Billboard.com tomorrow (Nov. 5).<\/p>\n\n\n\n<figure><iframe loading=\"lazy\" width=\"650\" height=\"366\" allowfullscreen=\"\" src=\"https:\/\/www.youtube.com\/embed\/zlJDTxahav0\"><\/iframe><\/figure>\n\n\n\n<p>Here&#8217;s a deeper look at Gomez&#8217;s winner &#8220;Lose,&#8221; the 1,092nd No. 1 in the Hot 100&#8217;s&nbsp;<a href=\"https:\/\/www.billboard.com\/articles\/columns\/chart-beat\/8468122\/hot-100-turns-60-chubby-checker-the-twist-the-beatles\">six-decade history<\/a>.<\/p>\n\n\n\n<p><strong>Streams, sales &amp; airplay:<\/strong>&nbsp;&#8220;Lose&#8221; blasts 20-1 on&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/streaming-songs\">Streaming Songs<\/a>, with 38.8 million U.S. streams in the week ending Oct. 31, according to Nielsen Music, good for the Hot 100&#8217;s top Streaming Gainer trophy. It holds atop&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/digital-song-sales\">Digital Song Sales<\/a>&nbsp;with 39,000 sold in the same span.<\/p>\n\n\n\n<p>On the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/radio-songs\">Radio Songs<\/a>&nbsp;chart, it debuts at No. 41 with 24.2 million audience impressions in the week ending Nov. 3.<\/p>\n\n\n\n<p>The song was\u00a0<a href=\"https:\/\/www.billboard.com\/articles\/columns\/pop\/8540383\/selena-gomez-lose-you-to-love-me-look-at-her-now-inside-story\">released Wednesday, Oct. 23<\/a>\u00a0and is expected to serve as the\u00a0<a href=\"https:\/\/www.billboard.com\/articles\/columns\/pop\/8540830\/selena-gomez-love-new-songs-album-zach-sang-interview\">first taste<\/a>\u00a0of Gomez&#8217;s upcoming album, her first since\u00a0<em>Revival<\/em>\u00a0in 2015.<\/p>\n\n\n\n<p><strong>Gomez&#8217;s first No. 1:<\/strong>&nbsp;Gomez achieves her first Hot 100 No. 1 after previously peaking as high as No. 5 with both &#8220;Good For You,&#8221; featuring A$AP Rocky, in 2015 and &#8220;Same Old Love&#8221; in 2016. (She adds her eighth top 10 and first since &#8220;It Ain&#8217;t Me,&#8221; with Kygo, reached No. 10 in May 2017.)<\/p>\n\n\n\n<p>With Gomez having first appeared on the Hot 100 dated Jan. 10, 2009 (at No. 99 with the eventual No. 58-peaking &#8220;Tell Me Something I Don&#8217;t Know&#8221;), she reaches No. 1 at last, 10 years and 10 months after her first entry. She completes the longest wait from a first visit to a first No. 1 (as a lead artist) since Daddy Yankee, who took 12 years and nine months from his first charted title to his first leader, &#8220;Despacito,&#8221; with Luis Fonsi and featuring Justin Bieber, in May 2017.<\/p>\n\n\n\n<p>Among women, Gomez ends the longest wait for a first Hot 100 No. 1 in over 30 years, since pop icon Bette Midler needed 16 years, six months and two weeks from her first appearance in 1972 to her first No. 1, &#8220;Wind Beneath My Wings,&#8221; in June 1989.<\/p>\n\n\n\n<p>(Among all artists, Santana holds the mark for most time between a first Hot 100 visit and first No. 1: two days shy of 30 years until &#8220;Smooth,&#8221; featuring Rob Thomas, reached the top spot in October 1999.)<\/p>\n\n\n\n<p><strong>Reigning producers &amp; writers:<\/strong>&nbsp;&#8220;Lose&#8221; was produced by the team of Mattman &amp; Robin (Mattias Larsson and Robin Frediksson), who wrote it with Gomez, Julia Michaels and Justin Tranter.<\/p>\n\n\n\n<p>Mattman &amp; Robin earn their first Hot 100 No. 1 as producers, besting their prior No. 4 high as producers of Imagine Dragons&#8217; &#8220;Believer&#8221; in 2017. (They also produced Gomez&#8217;s &#8220;Hands to Myself,&#8221; which hit No. 7 in 2016.)<\/p>\n\n\n\n<p>Gomez scores her first Hot 100 No. 1 as a writer, topping her previous No. 5 best as a co-writer of &#8220;Good for You.&#8221; Mattman &amp; Robin also earn their first No. 1 writing credit, again surpassing their prior No. 4 top rank as writers via &#8220;Believer.&#8221;<\/p>\n\n\n\n<p>Michaels and Tranter each tally their second Hot 100 leader as writers, having previously reigned as co-authors of Bieber&#8217;s &#8220;Sorry, which ruled for three weeks in 2016.<\/p>\n\n\n\n<p><strong>Come &amp; get it:&nbsp;<\/strong>&#8220;Lose&#8221; makes the third surge from No. 15 or lower to No. 1 on the Hot 100 this year. It matches the&nbsp;<a href=\"https:\/\/www.billboard.com\/articles\/columns\/chart-beat\/8506256\/lil-nas-x-old-town-road-number-one-hot-100\">15-1 flight<\/a>&nbsp;of Lil Nas X &#8216;s &#8220;Old Town Road&#8221; (April 13), while Lady Gaga and Bradley Cooper&#8217;s &#8220;Shallow&#8221;&nbsp;<a href=\"https:\/\/www.billboard.com\/articles\/columns\/chart-beat\/8500866\/lady-gaga-bradley-cooper-shallow-hot-100-number-one\">soared 21-1<\/a>&nbsp;(March 9) following the 91st Academy Awards, when the pair performed the ballad and it won for best original song.<\/p>\n\n\n\n<p><strong>Interscope in the lead:<\/strong>&nbsp;With &#8220;Lose,&#8221; Interscope Records notches its third Hot 100 No. 1 of 2019, after &#8220;Shallow&#8221; and Billie Eilish&#8217;s &#8220;Bad Guy&#8221; (Aug. 24).<\/p>\n\n\n\n<p>Interscope boasts its first yearly hat trick since three songs ascended to No. 1 in 2012: LMFAO&#8217;s &#8220;Sexy and I Know It,&#8221; Carly Rae Jepsen&#8217;s &#8220;Call Me Maybe&#8221; and Maroon 5&#8217;s &#8220;One More Night.&#8221;<\/p>\n\n\n\n<p><strong>12 to 1<\/strong><strong>:<\/strong>&nbsp;&#8220;Lose&#8221; is the 12th song to rise to No. 1 on the Hot 100 in 2019, marking the greatest total since 12 songs hit No. 1 in all of 2012. With the latest chart dated Nov. 9, this year marks the fastest accumulation of 12 leaders in a year since 2011, when the 12th No. 1 (Adele&#8217;s &#8220;Someone Like You&#8221;) reached the top that Sept. 17.<\/p>\n\n\n\n<p>As&nbsp;<a href=\"https:\/\/www.billboard.com\/articles\/business\/chart-beat\/8541081\/lewis-capaldi-someone-you-loved-number-one-hot-100\">noted last week<\/a>, the relatively rapid turnover atop the Hot 100 in 2019 is especially notable given that &#8220;Old Town Road&#8221; blocked all challengers for a&nbsp;<a href=\"https:\/\/www.billboard.com\/articles\/columns\/chart-beat\/8524232\/lil-nas-x-old-town-road-week-by-week-number-one\">record 19 weeks<\/a>&nbsp;(April 13-Aug. 17).<\/p>\n\n\n\n<figure><iframe loading=\"lazy\" width=\"650\" height=\"366\" allowfullscreen=\"\" src=\"https:\/\/www.youtube.com\/embed\/8u-_64S7plI\"><\/iframe><\/figure>\n\n\n\n<p><strong>&#8216;Look,&#8217; more Selena:<\/strong>&nbsp;After releasing &#8220;Lose&#8221; on Oct. 23, Gomez premiered a second new song, &#8220;Look at Her Now.,&#8221; on Oct. 24. Following its first full tracking week, the latter debuts at No. 27 on the Hot 100, as it jumps 12-6 on Digital Song Sales (14,000) and enters Streaming Songs at No. 18 (18.8 million).<\/p>\n\n\n\n<p>(Of the two tracks, only &#8220;Lose&#8221; is receiving official concentrated promotion at radio.)<\/p>\n\n\n\n<p>Lewis Capaldi&#8217;s &#8220;Someone You Loved&#8221; dips to No. 2 on the Hot 100, a week after his debut hit reached No. 1. Despite the drop, the single becomes his first No. 1 on Radio Songs (101.2 million, down 4%), while descending 2-8 on Digital Song Sales (13,000, down 47%) and 8-11 on Streaming Songs (24.8 million, down 2%).<\/p>\n\n\n\n<p>Post Malone&#8217;s &#8220;Circles&#8221; hits a new Hot 100 high, rising 4-3; Shawn Mendes and Camila Cabello&#8217;s former No. 1 (Aug. 31) &#8220;Se\u00f1orita&#8221; slips 3-4; and Lizzo&#8217;s former seven-week leader &#8220;Truth Hurts&#8221; tumbles 2-5, although it spends a 10th week at No. 1 on both the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/r-b-hip-hop-songs\">Hot R&amp;B\/Hip-Hop Songs<\/a>&nbsp;and&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/rap-song\">Hot Rap Songs<\/a>&nbsp;genre charts (which employ the same multi-metric methodology as the Hot 100).<\/p>\n\n\n\n<figure><iframe loading=\"lazy\" width=\"650\" height=\"366\" allowfullscreen=\"\" src=\"https:\/\/www.youtube.com\/embed\/SmbmeOgWsqE\"><\/iframe><\/figure>\n\n\n\n<p>Lizzo concurrently adds her second Hot 100 top 10, as &#8220;Good as Hell&#8221; flies 14-6. Following the Oct. 25 premiere of its remix with Ariana Grande, &#8220;Good&#8221; charges 8-2 on Digital Song Sales (29,000, up 110%) and 30-21 on Streaming Songs (17.3 million, up 24%), while entering the Radio Songs top 10 (12-9; 67 million, up 28%), as the song wins the Hot 100&#8217;s top Sales and Airplay Gainer awards.<\/p>\n\n\n\n<p>Notably, both of Lizzo&#8217;s Hot 100 top 10s took scenic routes to the region. &#8220;Truth&#8221; was originally released in September 2017, but received renewed attention thanks to a synch in the Netflix film&nbsp;<em>Someone Great<\/em>, which premiered this April. The song was subsequently added to the deluxe edition of her 2019&nbsp;<em>LP Cuz I Love You<\/em>, which reached No. 4 on the Billboard 200 in September. (The set&#8217;s lead single, &#8220;Juice,&#8221; reached No. 82 on the Hot 100, also in September, after Atlantic Records had pivoted to promoting &#8220;Truth.&#8221;)<\/p>\n\n\n\n<p>&#8220;Good&#8221; dates back even further, having first been released in March 2016 from Lizzo&#8217;s debut EP,&nbsp;<em>Coconut Oil<\/em>. Concurrent with the reemergence of &#8220;Truth,&#8221; and her buzzy performance of the two songs in a&nbsp;<a href=\"https:\/\/www.billboard.com\/articles\/news\/awards\/8528400\/mtv-vmas-2019-lizzo-performance-video\">medley on the 2019 MTV Music Video Awards<\/a>&nbsp;(Aug. 26), Atlantic began working &#8220;Good&#8221; as her newest radio single.<\/p>\n\n\n\n<p>&#8220;Good&#8221; additionally takes over atop the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/r-and-b-songs\">Hot R&amp;B Songs<\/a>&nbsp;chart.<\/p>\n\n\n\n<figure><iframe loading=\"lazy\" width=\"650\" height=\"366\" allowfullscreen=\"\" src=\"https:\/\/www.youtube.com\/embed\/J8iXDK0K95o\"><\/iframe><\/figure>\n\n\n\n<p>Kanye West scores the week&#8217;s other new Hot 100 top 10, as &#8220;Follow God&#8221; launches at No. 7 on the Hot 100. The track arrives at No. 2 on Streaming Songs with 34 million first-week streams and No. 13 on Digital Song Sales (8,000).<\/p>\n\n\n\n<p>West adds his 18th Hot 100 top 10 (and eighth to debut in the tier) and first since his Lil Pump collab &#8220;I Love It,&#8221; which bowed and peaked at No. 6 in September 2018.<\/p>\n\n\n\n<p>As previously reported, West&#8217;s new LP&nbsp;<em>Jesus Is King<\/em>&nbsp;arrives as his&nbsp;<a href=\"https:\/\/www.billboard.com\/articles\/business\/chart-beat\/8542364\/kanye-west-jesus-is-king-billboard-200-debut-no-1\">ninth No. 1<\/a>&nbsp;on the Billboard 200 and his&nbsp;<a href=\"https:\/\/www.billboard.com\/articles\/business\/chart-beat\/8542480\/kanye-west-jesus-is-king-no-1-christian-gospel-album-charts\">first leader<\/a>&nbsp;on both&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/christian-albums\">Top Christian Albums<\/a>&nbsp;and&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/gospel-albums\">Top Gospel Albums<\/a>.<\/p>\n\n\n\n<p>Chris Brown&#8217;s &#8220;No Guidance,&#8221; featuring Drake, backtracks from its No. 5 Hot 100 peak to No. 8 and Lil Nas X&#8217;s &#8220;Panini&#8221; drops 6-9, after hitting No. 5.<\/p>\n\n\n\n<p>Capping the Hot 100&#8217;s top 10, Eilish&#8217;s &#8220;Bad Guy&#8221; descends 9-10, while becoming just the ninth entry in the chart&#8217;s history to post at least 30 weeks in the top 10.<\/p>\n\n\n\n<p>Find out more Hot 100 news on Billboard.com this week, and, for all chart news, you can listen (and subscribe) to\u00a0<em>Billboard<\/em>&#8216;s\u00a0<a rel=\"noreferrer noopener\" href=\"https:\/\/itunes.apple.com\/us\/podcast\/pop-shop-podcast\/id720291560?mt=2\" target=\"_blank\">Pop Shop Podcast<\/a>\u00a0and follow @billboard and @billboardcharts on both Twitter and Instagram. And again, be sure to visit Billboard.com tomorrow (Nov. 5), when all charts, including the Hot 100 in its entirety, will refresh.<\/p>\n\n\n\n<p>Source: billboard.com<\/p>\n<div id=\"themify_builder_content-1606\" data-postid=\"1606\" class=\"themify_builder_content themify_builder_content-1606 themify_builder themify_builder_front\">\r\n\r\n\t<\/div>\r\n<!-- \/themify_builder_content -->","protected":false},"excerpt":{"rendered":"<p>Plus, new top 10s for Lizzo &amp; Kanye West. Over 10 years after first appearing on the&nbsp;Billboard Hot 100,&nbsp;Selena Gomez&nbsp;earns her first No. 1 on the chart with &#8220;Lose You to Love Me.&#8221; The ballad vaults from No. 15 to the summit following its first full week of data tracking. Plus,\u00a0Lizzo\u00a0lands her second Hot 100 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1607,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[1],"tags":[],"class_list":["post-1606","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-now","has-post-title","has-post-date","has-post-category","has-post-tag","no-post-comment","no-post-author"],"jetpack_featured_media_url":"https:\/\/musicnow.iprorecords.com\/wp-content\/uploads\/2019\/11\/03-Selena-Gomez-Lose-You-To-Love-Me-billboard-15481.jpg","jetpack_publicize_connections":[],"_links":{"self":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/1606","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1606"}],"version-history":[{"count":1,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/1606\/revisions"}],"predecessor-version":[{"id":2915,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/1606\/revisions\/2915"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/media\/1607"}],"wp:attachment":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1606"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1606"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1606"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}