{"id":2201,"date":"2021-03-21T13:42:57","date_gmt":"2021-03-21T20:42:57","guid":{"rendered":"https:\/\/musicnow.iprorecords.com\/?p=2201"},"modified":"2022-05-12T16:44:36","modified_gmt":"2022-05-12T16:44:36","slug":"morgan-wallens-dangerous-spends-10th-week-at-no-1-on-billboard-200-chart","status":"publish","type":"post","link":"https:\/\/musicnow.iprorecords.com\/?p=2201","title":{"rendered":"Morgan Wallen&#8217;s &#8216;Dangerous&#8217; Spends 10th Week at No. 1 on Billboard 200 Chart"},"content":{"rendered":"\r\n<script>\r\nif( document.getElementById( \"builder-styles-css\" ) ) document.getElementById( \"builder-styles-css\" ).insertAdjacentHTML( \"beforebegin\", \"<link rel='stylesheet' href='https:\/\/musicnow.iprorecords.com\/wp-content\/themes\/themify-music\/themify\/themify-builder\/css\/themify-builder-style.css' type='text\/css' \/>\" );\r\n<\/script>\r\n\t\t\t\n<h3 class=\"wp-block-heading\">Plus: Giveon and Rob Zombie debut in top 10, Dua Lipa\u2019s \u2018Future Nostalgia\u2019 hits new peak &amp; Taylor Swift\u2019s \u2018Folklore\u2019 jumps 29-10 after Grammy Award wins.<\/h3>\n\n\n\n<p><a href=\"https:\/\/www.billboard.com\/music\/morgan-wallen\" target=\"_blank\" rel=\"noreferrer noopener\">Morgan Wallen<\/a>\u2019s&nbsp;<em>Dangerous: The Double Album<\/em>&nbsp;hits double digits at No. 1 on the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/billboard-200\" target=\"_blank\" rel=\"noreferrer noopener\">Billboard 200<\/a>, as the set spends its 10th week atop the list. It arrived at No. 1 nine weeks ago (on the chart dated Jan. 23) and has yet to budge from the top.&nbsp;<em>Dangerous<\/em>&nbsp;is the first album to spend its first 10 weeks at No. 1 since 1987 (more on that in a moment) and continues to have the most total weeks at No. 1 since Drake\u2019s&nbsp;<em>Views<\/em>&nbsp;spent 13 nonconsecutive weeks in the lead in 2016.<\/p>\n\n\n\n<p><em>Dangerous<\/em>&nbsp;earned 69,000 equivalent album units in the U.S. in the week ending March 11 (down 11%), according to MRC Data.<\/p>\n\n\n\n<p>The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on&nbsp;multi-metric consumption as measured in equivalent album units. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid\/subscription on-demand official audio and video streams generated by songs from an album. The new March 27, 2021-dated chart (where&nbsp;<em>Dangerous<\/em>&nbsp;is No. 1 for a 10th week) will be posted in full on&nbsp;<em>Billboard<\/em>&#8216;s website on March 23. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.ARTISTS MENTIONED<a href=\"https:\/\/www.billboard.com\/music\/dua-lipa\">Dua Lipa<\/a><a href=\"https:\/\/www.billboard.com\/music\/morgan-wallen\">Morgan Wallen<\/a><a href=\"https:\/\/www.billboard.com\/music\/rob-zombie\">Rob Zombie<\/a><a href=\"https:\/\/www.billboard.com\/music\/taylor-swift\">Taylor Swift<\/a><\/p>\n\n\n\n<p>Of&nbsp;<em>Dangerous<\/em>\u2019 69,000 equivalent album units earned in the tracking week ending March 11, SEA units comprise 64,000 (down 10%, equaling 88.85 million on-demand streams of the album\u2019s songs), album sales comprise 4,000 (down 30%) and TEA units comprise 1,000 (down 9%).<\/p>\n\n\n\n<p><em>Dangerous<\/em>&nbsp;is the first album to spend its&nbsp;<em>first 10 weeks<\/em>&nbsp;at No. 1 on the Billboard 200 since 1987, when&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/whitney-houston\" target=\"_blank\" rel=\"noreferrer noopener\">Whitney Houston<\/a>\u2019s&nbsp;<em>Whitney<\/em>&nbsp;album logged all 11 of its weeks at No. 1 from its debut week (from the June 27 through Sept. 5, 1987-dated charts). Before that, the only other album to spend its first 10 weeks at No. 1 on the chart, which began regularly publishing as a weekly survey in March of 1956, was&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/stevie-wonder\" target=\"_blank\" rel=\"noreferrer noopener\">Stevie Wonder<\/a>\u2019s&nbsp;<em>Songs in the Key of Life<\/em>. It spent its first 13 weeks at No. 1 (of a total of 14 nonconsecutive weeks at No. 1) from the Oct. 16, 1976, through Jan. 8, 1977-dated charts. Notably&nbsp;<em>Dangerous<\/em>&nbsp;is the first album to accomplish the feat since MRC Data (then SoundScan) information began powering the chart in May of 1991.<\/p>\n\n\n\n<p><em>Dangerous<\/em>&nbsp;is also the first album to string together 10 weeks in a row at No. 1 in total since Adele\u2019s&nbsp;<em>21<\/em>&nbsp;linked 10 weeks in 2012 (of its total 24 nonconsecutive weeks at No. 1).<\/p>\n\n\n\n<p><em>Dangerous<\/em>&nbsp;is one of just four country albums to spend at least 10 weeks at No. 1 on the Billboard 200 &#8212; since the chart began publishing on a regular weekly basis in March of 1956. (Country albums are defined as those that have charted on&nbsp;<em>Billboard<\/em>\u2019s&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/country-albums\" target=\"_blank\" rel=\"noreferrer noopener\">Top Country Albums<\/a>&nbsp;chart.) Ahead of&nbsp;<em>Dangerous<\/em>&nbsp;among country sets with the most weeks at No. 1:&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/garth-brooks\" target=\"_blank\" rel=\"noreferrer noopener\">Garth Brooks<\/a>\u2019&nbsp;<em>Ropin\u2019 the Wind<\/em>&nbsp;(18 weeks, 1991-92),&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/billy-ray-cyrus\" target=\"_blank\" rel=\"noreferrer noopener\">Billy Ray Cyrus<\/a>\u2019&nbsp;<em>Some Gave All<\/em>&nbsp;(17, 1992) and&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/taylor-swift\" target=\"_blank\" rel=\"noreferrer noopener\">Taylor Swift<\/a>\u2019s&nbsp;<em>Fearless<\/em>&nbsp;(11, 2008-09).<\/p>\n\n\n\n<p><a rel=\"noreferrer noopener\" href=\"https:\/\/www.billboard.com\/music\/pop-smoke\" target=\"_blank\">Pop Smoke<\/a>\u2019s former No. 1&nbsp;<em>Shoot for the Stars Aim for the Moon<\/em>&nbsp;is a non-mover at No. 2 on the new Billboard 200, with 40,000 equivalent album units earned (down 2%).<\/p>\n\n\n\n<p><a href=\"https:\/\/www.billboard.com\/music\/dua-lipa\" target=\"_blank\" rel=\"noreferrer noopener\">Dua Lipa<\/a>\u2019s&nbsp;<em>Future Nostalgia<\/em>&nbsp;gets a big Grammy Awards bump, as the album hits a new peak, rising 6-3 (37,000 units; up 27%). The set surpasses its original chart high of No. 4, achieved in its debut frame (April 11, 2020).&nbsp;<em>Future Nostalgia<\/em>&nbsp;won the Grammy Award for pop vocal album during CBS\u2019 televised broadcast of the Grammys on March 14, while Lipa also performed two&nbsp;<em>Future Nostalgia<\/em>&nbsp;songs on the show: \u201cLevitating,\u201d featuring DaBaby, and \u201cDon\u2019t Start Now.\u201d<\/p>\n\n\n\n<p>The Weeknd\u2019s&nbsp;<em>After Hours<\/em>&nbsp;is stationary at No. 4 with 32,000 equivalent album units earned (up less than 1%).<\/p>\n\n\n\n<p>R&amp;B singer&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/giveon\" target=\"_blank\" rel=\"noreferrer noopener\">Giveon<\/a>&nbsp;scores his first top 10 with the No. 5 debut of&nbsp;<em>When It\u2019s All Said and Done\u2026 Take Time<\/em>, bowing with 32,000 equivalent album units earned. Of the album\u2019s starting sum, 30,000 comprise SEA units (equaling 43.56 million on-demand streams of the set\u2019s tracks), 2,000 comprise album sales and a negligible sum comprises TEA&nbsp;units.The&nbsp;13-track set compiles his two earlier projects, both released in 2020 &#8212; the eight-track&nbsp;<em>Take Time<\/em>&nbsp;and the four-track&nbsp;<em>When It\u2019s All Said and Done<\/em>&nbsp;&#8212; and adds one new song: \u201cAll to Me.\u201d<\/p>\n\n\n\n<p><em>Take Time<\/em>&nbsp;and&nbsp;<em>When It\u2019s All Said and Done<\/em>&nbsp;have generated a half-billion on-demand streams to date for their tracks in the U.S. Further,&nbsp;<em>Take Time<\/em>&nbsp;garnered Giveon his first Grammy nomination, for best R&amp;B album this year.<\/p>\n\n\n\n<p>Giveon first dented&nbsp;<em>Billboard<\/em>\u2019s charts a little under a year ago, when&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/drake\" target=\"_blank\" rel=\"noreferrer noopener\">Drake<\/a>\u2019s \u201cChicago Freestyle,\u201d on which he\u2019s featured, debuted on multiple tallies in May of 2020, including the top 10 of&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/rap-song\" target=\"_blank\" rel=\"noreferrer noopener\">Hot Rap Songs<\/a>&nbsp;and the top 20 of the all-genre Billboard Hot 100. The success of the track pushed Giveon to a debut last May in the top 20 of&nbsp;<em>Billboard<\/em>\u2019s&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/emerging-artists\" target=\"_blank\" rel=\"noreferrer noopener\">Emerging Artists<\/a>&nbsp;chart, where he peaked at No. 3 this February.<\/p>\n\n\n\n<p>He broke out on his own with singles such as \u201cLike I Want You\u201d and \u201cHeartbreak Anniversary.\u201d The former hit No. 10 on the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/r-and-b-songs\" target=\"_blank\" rel=\"noreferrer noopener\">Hot R&amp;B Songs<\/a>&nbsp;chart last November, while the latter marked his second top 10 on the this February. Giveon is also getting attention by way of his featured turn on&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/justin-bieber\" target=\"_blank\" rel=\"noreferrer noopener\">Justin Bieber<\/a>\u2019s recently released track \u201cPeaches.\u201d<\/p>\n\n\n\n<p><a rel=\"noreferrer noopener\" href=\"https:\/\/www.billboard.com\/music\/pooh-shiesty\" target=\"_blank\">Pooh Shiesty<\/a>\u2019s&nbsp;<em>Shiesty Season<\/em>&nbsp;falls 3-6 on the new Billboard 200 with 30,000 equivalent album units earned (down 8%),&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/www.billboard.com\/music\/lil-baby\" target=\"_blank\">Lil Baby<\/a>\u2019s former No. 1&nbsp;<em>My Turn<\/em>&nbsp;is steady at No. 7 with just under 30,000 units (up 2%) and Lil Durk\u2019s&nbsp;<em>The Voice<\/em>&nbsp;slips 5-8 with 29,000 units (down 7%).<\/p>\n\n\n\n<p><a href=\"https:\/\/www.billboard.com\/music\/rob-zombie\" target=\"_blank\" rel=\"noreferrer noopener\">Rob Zombie<\/a>&nbsp;achieves his seventh top 10 album on the Billboard 200 as his new studio set&nbsp;<em>The Lunar Injection Kool Aid Eclipse Conspiracy<\/em>&nbsp;debuts at No. 9. All seven of Zombie\u2019s solo studio albums have now reached the top 10. The new set earned 28,000 equivalent album units in its debut frame. Of that sum, 26,000 comprise album sales (it\u2019s the top-selling album of the week), 2,000 comprise SEA units (totaling 2.77 million in on-demand streams of the set\u2019s tracks) and a negligible sum comprise TEA units.<\/p>\n\n\n\n<p>The album was led by the single \u201cThe Triumph of King Freak (A Crypt of Preservation and Superstition),\u201d which has so far peaked at No. 18 on the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/hot-mainstream-rock-tracks\" target=\"_blank\" rel=\"noreferrer noopener\">Mainstream Rock Airplay<\/a>&nbsp;chart.&nbsp;<em>Lunar<\/em>&nbsp;was released via Nuclear Blast and marks the company\u2019s second top 10, following&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/slayer\" target=\"_blank\" rel=\"noreferrer noopener\">Slayer<\/a>\u2019s&nbsp;<em>Repentless<\/em>&nbsp;(No. 4) in 2015.<\/p>\n\n\n\n<p>Closing out the Billboard 200\u2019s new top 10 is&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/www.billboard.com\/music\/taylor-swift\" target=\"_blank\">Taylor Swift<\/a>\u2019s former No. 1&nbsp;<em>Folklore<\/em>, which jumps 29-10 with 28,000 equivalent album units earned (up 59%). The set is basking in the glow of its Grammy Award win for album of the year on March 14, as well as Swift\u2019s three-song medley performance on the show. (She sang&nbsp;<em>Folklore<\/em>\u2019s \u201cCardigan\u201d and \u201cAugust,\u201d as well as her&nbsp;<em>Evermore<\/em>&nbsp;single \u201cWillow.\u201d)<\/p>\n\n\n\n<p>Source: billboard.com<\/p>\n\n\n<p><!--EndFragment--><br>\n<br>\n<\/p><div id=\"themify_builder_content-2201\" data-postid=\"2201\" class=\"themify_builder_content themify_builder_content-2201 themify_builder themify_builder_front\">\r\n\r\n\t<\/div>\r\n<!-- \/themify_builder_content -->","protected":false},"excerpt":{"rendered":"<p>Plus: Giveon and Rob Zombie debut in top 10, Dua Lipa\u2019s \u2018Future Nostalgia\u2019 hits new peak &amp; Taylor Swift\u2019s \u2018Folklore\u2019 jumps 29-10 after Grammy Award wins. Morgan Wallen\u2019s&nbsp;Dangerous: The Double Album&nbsp;hits double digits at No. 1 on the&nbsp;Billboard 200, as the set spends its 10th week atop the list. It arrived at No. 1 nine [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2202,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[2,1],"tags":[],"class_list":["post-2201","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-song-for-you","category-music-now","has-post-title","has-post-date","has-post-category","has-post-tag","no-post-comment","no-post-author"],"jetpack_featured_media_url":"https:\/\/musicnow.iprorecords.com\/wp-content\/uploads\/2021\/03\/02-feature-morgan-wallen-01-billboard-eric-ryan-anderson-1548-1612206252-compressed1.jpg","jetpack_publicize_connections":[],"_links":{"self":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/2201","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2201"}],"version-history":[{"count":1,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/2201\/revisions"}],"predecessor-version":[{"id":2779,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/2201\/revisions\/2779"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/media\/2202"}],"wp:attachment":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2201"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2201"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2201"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}