{"id":2485,"date":"2021-11-21T12:07:14","date_gmt":"2021-11-21T20:07:14","guid":{"rendered":"https:\/\/musicnow.iprorecords.com\/?p=2485"},"modified":"2022-05-12T16:44:27","modified_gmt":"2022-05-12T16:44:27","slug":"taylor-swift-scores-10th-no-1-album-on-billboard-200-chart-with-red-taylors-version","status":"publish","type":"post","link":"https:\/\/musicnow.iprorecords.com\/?p=2485","title":{"rendered":"Taylor Swift Scores 10th No. 1 Album on Billboard 200 Chart with \u2018Red (Taylor\u2019s Version)\u2019"},"content":{"rendered":"\r\n<script>\r\nif( document.getElementById( \"builder-styles-css\" ) ) document.getElementById( \"builder-styles-css\" ).insertAdjacentHTML( \"beforebegin\", \"<link rel='stylesheet' href='https:\/\/musicnow.iprorecords.com\/wp-content\/themes\/themify-music\/themify\/themify-builder\/css\/themify-builder-style.css' type='text\/css' \/>\" );\r\n<\/script>\r\n\t\t\t\n<p><a href=\"https:\/\/www.billboard.com\/music\/taylor-swift\">Taylor Swift<\/a>&nbsp;storms in at No. 1 on the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/billboard-200\/\">Billboard 200<\/a>&nbsp;albums chart dated Nov. 27 with&nbsp;<em>Red (Taylor\u2019s Version)<\/em>, her re-recording of her 2012 album,&nbsp;<em>Red<\/em>, which led the list for seven weeks in 2012-13.<\/p>\n\n\n\n<p>The new 30-track release, which adds a bevy of previously unheard \u201cFrom the Vault\u201d songs, gives Swift a milestone 10th No. 1 on the chart, making her just the second woman with 10 No. 1s in chart\u2019s 65-year history.\u00a0<a href=\"https:\/\/www.billboard.com\/music\/barbra-streisand\">Barbra Streisand<\/a>\u00a0has the most No. 1s among women, with 11.<\/p>\n\n\n\n<p><em>Red (Taylor\u2019s Version)<\/em>\u00a0earned 605,000 equivalent album units in the U.S. in the week ending Nov. 18, according to MRC Data. That marks the second-largest week of the year, trailing only the debut frame of\u00a0<a href=\"https:\/\/www.billboard.com\/music\/drake\">Drake<\/a>\u2019s\u00a0<em>Certified Lover Boy<\/em>, which racked up 613,000 units in the week ending Sept. 9.\u00a0<em>Red (Taylor\u2019s Version)<\/em>\u00a0also launches with the best week of the year in terms of traditional album sales: 369,000. <\/p>\n\n\n\n<p><em>Red (Taylor\u2019s Version)<\/em>&nbsp;is Swift\u2019s second re-recorded album, following&nbsp;<em>Fearless (Taylor\u2019s Version)<\/em>, which also debuted at No. 1, in April.<\/p>\n\n\n\n<p>Also in the new top 10: Silk Sonic \u2014 the duo of&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/bruno-mars\">Bruno Mars<\/a>&nbsp;and&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/anderson-paak\">Anderson .Paak<\/a>&nbsp;\u2014 enters at No. 2 with their debut collaborative project,&nbsp;<em>An Evening With Silk Sonic<\/em>;&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/twice\">TWICE<\/a>\u2019s&nbsp;<em>Formula of Love: O+T=&lt;3<\/em>&nbsp;starts at No. 3; and&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/jason-aldean\">Jason Aldean<\/a>\u2019s&nbsp;<em>Macon<\/em>&nbsp;bows at No. 8.<\/p>\n\n\n\n<p>The&nbsp;<a href=\"https:\/\/www.billboard.com\/t\/billboard-200\/\">Billboard 200<\/a>&nbsp;chart ranks the most popular albums of the week in the U.S. based on&nbsp;multi-metric consumption as measured in equivalent album units. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid\/subscription on-demand official audio and video streams generated by songs from an album. The new Nov. 27, 2021-dated chart (where<em>&nbsp;Red [Taylor\u2019s Version]<\/em>&nbsp;debuts at No. 1) will be posted in full on&nbsp;<em>Billboard<\/em>\u2018s website on Nov. 23. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.<\/p>\n\n\n\n<p>Of&nbsp;<em>Red (Taylor\u2019s Version)<\/em>\u2019s 605,000 equivalent album units earned in the U.S. in the week ending Nov. 18, album sales comprise 369,000, SEA units comprise 227,000 (equaling 303.23 million on-demand streams of the set\u2019s 30 tracks), and TEA units comprise 9,000 units.<\/p>\n\n\n\n<p><em>Red (Taylor\u2019s Version)<\/em>\u00a0contains new versions of the original album\u2019s 16 songs, along with its four deluxe edition bonus tracks and the 2012 charity single \u201cRonan.\u201d Nine additional \u201cFrom the Vault\u201d recordings complete the new project: six previously unreleased tracks that were written for\u00a0<em>Red<\/em>, a 10-minute version of the album\u2019s \u201cAll Too Well,\u201d and Swift\u2019s solo renditions of the songs \u201cBetter Man\u201d and \u201cBabe.\u201d The latter two tracks were written for\u00a0<em>Red<\/em>, but not released by Swift at the time and later recorded and released by\u00a0<a href=\"https:\/\/www.billboard.com\/music\/little-big-town\">Little Big Town<\/a>\u00a0and\u00a0<a href=\"https:\/\/www.billboard.com\/music\/sugarland\">Sugarland<\/a>, respectively.<\/p>\n\n\n\n<p><em>Red (Taylor\u2019s Version)<\/em>&nbsp;was announced on June 18 for release on Nov. 19. On Sept. 30, the release date was moved up a week to Nov. 12. Swift ushered in the album with appearances on NBC\u2019s&nbsp;<em>The Tonight Show Starring Jimmy Fallon<\/em>&nbsp;and&nbsp;<em>Late Night With Seth Meyers<\/em>&nbsp;(both on Nov. 11), followed by a&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/pop\/taylor-swift-snl-all-too-well-10-minute-version-performance-video-9659774\/\">performance on&nbsp;<em>Saturday Night Live<\/em><\/a>&nbsp;on Nov. 13. On the latter, she performed the 10-minute version of the album\u2019s \u201cAll Too Well.\u201d<\/p>\n\n\n\n<p>\u201cAll Too Well\u201d also garnered its own 15-minute short film, which doubled as its music video, directed by Swift and starring Dylan O\u2019Brien and Sadie Sink. Swift dropped an official video for one of the album\u2019s \u201cFrom the Vault\u201d tracks \u201cI Bet You Think About Me,\u201d featuring&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/chris-stapleton\">Chris Stapleton<\/a>. The clip was directed by Blake Lively and co-stars Miles Teller.<\/p>\n\n\n\n<p>Swift additionally&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/pop\/starbucks-taylor-swift-coffee-collaboration-9659157\/\">partnered with Starbucks<\/a>, where the coffee giant promoted Swift\u2019s favorite Starbucks beverage while also playing her music inside stores. The chain did not sell the CD, however (although Starbucks used to regularly sell CDs in its stores). Customers could order Swift\u2019s fave Starbucks drink: a Grande Caramel Nonfat Latte \u2026 by asking for a Taylor\u2019s Latte or a Taylor\u2019s Version.<\/p>\n\n\n\n<p>Let\u2019s take a look at some of the feats that Swift achieves with the debut of<em>&nbsp;Red (Taylor\u2019s Version)<\/em>:<\/p>\n\n\n\n<p><strong>10 No. 1 Albums<\/strong>:&nbsp;<em>Red (Taylor\u2019s Version)<\/em>&nbsp;is Swift\u2019s 10th No. 1 album on the Billboard 200 chart. She becomes just the second woman to achieve 10 No. 1s, following Barbra Streisand, who has 11.<\/p>\n\n\n\n<p>Among all acts, The Beatles continue to have the most No. 1 albums on the Billboard 200, with 19, dating back to when the list began regularly publishing on a weekly basis in March of 1956.<\/p>\n\n\n\n<p>Most Billboard 200 No. 1s:<br>19, The Beatles<br>14, Jay-Z<br>11, Bruce Springsteen<br>11, Barbra Streisand<br>11, Taylor Swift<br>10, Drake<br>10, Eminem<br>10, Elvis Presley<br>10, Kanye West<\/p>\n\n\n\n<p>Swift garnered her first No. 1 with\u00a0<em>Fearless<\/em>, her second studio LP, which debuted atop the chart dated Nov. 29, 2008.<\/p>\n\n\n\n<p><strong>Fastest Accumulation of Four No. 1 Albums by a Solo Artist<\/strong>: Swift has\u2026 swiftly earned four No. 1 albums on the Billboard 200, in just a little under 16 months (or, 68 weeks). That\u2019s the fastest that a solo artist has accumulated four No. 1s since the Billboard 200 began regularly publishing on a weekly basis in March of 1956.<\/p>\n\n\n\n<p>Previously, among soloists,&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/elton-john\">Elton John<\/a>&nbsp;earned four No. 1s the fastest, with just 69 weeks between his final four No. 1s in 1974-75.<\/p>\n\n\n\n<p>Swift\u2019s four-pack of No. 1s began slightly less than a year and four months ago, when&nbsp;<em>Folklore<\/em>&nbsp;debuted at No. 1 on the chart dated Aug. 8, 2020. She followed it with the chart-topping arrivals of&nbsp;<em>Evermore<\/em>&nbsp;(Dec. 26, 2020-dated chart),&nbsp;<em>Fearless (Taylor\u2019s Version)<\/em>&nbsp;(April 24, 2021) and now&nbsp;<em>Red (Taylor\u2019s Version)<\/em>&nbsp;(Nov. 27, 2021).<\/p>\n\n\n\n<p>John\u2019s hot-streak of four No. 1s (of his total seven), started with&nbsp;<em>Caribou<\/em>&nbsp;(July 14, 1974) and was followed by&nbsp;<em>Greatest Hits&nbsp;<\/em>(Nov. 30, 1974),&nbsp;<em>Captain Fantastic and the Brown Dirt Cowboy<\/em>&nbsp;(June 7, 1975) and&nbsp;<em>Rock of the Westies<\/em>&nbsp;(Nov. 8, 1975). (All seven of John\u2019s No. 1s came between July 15, 1972 and Nov. 8, 1975.)<\/p>\n\n\n\n<p>Among all artists, including duos and groups, the last act to collect four No. 1s faster than Swift was&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/the-monkees\">The Monkees<\/a>&nbsp;in 1967. The quartet collected all four of its No. 1s in just 13 months (55 weeks).<\/p>\n\n\n\n<p>The made-for-TV band notched all four of its No. 1s in quick succession, with its self-titled album (it peaked at No. 1 on Nov. 12, 1966),&nbsp;<em>More of the Monkees<\/em>&nbsp;(Feb. 11, 1967),&nbsp;<em>Headquarters<\/em>&nbsp;(June 24, 1967) and&nbsp;<em>Pisces, Aquarius, Capricorn, and Jones LTD.<\/em>&nbsp;(Dec. 2, 1967).<\/p>\n\n\n\n<p><strong>Largest Sales Week of 2021<\/strong>: With 369,000 copies sold,&nbsp;<em>Red (Taylor\u2019s Version)<\/em>&nbsp;&nbsp;logs the biggest sales week for any album in 2021. The previous largest sales week of the year was held by Swift\u2019s latest studio album of all-original material,&nbsp;<em>Evermore<\/em>, when it&nbsp;<a href=\"https:\/\/www.billboard.com\/pro\/taylor-swift-evermore-billboard-200-chart-return-number-1\/\">sold 192,000 copies<\/a>&nbsp;in the week ending June 3, following its release on vinyl LP.<\/p>\n\n\n\n<p>Helping sales of\u00a0<em>Red (Taylor\u2019s Version)<\/em>\u00a0is its release on CD, digital download and vinyl LP all on Nov. 12. That\u2019s unlike\u00a0<em>Fearless (Taylor\u2019s Version)<\/em>\u00a0and\u00a0<em>Evermore<\/em>, which both saw staggered releases for its formats, with their hefty-selling vinyl LPs arriving months after the album\u2019s original release.<\/p>\n\n\n\n<p>Sales of&nbsp;<em>Red (Taylor\u2019s Version)<\/em>&nbsp;were also enhanced by the availability of CDs signed by Swift in her official webstore and at independent retailers.<\/p>\n\n\n\n<p><strong>Modern-Era Record Vinyl Sales Week\u2026 Again<\/strong>:&nbsp;<em>Red (Taylor\u2019s Version)<\/em>&nbsp;sold 114,000 copies on vinyl in the week ending Nov. 18 \u2014 a new single-week record for a vinyl album since MRC Data began tracking sales in 1991. It beats the previous record, set when Swift\u2019s own&nbsp;<em>Evermore<\/em>&nbsp;sold 102,000 copies on vinyl LP in the week ending June 3.<\/p>\n\n\n\n<p>The vinyl sales are particularly impressive, as the&nbsp;<em>Red (Taylor\u2019s Version)<\/em>&nbsp;vinyl release is a 4-LP set that sells for hefty $49.99. It was available in two editions: a standard black release and a red-colored variant sold exclusively through Target stores. The vinyl LP went up for pre-order in Swift\u2019s webstore in August.<\/p>\n\n\n\n<p><strong>Second-Largest Streaming Week for an Album by a Woman<\/strong>:&nbsp;<em>Red (Taylor\u2019s Version)<\/em>&nbsp;debuts with 227,000 SEA units \u2014 totaling 303.23 million on-demand streams of the album\u2019s 30 tracks. That\u2019s the largest streaming week of 2021 for an album by a woman, and the second-largest ever for a female artist. Among women, only the debut frame of&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/ariana-grande\">Ariana Grande<\/a>\u2019s 2019 album&nbsp;<em>Thank U, Next<\/em>&nbsp;scored a bigger week, with 307.1 million streams for its songs in its opening frame. (Notably,&nbsp;<em>Thank U, Next<\/em>\u2019s streaming sum was powered by only 12 songs on its tracklist, whereas&nbsp;<em>Red [Taylor\u2019s Version]<\/em>&nbsp;had a whopping 30 tracks assisting its streaming total.)<\/p>\n\n\n\n<p><em>Red (Taylor\u2019s Version)<\/em>&nbsp;also now holds the biggest streaming week for a country album, surpassing the debut frame of Morgan Wallen\u2019s&nbsp;<em>Dangerous: The Double Album&nbsp;<\/em>in January (240.18 million from its 30 tracks).<\/p>\n\n\n\n<p><strong>Biggest Sales Week for a Country Album in Eight Years<\/strong>:&nbsp;<em>Red (Taylor\u2019s Version)<\/em>&nbsp;sold 368,000 copies in its first week \u2014 the largest sales week for a country album since&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/luke-bryan\">Luke Bryan<\/a>\u2019s&nbsp;<em>Crash My Party<\/em>&nbsp;sold 528,000 copies in its opening week (chart dated Aug. 31, 2013).<\/p>\n\n\n\n<p><em>Red (Taylor\u2019s Version)<\/em>\u00a0also logs the biggest week for a country album since the Billboard 200 began ranking titles by equivalent album units (instead of just pure album sales) in December of 2014.<\/p>\n\n\n\n<p>Three country albums have topped the Billboard 200 in 2021: Morgan Wallen\u2019s&nbsp;<em>Dangerous: The Double Album<\/em>&nbsp;(which reigned for 10 weeks),&nbsp;<em>Fearless (Taylor\u2019s Version)<\/em>&nbsp;and now&nbsp;<em>Red (Taylor\u2019s Version)<\/em>. (Country albums are defined as those that have hit&nbsp;<em>Billboard<\/em>\u2019s&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/country-albums\">Top Country Albums<\/a>&nbsp;chart.)<\/p>\n\n\n\n<p>Swift\u2019s original&nbsp;<em>Red<\/em>&nbsp;album spent 16 weeks at No. 1 on&nbsp;<em>Billboard<\/em>\u2019s Top Country Albums chart and finished 2012 and 2013 as the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/year-end\/2013\/top-country-albums\/\">year-end Top Country Album<\/a>.<\/p>\n\n\n\n<p>Silk Sonic arrives at No. 2 on the Billboard 200 with the pair\u2019s first album,&nbsp;<em>An Evening With Silk Sonic<\/em>. The set bows with 104,000 equivalent album units earned. It\u2019s the fourth top 10 for Mars, all of which have reached the top three on the list. It\u2019s the second top 10, and highest charting album yet, for Anderson .Paak, who previously hit a No. 4 high with&nbsp;<em>Ventura<\/em>&nbsp;in 2019.<\/p>\n\n\n\n<p>Of&nbsp;<em>An Evening With<\/em>\u2019s starting sum of 104,000, SEA units comprise 60,000 (equaling 82.6 million on-demand streams of the set\u2019s nine tracks), album sales comprise 42,000 and TEA units comprise 2,000.<\/p>\n\n\n\n<p>Coincidentally, Mars\u2019 last two albums both debuted at No. 2 \u2014 and one of them also arrived behind a Swift album. Mars\u2019&nbsp;<em>24K Magic<\/em>&nbsp;debuted and peaked at No. 2 on the Dec. 10, 2016-dated chart, behind&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/metallica\">Metallica<\/a>\u2019s also-debuting&nbsp;<em>Hardwired\u2026 To Self-Destruct<\/em>. Before that, Mars\u2019&nbsp;<em>Unorthodox Jukebox<\/em>&nbsp;debuted at No. 2 on the Dec. 29, 2012-dated chart behind Taylor Swift\u2019s&nbsp;<em>Red<\/em>, which was in its fifth nonconsecutive week at No. 1.&nbsp;<em>Unorthodox Jukebox<\/em>&nbsp;eventually climbed to No. 1, on the list dated March 16, 2013.<\/p>\n\n\n\n<p><em>An Evening With<\/em>&nbsp;was preceded by a trio of top 20-charting songs on the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/hot-100\/\">Billboard Hot 100<\/a>: \u201cLeave the Door Open\u201d (No. 1 for two weeks in April), \u201cSkate\u201d (No. 14) and \u201cSmokin Out the Window\u201d (No. 8).<\/p>\n\n\n\n<p>TWICE captures its second top 10 album on the Billboard 200, and highest charting effort yet, as\u00a0<em>Formula of Love: O+T=&lt;3<\/em>\u00a0debuts at No. 3 with 66,000 equivalent album units earned. Of that sum, album sales comprise 58,000, SEA units comprise 8,000 (equaling 12 million on-demand streams of the set\u2019s tracks) and TEA units comprise a negligible sum. Like many K-pop releases, the CD edition of the new album was issued in multiple collectible packages (six, including two Target-exclusive editions).<\/p>\n\n\n\n<p>The South Korean girl group hit the top 10 earlier in 2021 with the No. 6-peaking&nbsp;<em>Taste of Love: The 10th Mini Album<\/em>.<\/p>\n\n\n\n<p>The new album was preceded by the track \u201cThe Feels,\u201d which became the group\u2019s first charting effort on the Hot 100, spending a week at No. 83 on the Oct. 16-dated list.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.billboard.com\/music\/summer-walker\">Summer Walker<\/a>\u2019s&nbsp;<em>Still Over It<\/em>&nbsp;falls from No. 1 to No. 4 in its second week on the Billboard 200, earning 64,000 equivalent album units (down 61%). Drake\u2019s former No. 1&nbsp;<em>Certified Lover Boy<\/em>&nbsp;dips 3-5 with 57,000 units (down 8%), Wallen\u2019s chart-topping&nbsp;<em>Dangerous: The Double Album<\/em>&nbsp;descends 5-6 with 45,000 units (though up 5%) and&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/ed-sheeran\">Ed Sheeran<\/a>\u2019s former No. 1&nbsp;<em>=<\/em>&nbsp;drops 4-7 with 38,000 units (down 25%).<\/p>\n\n\n\n<p>Jason Aldean\u2019s&nbsp;<em>Macon<\/em>&nbsp;debuts at No. 8 on the Billboard 200, marking his ninth top 10 on the chart.&nbsp;<em>Macon<\/em>&nbsp;launches with 37,000 equivalent album units earned. Of that sum, album sales comprise 19,000, SEA units comprise 16,000 (equaling 21.62 million streams of the set\u2019s 15 tracks) and TEA units comprise 2,000 units.<\/p>\n\n\n\n<p><em>Macon<\/em>&nbsp;was led by the No. 1 Country Airplay hit \u201cIf I Didn\u2019t Love You,\u201d with Carrie Underwood, which has spent three weeks atop the list (as of the most recently published chart, dated Nov. 20). It\u2019s Aldean\u2019s first three-week No. 1 since 2014\u2019s \u201cWhen She Says Baby\u201d also logged three weeks at No. 1. (All told, \u201cIf I Didn\u2019t Love You\u201d is Aldean\u2019s 24th No. 1, as well as Underwood\u2019s 16th leader.)<\/p>\n\n\n\n<p>Rounding out the Billboard 200\u2019s new top 10 are\u00a0<a href=\"https:\/\/www.billboard.com\/music\/kanye-west\">Kanye West<\/a>\u2019s former No. 1\u00a0<em>Donda<\/em>, up 13-9 with nearly 37,000 equivalent album units, up 46% thanks to its Nov. 13 deluxe reissue with additional tracks, and\u00a0<a href=\"https:\/\/www.billboard.com\/music\/doja-cat\">Doja Cat<\/a>\u2019s\u00a0<em>Planet Her<\/em>, falling 6-10 with 35,000 units (down 5%).<\/p>\n\n\n\n<p>Source: billboard.com<\/p>\n<div id=\"themify_builder_content-2485\" data-postid=\"2485\" class=\"themify_builder_content themify_builder_content-2485 themify_builder themify_builder_front\">\r\n\r\n\t<\/div>\r\n<!-- \/themify_builder_content -->","protected":false},"excerpt":{"rendered":"<p>Taylor Swift&nbsp;storms in at No. 1 on the&nbsp;Billboard 200&nbsp;albums chart dated Nov. 27 with&nbsp;Red (Taylor\u2019s Version), her re-recording of her 2012 album,&nbsp;Red, which led the list for seven weeks in 2012-13. The new 30-track release, which adds a bevy of previously unheard \u201cFrom the Vault\u201d songs, gives Swift a milestone 10th No. 1 on the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2486,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[1],"tags":[],"class_list":["post-2485","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-now","has-post-title","has-post-date","has-post-category","has-post-tag","no-post-comment","no-post-author"],"jetpack_featured_media_url":"https:\/\/musicnow.iprorecords.com\/wp-content\/uploads\/2021\/11\/Taylor-Swift-red-cr-Beth-Garrabrant-press-2021-billboard-1548-16367354101.jpg","jetpack_publicize_connections":[],"_links":{"self":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/2485","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2485"}],"version-history":[{"count":1,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/2485\/revisions"}],"predecessor-version":[{"id":2715,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/2485\/revisions\/2715"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/media\/2486"}],"wp:attachment":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2485"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2485"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2485"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}