{"id":1701,"date":"2020-02-03T16:32:47","date_gmt":"2020-02-04T00:32:47","guid":{"rendered":"http:\/\/musicnow.iprorecords.com\/?p=1701"},"modified":"2022-05-12T16:45:36","modified_gmt":"2022-05-12T16:45:36","slug":"roddy-ricchs-the-box-tops-billboard-hot-100-for-fourth-week-dua-lipas-dont-start-now-hits-top-10","status":"publish","type":"post","link":"https:\/\/musicnow.iprorecords.com\/?p=1701","title":{"rendered":"Roddy Ricch&#8217;s &#8216;The Box&#8217; Tops Billboard Hot 100 for Fourth Week, Dua Lipa&#8217;s &#8216;Don&#8217;t Start Now&#8217; Hits Top 10"},"content":{"rendered":"\r\n<script>\r\nif( document.getElementById( \"builder-styles-css\" ) ) document.getElementById( \"builder-styles-css\" ).insertAdjacentHTML( \"beforebegin\", \"<link rel='stylesheet' href='https:\/\/musicnow.iprorecords.com\/wp-content\/themes\/themify-music\/themify\/themify-builder\/css\/themify-builder-style.css' type='text\/css' \/>\" );\r\n<\/script>\r\n\t\t\t\n<h3 class=\"wp-block-heading\">Dua Lipa lands her second top 10, after &#8220;New Rules.&#8221;<\/h3>\n\n\n\n<p><a href=\"https:\/\/www.billboard.com\/music\/\">Roddy Ricch<\/a>&#8216;s &#8220;The Box&#8221; logs a fourth week at No. 1 on the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/hot-100\">Billboard Hot 100<\/a>.<\/p>\n\n\n\n<p>Meanwhile,\u00a0<a href=\"https:\/\/www.billboard.com\/music\/maroon-5\">Maroon 5<\/a>&#8216;s &#8220;Memories,&#8221; at No. 4 on the Hot 100, takes over atop the\u00a0<a href=\"https:\/\/www.billboard.com\/charts\/radio-songs\">Radio Songs<\/a>\u00a0airplay chart;\u00a0<a href=\"https:\/\/www.billboard.com\/music\/dua-lipa\">Dua Lipa<\/a>&#8216;s &#8220;Don&#8217;t Start Now&#8221; surges from No. 15 to No. 9 on the Hot 100, becoming her second top 10; and\u00a0<a href=\"https:\/\/www.billboard.com\/music\/billie-eilish\">Billie Eilish<\/a>\u00a0returns to the Hot 100&#8217;s top 10 with &#8220;Everything I Wanted,&#8221; at No. 10, following the premiere of its official video and her buzzworthy night at the 62nd annual Grammy Awards.<\/p>\n\n\n\n<p>Let&#8217;s run down the top 10 of the newest Hot 100, which blends all-genre U.S. streaming, radio airplay and sales data. All charts (dated Feb. 8) will update on Billboard.com tomorrow (Feb. 4).<\/p>\n\n\n\n<figure><iframe loading=\"lazy\" width=\"650\" height=\"366\" allowfullscreen=\"\" src=\"https:\/\/www.youtube.com\/embed\/uLHqpjW3aDs\"><\/iframe><\/figure>\n\n\n\n<p>&#8220;The Box,&#8221; released on Bird Vision\/Atlantic Records, adds a fifth week at No. 1 on the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/streaming-songs\">Streaming Songs<\/a>&nbsp;chart, despite an 11% drop to 67 million U.S. streams in the week ending Jan. 30, according to Nielsen Music\/MRC Data.<\/p>\n\n\n\n<p>The track tumbles 8-16 on\u00a0<a href=\"https:\/\/www.billboard.com\/charts\/digital-song-sales\">Digital Song Sales<\/a>, down 14% to 11,000 sold in the week ending Jan. 30, but bounds 36-25 on Radio Songs, up 38% to 35.2 million all-format airplay audience impressions in the week ending Feb. 2, as it wins the top Airplay Gainer nod on the Hot 100 for a second consecutive week.<\/p>\n\n\n\n<p>&#8220;The Box&#8221; concurrently crowns the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/r-b-hip-hop-songs\">Hot R&amp;B\/Hip-Hop Songs<\/a>&nbsp;and&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/rap-song\">Hot Rap Songs<\/a>&nbsp;charts, which employ the same multi-metric methodology as the Hot 100, for a fifth week each. The single is from Roddy Ricch&#8217;s debut studio album,&nbsp;<em>Please Excuse Me for Being Antisocial<\/em>, which adds a&nbsp;<a href=\"https:\/\/www.billboard.com\/articles\/business\/chart-beat\/8549876\/roddy-ricch-returns-to-no-1-billboard-200-albums-chart\">third nonconsecutive week<\/a>&nbsp;at No. 1 on the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/billboard-200\">Billboard 200<\/a>.<\/p>\n\n\n\n<p>Future&#8217;s &#8220;Life Is Good,&#8221; featuring Drake, continues at No. 2 on the Hot 100, after it debuted in the runner-up spot two weeks ago. The collaboration also keeps at No. 2 on Streaming Songs (43 million, up 5%).<\/p>\n\n\n\n<p>Post Malone&#8217;s &#8220;Circles&#8221; rebounds 4-3 on the Hot 100, after three nonconsecutive weeks at No. 1.<\/p>\n\n\n\n<figure><iframe loading=\"lazy\" width=\"650\" height=\"366\" allowfullscreen=\"\" src=\"https:\/\/www.youtube.com\/embed\/SlPhMPnQ58k\"><\/iframe><\/figure>\n\n\n\n<p>Maroon 5&#8217;s &#8220;Memories&#8221; rises 5-4 on the Hot 100, after reaching No. 2. The track ascends 2-1 on Radio Songs (102.6 million, up 4%), becoming the band&#8217;s seventh leader, the most among groups since the list launched in 1990; Rihanna leads with 13 Radio Songs No. 1s, followed by Mariah Carey (11) and Bruno Mars (eight), while Katy Perry and Usher also boast seven apiece.<\/p>\n\n\n\n<p>&#8220;Memories&#8221;&nbsp;<a href=\"https:\/\/www.billboard.com\/articles\/business\/chart-beat\/8549948\/maroon-5-memories-record-tying-no-1-pop-songs-chart\">concurrently crowns<\/a>&nbsp;the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/pop-songs\">Pop Songs<\/a>&nbsp;radio airplay chart (3-1), where it&#8217;s Maroon 5&#8217;s record-tying 11th No. 1, matching the sums of Perry and Rihanna, dating to the survey&#8217;s 1992 inception. (Maroon&#8217;s Adam Levine has also achieved two Pop Songs No. 1s in featured solo roles: on Gym Class Heroes&#8217; &#8220;Stereo Hearts,&#8221; in 2011, and R. City&#8217;s &#8220;Locked Away,&#8221; in 2015.)<\/p>\n\n\n\n<p>The track additionally dominates the\u00a0<a href=\"https:\/\/www.billboard.com\/charts\/adult-pop-songs\">Adult Pop Songs<\/a>\u00a0airplay chart for a 10th week, marking Maroon 5&#8217;s fourth No. 1 to lead for double-digit weeks (among the act&#8217;s record 14 No. 1s). &#8220;Girls Like You,&#8221; featuring Cardi B, reigned for 14 frames in 2018 and &#8220;She Will Be Loved&#8221; and &#8220;This Love&#8221; each ruled for 13 weeks in 2004. Only matchbox twenty also boasts four Adult Pop Songs No. 1s that have led for at least 10 weeks each (while frontman Rob Thomas has tallied two as a soloist).<\/p>\n\n\n\n<p>As&nbsp;<a href=\"https:\/\/www.billboard.com\/articles\/business\/chart-beat\/8547406\/maroon-5-rolling-stones-hot-100-top-two-record\">previously reported<\/a>, when &#8220;Memories&#8221; rose to No. 2 on the Hot 100 dated Jan. 11, Maroon 5 became the second group ever with top-two hits in each of three decades (2000s, &#8217;10s and &#8217;20s), joining The Rolling Stones (1960s, &#8217;70s and &#8217;80s).<\/p>\n\n\n\n<p>Lewis Capaldi&#8217;s &#8220;Someone You Loved&#8221; climbs 8-5 on the Hot 100, after it spent three weeks at No. 1; Dan + Shay and Justin Bieber&#8217;s No. 4-peaking &#8220;10,000 Hours&#8221; is steady at No. 6, as it tops the multi-metric&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/country-songs\">Hot Country Songs<\/a>&nbsp;chart for a 17th week; Tones and I&#8217;s &#8220;Dance Monkey&#8221; holds at its No. 7 Hot 100 high; and Arizona Zervas&#8217; &#8220;Roxanne&#8221; rises 9-8, after reaching No. 4.<\/p>\n\n\n\n<figure><iframe loading=\"lazy\" width=\"650\" height=\"366\" allowfullscreen=\"\" src=\"https:\/\/www.youtube.com\/embed\/oygrmJFKYZY\"><\/iframe><\/figure>\n\n\n\n<p>Dua Lipa&#8217;s &#8220;Don&#8217;t Start Now&#8221; soars 15-9 on the Hot 100. It pushes 8-7 on Radio Songs (67.6 million, up 12%) and 31-23 on Streaming Songs (14.3 million, up 6%); it dips 12-15 on Digital Song Sales, but with a 12% gain to 11,000 sold.<\/p>\n\n\n\n<p>The English singer-songwriter scores her second Hot 100 top 10, after &#8220;New Rules&#8221; reached No. 6 in February 2018.<\/p>\n\n\n\n<p>&#8220;Start&#8221; has hit the top 10 on multiple global charts and has topped&nbsp;<em>Billboard<\/em>&#8216;s U.S.-based Dance Mix\/Show Airplay and Dance Club Songs surveys.<\/p>\n\n\n\n<figure><iframe loading=\"lazy\" width=\"650\" height=\"366\" allowfullscreen=\"\" src=\"https:\/\/www.youtube.com\/embed\/EgBJmlPo8Xw\"><\/iframe><\/figure>\n\n\n\n<p>Rounding out the Hot 100&#8217;s top 10, Billie Eilish bounds 23-10 with &#8220;Everything I Wanted,&#8221; which returns to the tier after it reached No. 8 on the chart dated Nov. 30 (its only other week in the region).<\/p>\n\n\n\n<p>After its official proper video, which Eilish directed,\u00a0<a href=\"https:\/\/www.billboard.com\/articles\/columns\/pop\/8548869\/billie-eilish-everything-i-wanted-music-video-finneas\">premiered Jan. 23<\/a>, the track surges 29-6 on Streaming Songs (21.3 million, up 48%, good for top Streaming Gainer honors on the Hot 100) and 20-10 on Digital Song Sales (15,000, up 105%). On Radio Songs, it rises 29-24 (35.6 million, up 17%).<\/p>\n\n\n\n<p>Also aiding Eilish&#8217;s profile, she won five Grammy Awards on Jan. 26, including for best new artist, album of the year, for&nbsp;<em>When We All Fall Asleep, Where Do We Go?<\/em>, and record and song of the year, for &#8220;Bad Guy,&#8221; becoming the first woman, and second artist ever, after Christopher Cross in 1981, to&nbsp;<a href=\"https:\/\/www.billboard.com\/articles\/news\/awards\/8549290\/grammys-2020-billie-eilish-big-four-sweep\">sweep the four major categories in the same night<\/a>.<\/p>\n\n\n\n<p>&#8220;Bad Guy,&#8221; meanwhile, flies 41-17 on the Hot 100, after it&nbsp;<a href=\"https:\/\/www.billboard.com\/articles\/business\/chart-beat\/8527749\/billie-eilish-bad-guy-number-one-hot-100\">topped the Aug. 24, 2019-dated chart<\/a>. It vaults 22-3 on Digital Song Sales (20,000, up 185%, making it the top Sales Gainer on the Hot 100) and re-enters Streaming Songs at No. 18 (16.3 million, up 50%).<\/p>\n\n\n\n<p>Find out more Hot 100 news on Billboard.com this week, and, for all chart news, you can listen (and subscribe) to\u00a0<em>Billboard<\/em>&#8216;s\u00a0<em><a rel=\"noreferrer noopener\" href=\"https:\/\/itunes.apple.com\/us\/podcast\/pop-shop-podcast\/id720291560?mt=2\" target=\"_blank\">Pop Shop Podcast<\/a><\/em>\u00a0and\u00a0<em><a rel=\"noreferrer noopener\" href=\"https:\/\/open.spotify.com\/show\/4wYbgp2JPO4M1vKjbTmoqZ\" target=\"_blank\">This Week in Billboard News<\/a><\/em>\u00a0podcast and follow @billboard and @billboardcharts on both Twitter and Instagram. And again, be sure to visit Billboard.com tomorrow (Feb. 4), when all charts, including the Hot 100 in its entirety, will refresh.<\/p>\n\n\n\n<p>Source: billboard.com<\/p>\n<div id=\"themify_builder_content-1701\" data-postid=\"1701\" class=\"themify_builder_content themify_builder_content-1701 themify_builder themify_builder_front\">\r\n\r\n\t<\/div>\r\n<!-- \/themify_builder_content -->","protected":false},"excerpt":{"rendered":"<p>Dua Lipa lands her second top 10, after &#8220;New Rules.&#8221; Roddy Ricch&#8216;s &#8220;The Box&#8221; logs a fourth week at No. 1 on the&nbsp;Billboard Hot 100. Meanwhile,\u00a0Maroon 5&#8216;s &#8220;Memories,&#8221; at No. 4 on the Hot 100, takes over atop the\u00a0Radio Songs\u00a0airplay chart;\u00a0Dua Lipa&#8216;s &#8220;Don&#8217;t Start Now&#8221; surges from No. 15 to No. 9 on the Hot [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1702,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[1],"tags":[],"class_list":["post-1701","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-now","has-post-title","has-post-date","has-post-category","has-post-tag","no-post-comment","no-post-author"],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"_links":{"self":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/1701","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1701"}],"version-history":[{"count":1,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/1701\/revisions"}],"predecessor-version":[{"id":2891,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/1701\/revisions\/2891"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/"}],"wp:attachment":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1701"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1701"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1701"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}