{"id":1713,"date":"2020-02-16T15:19:26","date_gmt":"2020-02-16T23:19:26","guid":{"rendered":"http:\/\/musicnow.iprorecords.com\/?p=1713"},"modified":"2022-05-12T16:45:36","modified_gmt":"2022-05-12T16:45:36","slug":"roddy-ricch-returns-to-no-1-for-fourth-week-on-billboard-200-albums-chart","status":"publish","type":"post","link":"https:\/\/musicnow.iprorecords.com\/?p=1713","title":{"rendered":"Roddy Ricch Returns to No. 1 for Fourth Week on Billboard 200 Albums Chart"},"content":{"rendered":"\r\n<script>\r\nif( document.getElementById( \"builder-styles-css\" ) ) document.getElementById( \"builder-styles-css\" ).insertAdjacentHTML( \"beforebegin\", \"<link rel='stylesheet' href='https:\/\/musicnow.iprorecords.com\/wp-content\/themes\/themify-music\/themify\/themify-builder\/css\/themify-builder-style.css' type='text\/css' \/>\" );\r\n<\/script>\r\n\t\t\t\n<h3 class=\"wp-block-heading\">Plus: Green Day earns 11th top 10 album with &#8216;Father of All\u2026&#8217; &amp; Pop Smoke scores first top 10 with &#8216;Meet the Woo, V.2.&#8217;<\/h3>\n\n\n\n<p><a href=\"https:\/\/www.billboard.com\/music\/\">Roddy Ricch<\/a>\u200b\u2019s&nbsp;<em>Please Excuse Me for Being Antisocial<\/em>&nbsp;continues its sustained success on the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/billboard-200\">Billboard 200<\/a>&nbsp;albums chart, as the set returns to the top (rising 2-1) for a fourth nonconsecutive week at No. 1. The album earned 79,000 equivalent album units in the U.S. in the week ending Feb. 13 (down 8%), according to Nielsen Music\/MRC Data.<\/p>\n\n\n\n<p>Also in the new top 10:\u00a0<a href=\"https:\/\/www.billboard.com\/music\/green-day\">Green Day<\/a>\u00a0lands its 11th top 10 effort with\u00a0<em>Father of All\u2026<\/em>\u00a0while\u00a0<a href=\"https:\/\/www.billboard.com\/music\/\">Pop Smoke<\/a>\u00a0scores his first top 10 set with\u00a0<em>Meet the Woo, V.2<\/em>.<\/p>\n\n\n\n<p> The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on\u00a0multi-metric consumption as measured in equivalent album units. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). The new Feb. 22-dated chart, where\u00a0<em>Please Excuse Me<\/em>\u00a0returns to No. 1,\u00a0will be posted in full on\u00a0<em>Billboard<\/em>&#8216;s websites on Feb. 19 (one day later than usual, owed to the Presidents\u2019 Day\/Washington\u2019s Birthday holiday on Feb. 17). <\/p>\n\n\n\n<p><em>Please Excuse Me&nbsp;<\/em>opened at No. 1 on the Dec. 21, 2019-dated chart, then fell from the top, only to return for three further visits: on Jan. 18, Feb. 8 and now, the new chart, dated Feb. 22. The last album to have four separate visits to No. 1 was&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/taylor-swift\">Taylor Swift<\/a>\u2019s&nbsp;<em>1989<\/em>, which reigned at No. 1 four a total of 11 weeks in four distinct runs at No. 1: Nov. 15-29, 2014 (three weeks at No. 1), Dec. 13-20, 2014 (two weeks), Jan. 3-24, 2015 (four weeks) and Feb. 14-21, 2015 (two weeks).<\/p>\n\n\n\n<p>In&nbsp;<em>Please Excuse Me<\/em>\u2019s 10 weeks on the Billboard 200, it has yet to depart the top four positions, only dipping to No. 4 once on the Feb. 1-dated list.<\/p>\n\n\n\n<p>At No. 2 on the new Billboard 200,&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/post-malone\">Post Malone<\/a>\u2019s former No. 1&nbsp;<em>Hollywood\u2019s Bleeding<\/em>&nbsp;climbs 5-2 with 52,000 equivalent album units earned (though down 5%). Another former leader is next on the list, as&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/eminem\">Eminem<\/a>\u2019s&nbsp;<em>Music to Be Murdered By<\/em>&nbsp;is steady at No. 3 with 51,000 units (down 26%).<\/p>\n\n\n\n<p>Rock band\u00a0<a href=\"https:\/\/www.billboard.com\/music\/green-day\">Green Day<\/a>\u00a0collects its 11th top 10 effort, as\u00a0<em>Father of All\u2026<\/em>\u00a0arrives at No. 4 with 48,000 equivalent album units earned. Of that sum, 42,000 are in album sales, enhanced by purchases of merchandise\/album bundles via the group\u2019s webstore.<\/p>\n\n\n\n<p><em>Father of All\u2026<\/em>&nbsp;is the trio\u2019s first studio album since 2016\u2019s&nbsp;<em>Revolution Radio<\/em>, which debuted at No. 1 with 95,000 units, to become the act\u2019s third chart-topper.<\/p>\n\n\n\n<p>The bow of&nbsp;<em>Father of All\u2026<\/em>&nbsp;comes just over 25 years after the band saw its first chart entry,&nbsp;<em>Dookie<\/em>, peak at No. 2 on the Billboard 200 dated Jan. 28, 1995. (The set entered the list nearly a year earlier, on Feb. 19, 1994, at No. 127.)<\/p>\n\n\n\n<p>The new album was led by the single \u201cFather of All\u2026,\u201d which peaked at No. 1 on the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/year-end\/mainstream-rock-songs-artists\">Mainstream Rock Songs<\/a>&nbsp;airplay chart, No. 3 on the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/alternative-songs\">Alternative Songs<\/a>&nbsp;airplay tally and No. 6 on&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/rock-songs\">Hot Rock Songs<\/a>.<\/p>\n\n\n\n<p>At No. 5 on the new Billboard 200,\u00a0<a href=\"https:\/\/www.billboard.com\/music\/billie-eilish\">Billie Eilish<\/a>\u200b\u2019s previous leader\u00a0<em>When We All Fall Asleep, Where Do We Go?<\/em>\u00a0rises one spot with 45,000 equivalent album units earned (but down 13%), while\u00a0<a href=\"https:\/\/www.billboard.com\/music\/lil-wayne\">Lil Wayne<\/a>\u2019s\u00a0<em>Funeral<\/em>\u00a0falls from No. 1 to No. 6 in its second week with 44,000 units (down 68%).<\/p>\n\n\n\n<p>Rapper Pop Smoke nets his first top 10 effort, as&nbsp;<em>Meet the Woo, V.2<\/em>&nbsp;debuts at No. 7 with 36,000 equivalent album units earned. Streaming activity comprises the bulk of that sum, with SEA units totaling 31,000. Pop Smoke has only been on the chart once previously, with&nbsp;<em>Meet the Woo, V.1<\/em>, peaking at No. 173 on Aug. 31, 2019.<\/p>\n\n\n\n<p>Rounding out the rest of the new top 10: Halsey\u2019s\u00a0<em>Manic<\/em>\u00a0is a non-mover at No. 8 with 34,000 equivalent album units (down 21%),\u00a0<a href=\"https:\/\/www.billboard.com\/music\/dababy\">DaBaby<\/a>\u200b\u2019s former No. 1\u00a0<em>Kirk<\/em>\u00a0climbs 12-9 with 32,000 units (down 5%) and Taylor Swift\u2019s previous leader\u00a0<em>Lover<\/em>\u00a0ascends 11-10 with 31,000 units (down 10%).<\/p>\n\n\n\n<p>Source: billboard.com<\/p>\n<div id=\"themify_builder_content-1713\" data-postid=\"1713\" class=\"themify_builder_content themify_builder_content-1713 themify_builder themify_builder_front\">\r\n\r\n\t<\/div>\r\n<!-- \/themify_builder_content -->","protected":false},"excerpt":{"rendered":"<p>Plus: Green Day earns 11th top 10 album with &#8216;Father of All\u2026&#8217; &amp; Pop Smoke scores first top 10 with &#8216;Meet the Woo, V.2.&#8217; Roddy Ricch\u200b\u2019s&nbsp;Please Excuse Me for Being Antisocial&nbsp;continues its sustained success on the&nbsp;Billboard 200&nbsp;albums chart, as the set returns to the top (rising 2-1) for a fourth nonconsecutive week at No. 1. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1714,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[1],"tags":[],"class_list":["post-1713","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-now","has-post-title","has-post-date","has-post-category","has-post-tag","no-post-comment","no-post-author"],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"_links":{"self":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/1713","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1713"}],"version-history":[{"count":1,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/1713\/revisions"}],"predecessor-version":[{"id":2888,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/1713\/revisions\/2888"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/"}],"wp:attachment":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1713"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1713"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1713"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}