{"id":2104,"date":"2021-01-04T14:53:51","date_gmt":"2021-01-04T22:53:51","guid":{"rendered":"https:\/\/musicnow.iprorecords.com\/?p=2104"},"modified":"2022-05-12T16:44:38","modified_gmt":"2022-05-12T16:44:38","slug":"24kgoldns-mood-returns-to-no-1-on-hot-100-dua-lipas-levitating-lifts-to-top-10","status":"publish","type":"post","link":"https:\/\/musicnow.iprorecords.com\/?p=2104","title":{"rendered":"24kGoldn&#8217;s &#8216;Mood&#8217; Returns to No. 1 on Hot 100, Dua Lipa&#8217;s &#8216;Levitating&#8217; Lifts to Top 10"},"content":{"rendered":"\r\n<script>\r\nif( document.getElementById( \"builder-styles-css\" ) ) document.getElementById( \"builder-styles-css\" ).insertAdjacentHTML( \"beforebegin\", \"<link rel='stylesheet' href='https:\/\/musicnow.iprorecords.com\/wp-content\/themes\/themify-music\/themify\/themify-builder\/css\/themify-builder-style.css' type='text\/css' \/>\" );\r\n<\/script>\r\n\t\t\t\n<h3 class=\"wp-block-heading\">Plus, The Weeknd&#8217;s &#8220;Blinding Lights&#8221; makes a record re-entry at No. 3 as holiday hits recede.<\/h3>\n\n\n\n<p><a href=\"https:\/\/www.billboard.com\/music\/24kgoldn\" target=\"_blank\" rel=\"noreferrer noopener\">24kGoldn<\/a>&#8216;s &#8220;Mood,&#8221; featuring&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/iann-dior\" target=\"_blank\" rel=\"noreferrer noopener\">Iann Dior<\/a>, rebounds from No. 7 for a seventh total week at No. 1 on the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/hot-100\" target=\"_blank\" rel=\"noreferrer noopener\">Billboard Hot 100<\/a>&nbsp;songs chart. The song resurges as a sleighful of holiday hits drop on, or depart entirely from, the survey.<\/p>\n\n\n\n<p>Plus,\u00a0<a rel=\"noreferrer noopener\" href=\"https:\/\/www.billboard.com\/music\/the-weeknd\" target=\"_blank\">The Weeknd<\/a>&#8216;s former No. 1 &#8220;Blinding Lights&#8221; returns to the Hot 100 at No. 3, marking the highest re-entry in the chart&#8217;s history, and\u00a0<a rel=\"noreferrer noopener\" href=\"https:\/\/www.billboard.com\/music\/dua-lipa\" target=\"_blank\">Dua Lipa<\/a>&#8216;s &#8220;Levitating,&#8221; featuring\u00a0<a rel=\"noreferrer noopener\" href=\"https:\/\/www.billboard.com\/music\/dababy\" target=\"_blank\">DaBaby<\/a>, soars to the top 10 for the first time (27-10).<\/p>\n\n\n\n<p>Meanwhile,&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/mariah-carey\" target=\"_blank\" rel=\"noreferrer noopener\">Mariah Carey<\/a>&#8216;s &#8220;All I Want for Christmas Is You&#8221; falls to No. 9 on the Hot 100 from No. 1. Still, the carol was the most-streamed song of the week, even with Dec. 25 and the next six days after Christmas comprising the chart&#8217;s streaming tracking week.<\/p>\n\n\n\n<p>The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated Jan. 9) will update on&nbsp;Billboard.com&nbsp;tomorrow (Jan. 5). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.<\/p>\n\n\n\n<figure><iframe loading=\"lazy\" width=\"650\" height=\"360\" allowfullscreen=\"\" src=\"https:\/\/www.youtube.com\/embed\/GrAchTdepsU\"><\/iframe><\/figure>\n\n\n\n<p>&#8220;Mood,&#8221; released on RECORDS\/Columbia Records, and the first Hot 100 No. 1 for both 24kGoldn and Iann Dior, drew 17.5 million U.S. streams (up 4%) and sold 7,000 downloads (up 39%) in the week ending Dec. 31, according to Nielsen Music\/MRC Data. It also tallied 82.3 million radio airplay audience impressions (up 1%) in the week ending Jan. 3.<\/p>\n\n\n\n<p>Notably, &#8220;Mood&#8221; makes its record-tying fourth separate ascent to No. 1 on the Hot 100. It first topped the chart dated Oct. 24, 2020, and remained atop the Oct. 31 survey; after dropping to No. 3 on the Nov. 7 chart, it led again on the lists dated Nov. 14, 21 and 28; &#8220;Mood&#8221; fell to No. 2 on Dec. 5 and rebounded for a sixth week at No. 1 on Dec. 12; it then dipped to Nos. 2, 5 and 7, successively, the last three weeks. Previously, only Drake&#8217;s &#8220;Nice For What&#8221; made four climbs to No. 1, in 2018.<\/p>\n\n\n\n<p>&#8220;Mood&#8221; spends a 10th week at No. 1 on the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/radio-songs\" target=\"_blank\" rel=\"noreferrer noopener\">Radio Songs<\/a>&nbsp;chart and charges 33-5 on&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/streaming-songs\" target=\"_blank\" rel=\"noreferrer noopener\">Streaming Songs<\/a>&nbsp;and 22-6 on&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/digital-song-sales\" target=\"_blank\" rel=\"noreferrer noopener\">Digital Song Sales<\/a>. It tops the multi-metric&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/rock-songs\" target=\"_blank\" rel=\"noreferrer noopener\">Hot Rock &amp; Alternative Songs<\/a>&nbsp;and&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/hot-alternative-songs\" target=\"_blank\" rel=\"noreferrer noopener\">Hot Alternative Songs<\/a>&nbsp;charts for an 18th week each and&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/rap-song\" target=\"_blank\" rel=\"noreferrer noopener\">Hot Rap Songs<\/a>&nbsp;for a 12th frame, with all three charts using the same methodology as the Hot 100.<\/p>\n\n\n\n<p>A week ago, a one-week record nine holiday hits (<a href=\"https:\/\/www.billboard.com\/articles\/business\/chart-beat\/9504998\/mariah-carey-christmas-tops-hot-100-fifth-week\/\" target=\"_blank\" rel=\"noreferrer noopener\">led by Carey&#8217;s<\/a>) infused the Hot 100&#8217;s top 10. With eight of those songs gone from the tier, Ariana Grande&#8217;s &#8220;Positions,&#8221; like &#8220;Mood,&#8221; makes a sizable rebound, from No. 14 to No. 2; it&nbsp;<a href=\"https:\/\/www.billboard.com\/articles\/business\/chart-beat\/9477041\/ariana-positions-luke-combs-hot-100-number-one\/\" target=\"_blank\" rel=\"noreferrer noopener\">led the Nov. 7-dated chart<\/a>&nbsp;upon its debut.<\/p>\n\n\n\n<figure><iframe loading=\"lazy\" width=\"650\" height=\"360\" allowfullscreen=\"\" src=\"https:\/\/www.youtube.com\/embed\/4NRXx6U8ABQ\"><\/iframe><\/figure>\n\n\n\n<p>Also benefiting from the downturn of seasonal songs, combined with resulting boosts in multiple metrics for numerous non-holiday titles in their place (many of which were also aided by year-end retrospective play), The Weeknd&#8217;s &#8220;Blinding Lights&#8221; blasts back onto the Hot 100 at No. 3, with 56.9 million airplay audience impressions (up 26%), 12.5 million streams (up 7%) and 9,000 sold (up 82%).<\/p>\n\n\n\n<p>&#8220;Lights&#8221; spent four weeks at No. 1 on the Hot 100 (eventually ranking as the chart&#8217;s\u00a0<a rel=\"noreferrer noopener\" href=\"https:\/\/www.billboard.com\/articles\/business\/chart-beat\/9493054\/the-weeknd-blinding-lights-hot-100-song-2020-year-in-charts\" target=\"_blank\">top hit of all of 2020<\/a>) and logs its 56th total week on the tally. (Digging into the details of the song&#8217;s re-entry at No. 3 on the Hot 100, after its 55th frame on the Dec. 26-dated chart, it did not appear on last week&#8217;s list, as it would&#8217;ve ranked below No. 25; per Hot 100 rules, songs with more than 52 weeks on the chart are removed if below No. 25 [and those with more than 20 weeks are removed if below No. 50]. As Yuletide hits have dashed up the Hot 100&#8217;s upper ranks in recent holiday seasons, followed by their swoons after Christmas, non-seasonal songs are eligible to re-enter once holiday titles decline, if meeting all chart eligibility rules. Below &#8220;Lights,&#8221; 10 other hits re-enter in the top 50.)<\/p>\n\n\n\n<p>&#8220;Lights&#8221; scores a record-extending 43rd week in the Hot 100&#8217;s top 10. It also adds a sixth week at No. 1 on the multi-metric&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/r-b-hip-hop-songs\" target=\"_blank\" rel=\"noreferrer noopener\">Hot R&amp;B\/Hip-Hop Songs<\/a>&nbsp;chart and a record-padding 40th frame atop&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/r-and-b-songs\" target=\"_blank\" rel=\"noreferrer noopener\">Hot R&amp;B Songs<\/a>.<\/p>\n\n\n\n<p>Rounding out the Hot 100&#8217;s top five, Justin Bieber&#8217;s &#8220;Holy,&#8221; featuring Chance the Rapper, flies 21-4, after debuting at its No. 3 high in October, and BTS&#8217; &#8220;Dynamite&#8221; vaults 44-5, after it debuted atop the chart in September and logged three total weeks at the summit. &#8220;Dynamite&#8221; posts a 12th week at No. 1 on Digital Song Sales (45,000, up 183%).<\/p>\n\n\n\n<p>Chris Brown and Young Thug&#8217;s &#8220;Go Crazy&#8221; hurtles 24-6 on the Hot 100, surpassing its prior No. 9 high reached in August (as it returns to the top 10 after 19 subsequent weeks all in the top 25); Drake&#8217;s &#8220;Laugh Now Cry Later,&#8221; featuring Lil Durk, darts 25-7, after debuting at its No. 2 peak in August; and Gabby Barrett&#8217;s &#8220;I Hope,&#8221; featuring Charlie Puth, jumps 30-8 after rising to No. 3 in November, as it rules\u00a0<a rel=\"noreferrer noopener\" href=\"https:\/\/www.billboard.com\/charts\/country-songs\" target=\"_blank\">Hot Country Songs<\/a>\u00a0for a 23rd week.<\/p>\n\n\n\n<p>Carey&#8217;s &#8220;All I Want for Christmas Is You&#8221; drops from No. 1 to No. 9 on the Hot 100, with 22.7 million U.S. streams (down 59%) and 4,000 sold (down 66%) in the Dec. 25-31 tracking week. It also tallied 1.4 million radio airplay audience impressions (down from 33.7 million) in the Dec. 28-Jan. 3 tracking period.<\/p>\n\n\n\n<p>Despite the streaming tracking week covering Dec. 25 and the next six days after Christmas, the song, originally released in 1994, remains atop Streaming Songs, where it reigns for a 10th total week. A week earlier, &#8220;Christmas&#8221; claimed its fifth total week atop the Hot 100, passing the domination of the only other holiday No. 1 in the chart&#8217;s history, &#8220;The Chipmunk Song&#8221; by The Chipmunks with David Seville (four weeks, 1958-59).<\/p>\n\n\n\n<figure><iframe loading=\"lazy\" width=\"650\" height=\"360\" allowfullscreen=\"\" src=\"https:\/\/www.youtube.com\/embed\/TUVcZfQe-Kw\"><\/iframe><\/figure>\n\n\n\n<p>Closing out the Hot 100&#8217;s top 10, Dua Lipa&#8217;s &#8220;Levitating,&#8221; featuring DaBaby, zooms 27-10, with 47.5 million in radio audience (up 5%), 10.2 million streams (down 1%) and 9,000 sold (up 2%).<\/p>\n\n\n\n<p>Lipa adds her third Hot 100 top 10, following &#8220;Don&#8217;t Start Now&#8221; (No. 2 peak, March 2020) and &#8220;New Rules&#8221; (No. 6, February 2018). DaBaby collects his fifth Hot 100 top 10, all earned since June 2019.<\/p>\n\n\n\n<p>Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated Jan. 9), including the Hot 100 in its entirety, will refresh on\u00a0Billboard.com\u00a0tomorrow (Jan. 5).<\/p>\n\n\n\n<p>Source: billboard.com<\/p>\n<div id=\"themify_builder_content-2104\" data-postid=\"2104\" class=\"themify_builder_content themify_builder_content-2104 themify_builder themify_builder_front\">\r\n\r\n\t<\/div>\r\n<!-- \/themify_builder_content -->","protected":false},"excerpt":{"rendered":"<p>Plus, The Weeknd&#8217;s &#8220;Blinding Lights&#8221; makes a record re-entry at No. 3 as holiday hits recede. 24kGoldn&#8216;s &#8220;Mood,&#8221; featuring&nbsp;Iann Dior, rebounds from No. 7 for a seventh total week at No. 1 on the&nbsp;Billboard Hot 100&nbsp;songs chart. The song resurges as a sleighful of holiday hits drop on, or depart entirely from, the survey. Plus,\u00a0The [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2107,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[1],"tags":[],"class_list":["post-2104","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-now","has-post-title","has-post-date","has-post-category","has-post-tag","no-post-comment","no-post-author"],"jetpack_featured_media_url":"https:\/\/musicnow.iprorecords.com\/wp-content\/uploads\/2021\/01\/24kGoldn-2020-cr-phil-knott-billboard-1548-1598382040-compressed2.jpg","jetpack_publicize_connections":[],"_links":{"self":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/2104","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2104"}],"version-history":[{"count":1,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/2104\/revisions"}],"predecessor-version":[{"id":2801,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/2104\/revisions\/2801"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/media\/2107"}],"wp:attachment":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2104"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2104"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2104"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}