{"id":3643,"date":"2023-02-19T20:36:43","date_gmt":"2023-02-19T20:36:43","guid":{"rendered":"https:\/\/musicnow.iprorecords.com\/?p=3643"},"modified":"2023-02-19T20:36:44","modified_gmt":"2023-02-19T20:36:44","slug":"szas-sos-has-most-weeks-at-no-1-on-billboard-200-among-albums-by-women-in-seven-years","status":"publish","type":"post","link":"https:\/\/musicnow.iprorecords.com\/?p=3643","title":{"rendered":"SZA\u2019s \u2018SOS\u2019 has Most Weeks at No. 1 on Billboard 200 Among Albums by Women in Seven\u00a0Years"},"content":{"rendered":"\r\n<script>\r\nif( document.getElementById( \"builder-styles-css\" ) ) document.getElementById( \"builder-styles-css\" ).insertAdjacentHTML( \"beforebegin\", \"<link rel='stylesheet' href='https:\/\/musicnow.iprorecords.com\/wp-content\/themes\/themify-music\/themify\/themify-builder\/css\/themify-builder-style.css' type='text\/css' \/>\" );\r\n<\/script>\r\n\t\t\t\n<p>Plus: Paramore&#8217;s &#8220;This Is Why&#8221; debuts at No. 2 &amp; Rihanna&#8217;s &#8220;Anti&#8221; returns to top 10 after Super Bowl.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.billboard.com\/artist\/sza\">SZA<\/a>\u2019s\u00a0<em>SOS<\/em>\u00a0claims a ninth nonconsecutive week at No. 1 on the\u00a0<a href=\"https:\/\/www.billboard.com\/charts\/billboard-200\/\">Billboard 200<\/a>\u00a0albums chart (dated Feb. 25) \u2014 the most weeks atop the list for an album by a woman in nearly seven years. The last set by a female artist to spend at least nine weeks at No. 1 was\u00a0<a href=\"https:\/\/www.billboard.com\/artist\/adele\/\">Adele<\/a>\u2019s\u00a0<em>25<\/em>, which ruled for 10 nonconsecutive weeks between Dec. 12, 2015, and March 12, 2016.<\/p>\n\n\n\n<p><em>SOS<\/em>\u00a0earned 93,000 equivalent album units in the U.S. in the week ending Feb. 16 (down 7%), according to Luminate.<\/p>\n\n\n\n<p>Also in the top 10 of the new\u00a0<a href=\"https:\/\/www.billboard.com\/t\/billboard\/\">Billboard<\/a>\u00a0200:\u00a0<a href=\"https:\/\/www.billboard.com\/artist\/paramore\/\">Paramore<\/a>\u2019s\u00a0<em>This Is Why<\/em>\u00a0debuts at No. 2 \u2014 the highest charting alternative album in eight months, while\u00a0<a href=\"https:\/\/www.billboard.com\/artist\/rihanna\/\">Rihanna<\/a>\u2019s former No. 1\u00a0<em>Anti<\/em>\u00a0returns to the top 10 for the first time since 2016, following her\u00a0<a href=\"https:\/\/www.billboard.com\/music\/rb-hip-hop\/rihanna-performs-2023-super-bowl-halftime-show-1235252588\/\">halftime show performance<\/a>\u00a0at the\u00a0<a href=\"https:\/\/www.billboard.com\/t\/super-bowl\/\">Super Bowl<\/a>\u00a0on Feb. 12.<\/p>\n\n\n\n<p>The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on&nbsp;multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid\/subscription on-demand official audio and video streams generated by songs from an album. The new Feb. 25, 2023-dated chart will be posted in full on&nbsp;<em>Billboard<\/em>\u2018s website on Wednesday (Feb. 22), one day later than usual, owed to Presidents\u2019 Day holiday on Monday (Feb. 20) in the U.S. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.<\/p>\n\n\n\n<p>Of&nbsp;<em>SOS<\/em>\u2019 93,000 equivalent album units earned in the week ending Feb. 16, SEA units comprise 92,000 (down 7%, equaling 126.73 million on-demand official streams of the set\u2019s tracks), album sales comprise 500 (down 1%) and TEA units comprise 500 (up 2%).<\/p>\n\n\n\n<p>In the last 10 years, only three albums by women have spent at least nine weeks at No. 1 on the Billboard 200:&nbsp;<em>SOS<\/em>, Adele\u2019s&nbsp;<em>25<\/em>&nbsp;(10 in 2015-16) and Taylor Swift\u2019s&nbsp;<em>1989<\/em>&nbsp;(11, 2014-15).<\/p>\n\n\n\n<p>The last R&amp;B\/hip-hop album with at least eight weeks atop the list was Drake\u2019s\u00a0<em>Views<\/em>, which 13 nonconsecutive weeks at No. 1 (May 21-Oct. 8, 2016).\u00a0<em>SOS<\/em>\u00a0has the most weeks at No. 1 for an R&amp;B\/hip-hop album by a woman, or an R&amp;B album by a woman, since Mariah Carey\u2019s self-titled debut spent 11 weeks, all consecutively, at No. 1 in 1991. (Honorable mention to the Whitney Houston-led soundtrack to\u00a0<em>The Bodyguard<\/em>, which logged 20 nonconsecutive weeks at No. 1 in 1992-93. The 12-track album has six songs by Houston and six songs by other artists.)\u00a0<em>SOS<\/em>\u00a0has the most weeks at No. 1 for an R&amp;B album by any act since Usher\u2019s\u00a0<em>Confessions<\/em>\u00a0ruled for nine nonconsecutive weeks in 2004. (R&amp;B\/hip-hop and R&amp;B albums are defined as those that have hit or are eligible for\u00a0<em>Billboard<\/em>\u2019s Top R&amp;B\/Hip-Hop Albums and Top R&amp;B Albums charts, respectively.)<\/p>\n\n\n\n<p>Paramore scores its highest-charting album in nearly a decade, as&nbsp;<em>This Is Why<\/em>&nbsp;debuts at No. 2 on the Billboard 200. It\u2019s also the highest-charting alternative album in almost a year.&nbsp;<em>This Is Why<\/em>&nbsp;is the band\u2019s first album since&nbsp;<em>After Laughter<\/em>&nbsp;was released in May 2017; it debuted and peaked at No. 6. The group\u2019s last album to go higher was its self-titled 2013 release, which debuted at No. 1 on the April 27, 2013-dated list.<\/p>\n\n\n\n<p><em>This Is Why<\/em>&nbsp;begins with 64,000 equivalent album units earned. Of that sum, album sales comprise 47,000, SEA units comprise 17,000 (equaling 21.3 million on-demand official streams of the set\u2019s songs) and TEA units comprise a negligible sum. The album was ushered in by the album\u2019s title track, which became the act\u2019s first No. 1 on the Alternative Airplay chart (in February) after 11 previous entries going back to 2007.<\/p>\n\n\n\n<p><em>This Is Why<\/em>&nbsp;is the highest-charting alternative album on the Billboard 200 since Red Hot Chili Peppers\u2019&nbsp;<em>Unlimited Love<\/em>&nbsp;debuted at No. 1 on the April 16, 2022-dated chart. (Alternative albums are defined as those that have hit or are eligible for&nbsp;<em>Billboard<\/em>\u2019s Top Alternative Albums chart.)<\/p>\n\n\n\n<p>Swift\u2019s former No. 1&nbsp;<em>Midnights<\/em>&nbsp;falls 2-3 on the Billboard 200 with 60,000 equivalent album units earned (down 3%).<\/p>\n\n\n\n<p>Morgan Wallen\u2019s chart-topping\u00a0<em>Dangerous: The Double Album<\/em>\u00a0is a non-mover at No. 4 with 44,000 equivalent album units earned (down 4%).\u00a0<em>Dangerous<\/em>\u00a0has now accumulated 107 nonconsecutive weeks in the top 10 on the Billboard 200. It now solely has the third-most weeks in the top 10 among all albums since the chart began publishing on a regular, weekly basis in March of 1956, surpassing the 106 weeks tallied by the soundtrack to the film\u00a0<em>West Side Story<\/em>.\u00a0<em>Dangerous<\/em>\u00a0continues to have the most weeks in the top 10 for an album by a single artist. The all-time top 10 record-holder is the original cast recording of\u00a0<em>My Fair Lady<\/em>, with 173 weeks in the top 10 between 1956-60. See list, below.<\/p>\n\n\n\n<p><strong><u>Albums With Most Weeks in Top 10 on Billboard 200 Chart (March 24, 1956-onwards)<\/u><\/strong><\/p>\n\n\n\n<p>Weeks in Top 10, Artist, Title, Year First Reached Top 10<\/p>\n\n\n\n<p>173, Original Cast,&nbsp;<em>My Fair Lady<\/em>, 1956<br>109, Soundtrack,&nbsp;<em>The Sound of&nbsp;<a href=\"https:\/\/www.billboard.com\/t\/music\/\">Music<\/a><\/em>, 1965<br>107, Morgan Wallen,&nbsp;<em>Dangerous: The Double Album<\/em>, 2021<br>106, Soundtrack,&nbsp;<em>West Side Story<\/em>, 1962<br>105, Original Cast,&nbsp;<em>The Sound of Music<\/em>, 1960<br>90, Soundtrack,&nbsp;<em>South Pacific<\/em>, 1958<br>87, Original Cast,&nbsp;<em>Camelot<\/em>, 1961<br>87, Soundtrack,&nbsp;<em>Oklahoma!<\/em>, 1956<br>85, Peter, Paul and Mary,&nbsp;<em>Peter Paul and Mary<\/em>, 1962<br>84, Adele,&nbsp;<em>21<\/em>, 2011<br>84, Bruce Springsteen,&nbsp;<em>Born in the U.S.A.<\/em>, 1984<br><em>(through the Feb. 25, 2023-dated chart)<\/em><\/p>\n\n\n\n<p>Bad Bunny\u2019s chart-topping&nbsp;<em>Un Verano Sin Ti<\/em>&nbsp;rises 7-5 with nearly 44,000 equivalent album units (down 4%); Metro Boomin\u2019s former leader&nbsp;<em>Heroes &amp; Villains<\/em>&nbsp;falls 5-6 with 43,000 units (down 5%); and Drake and 21 Savage\u2019s former No. 1&nbsp;<em>Her Loss<\/em>&nbsp;climbs 8-7 with 40,000 (down 7%).<\/p>\n\n\n\n<p>Rihanna\u2019s chart-topping&nbsp;<em>Anti<\/em>&nbsp;roars back into the top 10 for the first time since its release year, 2016, as the set vaults 50-8 with 36,000 equivalent album units earned (up 166%). The album, Rihanna\u2019s most recent studio effort, surges back up the list following Rihanna\u2019s Super Bowl halftime show performance on Feb. 12, where her setlist included the album\u2019s hit single \u201cWork.\u201d (She also wove in elements of the album\u2019s \u201cPose\u201d and \u201cKiss It Better\u201d into the performances of \u201cAll of the Lights\u201d and \u201cRude Boy,\u201d respectively.)<\/p>\n\n\n\n<p><em>Anti<\/em>&nbsp;was released a little over seven years ago, on Jan. 28, 2016, and spent two nonconsecutive weeks at No. 1 (Feb. 20 and April 2, 2016-dated charts). It was last in the top 10 on the Oct. 16, 2016 chart (No. 9) and last at No. 8 or higher on the Sept. 24, 2016-dated list (when it was also at No. 8).<\/p>\n\n\n\n<p><em>Anti<\/em>\u00a0is Rihanna\u2019s longest-charting album on the Billboard 200, with 355 weeks on the list. That also marks the most weeks ever on the chart for an R&amp;B\/hip-hop album by a woman or R&amp;B album by a woman.<\/p>\n\n\n\n<p>Closing out the top 10 of the new Billboard 200 are a pair of former No. 1s: Harry Styles\u2019\u00a0<em>Harry\u2019s House<\/em>\u00a0is stationary at No. 9 with 33,000 equivalent album units earned (down 13%) and TOMORROW X TOGETHER\u2019s\u00a0<em>The Name Chapter: TEMPTATION<\/em>\u00a0falls 3-10 with 32,000 units (down 33%).<\/p>\n\n\n\n<p>Source: billboard.com<\/p>\n<div id=\"themify_builder_content-3643\" data-postid=\"3643\" class=\"themify_builder_content themify_builder_content-3643 themify_builder themify_builder_front\">\r\n\r\n\t<\/div>\r\n<!-- \/themify_builder_content -->","protected":false},"excerpt":{"rendered":"<p>Plus: Paramore&#8217;s &#8220;This Is Why&#8221; debuts at No. 2 &amp; Rihanna&#8217;s &#8220;Anti&#8221; returns to top 10 after Super Bowl. SZA\u2019s\u00a0SOS\u00a0claims a ninth nonconsecutive week at No. 1 on the\u00a0Billboard 200\u00a0albums chart (dated Feb. 25) \u2014 the most weeks atop the list for an album by a woman in nearly seven years. The last set by [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3591,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[1],"tags":[],"class_list":["post-3643","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-now","has-post-title","has-post-date","has-post-category","has-post-tag","no-post-comment","no-post-author"],"jetpack_featured_media_url":"https:\/\/musicnow.iprorecords.com\/wp-content\/uploads\/2023\/01\/sza-press-cr-Jacob-Webster-2022-billboard-2-15481.jpg","jetpack_publicize_connections":[],"_links":{"self":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/3643","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3643"}],"version-history":[{"count":2,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/3643\/revisions"}],"predecessor-version":[{"id":3645,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/3643\/revisions\/3645"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/media\/3591"}],"wp:attachment":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3643"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3643"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3643"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}