{"id":2555,"date":"2022-01-24T11:11:43","date_gmt":"2022-01-24T19:11:43","guid":{"rendered":"https:\/\/musicnow.iprorecords.com\/?p=2555"},"modified":"2022-05-12T16:44:26","modified_gmt":"2022-05-12T16:44:26","slug":"adeles-easy-on-me-tops-billboard-hot-100-for-milestone-10th-week","status":"publish","type":"post","link":"https:\/\/musicnow.iprorecords.com\/?p=2555","title":{"rendered":"Adele\u2019s \u2018Easy on Me\u2019 Tops Billboard Hot 100 for Milestone 10th Week"},"content":{"rendered":"\r\n<script>\r\nif( document.getElementById( \"builder-styles-css\" ) ) document.getElementById( \"builder-styles-css\" ).insertAdjacentHTML( \"beforebegin\", \"<link rel='stylesheet' href='https:\/\/musicnow.iprorecords.com\/wp-content\/themes\/themify-music\/themify\/themify-builder\/css\/themify-builder-style.css' type='text\/css' \/>\" );\r\n<\/script>\r\n\t\t\t\n<h3 class=\"wp-block-heading\">Plus, &#8220;We Don&#8217;t Talk About Bruno&#8221; climbs to No. 2, and fellow &#8216;Encanto&#8217; hit &#8220;Surface Pressure&#8221; reaches the top 10. <\/h3>\n\n\n\n<p><a href=\"https:\/\/www.billboard.com\/artist\/adele\/\">Adele<\/a>\u2018s \u201cEasy on Me\u201d claims a 10th week at No. 1 on the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/hot-100\">Billboard Hot 100<\/a>&nbsp;songs chart. With her latest week at the summit, she equals her longest reign, previously established by the 10-week command of her 2015-16 smash \u201cHello.\u201d<\/p>\n\n\n\n<p>Meanwhile, \u201cWe Don\u2019t Talk About Bruno,\u201d from\u00a0<em>Encanto<\/em>, pushes 4-2 on the Hot 100 as the week\u2019s most-streamed and top-selling song. It becomes just the second song from a Disney animated film to have reached the chart\u2019s top two positions.<\/p>\n\n\n\n<p>Plus, fellow\u00a0<em>Encanto<\/em>\u00a0track \u201cSurface Pressure\u201d by Jessica Darrow hits the Hot 100\u2019s top 10, jumping 14-10 and making the movie the first Disney animated film to have generated multiple top 10s on the chart. <\/p>\n\n\n\n<p>The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated Jan. 29) will update on&nbsp;Billboard.com&nbsp;tomorrow (Jan. 25). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.<\/p>\n\n\n\n<figure><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/U3ASj1L6_sY\" width=\"650\" height=\"360\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/figure>\n\n\n\n<p>\u201cEasy on Me,\u201d released on Columbia Records and which&nbsp;<a href=\"https:\/\/www.billboard.com\/pro\/hot-100-dated-10-30-top-10-story\/\">first led the Hot 100<\/a>&nbsp;in late October, drew 99 million radio airplay audience impressions (down 1%) and 14.3 million U.S. streams (down 5%) and sold 5,200 downloads (down 14%) in the Jan. 14-20 tracking week, according to MRC Data.<\/p>\n\n\n\n<p>The ballad spends a ninth week at No. 1 on the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/radio-songs\">Radio Songs<\/a>&nbsp;chart; drops 5-7 on&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/digital-song-sales\/\">Digital Song Sales<\/a>, following two weeks on top; and rebounds 16-9 on&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/streaming-songs\">Streaming Songs<\/a>, after five weeks at No. 1.<\/p>\n\n\n\n<p>\u201cEasy on Me\u201d becomes the 41st single in the Hot 100\u2019s&nbsp;<a href=\"https:\/\/www.billboard.com\/articles\/business\/chart-beat\/6655650\/hot-100-co-creator-seymour-stein-interview\/\">63-year history<\/a>&nbsp;to spend&nbsp;<a href=\"https:\/\/www.billboard.com\/articles\/columns\/chart-beat\/6077132\/hot-100-songs-longest-leading-no-1s\">10 or more weeks at No. 1<\/a>. It\u2019s the first since BTS\u2019 \u201cButter\u201d logged 10 weeks on top in June-September 2021.<\/p>\n\n\n\n<p>\u201cEasy on Me\u201d also matches Adele\u2019s longest Hot 100 domination, after \u201cHello\u201d reigned for 10 weeks in 2015-16. She is the seventh artist with at least two No. 1s that have each ruled for double-digit weeks, joining Boyz II Men, Drake (each with three such leaders), The Black Eyed Peas, Mariah Carey, Santana and Pharrell Williams (two each).<\/p>\n\n\n\n<p>Plus, Adele ties for the ninth-most cumulative weeks spent at No. 1 on the Hot 100, as she has totaled 34 frames on top among her five leaders; before \u201cEasy on Me\u201d and \u201cHello,\u201d she reigned with \u201cRolling in the Deep\u201d (seven weeks, 2011), \u201cSomeone Like You\u201d (five, 2011) and \u201cSet Fire to the Rain\u201d (two, 2012).<\/p>\n\n\n\n<p>Most Weeks Spent at No. 1 on the Billboard Hot 100<br>87, Mariah Carey<br>60, Rihanna<br>59, The Beatles<br>52, Drake<br>50, Boyz II Men<br>47, Usher<br>41, Beyonc\u00e9<br>37, Michael Jackson<br>34, Adele<br>34, Elton John<br>34, Bruno Mars<\/p>\n\n\n\n<p>Also notably, Adele becomes the first artist with both two Hot 100 No. 1s and two&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/billboard-200\/\">Billboard 200<\/a>&nbsp;No. 1s that have led for 10 or more weeks each. While \u201cEasy on Me\u201d and \u201cHello\u201d have topped the Hot 100 for 10 frames each, her LPs&nbsp;<em>21<\/em>&nbsp;and&nbsp;<em>25<\/em>&nbsp;commanded the Billboard 200 albums chart for 24 and 10 weeks, in 2011-12 and 2015-16, respectively. (\u201cEasy on Me\u201d parent album&nbsp;<em>30<\/em>&nbsp;has ruled the Billboard 200 for six weeks; it&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/chart-beat\/encanto-soundtrack-returns-number-one-billboard-200-chart-1235021892\/\">ranks at No. 4<\/a>&nbsp;on the latest, Jan. 29-dated list.)<\/p>\n\n\n\n<figure><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/bvWRMAU6V-c\" width=\"650\" height=\"360\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/figure>\n\n\n\n<p>\u201cWe Don\u2019t Talk About Bruno,\u201d by Carolina Gait\u00e1n, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz and the&nbsp;<em>Encanto<\/em>&nbsp;Cast, ascends 4-2 for a new Hot 100 high. It drew 32.4 million streams (up 12%) and sold 9,400 (up 17%), as it tops Streaming Songs for a third week and pushes 3-1 to take over atop Digital Song Sales.<\/p>\n\n\n\n<p>\u201cBruno,\u201d from the&nbsp;<em>Encanto<\/em>&nbsp;soundtrack, which returns for a&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/chart-beat\/encanto-soundtrack-returns-number-one-billboard-200-chart-1235021892\/\">second week at No. 1<\/a>&nbsp;on the Billboard 200 after becoming just the&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/chart-beat\/encanto-soundtrack-number-one-billboard-200-chart-1235016951\/\">sixth animated film soundtrack to rule the ranking<\/a>, now solely boasts the second-highest rank for a song from a Disney animated film, dating to the chart\u2019s August 1958 start. It trails only Peabo Bryson and Regina Belle\u2019s \u201cA Whole New World,\u201d from&nbsp;<em>Aladdin<\/em>, a No. 1 for one week in March 1993. (Be our guest: Check out the&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/chart-beat\/biggest-disney-hits-all-time-1235018081\/\">25 greatest Hot 100 hits<\/a>&nbsp;from Disney animated films.)<\/p>\n\n\n\n<p>Notably, as \u201cBruno\u201d dominates in streaming and sales, it drew a modest 457,000 in airplay audience among Radio Songs reporters, with over half its reach in the tracking week from adult pop KIOI San Francisco\u2019s 34 plays (up from four the week before); the Walt Disney label is not actively promoting the song to radio.<\/p>\n\n\n\n<p>Glass Animals\u2019 \u201cHeat Waves\u201d holds at its No. 3 Hot 100 high, as it leads the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/rock-songs\">Hot Rock &amp; Alternative Songs<\/a>&nbsp;and&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/hot-alternative-songs\">Hot Alternative Songs<\/a>&nbsp;charts, both of which use the same multi-metric methodology as the Hot 100, for an 18th week each. As&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/chart-beat\/glass-animals-heat-waves-tops-pop-airplay-chart-1235021948\/\">previously reported<\/a>, it hits No. 1 on the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/pop-songs\/\">Pop Airplay<\/a>&nbsp;chart.<\/p>\n\n\n\n<p>The Kid LAROI and Justin Bieber\u2019s \u201cStay\u201d slides 2-4 on the Hot 100, after seven weeks at No. 1 beginning in August 2021, and Kodak Black\u2019s \u201cSuper Gremlin\u201d rises 6-5 for a new best, as it tops the multi-metric&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/r-b-hip-hop-songs\">Hot R&amp;B\/Hip-Hop Songs<\/a>&nbsp;and&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/rap-song\/\">Hot Rap Songs<\/a>&nbsp;charts for a second week each.<\/p>\n\n\n\n<p>Ed Sheeran\u2019s \u201cShivers\u201d dips 5-6 on the Hot 100, after hitting No. 4; Gunna and Future\u2019s \u201cPushin P,\u201d featuring Young Thug, repeats at No. 7 in its second week on the chart; and GAYLE\u2019s \u201cabcdefu\u201d ascends 9-8 for a new best rank.<\/p>\n\n\n\n<p>Elton John and Dua Lipa\u2019s \u201cCold Heart (Pnau Remix)\u201d rebounds 10-9 on the Hot 100, after reaching No. 7. John expands his span of top 10s to 52 years and a week, dating to his first week in the top 10 with \u201cYour Song\u201d (Jan. 23, 1971), the longest such stretch among all acts not involving holiday songs. Concurrently, \u201cCold Heart\u201d tops the multi-metric&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/dance-electronic-songs\/\">Hot Dance\/Electronic Songs<\/a>&nbsp;chart for a 15th week.<\/p>\n\n\n\n<figure><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/tQwVKr8rCYw\" width=\"650\" height=\"360\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/figure>\n\n\n\n<p>Rounding out the Hot 100\u2019s top 10,&nbsp;<em>Encanto<\/em>&nbsp;track \u201cSurface Pressure\u201d by Jessica Darrow darts 14-10. The song reaches the bracket with 22.5 million streams (up 2%) and 6,500 sold (down 6%). It holds at No. 4 on both Streaming Songs and Digital Song Sales.<\/p>\n\n\n\n<p>Darrow, who voices&nbsp;<em>Encanto<\/em>&nbsp;character Luisa Madrigal, scores a Hot 100 top 10 in her first visit to the chart.<\/p>\n\n\n\n<p>Meanwhile, thanks to \u201cBruno\u201d and \u201cPressure\u201d (both solo written by Lin-Manuel Miranda),\u00a0<em>Encanto<\/em>\u00a0becomes the first soundtrack from a Disney animated film to have yielded multiple Hot 100 top 10s. (<em>The Lion King<\/em>\u00a0previously came closest to the achievement: Elton John\u2019s \u201cCan You Feel the Love Tonight\u201d roared to No. 4 and follow-up \u201cCircle of Life\u201d reached No. 18 in 1994.)<\/p>\n\n\n\n<p>Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated Jan. 29), including the Hot 100 in its entirety, will refresh on\u00a0Billboard.com\u00a0tomorrow (Jan. 25). <\/p>\n\n\n\n<p>Source: billboard.com<\/p>\n<div id=\"themify_builder_content-2555\" data-postid=\"2555\" class=\"themify_builder_content themify_builder_content-2555 themify_builder themify_builder_front\">\r\n\r\n\t<\/div>\r\n<!-- \/themify_builder_content -->","protected":false},"excerpt":{"rendered":"<p>Plus, &#8220;We Don&#8217;t Talk About Bruno&#8221; climbs to No. 2, and fellow &#8216;Encanto&#8217; hit &#8220;Surface Pressure&#8221; reaches the top 10. Adele\u2018s \u201cEasy on Me\u201d claims a 10th week at No. 1 on the&nbsp;Billboard Hot 100&nbsp;songs chart. With her latest week at the summit, she equals her longest reign, previously established by the 10-week command of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2556,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[1],"tags":[],"class_list":["post-2555","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-now","has-post-title","has-post-date","has-post-category","has-post-tag","no-post-comment","no-post-author"],"jetpack_featured_media_url":"https:\/\/musicnow.iprorecords.com\/wp-content\/uploads\/2022\/01\/adele-one-night-only-2021-billboard-1548-11.jpg","jetpack_publicize_connections":[],"_links":{"self":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/2555","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2555"}],"version-history":[{"count":1,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/2555\/revisions"}],"predecessor-version":[{"id":2697,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/2555\/revisions\/2697"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/media\/2556"}],"wp:attachment":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2555"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2555"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2555"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}