{"id":1692,"date":"2020-01-27T11:49:32","date_gmt":"2020-01-27T19:49:32","guid":{"rendered":"http:\/\/musicnow.iprorecords.com\/?p=1692"},"modified":"2022-05-12T16:45:36","modified_gmt":"2022-05-12T16:45:36","slug":"roddy-ricchs-the-box-tops-billboard-hot-100-for-third-week-eminem-juice-wrlds-godzilla-roars-in-at-no-3","status":"publish","type":"post","link":"https:\/\/musicnow.iprorecords.com\/?p=1692","title":{"rendered":"Roddy Ricch&#8217;s &#8216;The Box&#8217; Tops Billboard Hot 100 for Third Week; Eminem, Juice WRLD&#8217;s &#8216;Godzilla&#8217; Roars In at No. 3"},"content":{"rendered":"\r\n<script>\r\nif( document.getElementById( \"builder-styles-css\" ) ) document.getElementById( \"builder-styles-css\" ).insertAdjacentHTML( \"beforebegin\", \"<link rel='stylesheet' href='https:\/\/musicnow.iprorecords.com\/wp-content\/themes\/themify-music\/themify\/themify-builder\/css\/themify-builder-style.css' type='text\/css' \/>\" );\r\n<\/script>\r\n\t\t\t\n<h3 class=\"wp-block-heading\">Eminem adds his 22nd Hot 100 top 10.<\/h3>\n\n\n\n<p><a href=\"https:\/\/www.billboard.com\/music\/roddy-ricch\">Roddy Ricch<\/a>&#8216;s &#8220;The Box&#8221; posts a third week at No. 1 on the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/hot-100\">Billboard Hot 100<\/a>.<\/p>\n\n\n\n<p>Meanwhile,\u00a0<a href=\"https:\/\/www.billboard.com\/music\/eminem\">Eminem<\/a>&#8216;s &#8220;Godzilla,&#8221; featuring\u00a0<a href=\"https:\/\/www.billboard.com\/music\/juice-wrld\">Juice WRLD<\/a>, blasts onto the Hot 100 at No. 3. The track is from Eminem&#8217;s new album,\u00a0<em>Music to Be Murdered By<\/em>, which\u00a0<a href=\"https:\/\/www.billboard.com\/articles\/business\/chart-beat\/8549077\/eminem-scores-10th-no-1-album-billboard-200-chart-music-to-be-murdered-by\">launches at No. 1<\/a>\u00a0on the\u00a0<a href=\"https:\/\/www.billboard.com\/charts\/billboard-200\">Billboard 200<\/a>\u00a0chart.<\/p>\n\n\n\n<p>Let&#8217;s run down the top 10 of the newest Hot 100, which blends all-genre U.S. streaming, radio airplay and sales data. All charts (dated Feb. 1) will update on Billboard.com tomorrow (Jan. 28).<\/p>\n\n\n\n<figure><iframe loading=\"lazy\" width=\"650\" height=\"366\" allowfullscreen=\"\" src=\"https:\/\/www.youtube.com\/embed\/uLHqpjW3aDs\"><\/iframe><\/figure>\n\n\n\n<p>&#8220;The Box,&#8221; released on Bird Vision\/Atlantic Records, logs a fourth week at No. 1 on the\u00a0<a href=\"https:\/\/www.billboard.com\/charts\/streaming-songs\">Streaming Songs<\/a>\u00a0chart, down by 3% to 75 million U.S. streams in the week ending Jan. 23, according to Nielsen Music\/MRC Data. The latest streaming total and the sum the week before (77.2 million) mark the two highest weekly tallies for a song over the past six months, both so far without the aid of an official proper video &#8212;\u00a0although one has, according to the label,\u00a0<a href=\"https:\/\/www.billboard.com\/articles\/columns\/podcasts\/8548315\/selena-gomez-interview-this-week-news-podcast\">recently been filmed<\/a>. The song&#8217;s official audio video was released on Dec. 6, while a lyric video arrived Jan. 9.<\/p>\n\n\n\n<p>The track dips 7-8 on&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/digital-song-sales\">Digital Song Sales<\/a>, down 5% to 13,000 sold in the week ending Jan. 23, while jumping 50-36 on&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/radio-songs\">Radio Songs<\/a>, bounding by 38% to 25.6 million all-format airplay audience impressions in the week ending Jan. 26. It surges to the top 10 on both the Rhythmic Songs (15-10) and Mainstream R&amp;B\/Hip-Hop (20-10) radio airplay charts and debuts at No. 40 on the mainstream top 40-based Pop Songs airplay ranking, helping it claim top Airplay Gainer honors on the Hot 100 for the first time.<\/p>\n\n\n\n<p>&#8220;The Box&#8221; concurrently crowns the\u00a0<a href=\"https:\/\/www.billboard.com\/charts\/r-b-hip-hop-songs\">Hot R&amp;B\/Hip-Hop Songs<\/a>\u00a0and\u00a0<a href=\"https:\/\/www.billboard.com\/charts\/rap-song\">Hot Rap Songs<\/a>\u00a0charts, which employ the same multi-metric methodology as the Hot 100, for a fourth week each. The single is from Roddy Ricch&#8217;s debut studio album,\u00a0<em>Please Excuse Me for Being Antisocial<\/em>, which bowed as the rapper&#8217;s\u00a0<a href=\"https:\/\/www.billboard.com\/articles\/business\/chart-beat\/8546369\/roddy-ricch-please-excuse-me-for-being-antisocial-no-1-billboard-200\">first No. 1<\/a>\u00a0on the Billboard 200, dated Dec. 21.<\/p>\n\n\n\n<p>Future&#8217;s &#8220;Life Is Good,&#8221; featuring Drake, holds at No. 2 on the Hot 100, after it&nbsp;<a href=\"https:\/\/www.billboard.com\/articles\/business\/chart-beat\/8548471\/roddy-ricch-the-box-hot-100-number-one-drake-future-number-two\">debuted in the runner-up spot<\/a>&nbsp;a week ago. It keeps at No. 2 on Streaming Songs (which utilizes a&nbsp;<a href=\"https:\/\/www.billboard.com\/articles\/business\/chart-beat\/8547900\/roddy-ricch-the-box-hot-100-number-one\">weighted ranking methodology<\/a>; 40.9 million, down 19%) and falls from No. 1 to No. 13 on Digital Song Sales (9,000, down 64%).<\/p>\n\n\n\n<figure><iframe loading=\"lazy\" width=\"650\" height=\"366\" allowfullscreen=\"\" src=\"https:\/\/www.youtube.com\/embed\/oHpd570f_5c\"><\/iframe><\/figure>\n\n\n\n<p>Eminem&#8217;s &#8220;Godzilla,&#8221; featuring Juice WRLD, soars in at No. 3 on the Hot 100. The collaboration also arrives at No. 3 on both Streaming Songs (41.1 million U.S. streams) and Digital Song Sales (24,000 sold).<\/p>\n\n\n\n<p>Eminem earns his 22nd Hot 100 top 10, marking the 16th-highest total in the chart&#8217;s archives and the eighth-highest among solo males. The updated leaderboard for most Hot 100 top 10s, dating to the list&#8217;s Aug. 4, 1958, inception: Madonna (38); Drake (36); The Beatles (34); Rihanna (31); Michael Jackson (30); Mariah Carey, Stevie Wonder (28 each); Elton John, Janet Jackson (27 each); Elvis Presley, Taylor Swift (25 each); Lil Wayne (24); Whitney Houston, Paul McCartney, The Rolling Stones (23 each); and Eminem (22).<\/p>\n\n\n\n<p>Eminem also achieves 13th debut in the Hot 100&#8217;s top 10, the third-most after Drake (22) and Swift (15).<\/p>\n\n\n\n<p>Meanwhile, the late Juice WRLD appears in the Hot 100&#8217;s top 10 with a third title. &#8220;Lucid Dreams&#8221; hit No. 2 in October 2018 (and returned to the region, at No. 8, last month following his&nbsp;<a href=\"https:\/\/www.billboard.com\/articles\/columns\/hip-hop\/8545698\/juice-wrld-dead\">death on Dec. 8<\/a>) and &#8220;Bandit,&#8221; with YoungBoy Never Broke Again, reached No. 10 this past October.<\/p>\n\n\n\n<p>Post Malone&#8217;s &#8220;Circles&#8221; drops 3-4 on the Hot 100, after three nonconsecutive weeks at No. 1, as it scores a sixth week atop Radio Songs, up by 1% to 102.8 million in airplay audience.<\/p>\n\n\n\n<p>Rounding out the Hot 100&#8217;s top five, Maroon 5&#8217;s &#8220;Memories&#8221; slips 4-5, after reaching a&nbsp;<a href=\"https:\/\/www.billboard.com\/articles\/business\/chart-beat\/8547406\/maroon-5-rolling-stones-hot-100-top-two-record\">No. 2 high<\/a>.<\/p>\n\n\n\n<figure><iframe loading=\"lazy\" width=\"650\" height=\"366\" allowfullscreen=\"\" src=\"https:\/\/www.youtube.com\/embed\/Y2E71oe0aSM\"><\/iframe><\/figure>\n\n\n\n<p>Dan + Shay and Justin Bieber&#8217;s No. 4-peaking &#8220;10,000 Hours&#8221; rebounds 7-6 on the Hot 100, as it tops the multi-metric\u00a0<a href=\"https:\/\/www.billboard.com\/charts\/country-songs\">Hot Country Songs<\/a>\u00a0chart for a 16th week, as well as Country Airplay for a second frame. As previously reported, the latter chart marks the\u00a0<a href=\"https:\/\/www.billboard.com\/articles\/business\/chart-beat\/8548520\/dan-shay-justin-bieber-10000-hours-tops-four-country-charts\">10th airplay ranking that Bieber has ruled<\/a>, dating to his first such No. 1, &#8220;As Long as You Love Me&#8221; (featuring Big Sean), which reached the Rhythmic Songs summit in October 2012.<\/p>\n\n\n\n<p>Tones and I&#8217;s &#8220;Dance Monkey&#8221; swings back to its No. 7 Hot 100 highpoint, from No. 8; Lewis Capaldi&#8217;s &#8220;Someone You Loved&#8221; descends 6-8, following its three-week command; Arizona Zervas&#8217; &#8220;Roxanne&#8221; remains at No. 9, after rising to No. 4; and Selena Gomez&#8217;s &#8220;Lose You to Love Me&#8221; falls 5-10, following its one-week rule.<\/p>\n\n\n\n<p>Find out more Hot 100 news on Billboard.com this week, and, for all chart news, you can listen (and subscribe) to\u00a0<em>Billboard<\/em>&#8216;s\u00a0<em><a rel=\"noreferrer noopener\" href=\"https:\/\/itunes.apple.com\/us\/podcast\/pop-shop-podcast\/id720291560?mt=2\" target=\"_blank\">Pop Shop Podcast<\/a><\/em>\u00a0and\u00a0<em><a rel=\"noreferrer noopener\" href=\"https:\/\/open.spotify.com\/show\/4wYbgp2JPO4M1vKjbTmoqZ\" target=\"_blank\">This Week in Billboard News<\/a><\/em>\u00a0podcast and follow @billboard and @billboardcharts on both Twitter and Instagram. And again, be sure to visit Billboard.com tomorrow (Jan. 28), when all charts, including the Hot 100 in its entirety, will refresh.<\/p>\n\n\n\n<p>Source: billboard.com<\/p>\n<div id=\"themify_builder_content-1692\" data-postid=\"1692\" class=\"themify_builder_content themify_builder_content-1692 themify_builder themify_builder_front\">\r\n\r\n\t<\/div>\r\n<!-- \/themify_builder_content -->","protected":false},"excerpt":{"rendered":"<p>Eminem adds his 22nd Hot 100 top 10. Roddy Ricch&#8216;s &#8220;The Box&#8221; posts a third week at No. 1 on the&nbsp;Billboard Hot 100. Meanwhile,\u00a0Eminem&#8216;s &#8220;Godzilla,&#8221; featuring\u00a0Juice WRLD, blasts onto the Hot 100 at No. 3. The track is from Eminem&#8217;s new album,\u00a0Music to Be Murdered By, which\u00a0launches at No. 1\u00a0on the\u00a0Billboard 200\u00a0chart. Let&#8217;s run down [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1693,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[1],"tags":[],"class_list":["post-1692","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-now","has-post-title","has-post-date","has-post-category","has-post-tag","no-post-comment","no-post-author"],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"_links":{"self":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/1692","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1692"}],"version-history":[{"count":1,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/1692\/revisions"}],"predecessor-version":[{"id":2893,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/1692\/revisions\/2893"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/"}],"wp:attachment":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1692"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1692"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1692"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}