{"id":3511,"date":"2022-11-13T20:51:30","date_gmt":"2022-11-13T20:51:30","guid":{"rendered":"https:\/\/musicnow.iprorecords.com\/?p=3511"},"modified":"2022-11-13T20:51:32","modified_gmt":"2022-11-13T20:51:32","slug":"drake-21-savages-her-loss-debuts-at-no-1-on-billboard-200-albums-chart","status":"publish","type":"post","link":"https:\/\/musicnow.iprorecords.com\/?p=3511","title":{"rendered":"Drake &amp; 21 Savage\u2019s \u2018Her Loss\u2019 Debuts at No. 1 on Billboard 200 Albums\u00a0Chart"},"content":{"rendered":"\r\n<script>\r\nif( document.getElementById( \"builder-styles-css\" ) ) document.getElementById( \"builder-styles-css\" ).insertAdjacentHTML( \"beforebegin\", \"<link rel='stylesheet' href='https:\/\/musicnow.iprorecords.com\/wp-content\/themes\/themify-music\/themify\/themify-builder\/css\/themify-builder-style.css' type='text\/css' \/>\" );\r\n<\/script>\r\n\t\t\t\n<h3 class=\"wp-block-heading\">Drake now has a dozen No. 1 albums, while 21 Savage scores his third leader.<\/h3>\n\n\n\n<p><a href=\"https:\/\/www.billboard.com\/artist\/drake\">Drake<\/a>\u00a0and\u00a0<a href=\"https:\/\/www.billboard.com\/artist\/21-savage\">21 Savage<\/a>\u2019s collaborative album,\u00a0<em>Her Loss<\/em>, debuts at No. 1 on the\u00a0<a href=\"https:\/\/www.billboard.com\/charts\/billboard-200\/\">Billboard 200<\/a>\u00a0chart (dated Nov. 19) with the year\u2019s biggest week for an R&amp;B\/hip-hop set and the fourth-largest streaming week ever for any album.<\/p>\n\n\n\n<p><em>Her Loss<\/em>\u00a0launches with 404,000 equivalent album units earned in the U.S. in the week ending Nov. 10, according to Luminate. Streaming activity drove the bulk of that sum, to the tune of 513.56 million on-demand official streams of its 16 tracks.<\/p>\n\n\n\n<p><em>Her Loss<\/em>\u00a0is the 12th No. 1 for\u00a0<a href=\"https:\/\/www.billboard.com\/t\/drake\/\">Drake<\/a>\u00a0and the third leader for 21 Savage. Drake now solely has the third-most No. 1 albums on the\u00a0<a href=\"https:\/\/www.billboard.com\/t\/billboard\/\">Billboard<\/a>\u00a0200 chart, since the list began publishing on a regular weekly basis in March of 1956. Ahead of him are only The Beatles, with a record 19 No. 1s and Jay-Z with 14. Drake was previously tied with Bruce Springsteen, Barbra Streisand and Taylor Swift, each with 11 No. 1s on the Billboard 200.<\/p>\n\n\n\n<p><em>Her Loss<\/em>&nbsp;was&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/music-news\/drake-21-savage-her-loss-jimmy-cooks-1235159814\/\">announced<\/a>&nbsp;on Oct. 22 and then-slated for an Oct. 28 release. On Oct. 26, its release was&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/rb-hip-hop\/drake-21-savage-album-release-dated-delayed-her-loss-1235161899\/\">postponed<\/a>&nbsp;to Nov. 4. The set was released via streaming services and as an album download via digital retailers. A physical release for the set on CD or any other format has not been announced.<\/p>\n\n\n\n<p>The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on&nbsp;multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid\/subscription on-demand official audio and video streams generated by songs from an album. The new Nov. 19, 2022-dated chart will be posted in full on&nbsp;<em>Billboard<\/em>\u2018s website on Tuesday (Nov. 15). For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.<\/p>\n\n\n\n<p>Of&nbsp;<em>Her Loss<\/em>\u2019 404,000 equivalent album units earned, SEA units comprise 391,000 (equaling 513.56 million on-demand official streams of the set\u2019s tracks), album sales comprise 12,000 and SEA units comprise 1,000.<\/p>\n\n\n\n<p><strong>Biggest Week for an R&amp;B\/Hip-Hop Album in 2022<\/strong>:<em>\u00a0Her Loss<\/em>\u00a0tallies not just the largest week for any R&amp;B\/hip-hop set in 2022, but the biggest since Drake\u2019s own\u00a0<em>Certified Lover Boy<\/em>\u00a0debuted at No. 1 more than a year ago, with 613,000 units on the Sept. 18, 2021-dated chart. Among all albums in 2022,\u00a0<em>Her Loss<\/em>\u00a0nets the third-biggest week by units earned, trailing only the No. 1 debuts of Taylor Swift\u2019s\u00a0<em>Midnights<\/em>\u00a0(1.578 million; Nov. 5 chart) and Harry Styles\u2019\u00a0<em>Harry\u2019s House<\/em>\u00a0(521,000; June 4).<\/p>\n\n\n\n<p><strong>Fourth-Largest Streaming Week Ever<\/strong>:<em>&nbsp;Her Loss<\/em>&nbsp;captures the fourth-largest streaming week ever for an album, by total on-demand official streams of its combined tracks (513.56 million). Drake owns three of the top four biggest streaming weeks, and half of the top 10 largest weeks.<\/p>\n\n\n\n<p>The Nos. 1 and 2 biggest streaming weeks were logged by the debut frames of Drake\u2019s&nbsp;<em>Scorpion<\/em>&nbsp;(745.92 million in 2018) and&nbsp;<em>Certified Lover Boy<\/em>&nbsp;(743.67 million, 2021), respectively. Swift\u2019s&nbsp;<em>Midnights<\/em>&nbsp;debut is No. 3 (549.26 million, 2022) and Lil Wayne\u2019s opening week with&nbsp;<em>Tha Carter V<\/em>&nbsp;is No. 5 (433.02 million, 2018). Nos. 6-10 are the debuts of Post Malone\u2019s&nbsp;<em>beerbongs &amp; bentleys<\/em>&nbsp;(431.34 million, 2018), Juice WRLD\u2019s&nbsp;<em>Legends Never Die<\/em>&nbsp;(422.63 million, 2020) and Lil Uzi Vert\u2019s&nbsp;<em>Eternal Atake<\/em>&nbsp;(400.42 million, 2020), the second week of Drake\u2019s&nbsp;<em>Scorpion<\/em>&nbsp;(390.98 million, 2018) and the opening frame of Drake\u2019s&nbsp;<em>More Life<\/em>&nbsp;(384.84 million, 2017).<\/p>\n\n\n\n<p><strong>A Dozen No. 1 Albums:<\/strong>&nbsp;Drake\u2019s even dozen No. 1 albums on the Billboard 200 continues to pull him closer to Jay-Z, who has the record for the most No. 1s among solo acts, with 14. The Beatles have the most No. 1s among all artists, as the Fab Four has 19 leaders. Below is a list of every act with at least 10 No. 1 albums on the Billboard 200, since the list began publishing on a regular weekly basis in March of 1956.<\/p>\n\n\n\n<p><strong>Most Billboard 200 No. 1s:<\/strong><br>19, The Beatles<br>14, Jay-Z<br>12, Drake<br>11, Bruce Springsteen<br>11, Barbra Streisand<br>11, Taylor Swift<br>10, Eminem<br>10, Elvis Presley<br>10, Ye (formerly known as Kanye West)<\/p>\n\n\n\n<p>Taylor Swift\u2019s\u00a0<em>Midnights<\/em>\u00a0falls to No. 2 on the latest Billboard 200 after spending its\u00a0<a href=\"https:\/\/www.billboard.com\/music\/chart-beat\/taylor-swift-midnights-number-one-billboard-200-2nd-week-1235167312\/\">first two weeks<\/a>\u00a0atop the chart. The set earned 299,000 equivalent album units in the latest tracking week (down 13%). Lil Baby\u2019s former No. 1\u00a0<em>It\u2019s Only Me<\/em>\u00a0dips 2-3 with 62,000 units (down 24%) and Bad Bunny\u2019s chart-topping\u00a0<em>Un Verano Sin Ti<\/em>\u00a0slips out of the top three for the first time in its 27 chart weeks, as it shifts 3-4 with 58,000 units (down 8%).<\/p>\n\n\n\n<p>Joji achieves his third top 10-charting effort on the Billboard 200 \u2014 all of which have debuted in the top five \u2014 as&nbsp;<em>Smithereens<\/em>&nbsp;opens at No. 5 with 57,000 equivalent album units earned. Of that sum, SEA units comprise 39,500 (equaling 52.95 million on-demand official streams of the set\u2019s nine tracks), album sales comprise 17,500 and TEA units comprise a negligible sum. The set was led by the hit single \u201cGlimpse of Us,\u201d which became the artist\u2019s first top 10 (and top 40) hit on the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/hot-100\">Billboard Hot 100<\/a>, peaking at No. 8 on the July 2-dated list.<\/p>\n\n\n\n<p>Rounding out the new Billboard 200\u2019s top 10 are Morgan Wallen\u2019s chart-topping\u00a0<em>Dangerous: The Double Album<\/em>\u00a0(falling 5-6 with 41,000 equivalent album units earned; though up 1%), The Weeknd\u2019s\u00a0<em>The Highlights<\/em>\u00a0(6-7 with 39,000; down 4%), Styles\u2019\u00a0<em>Harry\u2019s House<\/em>\u00a0(9-8 with 30,000; down 4%), Zach Bryan\u2019s\u00a0<em>American Heartbreak<\/em>\u00a0(11-9 with 28,000; up 11%) and Steve Lacy\u2019s\u00a0<em>Gemini Rights<\/em>\u00a0(17-10 with 27,000; up 32% following its release on vinyl on Nov. 4).<\/p>\n\n\n\n<p>Source: billboard.com<\/p>\n<div id=\"themify_builder_content-3511\" data-postid=\"3511\" class=\"themify_builder_content themify_builder_content-3511 themify_builder themify_builder_front\">\r\n\r\n\t<\/div>\r\n<!-- \/themify_builder_content -->","protected":false},"excerpt":{"rendered":"<p>Drake now has a dozen No. 1 albums, while 21 Savage scores his third leader. Drake\u00a0and\u00a021 Savage\u2019s collaborative album,\u00a0Her Loss, debuts at No. 1 on the\u00a0Billboard 200\u00a0chart (dated Nov. 19) with the year\u2019s biggest week for an R&amp;B\/hip-hop set and the fourth-largest streaming week ever for any album. Her Loss\u00a0launches with 404,000 equivalent album units [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3512,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[1],"tags":[],"class_list":["post-3511","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-now","has-post-title","has-post-date","has-post-category","has-post-tag","no-post-comment","no-post-author"],"jetpack_featured_media_url":"https:\/\/musicnow.iprorecords.com\/wp-content\/uploads\/2022\/11\/drakebillboard.jpg","jetpack_publicize_connections":[],"_links":{"self":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/3511","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3511"}],"version-history":[{"count":2,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/3511\/revisions"}],"predecessor-version":[{"id":3515,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/3511\/revisions\/3515"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/media\/3512"}],"wp:attachment":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3511"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3511"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3511"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}