{"id":1739,"date":"2020-03-09T12:07:59","date_gmt":"2020-03-09T19:07:59","guid":{"rendered":"http:\/\/musicnow.iprorecords.com\/?p=1739"},"modified":"2022-05-12T16:45:35","modified_gmt":"2022-05-12T16:45:35","slug":"lady-gagas-stupid-love-launches-at-no-5-on-hot-100-roddy-ricchs-the-box-notches-ninth-week-at-no-1","status":"publish","type":"post","link":"https:\/\/musicnow.iprorecords.com\/?p=1739","title":{"rendered":"Lady Gaga&#8217;s &#8216;Stupid Love&#8217; Launches at No. 5 on Hot 100, Roddy Ricch&#8217;s &#8216;The Box&#8217; Notches Ninth Week at No. 1"},"content":{"rendered":"\r\n<script>\r\nif( document.getElementById( \"builder-styles-css\" ) ) document.getElementById( \"builder-styles-css\" ).insertAdjacentHTML( \"beforebegin\", \"<link rel='stylesheet' href='https:\/\/musicnow.iprorecords.com\/wp-content\/themes\/themify-music\/themify\/themify-builder\/css\/themify-builder-style.css' type='text\/css' \/>\" );\r\n<\/script>\r\n\t\t\t\n<h3 class=\"wp-block-heading\">Gaga earns her 16th top 10, and highest debut in nine years.<\/h3>\n\n\n\n<p><a href=\"https:\/\/www.billboard.com\/music\/roddy-ricch\" target=\"_blank\" rel=\"noreferrer noopener\">Roddy Ricch<\/a>&#8216;s &#8220;The Box&#8221; spends a ninth week at No. 1 on the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/hot-100\" target=\"_blank\" rel=\"noreferrer noopener\">Billboard Hot 100<\/a>.<\/p>\n\n\n\n<p>Meanwhile,&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/lady-gaga\" target=\"_blank\" rel=\"noreferrer noopener\">Lady Gaga<\/a>&#8216;s &#8220;Stupid Love&#8221; soars onto the Hot 100 at No. 5, becoming her 16th top 10 and highest-debuting entry since &#8220;The Edge of Glory&#8221; nearly nine years ago.<\/p>\n\n\n\n<p>Let&#8217;s run down of the top 10 of the newest Hot 100, which blends all-genre U.S. streaming, radio airplay and sales data. All charts (dated March 14) will update on Billboard.com tomorrow (March 10).<\/p>\n\n\n\n<figure><iframe loading=\"lazy\" width=\"650\" height=\"366\" allowfullscreen=\"allowfullscreen\" src=\"https:\/\/www.youtube.com\/embed\/uLHqpjW3aDs\"><\/iframe><\/figure>\n\n\n\n<p>&#8220;The Box,&#8221; released on Bird Vision\/Atlantic Records, logs a 10th week at No. 1 on the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/streaming-songs\" target=\"_blank\" rel=\"noreferrer noopener\">Streaming Songs<\/a>&nbsp;chart, up 2% to 49.1 million U.S. streams in the week ending March 5, according to Nielsen Music\/MRC Data, helped by the long-awaited Feb. 28&nbsp;<a href=\"https:\/\/www.billboard.com\/articles\/columns\/hip-hop\/9325838\/roddy-ricch-the-box-video\" target=\"_blank\" rel=\"noreferrer noopener\">premiere of its official video<\/a>.<\/p>\n\n\n\n<p>The song is the first to post double-digit weeks at No. 1 on Streaming Songs since Lil Nas X&#8217;s &#8220;Old Town Road&#8221; (featuring Billy Ray Cyrus), which ran up a record 20 weeks on top beginning last April.<\/p>\n\n\n\n<p>The track rebounds 14-7 (returning to its peak) on&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/digital-song-sales\" target=\"_blank\" rel=\"noreferrer noopener\">Digital Song Sales<\/a>, up 10% to 11,000 sold in the week ending March 5, while holding at its No. 8 high on&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/radio-songs\" target=\"_blank\" rel=\"noreferrer noopener\">Radio Songs<\/a>, up less than 1% to 63.4 million all-format airplay audience impressions in the week ending March 8.<\/p>\n\n\n\n<p>&#8220;The Box&#8221; concurrently rules the\u00a0<a rel=\"noreferrer noopener\" href=\"https:\/\/www.billboard.com\/charts\/r-b-hip-hop-songs\" target=\"_blank\">Hot R&amp;B\/Hip-Hop Songs<\/a>\u00a0and\u00a0<a rel=\"noreferrer noopener\" href=\"https:\/\/www.billboard.com\/charts\/rap-song\" target=\"_blank\">Hot Rap Songs<\/a>\u00a0charts, which employ the same multi-metric methodology as the Hot 100, for a 10th week each.<\/p>\n\n\n\n<p>Future&#8217;s &#8220;Life Is Good,&#8221; featuring Drake, notches its eighth consecutive week at No. 2 on the Hot 100, comprising its entire run on the chart so far. It also holds at No. 2 on Streaming Songs (35.4 million, down 13%), while rising 17-15 on Radio Songs (49.7 million, up 13%).<\/p>\n\n\n\n<p>&#8220;Good&#8221; is first song ever to log its first eight weeks on the Hot 100 at No. 2 (after none previously began with more than&nbsp;<a href=\"https:\/\/www.billboard.com\/articles\/business\/chart-beat\/8551188\/roddy-ricch-the-box-number-one-sixth-week\" target=\"_blank\" rel=\"noreferrer noopener\">four weeks<\/a>&nbsp;at the rank). While the song could still ascend to No. 1, as of now it is one of just 10 entries in the Hot 100&#8217;s history to spend as many as eight weeks peaking at No. 2. It&#8217;s the first to do so since Ed Sheeran&#8217;s &#8220;Thinking Out Loud&#8221; logged eight frames at its No. 2 high in January-March 2015. (Missy &#8220;Misdemeanor&#8221; Elliott&#8217;s &#8220;Work It&#8221; and Foreigner&#8217;s &#8220;Waiting for a Girl Like You&#8221; share the mark for the most weeks peaking at No. 2: 10 each, in 2002-03 and 1981-82, respectively.)<\/p>\n\n\n\n<figure><iframe loading=\"lazy\" width=\"650\" height=\"366\" allowfullscreen=\"allowfullscreen\" src=\"https:\/\/www.youtube.com\/embed\/l0U7SxXHkPY\"><\/iframe><\/figure>\n\n\n\n<p>Meanwhile, &#8220;Good&#8221; has posted all eight of its weeks at No. 2 on the Hot 100 below &#8220;The Box.&#8221; How rare is it for&nbsp;<em>two songs to rank at Nos. 1 and 2 for at least eight weeks, specifically with the latter never reaching the top<\/em>&nbsp;(a fate, again, not yet sealed for &#8220;Good&#8221;)? Here&#8217;s an updated look at the longest-stretching such pairings:<\/p>\n\n\n\n<p>10 weeks<br>No. 1: &#8220;Lose Yourself,&#8221; Eminem \/ No. 2: &#8220;Work It,&#8221; Missy &#8220;Misdemeanor&#8221; Elliott, 2002-03<\/p>\n\n\n\n<p>9 weeks<br>No. 1: &#8220;Macarena (Bayside Boys Mix),&#8221; Los Del Rio \/ No. 2: &#8220;I Love You Always Forever,&#8221; Donna Lewis, 1996<br>No. 1: &#8220;Physical,&#8221; Olivia Newton-John \/ No. 2: &#8220;Waiting for a Girl Like You,&#8221; Foreigner, 1981-82<\/p>\n\n\n\n<p>8 weeks<br><em>No. 1: &#8220;The Box,&#8221; Roddy Ricch \/ No. 2: &#8220;Life Is Good,&#8221; Future feat. Drake, 2020<\/em><br>No. 1: &#8220;Uptown Funk!,&#8221; Mark Ronson feat. Bruno Mars \/ No. 2: &#8220;Thinking Out Loud,&#8221; Ed Sheeran, 2015<br>No. 1: &#8220;Smooth,&#8221; Santana feat. Rob Thomas \/ No. 2: &#8220;Back at One,&#8221; Brian McKnight, 1999-2000<br>No. 1: &#8220;The Boy Is Mine,&#8221; Brandy &amp; Monica \/ No. 2: &#8220;You&#8217;re Still the One,&#8221; Shania Twain, 1998<\/p>\n\n\n\n<p>(The stats above pertain only to songs when they ranked at Nos. 1 and 2 together; for instance, while Foreigner&#8217;s &#8220;Girl&#8221; peaked at No. 2 for nine weeks below &#8220;Physical,&#8221; it tacked on another week at the rank beneath Daryl Hall and John Oates&#8217; &#8220;No Can Do [I Can&#8217;t Go for That],&#8221; for 10 total weeks at its No. 2 peak.)<\/p>\n\n\n\n<p>Dua Lipa&#8217;s &#8220;Don&#8217;t Start Now&#8221; rises 5-3 on the Hot 100, marking a new high for the song and the singer-songwriter, who earns her first top three Hot 100 hit. It holds at No. 2 on Radio Songs (95.3 million, up 5%), while gaining by 5% to 18.4 million streams and 10% to 12,000 sold.<\/p>\n\n\n\n<p>Post Malone&#8217;s &#8220;Circles&#8221; descends 3-4 on the Hot 100, after three nonconsecutive weeks at No. 1, as it adds an 11th week at No. 1 on Radio Songs (101.1 million, essentially even week-over-week).<\/p>\n\n\n\n<figure><iframe loading=\"lazy\" width=\"650\" height=\"366\" allowfullscreen=\"allowfullscreen\" src=\"https:\/\/www.youtube.com\/embed\/5L6xyaeiV58\"><\/iframe><\/figure>\n\n\n\n<p>Lady Gaga&#8217;s &#8220;Stupid Love&#8221; launches at No. 5 on the Hot 100, marking her 16th top 10, and first since &#8220;Shallow&#8221; (with Bradley Cooper), which became her fourth No. 1 when it topped the March 9, 2019-dated chart. She logs her seventh debut in the top 10; her first since &#8220;Dope&#8221; started at No. 8 in November 2013; and her highest-bowing since &#8220;The Edge of Glory&#8221; opened at No. 3 in May 2011.<\/p>\n\n\n\n<p>Plus, thanks to &#8220;Shallow&#8221; and &#8220;Stupid Love,&#8221; Gaga boasts Hot 100 top 10s in consecutive years for the first time since she tallied two in 2010 and four in 2011.<\/p>\n\n\n\n<p>Following its release (along with its official video) on Feb. 28, &#8220;Stupid Love&#8221; bounds in at No. 1 on Digital Song Sales with 53,000 sold, arriving as her seventh leader on the list. It begins at No. 9 on Streaming Songs with 19.7 million U.S. streams and No. 40 on Radio Songs with 23.7 million in audience.<\/p>\n\n\n\n<p>Meanwhile, Gaga, who first hit the Hot 100&#8217;s top 10 with her first No. 1, &#8220;Just Dance,&#8221; featuring Colby O&#8217;Donis, in December 2008, becomes the fifth artist to have ranked in the top 10 in the 2000s, &#8217;10s and &#8217;20s, following Mariah Carey, Drake, Eminem and Maroon 5. (Carey also reached the top 10 in the 1990s.)<\/p>\n\n\n\n<p>Somethin&#8217; extra-&#8220;stupid&#8221;: &#8220;Stupid Love&#8221; is the second Hot 100 top 10 with &#8220;stupid&#8221; in its title. Nancy and Frank Sinatra&#8217;s &#8220;Somethin&#8217; Stupid&#8221; spent four weeks at No. 1 in 1967.<\/p>\n\n\n\n<p>&#8220;Stupid Love&#8221; concurrently vaults in at No. 1 on&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/dance-electronic-songs\" target=\"_blank\" rel=\"noreferrer noopener\">Hot Dance\/Electronic Songs<\/a>, becoming Gaga&#8217;s second leader, after &#8220;Applause&#8221; reigned for three weeks in August-September 2013 (following the chart&#8217;s inception that January).<\/p>\n\n\n\n<p>&#8220;Stupid Love&#8221; is the first single from Gaga&#8217;s album\u00a0<em>Chromatica<\/em>,\u00a0<a rel=\"noreferrer noopener\" href=\"https:\/\/www.billboard.com\/articles\/columns\/pop\/9326398\/lady-gaga-new-album-chromatica-release-date\" target=\"_blank\">due April 10<\/a>.<\/p>\n\n\n\n<p>Rounding out the Hot 100&#8217;s top 10, Arizona Zervas&#8217; &#8220;Roxanne&#8221; keeps at No. 6, after peaking at No. 4; The Weeknd&#8217;s &#8220;Blinding Lights&#8221; lifts 8-7 for a new best rank; Tones and I&#8217;s &#8220;Dance Monkey&#8221; drops 7-8, after climbing to No. 4; Maroon 5&#8217;s &#8220;Memories&#8221; holds at No. 9, after hitting No. 2; and Justin Bieber&#8217;s &#8220;Intentions,&#8221; featuring Quavo, rebounds 11-10, after reaching No. 9.<\/p>\n\n\n\n<p>Find out more Hot 100 news on Billboard.com this week, and, for all chart news, you can listen (and subscribe) to\u00a0<em>Billboard<\/em>&#8216;s\u00a0<em><a rel=\"noreferrer noopener\" href=\"https:\/\/itunes.apple.com\/us\/podcast\/pop-shop-podcast\/id720291560?mt=2\" target=\"_blank\">Pop Shop Podcast<\/a><\/em>\u00a0and\u00a0<em><a rel=\"noreferrer noopener\" href=\"https:\/\/open.spotify.com\/show\/4wYbgp2JPO4M1vKjbTmoqZ\" target=\"_blank\">This Week in Billboard News<\/a><\/em>\u00a0podcast and follow @billboard and @billboardcharts on both Twitter and Instagram. And again, be sure to visit Billboard.com tomorrow (March 10), when all charts, including the Hot 100 in its entirety, will refresh.<\/p>\n\n\n\n<p>Source: billboard.com<\/p>\n<div id=\"themify_builder_content-1739\" data-postid=\"1739\" class=\"themify_builder_content themify_builder_content-1739 themify_builder themify_builder_front\">\r\n\r\n\t<\/div>\r\n<!-- \/themify_builder_content -->","protected":false},"excerpt":{"rendered":"<p>Gaga earns her 16th top 10, and highest debut in nine years. Roddy Ricch&#8216;s &#8220;The Box&#8221; spends a ninth week at No. 1 on the&nbsp;Billboard Hot 100. Meanwhile,&nbsp;Lady Gaga&#8216;s &#8220;Stupid Love&#8221; soars onto the Hot 100 at No. 5, becoming her 16th top 10 and highest-debuting entry since &#8220;The Edge of Glory&#8221; nearly nine years [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1740,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[1],"tags":[],"class_list":["post-1739","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-now","has-post-title","has-post-date","has-post-category","has-post-tag","no-post-comment","no-post-author"],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"_links":{"self":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/1739","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1739"}],"version-history":[{"count":1,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/1739\/revisions"}],"predecessor-version":[{"id":2882,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/1739\/revisions\/2882"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/"}],"wp:attachment":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1739"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1739"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1739"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}