{"id":2136,"date":"2021-01-31T14:10:32","date_gmt":"2021-01-31T22:10:32","guid":{"rendered":"https:\/\/musicnow.iprorecords.com\/?p=2136"},"modified":"2022-05-12T16:44:37","modified_gmt":"2022-05-12T16:44:37","slug":"morgan-wallens-dangerous-makes-it-three-weeks-at-no-1-on-billboard-200-chart","status":"publish","type":"post","link":"https:\/\/musicnow.iprorecords.com\/?p=2136","title":{"rendered":"Morgan Wallen&#8217;s &#8216;Dangerous&#8217; Makes it Three Weeks at No. 1 on Billboard 200 Chart"},"content":{"rendered":"\r\n<script>\r\nif( document.getElementById( \"builder-styles-css\" ) ) document.getElementById( \"builder-styles-css\" ).insertAdjacentHTML( \"beforebegin\", \"<link rel='stylesheet' href='https:\/\/musicnow.iprorecords.com\/wp-content\/themes\/themify-music\/themify\/themify-builder\/css\/themify-builder-style.css' type='text\/css' \/>\" );\r\n<\/script>\r\n\t\t\t\n<h3 class=\"wp-block-heading\">Plus: Anuel AA and Ozuna\u2019s &#8216;Los Dioses&#8217; debuts in the top 10.<\/h3>\n\n\n\n<p><a href=\"https:\/\/www.billboard.com\/music\/morgan-wallen\" target=\"_blank\" rel=\"noreferrer noopener\">Morgan Wallen<\/a>\u2019s&nbsp;<em>Dangerous: The Double Album<\/em>&nbsp;stays put at No. 1 on the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/billboard-200\" target=\"_blank\" rel=\"noreferrer noopener\">Billboard 200<\/a>&nbsp;for a third straight week, becoming the first country album to spend three weeks atop the list in eight years. The set earned 130,000 equivalent album units in the U.S. in the week ending Jan. 28 (down 18%), according to MRC Data.<\/p>\n\n\n\n<p>The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on&nbsp;multi-metric consumption as measured in equivalent album units. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid\/subscription on-demand official audio and video streams generated by songs from an album. The new Feb. 6, 2021-dated chart (where&nbsp;<em>Dangerous<\/em>&nbsp;holds at No. 1) will be posted in full on&nbsp;<em>Billboard<\/em>&#8216;s website on Feb. 2. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.<\/p>\n\n\n\n<p>Of\u00a0<em>Dangerous<\/em>\u2019 130,000 equivalent album units earned in the tracking week ending Jan. 28, SEA units comprise 115,000 (down 14%, equaling 154.13 million on-demand streams of the album\u2019s 30 songs), album sales comprise 12,000 (down 44%) and TEA units comprise 3,000 (down 22%).<\/p>\n\n\n\n<p><em>Dangerous<\/em>&nbsp;is just the second album in the last 12 months to notch three weeks of at least 125,000 units earned. It follows&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/taylor-swift\" target=\"_blank\" rel=\"noreferrer noopener\">Taylor Swift<\/a>\u2019s&nbsp;<em>Folklore<\/em>, which debuted with 846,000 units (Aug. 8, 2020, chart) and then tallied 135,000 and 136,000 in its second and third weeks.<\/p>\n\n\n\n<p>Speaking of Swift, with&nbsp;<em>Dangerous<\/em>&nbsp;holding at No. 1 for a third week on the Billboard 200, a country album holds court for a third straight week. The last album to score three weeks at No. 1, that also appeared on the Top Country Albums chart, was Taylor Swift\u2019s&nbsp;<em>Red<\/em>, which tallied seven nonconsecutive weeks in the pole position between the charts dated Nov. 10, 2012, and Jan. 12, 2013.&nbsp;<em>Red<\/em>&nbsp;also spent its&nbsp;<em>first<\/em>&nbsp;three weeks at No. 1 (Nov. 10-24, 2012).<\/p>\n\n\n\n<p>The last album by a male artist to log three weeks at No. 1 on the Billboard 200, and its&nbsp;<em>first<\/em>&nbsp;three weeks at No. 1 &#8212; and also appear on Top Country Albums &#8212; was&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/elvis-presley\" target=\"_blank\" rel=\"noreferrer noopener\">Elvis Presley<\/a>\u2019s&nbsp;<em>Elv1s: 30 #1 Hits<\/em>, which clocked a total of three weeks in the lead on the Billboard 200 (Oct. 12, 2002 &#8212; its debut week &#8212; and then Oct. 19 and 26).<\/p>\n\n\n\n<p>The last album of new material by a male artist to spend three weeks at No. 1, and also appear on Top Country Albums, was Alan Jackson\u2019s\u00a0<em>Drive<\/em>\u00a0in 2002, with a total of four weeks in the lead. It spent its first three weeks at No. 1 on the Billboard 200 (Feb. 2-16) and then notched one more week at No. 1 on the March 2 list.<\/p>\n\n\n\n<p>Three former No. 1s trail&nbsp;<em>Dangerous<\/em>&nbsp;(released via Big Loud\/Republic Records) on the new Billboard 200, as&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/pop-smoke\" target=\"_blank\" rel=\"noreferrer noopener\">Pop Smoke<\/a>\u2019s&nbsp;<em>Shoot for the Stars Aim for the Moon<\/em>&nbsp;(Victor Victor Worldwide\/Republic) is steady at No. 2 (45,000 equivalent album units earned; down 4%), Swift\u2019s&nbsp;<em>Evermore<\/em>&nbsp;(Republic) rises 4-3 (35,000; down 15%) and&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/the-weeknd\" target=\"_blank\" rel=\"noreferrer noopener\">The Weeknd<\/a>\u2019s&nbsp;<em>After Hours<\/em>&nbsp;(XO\/Republic) climbs 8-4 (nearly 35,000; up 6%).<\/p>\n\n\n\n<p>Republic Records is the distributing label for all four albums &#8212; the first time since 1996 that one label has monopolized Nos. 1-4 on the Billboard 200. On the Dec. 7, 1996, chart, Interscope held the top four with&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/bush\" target=\"_blank\" rel=\"noreferrer noopener\">Bush<\/a>\u2019s&nbsp;<em>Razorblade Suitcase<\/em>&nbsp;(Trauma\/Interscope),&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/snoop-dogg\" target=\"_blank\" rel=\"noreferrer noopener\">Snoop Doggy Dogg<\/a>\u2019s&nbsp;<em>Tha Doggfather<\/em>&nbsp;(Death Row\/Interscope),&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/no-doubt\" target=\"_blank\" rel=\"noreferrer noopener\">No Doubt<\/a>\u2019s&nbsp;<em>Tragic Kingdom<\/em>&nbsp;(Trauma\/Interscope) and&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/2pac\" target=\"_blank\" rel=\"noreferrer noopener\">Makaveli<\/a>\u2019s&nbsp;<em>The Don Killuminati: The 7 Day Theory&nbsp;<\/em>(Death Row\/Interscope).<\/p>\n\n\n\n<p>Back on the new Billboard 200,\u00a0<a rel=\"noreferrer noopener\" href=\"https:\/\/www.billboard.com\/music\/lil-durk\" target=\"_blank\">Lil Durk<\/a>\u2019s\u00a0<em>The Voice<\/em>\u00a0rises 6-5 with 32,000 equivalent album units earned (down 13%), while\u00a0<a rel=\"noreferrer noopener\" href=\"https:\/\/www.billboard.com\/music\/juice-wrld\" target=\"_blank\">Juice WRLD<\/a>\u2019s former No. 1\u00a0<em>Legends Never Die<\/em>\u00a0bumps 9-6 (just over 31,000; down 2%) and\u00a0<a rel=\"noreferrer noopener\" href=\"https:\/\/www.billboard.com\/music\/ariana-grande\" target=\"_blank\">Ariana Grande<\/a>\u2019s previous leader\u00a0<em>Positions<\/em>\u00a0falls 5-7 (31,000; down 22%). Universal Music Group (UMG) distributes the top seven albums &#8212; the first time a company has held Nos. 1-7 since UMG last did it on the Nov. 17, 2018-dated chart.<\/p>\n\n\n\n<p>Two more former No. 1s are up next, as&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/luke-combs\" target=\"_blank\" rel=\"noreferrer noopener\">Luke Combs<\/a>\u2019&nbsp;<em>What You See Is What You Get<\/em>&nbsp;rises 10-8 (30,000 equivalent album units earned; down 4%) and&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/lil-baby\" target=\"_blank\" rel=\"noreferrer noopener\">Lil Baby<\/a>\u2019s&nbsp;<em>My Turn<\/em>&nbsp;ascends 11-9 (30,000; up less than 1%).<\/p>\n\n\n\n<p>Closing out the new top 10 is arrival of&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/anuel-aa\" target=\"_blank\" rel=\"noreferrer noopener\">Anuel AA<\/a>&nbsp;and&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/ozuna\" target=\"_blank\" rel=\"noreferrer noopener\">Ozuna<\/a>\u2019s collaborative album&nbsp;<em>Los Dioses<\/em>, which debuts at No. 10 with 29,000 equivalent album units earned. Of&nbsp;<em>Los Dioses\u2019<\/em>&nbsp;29,000 equivalent album units earned, SEA units comprise 23,000 (equaling 34.44 million on-demand streams of the album\u2019s songs), album sales comprise 6,000 and TEA units comprise a negligible number.<\/p>\n\n\n\n<p><em>Los Dioses<\/em>\u00a0is the second top 10 for both acts. Anuel AA nabbed his first top 10 visit with\u00a0<em>Emmanuel<\/em>\u00a0(No. 8 on June 13, 2020) and Ozuna reached the region with\u00a0<em>Aura<\/em>\u00a0(No. 7; Sept. 18, 2018).<\/p>\n\n\n\n<p>Source: billboard.com<\/p>\n<div id=\"themify_builder_content-2136\" data-postid=\"2136\" class=\"themify_builder_content themify_builder_content-2136 themify_builder themify_builder_front\">\r\n\r\n\t<\/div>\r\n<!-- \/themify_builder_content -->","protected":false},"excerpt":{"rendered":"<p>Plus: Anuel AA and Ozuna\u2019s &#8216;Los Dioses&#8217; debuts in the top 10. Morgan Wallen\u2019s&nbsp;Dangerous: The Double Album&nbsp;stays put at No. 1 on the&nbsp;Billboard 200&nbsp;for a third straight week, becoming the first country album to spend three weeks atop the list in eight years. The set earned 130,000 equivalent album units in the U.S. in the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2120,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[1],"tags":[],"class_list":["post-2136","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-now","has-post-title","has-post-date","has-post-category","has-post-tag","no-post-comment","no-post-author"],"jetpack_featured_media_url":"https:\/\/musicnow.iprorecords.com\/wp-content\/uploads\/2021\/01\/Morgan-Wallen-cr-John-Shearer-2021-billboard-1548-1610650954-compressed1.jpg","jetpack_publicize_connections":[],"_links":{"self":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/2136","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2136"}],"version-history":[{"count":1,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/2136\/revisions"}],"predecessor-version":[{"id":2794,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/2136\/revisions\/2794"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/media\/2120"}],"wp:attachment":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2136"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2136"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2136"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}