{"id":2561,"date":"2022-01-30T17:37:41","date_gmt":"2022-01-31T01:37:41","guid":{"rendered":"https:\/\/musicnow.iprorecords.com\/?p=2561"},"modified":"2022-05-12T16:44:26","modified_gmt":"2022-05-12T16:44:26","slug":"encanto-spends-third-week-at-no-1-on-billboard-200-albums-chart","status":"publish","type":"post","link":"https:\/\/musicnow.iprorecords.com\/?p=2561","title":{"rendered":"\u2018Encanto\u2019 Spends Third Week at No. 1 on Billboard 200 Albums Chart"},"content":{"rendered":"\r\n<script>\r\nif( document.getElementById( \"builder-styles-css\" ) ) document.getElementById( \"builder-styles-css\" ).insertAdjacentHTML( \"beforebegin\", \"<link rel='stylesheet' href='https:\/\/musicnow.iprorecords.com\/wp-content\/themes\/themify-music\/themify\/themify-builder\/css\/themify-builder-style.css' type='text\/css' \/>\" );\r\n<\/script>\r\n\t\t\t\n<h3 class=\"wp-block-heading\">Plus: YoungBoy Never Broke Again and Walker Hayes debut in top 10. <\/h3>\n\n\n\n<p>The&nbsp;<em><a href=\"https:\/\/www.billboard.com\/t\/encanto\/\">Encanto<\/a><\/em>&nbsp;soundtrack collects a third nonconsecutive week at No. 1 on the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/billboard-200\/\">Billboard 200<\/a>&nbsp;albums chart (dated Feb. 5). The set earned a new weekly-best 115,000 equivalent album units in the U.S. in the week ending Jan. 27 \u2014 up 11%, according to MRC Data. <\/p>\n\n\n\n<p>In the last 10 years, only four soundtracks have spent at least three weeks at No. 1 on the Billboard 200:&nbsp;<em>Encanto<\/em>&nbsp;(three),&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/lady-gaga\">Lady Gaga<\/a>&nbsp;and Bradley Cooper\u2019s&nbsp;<em>A Star Is Born&nbsp;<\/em>(four in 2018-19),&nbsp;<em>Black Panther: The Album<\/em>&nbsp;(three, 2018) and&nbsp;<em>Frozen<\/em>&nbsp;(13, 2014). <\/p>\n\n\n\n<p>The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on&nbsp;multi-metric consumption as measured in equivalent album units, compiled by MRC Data. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid\/subscription on-demand official audio and video streams generated by songs from an album. The new Feb. 5, 2022-dated chart (where<em>&nbsp;Encanto<\/em>&nbsp;holds at No. 1) will be posted in full on&nbsp;<em>Billboard<\/em>\u2018s website on Feb. 1. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram. <\/p>\n\n\n\n<p>Of&nbsp;<em>Encanto<\/em>\u2019s 115,000 equivalent album units earned, SEA units comprise 93,000 (up 11%, equaling 138.51 million on-demand official streams of the set\u2019s songs), album sales comprise 19,000 (up 10%) and TEA units comprise 3,000 (up 17%).<\/p>\n\n\n\n<p><a href=\"https:\/\/www.billboard.com\/music\/youngboy-never-broke-again\">YoungBoy Never Broke Again<\/a>\u2019s&nbsp;<em>Colors<\/em>&nbsp;debuts at No. 2 on the Billboard 200, marking the rapper\u2019s eighth top 10 album, all earned in less than four years. (His first top 10 came in May of 2018 with&nbsp;<em>Until Death Call My Name<\/em>.)<\/p>\n\n\n\n<p>The new album begins with 79,000 equivalent album units earned. Of that sum, SEA units comprise 77,000 (equaling 118.56 million on-demand official streams of the set\u2019s songs), album sales comprise a little under 2,000 and TEA units comprise a negligible sum.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.billboard.com\/music\/gunna\">Gunna<\/a>\u2019s former No. 1&nbsp;<em>DS4Ever<\/em>&nbsp;falls 2-3 in its third week with 69,000 equivalent album units earned (down 28%), and&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/the-weeknd\">The Weeknd<\/a>\u2019s&nbsp;<em>Dawn FM<\/em>&nbsp;dips 3-4 with 43,000 units (down 30%).<\/p>\n\n\n\n<p><a href=\"https:\/\/www.billboard.com\/music\/morgan-wallen\">Morgan Wallen<\/a>\u2019s former No. 1&nbsp;<em>Dangerous: The Double Album<\/em>&nbsp;is a non-mover at No. 5 on the Billboard 200, collecting 41,000 equivalent album units (down less than 1%).<\/p>\n\n\n\n<p><em>Dangerous: The Double Album<\/em>&nbsp;has now accumulated 54 nonconsecutive weeks in the top 10 on the Billboard 200 \u2014 the second-most of any country album ever, surpassing the 53 weeks registered by&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/shania-twain\">Shania Twain<\/a>\u2019s&nbsp;<em>Come On Over<\/em>&nbsp;(in 1997-2000). Among country efforts, only&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/taylor-swift\">Taylor Swift<\/a>\u2019s&nbsp;<em>Fearless<\/em>&nbsp;has more, with 58 (in 2008-10).<\/p>\n\n\n\n<p>Among all genres,<em>&nbsp;Dangerous<\/em>&nbsp;now has the most weeks in the top 10 for an album released by a male artist since 2000, surpassing the 53 weeks&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/ed-sheeran\">Ed Sheeran<\/a>\u2019s&nbsp;<em>\u00f7<\/em>&nbsp;(<em>Divide<\/em>) logged in the top 10 in 2017-18. Among all albums released since 2000,&nbsp;<em>Dangerous<\/em>&nbsp;has the fourth-most weeks in the top 10, trailing only&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/adele\">Adele<\/a>\u2019s&nbsp;<em>21<\/em>&nbsp;(84 weeks), Swift\u2019s&nbsp;<em>1989<\/em>&nbsp;(59) and Swift\u2019s&nbsp;<em>Fearless<\/em>&nbsp;(58).<\/p>\n\n\n\n<p><em>Dangerous<\/em>&nbsp;continues to profit from streaming activity of its super-sized tracklist, as the effort was released in January of 2021 with 30 songs. Recent No. 1s, including Adele\u2019s&nbsp;<em>30<\/em>&nbsp;and Gunna\u2019s&nbsp;<em>DS4Ever<\/em>, had 12 and 18 songs, respectively, on their initially released streaming editions. (The latter\u2019s track count was 19, including two versions of the same song, \u201cToo Easy.\u201d) The chart\u2019s current No. 1,&nbsp;<em>Encanto<\/em>, has 44 tracks on its streaming album \u2014 however, most of those are score and instrumental tracks. The vast majority of the album\u2019s weekly units are from the nine songs with vocals on the album, including the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/hot-100\/\">Billboard Hot 100<\/a>&nbsp;top 10s \u201cWe Don\u2019t Talk About Bruno\u201d and \u201cSurface Pressure.\u201d<\/p>\n\n\n\n<p>Adele\u2019s&nbsp;<em>30<\/em>&nbsp;falls 4-6 on the new Billboard 200 with 39,000 equivalent album units earned (down 10%), and&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/drake\">Drake<\/a>\u2019s fellow former leader&nbsp;<em>Certified Lover Boy<\/em>&nbsp;climbs 8-7 with 35,000 units (up 2%). The Weeknd\u2019s compilation&nbsp;<em>The Highlights<\/em>&nbsp;slips 7-8 with 34,000 units (down 1%).<\/p>\n\n\n\n<p><a href=\"https:\/\/www.billboard.com\/music\/walker-hayes\">Walker Hayes<\/a>&nbsp;collects his first top 10 album on the Billboard 200, as&nbsp;<em>Country Stuff: The Album<\/em>, debuts at No. 9 with 33,000 equivalent album units earned. Of that sum, album sales comprise 16,000, SEA units comprise 14,000 (equaling 19.66 million on-demand official streams of songs on the album) and TEA units comprise 2,000.<\/p>\n\n\n\n<p>The set, released via Monument Records, was led by the smash single \u201cFancy Like,\u201d which has spent 24 weeks at No. 1 on the Hot Country Songs chart and climbed to No. 3 on the all-genre Billboard Hot 100.<\/p>\n\n\n\n<p><em>Country Stuff<\/em>&nbsp;is also the first top 10 album on the Billboard 200 for Monument since 2003, when&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/the-chicks\">The Chicks<\/a>\u2019&nbsp;<em>Home<\/em>&nbsp;closed out a 26-week run in the top 10, including four nonconsecutive weeks at No. 1. (The Monument label was founded in 1958 and continued until 1987. It was revived from 1997 through 2010. Monument&nbsp;<a href=\"https:\/\/www.billboard.com\/pro\/monument-records-sony-music-label\/\">relaunched<\/a>&nbsp;in 2017 with Hayes as one if its first signings.)<\/p>\n\n\n\n<p><a href=\"https:\/\/www.billboard.com\/music\/doja-cat\">Doja Cat<\/a>\u2019s&nbsp;<em>Planet Her<\/em>&nbsp;closes out the new top 10 on the Billboard 200, holding at No. 10 with 32,000 equivalent album units earned (down 2%).<\/p>\n\n\n\n<p>Source: billboard.com<\/p>\n<div id=\"themify_builder_content-2561\" data-postid=\"2561\" class=\"themify_builder_content themify_builder_content-2561 themify_builder themify_builder_front\">\r\n\r\n\t<\/div>\r\n<!-- \/themify_builder_content -->","protected":false},"excerpt":{"rendered":"<p>Plus: YoungBoy Never Broke Again and Walker Hayes debut in top 10. The&nbsp;Encanto&nbsp;soundtrack collects a third nonconsecutive week at No. 1 on the&nbsp;Billboard 200&nbsp;albums chart (dated Feb. 5). The set earned a new weekly-best 115,000 equivalent album units in the U.S. in the week ending Jan. 27 \u2014 up 11%, according to MRC Data. In [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2562,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[1],"tags":[],"class_list":["post-2561","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-now","has-post-title","has-post-date","has-post-category","has-post-tag","no-post-comment","no-post-author"],"jetpack_featured_media_url":"https:\/\/musicnow.iprorecords.com\/wp-content\/uploads\/2022\/01\/04-Encanto-still-2022-billboard-15481.jpg","jetpack_publicize_connections":[],"_links":{"self":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/2561","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2561"}],"version-history":[{"count":1,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/2561\/revisions"}],"predecessor-version":[{"id":2696,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/2561\/revisions\/2696"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/media\/2562"}],"wp:attachment":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2561"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2561"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2561"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}