{"id":1731,"date":"2020-03-02T13:56:25","date_gmt":"2020-03-02T21:56:25","guid":{"rendered":"http:\/\/musicnow.iprorecords.com\/?p=1731"},"modified":"2022-05-12T16:45:35","modified_gmt":"2022-05-12T16:45:35","slug":"bts-sets-new-career-best-on-hot-100-as-on-blasts-in-at-no-4-and-roddy-ricchs-the-box-rules-for-eighth-week","status":"publish","type":"post","link":"https:\/\/musicnow.iprorecords.com\/?p=1731","title":{"rendered":"BTS Sets New Career Best on Hot 100 as &#8216;On&#8217; Blasts in at No. 4 and Roddy Ricch&#8217;s &#8216;The Box&#8217; Rules for Eighth Week"},"content":{"rendered":"\r\n<script>\r\nif( document.getElementById( \"builder-styles-css\" ) ) document.getElementById( \"builder-styles-css\" ).insertAdjacentHTML( \"beforebegin\", \"<link rel='stylesheet' href='https:\/\/musicnow.iprorecords.com\/wp-content\/themes\/themify-music\/themify\/themify-builder\/css\/themify-builder-style.css' type='text\/css' \/>\" );\r\n<\/script>\r\n\t\t\t\n<h3 class=\"wp-block-heading\">&#8220;On&#8221; marks BTS&#8217; third and highest-peaking top 10.<\/h3>\n\n\n\n<p><a href=\"https:\/\/www.billboard.com\/music\/roddy-ricch\" target=\"_blank\" rel=\"noreferrer noopener\">Roddy Ricch<\/a>&#8216;s &#8220;The Box&#8221; posts an eighth week at No. 1 on the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/hot-100\" target=\"_blank\" rel=\"noreferrer noopener\">Billboard Hot 100<\/a>.<\/p>\n\n\n\n<p>Meanwhile,&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/bts\" target=\"_blank\" rel=\"noreferrer noopener\">BTS<\/a>&nbsp;scores its third and highest-peaking Hot 100 top 10, and the highest-charting song ever for a K-pop group, as &#8220;On&#8221; roars in at No. 4. The song is from the South Korean pop septet&#8217;s album&nbsp;<em>Map of the Soul: 7<\/em>, which launches as its&nbsp;<a href=\"https:\/\/www.billboard.com\/articles\/business\/chart-beat\/9326042\/bts-fourth-no-1-album-map-of-the-soul-7\" target=\"_blank\" rel=\"noreferrer noopener\">fourth No. 1<\/a>&nbsp;on the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/the-billboard-200\" target=\"_blank\" rel=\"noreferrer noopener\">Billboard 200<\/a>.<\/p>\n\n\n\n<p>Let&#8217;s run down of the top 10 of the newest Hot 100, which blends all-genre U.S. streaming, radio airplay and sales data. All charts (dated March 7) will update on Billboard.com tomorrow (March 3).<\/p>\n\n\n\n<figure><iframe loading=\"lazy\" width=\"650\" height=\"366\" allowfullscreen=\"allowfullscreen\" src=\"https:\/\/www.youtube.com\/embed\/uLHqpjW3aDs\"><\/iframe><\/figure>\n\n\n\n<p>&#8220;The Box,&#8221; released on Bird Vision\/Atlantic Records, posts a ninth week at No. 1 on the\u00a0<a rel=\"noreferrer noopener\" href=\"https:\/\/www.billboard.com\/charts\/streaming-songs\" target=\"_blank\">Streaming Songs<\/a>\u00a0chart, despite an 8% slide to 48.2 million U.S. streams in the week ending Feb. 27, according to Nielsen Music\/MRC Data. It pushes 10-8 on\u00a0<a rel=\"noreferrer noopener\" href=\"https:\/\/www.billboard.com\/charts\/radio-songs\" target=\"_blank\">Radio Songs<\/a>, gaining by 6% to 63.1 million all-format airplay audience impressions in the week ending March 1, while dropping 7-14 on\u00a0<a rel=\"noreferrer noopener\" href=\"https:\/\/www.billboard.com\/charts\/digital-song-sales\" target=\"_blank\">Digital Song Sales<\/a>, down 10% to 10,000 sold in the week ending Feb. 27.<\/p>\n\n\n\n<p>The song should benefit on next week&#8217;s charts (dated March 14) from the Friday, Feb. 28,&nbsp;<a href=\"https:\/\/www.billboard.com\/articles\/columns\/hip-hop\/9325838\/roddy-ricch-the-box-video\" target=\"_blank\" rel=\"noreferrer noopener\">premiere of its official video<\/a>.<\/p>\n\n\n\n<p>&#8220;The Box&#8221; concurrently rules the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/r-b-hip-hop-songs\" target=\"_blank\" rel=\"noreferrer noopener\">Hot R&amp;B\/Hip-Hop Songs<\/a>&nbsp;and&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/rap-song\" target=\"_blank\" rel=\"noreferrer noopener\">Hot Rap Songs<\/a>&nbsp;charts, which employ the same multi-metric methodology as the Hot 100, for a ninth week apiece.<\/p>\n\n\n\n<p>Future&#8217;s &#8220;Life Is Good,&#8221; featuring Drake, spends its seventh consecutive week at No. 2 on the Hot 100, encompassing its entire run on the chart so far. It also holds at No. 2 on Streaming Songs (40.6 million, down 3%), while surging 25-17 on Radio Songs (43.9 million, up 11%).<\/p>\n\n\n\n<p>&#8220;Good&#8221; is first song ever to log its first seven weeks on the Hot 100 at No. 2 (after none previously began with more than\u00a0<a rel=\"noreferrer noopener\" href=\"https:\/\/www.billboard.com\/articles\/business\/chart-beat\/8551188\/roddy-ricch-the-box-number-one-sixth-week\" target=\"_blank\">four weeks<\/a>\u00a0at the rank). While the song could still, of course, ascend to No. 1, as of now it is one of 19 entries in the Hot 100&#8217;s history to spend as many as seven weeks peaking at No. 2. It&#8217;s the first to do so since DJ Khaled&#8217;s &#8220;Wild Thoughts,&#8221; featuring Rihanna and Bryson Tiller, logged seven frames at its No. 2 high in July-September 2017. (Missy &#8220;Misdemeanor&#8221; Elliott&#8217;s &#8220;Work It&#8221; and Foreigner&#8217;s &#8220;Waiting for a Girl Like You&#8221; share the mark for the most weeks peaking at No. 2: 10 each, in 2002-03 and 1981-82, respectively.)<\/p>\n\n\n\n<p>Post Malone&#8217;s &#8220;Circles&#8221; stays at No. 3 on the Hot 100, after three nonconsecutive weeks at No. 1, as it notches a 10th week at No. 1 on Radio Songs (101.3 million, down 3%). It&#8217;s the first song to reach double-digits weeks atop the airplay survey since Khalid&#8217;s &#8220;Talk,&#8221; which reigned for 11 weeks beginning last June.<\/p>\n\n\n\n<p>&#8220;Circles&#8221; concurrently becomes Post Malone&#8217;s first No. 1 on the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/adult-pop-songs\" target=\"_blank\" rel=\"noreferrer noopener\">Adult Pop Songs<\/a>&nbsp;radio airplay chart. It advances 10-9 on&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/adult-contemporary\" target=\"_blank\" rel=\"noreferrer noopener\">Adult Contemporary<\/a>, where it&#8217;s his first top 10, after it&nbsp;<a href=\"https:\/\/www.billboard.com\/articles\/business\/chart-beat\/8551160\/post-malone-circles-10th-week-no-1-pop-songs-chart\" target=\"_blank\" rel=\"noreferrer noopener\">topped Pop Songs for 10 weeks<\/a>.<\/p>\n\n\n\n<figure><iframe loading=\"lazy\" width=\"650\" height=\"366\" allowfullscreen=\"allowfullscreen\" src=\"https:\/\/www.youtube.com\/embed\/mPVDGOVjRQ0\"><\/iframe><\/figure>\n\n\n\n<p>BTS achieves its third and highest-peaking Hot 100 top 10, and the highest-charting song ever by a K-pop group (and first such top five hit), as &#8220;On&#8221; roars onto the chart at No. 4. The single is from&nbsp;<em>Map of the Soul: 7<\/em>, which bows as BTS&#8217; fourth No. 1 on the Billboard 200, earning 422,000 equivalent album units, marking the biggest week for an album so far in 2020.<\/p>\n\n\n\n<p>&#8220;On&#8221; previously reached the Hot 100&#8217;s top 10 with &#8220;Boy With Luv&#8221; (featuring Halsey), which debuted and peaked at No. 8 on the chart dated April 27, 2019, and &#8220;Fake Love,&#8221; which launched at No. 10 on June 2, 2018.<\/p>\n\n\n\n<p>Now with three Hot 100 top 10s, BTS boasts the most of any K-pop act, besting rapper PSY, who has tallied two (and the only prior such top five titles): &#8220;Gangnam Style&#8221; (No. 2, 2012) and &#8220;Gentleman&#8221; (No. 5, 2013).<\/p>\n\n\n\n<p>Meanwhile, &#8220;On&#8221; sets the record for the highest-debuting Hot 100 entry for a K-pop song, four ranks better than the arrival of &#8220;Boy With Luv.&#8221;<\/p>\n\n\n\n<p>&#8220;On&#8221; charges onto Digital Song Sales at No. 1, becoming BTS&#8217; third leader, after &#8220;Idol,&#8221; featuring Niki Minaj (Sept. 8, 2018), and &#8220;Fake Love&#8221; (June 2, 2018). &#8220;On&#8221; opens with 86,000 downloads sold, marking BTS&#8217; best sales week for a song and the strongest for any title since Taylor Swift&#8217;s &#8220;Me!,&#8221; featuring Brendon Urie, bounded in with 193,000 on the chart dated May 11, 2019. &#8220;On&#8221; sports the highest sales frame for a song by a group since Jonas Brothers&#8217; &#8220;Sucker&#8221; started with 88,000 (March 16, 2019).<\/p>\n\n\n\n<p>On Streaming Songs, &#8220;On&#8221; debuts at No. 12 with 18.3 million U.S. streams. Meanwhile, the song&#8217;s official video premiered Friday, Feb. 28, and its arrival will bolster the track&#8217;s performances on next week&#8217;s, March 14-dated, charts.<\/p>\n\n\n\n<p>Dua Lipa&#8217;s &#8220;Don&#8217;t Start Now&#8221; holds at its No. 5 Hot 100 high; Arizona Zervas&#8217; &#8220;Roxanne&#8221; remains at No. 6, after reaching No. 4; and Tones and I&#8217;s &#8220;Dance Monkey&#8221; dips from its No. 4 peak to No. 7.<\/p>\n\n\n\n<p>The Weeknd&#8217;s &#8220;Blinding Lights&#8221; lifts from No. 10 to a new No. 8 high on the Hot 100. Following the&nbsp;<a href=\"https:\/\/www.billboard.com\/articles\/columns\/hip-hop\/8551359\/the-weeknd-after-hours-release-date-title-track-release\" target=\"_blank\" rel=\"noreferrer noopener\">Feb. 18 announcement<\/a>&nbsp;that his new album,&nbsp;<em>After Hours<\/em>, is due March 20, the song soars by 10% to 21.4 million U.S. streams. Meanwhile, the set&#8217;s title track flies 77-20 on the Hot 100, drawing 20.4 million clicks in the first full week of tracking after its release, also on Feb. 18.<\/p>\n\n\n\n<p>Rounding out the Hot 100&#8217;s top 10, Maroon 5&#8217;s &#8220;Memories&#8221; falls 7-9, after hitting No. 2, and Lewis Capaldi&#8217;s &#8220;Someone You Loved&#8221; descends 8-10, after it spent three weeks at No. 1.<\/p>\n\n\n\n<p>Find out more Hot 100 news on Billboard.com this week, and, for all chart news, you can listen (and subscribe) to\u00a0<em>Billboard<\/em>&#8216;s\u00a0<em><a rel=\"noreferrer noopener\" href=\"https:\/\/itunes.apple.com\/us\/podcast\/pop-shop-podcast\/id720291560?mt=2\" target=\"_blank\">Pop Shop Podcast<\/a><\/em>\u00a0and\u00a0<em><a rel=\"noreferrer noopener\" href=\"https:\/\/open.spotify.com\/show\/4wYbgp2JPO4M1vKjbTmoqZ\" target=\"_blank\">This Week in Billboard News<\/a><\/em>\u00a0podcast and follow @billboard and @billboardcharts on both Twitter and Instagram. And again, be sure to visit Billboard.com tomorrow (March 3), when all charts, including the Hot 100 in its entirety, will refresh.<\/p>\n\n\n\n<p>Source: billboard.com<\/p>\n<div id=\"themify_builder_content-1731\" data-postid=\"1731\" class=\"themify_builder_content themify_builder_content-1731 themify_builder themify_builder_front\">\r\n\r\n\t<\/div>\r\n<!-- \/themify_builder_content -->","protected":false},"excerpt":{"rendered":"<p>&#8220;On&#8221; marks BTS&#8217; third and highest-peaking top 10. Roddy Ricch&#8216;s &#8220;The Box&#8221; posts an eighth week at No. 1 on the&nbsp;Billboard Hot 100. Meanwhile,&nbsp;BTS&nbsp;scores its third and highest-peaking Hot 100 top 10, and the highest-charting song ever for a K-pop group, as &#8220;On&#8221; roars in at No. 4. The song is from the South Korean [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1732,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[1],"tags":[],"class_list":["post-1731","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-now","has-post-title","has-post-date","has-post-category","has-post-tag","no-post-comment","no-post-author"],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"_links":{"self":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/1731","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1731"}],"version-history":[{"count":1,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/1731\/revisions"}],"predecessor-version":[{"id":2884,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/1731\/revisions\/2884"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/"}],"wp:attachment":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1731"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1731"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1731"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}