{"id":1717,"date":"2020-02-18T12:56:54","date_gmt":"2020-02-18T20:56:54","guid":{"rendered":"http:\/\/musicnow.iprorecords.com\/?p=1717"},"modified":"2022-05-12T16:45:36","modified_gmt":"2022-05-12T16:45:36","slug":"roddy-ricchs-the-box-rules-hot-100-for-sixth-week-dua-lipa-matches-career-best-with-dont-start-now","status":"publish","type":"post","link":"https:\/\/musicnow.iprorecords.com\/?p=1717","title":{"rendered":"Roddy Ricch&#8217;s &#8216;The Box&#8217; Rules Hot 100 for Sixth Week, Dua Lipa Matches Career-Best with &#8216;Don&#8217;t Start Now&#8217;"},"content":{"rendered":"\r\n<script>\r\nif( document.getElementById( \"builder-styles-css\" ) ) document.getElementById( \"builder-styles-css\" ).insertAdjacentHTML( \"beforebegin\", \"<link rel='stylesheet' href='https:\/\/musicnow.iprorecords.com\/wp-content\/themes\/themify-music\/themify\/themify-builder\/css\/themify-builder-style.css' type='text\/css' \/>\" );\r\n<\/script>\r\n\t\t\t\n<p><a href=\"https:\/\/www.billboard.com\/music\/roddy-ricch\">Roddy&nbsp;<\/a><a href=\"https:\/\/www.billboard.com\/music\/roddy-ricch\">Ricch<\/a>&#8216;s &#8220;The Box&#8221; spends a sixth week at No. 1 on the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/hot-100\">Billboard Hot 100<\/a>.<\/p>\n\n\n\n<p>Plus,\u00a0<a href=\"https:\/\/www.billboard.com\/music\/dua-lipa\">Dua Lipa<\/a>&#8216;s &#8220;Don&#8217;t Start Now&#8221; jumps from No. 9 to No. 6 on the Hot 100, equaling her career-best rank. She first reached No. 6 two years ago with &#8220;New Rules.&#8221;<\/p>\n\n\n\n<p>Let&#8217;s run down the top 10 of the newest Hot 100, which blends all-genre U.S. streaming, radio airplay and sales data. All charts (dated Feb. 22) will update on Billboard.com tomorrow (Feb. 19).<\/p>\n\n\n\n<figure><iframe loading=\"lazy\" width=\"650\" height=\"366\" allowfullscreen=\"\" src=\"https:\/\/www.youtube.com\/embed\/uLHqpjW3aDs\"><\/iframe><\/figure>\n\n\n\n<p>&#8220;The Box,&#8221; released on Bird Vision\/Atlantic Records, notches a seventh week at No. 1 on the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/streaming-songs\">Streaming Songs<\/a>&nbsp;chart, despite a 6% drop to 59.2 million U.S. streams in the week ending Feb. 13, according to Nielsen Music\/MRC Data.<\/p>\n\n\n\n<p>The track pushes 9-8 on\u00a0<a href=\"https:\/\/www.billboard.com\/charts\/digital-song-sales\">Digital Song Sales<\/a>, down 2% to 11,000 sold in the week ending Feb. 13, and 15-13 on\u00a0<a href=\"https:\/\/www.billboard.com\/charts\/radio-songs\">Radio Songs<\/a>, gaining by 13% to 53 million all-format airplay audience impressions in the week ending Feb. 16, as it claims the Hot 100&#8217;s top Airplay Gainer honors for a fourth consecutive week. It&#8217;s the fifth song in the past two years to win the Airplay Gainer award for at least four weeks while holding the No. 1 spot, following fellow songs that first broke through largely due to streaming and quickly caught on at radio: Lil Nas X&#8217;s &#8220;Old Town Road,&#8221; featuring Billy Ray Cyrus; Ariana Grande&#8217;s &#8220;7 Rings&#8221;; and Drake&#8217;s &#8220;In My Feelings&#8221; and &#8220;God&#8217;s Plan.&#8221;<\/p>\n\n\n\n<p>&#8220;The Box&#8221; concurrently tops the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/r-b-hip-hop-songs\">Hot R&amp;B\/Hip-Hop Songs<\/a>&nbsp;and&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/rap-song\">Hot Rap Songs<\/a>&nbsp;charts, which employ the same multi-metric formula as the Hot 100, for a seventh week each.<\/p>\n\n\n\n<p>The song is from the rapper&#8217;s debut LP,&nbsp;<em>Please Excuse Me for Being Antisocial<\/em>, which rebounds for a&nbsp;<a href=\"https:\/\/www.billboard.com\/articles\/business\/chart-beat\/8551148\/roddy-ricch-no-1-billboard-200-chart-fourth-week\">fourth week at No. 1<\/a>&nbsp;on the Billboard 200 chart.<\/p>\n\n\n\n<p>Future&#8217;s &#8220;Life Is Good,&#8221; featuring Drake, spends its fifth consecutive week at No. 2 on the Hot 100, encompassing its entire run on the chart so far. It also keeps at No. 2 on Streaming Songs (39.7 million, up 6%), while rising 33-26 on Radio Songs (35.3 million, up 17%).<\/p>\n\n\n\n<p>Notably, the song is the first ever to log its first five weeks on the Hot 100 at No. 2. It surpasses Mariah Carey&#8217;s &#8220;Always Be My Baby,&#8221; which became the first entry (of 32 to-date) to debut in the runner-up spot, on the chart dated April 6, 1996, and spent its first four frames on the tally at No. 2, before ascending to No. 1 for a two-week reign.<\/p>\n\n\n\n<p>Post Malone&#8217;s &#8220;Circles&#8221; is stationary at No. 3 on the Hot 100, after three nonconsecutive weeks at No. 1, and notches an eighth week at No. 1 on Radio Songs (104.5 million, essentially even week-over-week).<\/p>\n\n\n\n<p>Maroon 5&#8217;s &#8220;Memories&#8221; keeps at No. 4 on the Hot 100, after reaching No. 2, and Tones and I&#8217;s &#8220;Dance Monkey&#8221; is steady at its No. 5 highpoint.<\/p>\n\n\n\n<figure><iframe loading=\"lazy\" width=\"650\" height=\"366\" allowfullscreen=\"\" src=\"https:\/\/www.youtube.com\/embed\/oygrmJFKYZY\"><\/iframe><\/figure>\n\n\n\n<p>Dua Lipa&#8217;s &#8220;Don&#8217;t Start Now&#8221; surges 9-6 on the Hot 100, matching her career-best rank. Her sole prior top 10, &#8220;New Rules,&#8221; reached No. 6 in February 2018.<\/p>\n\n\n\n<p>&#8220;Start&#8221; ascends 7-4 on Radio Songs (76.7 million, up 6%), 11-10 on Digital Song Sales (11,000, down 5%) and 15-12 on Streaming Songs (17 million, up 6%).<\/p>\n\n\n\n<p>Rounding out the Hot 100&#8217;s top 10, Arizona Zervas&#8217; &#8220;Roxanne&#8221; repeats at No. 7, after reaching No. 4; Lewis Capaldi&#8217;s &#8220;Someone You Loved&#8221; drops 6-8, after it spent three weeks at No. 1; Dan + Shay and&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/justin-bieber\">Justin Bieber<\/a>&#8216;s No. 4-peaking &#8220;10,000 Hours&#8221; descends 8-9, as it tops the multi-metric&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/country-songs\">Hot Country Songs<\/a>&nbsp;chart for a 19th week; and Billie Eilish&#8217;s &#8220;Everything I Wanted&#8221; is steady at No. 10, after it hit a No. 8 high in November.<\/p>\n\n\n\n<figure><iframe loading=\"lazy\" width=\"650\" height=\"366\" allowfullscreen=\"\" src=\"https:\/\/www.youtube.com\/embed\/9p2wMpVVtXg\"><\/iframe><\/figure>\n\n\n\n<p>Just outside the Hot 100&#8217;s top 10, Bieber&#8217;s &#8220;Intentions,&#8221; featuring Quavo, debuts at No. 11, marking the chart&#8217;s highest debut on the Feb. 22-dated chart. It opens at No. 3 on Streaming Songs (22.1 million) and No. 4 on Digital Song Sales (14,000), while drawing 15.9 million in radio reach. It arrives at No. 1 on the multi-metric&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/r-and-b-songs\">Hot R&amp;B Songs<\/a>&nbsp;chart, where Bieber earns his third No. 1 and second in a lead role, following &#8220;Yummy,&#8221; which &#8220;Intentions&#8221; dethrones after a four-week reign.<\/p>\n\n\n\n<p>Both songs are from Bieber&#8217;s new album,&nbsp;<em>Changes<\/em>, released Friday (Feb. 14) and&nbsp;<a href=\"https:\/\/www.billboard.com\/articles\/business\/chart-beat\/8551159\/justin-bieber-changes-billboard-200-debut-forecast\">likely due at No. 1<\/a>&nbsp;on next week&#8217;s Billboard 200.<\/p>\n\n\n\n<figure><iframe loading=\"lazy\" width=\"650\" height=\"366\" allowfullscreen=\"\" src=\"https:\/\/www.youtube.com\/embed\/R_RJPTR5wIU\"><\/iframe><\/figure>\n\n\n\n<p>Plus,\u00a0<a href=\"https:\/\/www.billboard.com\/music\/nicki-minaj\">Nicki Minaj<\/a>&#8216;s &#8220;Yikes&#8221; is the Hot 100&#8217;s second-highest new entry, bowing at No. 23, thanks to its No. 1 launch on Digital Song Sales (20,000) and No. 16 start on Streaming Songs (15.5 million). Minaj earns her fourth Digital Song Sales leader and first in a sole lead role, following trips to the top for a week each as featured on David Guetta&#8217;s &#8220;Turn Me On&#8221; (February 2012); with Jessie J and Ariana Grande on &#8220;Bang Bang&#8221; (August 2014); and as featured on BTS&#8217; &#8220;Idol&#8221; (September 2018).<\/p>\n\n\n\n<p>On the Hot 100, &#8220;Yikes&#8221; is Minaj&#8217;s 108th career entry, breaking her out of a tie with Kanye West and lifting her into sole possession of the fifth-most visits in the chart&#8217;s history (dating to the list&#8217;s Aug. 4, 1958, inception). Drake and the&nbsp;<em>Glee<\/em>&nbsp;Cast each lead with 207 appearances, followed by Lil Wayne (167) and Elvis Presley (109, with the Hot 100 having begun after his 1956 commercial breakthrough).<\/p>\n\n\n\n<p>Find out more Hot 100 news on Billboard.com this week, and, for all chart news, you can listen (and subscribe) to\u00a0<em>Billboard<\/em>&#8216;s\u00a0<em><a rel=\"noreferrer noopener\" href=\"https:\/\/itunes.apple.com\/us\/podcast\/pop-shop-podcast\/id720291560?mt=2\" target=\"_blank\">Pop Shop Podcast<\/a><\/em>\u00a0and\u00a0<em><a rel=\"noreferrer noopener\" href=\"https:\/\/open.spotify.com\/show\/4wYbgp2JPO4M1vKjbTmoqZ\" target=\"_blank\">This Week in Billboard News<\/a><\/em>\u00a0podcast and follow @billboard and @billboardcharts on both Twitter and Instagram. And again, be sure to visit Billboard.com tomorrow (Feb. 19), when all charts, including the Hot 100 in its entirety, will refresh.<\/p>\n\n\n\n<p>Source: billboard.com<\/p>\n<div id=\"themify_builder_content-1717\" data-postid=\"1717\" class=\"themify_builder_content themify_builder_content-1717 themify_builder themify_builder_front\">\r\n\r\n\t<\/div>\r\n<!-- \/themify_builder_content -->","protected":false},"excerpt":{"rendered":"<p>Roddy&nbsp;Ricch&#8216;s &#8220;The Box&#8221; spends a sixth week at No. 1 on the&nbsp;Billboard Hot 100. Plus,\u00a0Dua Lipa&#8216;s &#8220;Don&#8217;t Start Now&#8221; jumps from No. 9 to No. 6 on the Hot 100, equaling her career-best rank. She first reached No. 6 two years ago with &#8220;New Rules.&#8221; Let&#8217;s run down the top 10 of the newest Hot [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1718,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[1],"tags":[],"class_list":["post-1717","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-now","has-post-title","has-post-date","has-post-category","has-post-tag","no-post-comment","no-post-author"],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"_links":{"self":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/1717","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1717"}],"version-history":[{"count":1,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/1717\/revisions"}],"predecessor-version":[{"id":2887,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/1717\/revisions\/2887"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/"}],"wp:attachment":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1717"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1717"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1717"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}