{"id":3655,"date":"2023-03-06T18:13:54","date_gmt":"2023-03-06T18:13:54","guid":{"rendered":"https:\/\/musicnow.iprorecords.com\/?p=3655"},"modified":"2023-03-06T18:13:54","modified_gmt":"2023-03-06T18:13:54","slug":"the-weeknd-ariana-grandes-die-for-you-leaps-to-no-1-on-billboard-hot-100","status":"publish","type":"post","link":"https:\/\/musicnow.iprorecords.com\/?p=3655","title":{"rendered":"The Weeknd &amp; Ariana Grande\u2019s \u2018Die for You\u2019 Leaps to No. 1 on Billboard Hot\u00a0100"},"content":{"rendered":"\r\n<script>\r\nif( document.getElementById( \"builder-styles-css\" ) ) document.getElementById( \"builder-styles-css\" ).insertAdjacentHTML( \"beforebegin\", \"<link rel='stylesheet' href='https:\/\/musicnow.iprorecords.com\/wp-content\/themes\/themify-music\/themify\/themify-builder\/css\/themify-builder-style.css' type='text\/css' \/>\" );\r\n<\/script>\r\n\t\t\t\n<p>The song surges after Grande joined for its remix. Plus, Karol G &amp; Shakira launch at No. 7 with &#8220;TQG.&#8221;<\/p>\n\n\n\n<p><a href=\"https:\/\/www.billboard.com\/artist\/the-weeknd\/\">The Weeknd<\/a>&nbsp;and&nbsp;<a href=\"https:\/\/www.billboard.com\/artist\/ariana-grande\/\">Ariana Grande<\/a>\u2019s \u201cDie for You\u201d bounds from No. 6 to No. 1 on the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/hot-100\">Billboard Hot 100<\/a>, after Grande&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/pop\/the-weeknd-ariana-grande-die-for-you-remix-stream-now-1235259041\/\">joined for its remix<\/a>. The song reigns after it was originally released on The Weeknd\u2019s album&nbsp;<em>Starboy<\/em>&nbsp;in 2016, before it was revived in recent months thanks in part to interaction on TikTok, which helped spark new promotion to radio and streaming services.<\/p>\n\n\n\n<p>The team-up marks each artist\u2019s seventh Hot 100 No. 1 \u2013 and their second together, after \u201cSave Your Tears\u201d&nbsp;<a href=\"https:\/\/www.billboard.com\/pro\/the-weeknd-ariana-grande-save-your-tears-number-one-hot-100\/\">led in 2021<\/a>, for two weeks, also after Grande was added on a remixed version.<\/p>\n\n\n\n<p>Plus,&nbsp;<a href=\"https:\/\/www.billboard.com\/artist\/karol-g\/\">Karol G<\/a>&nbsp;and&nbsp;<a href=\"https:\/\/www.billboard.com\/artist\/shakira\/\">Shakira<\/a>\u2019s \u201cTQG\u201d soars onto the Hot 100 at No. 7, marking the former\u2019s first top 10 and the latter\u2019s sixth \u2013 and second this year, following a nearly 16-year break from the region. The collaboration is from Karol G\u2019s new album&nbsp;<em>Ma\u00f1ana Ser\u00e1 Bonito<\/em>, which&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/chart-beat\/karol-g-manana-sera-bonito-billboard-200-albums-chart-debut-1235280052\/\">debuts at No. 1<\/a>&nbsp;on the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/billboard-200\/\">Billboard 200<\/a>&nbsp;albums chart, becoming the first all-Spanish-language leader by a woman in the list\u2019s history.<\/p>\n\n\n\n<p>The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated March 11, 2023) will update on&nbsp;Billboard.com&nbsp;tomorrow (March 7). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-embed-handler wp-block-embed-embed-handler wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"post-video\"><iframe loading=\"lazy\" title=\"The Weeknd &amp; Ariana Grande - Die For You (Remix) (Official Lyric Video)\" width=\"1165\" height=\"655\" src=\"https:\/\/youtube.com\/embed\/YQ-qToZUybM?wmode=transparent&#038;fs=1\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<p>Here\u2019s a look at the coronation for \u201cDie for You,\u201d which becomes the 1,146th No. 1 since the Hot 100&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/chart-beat\/hot-100-64-years-fun-facts-ricky-nelson-lizzo-1235122282\/\">began<\/a>&nbsp;in August 1958.<\/p>\n\n\n\n<p><strong>Airplay, streams &amp; sales:<\/strong>&nbsp;\u201cDie for You,\u201d released on XO\/Republic Records, drew 81.1 million radio airplay audience impressions (up less than 1%) and 32.4 million streams (up 181%) and sold 14,000 (up 1,170%) Feb. 24-March 2, according to Luminate. It doubles up with the Hot 100\u2019s top Streaming Gainer and Sales Gainer weekly awards.<\/p>\n\n\n\n<p>The track blasts from No. 22 to No. 1 on the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/streaming-songs\">Streaming Songs<\/a>&nbsp;chart (where it becomes Grande\u2019s fourth leader and The Weeknd\u2019s third); debuts at No. 3 on&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/digital-song-sales\/\">Digital Song Sales<\/a>; and holds at No. 3 on&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/radio-songs\/\">Radio Songs<\/a>, after two weeks on top.<\/p>\n\n\n\n<p>The song was originally released by The Weeknd solo in 2016 on his album\u00a0<em>Starboy<\/em>, with its recent resurgence sparked by interaction on TikTok (which does not presently contribute directly to\u00a0<em>Billboard<\/em>\u2019s charts). That buzz helped lead to the song\u2019s current promotion to radio and streaming services. On Feb. 24, the song\u2019s remix with Grande was released, with that version and an instrumental mix, both billed as by the tandem, discounted to 69 cents through March 2. Late on March 1, an a cappella version by the pair arrived, also for 69 cents. Those versions joined The Weeknd\u2019s original solo version and its sped-up and instrumental mixes, also priced at 69 cents during the tracking week. (The instrumental versions, one billed as by The Weeknd and the other by The Weeknd and Grande, share audio and differ only in digital artwork; they were available during the tracking week only in the acts\u2019 webstores.)<\/p>\n\n\n\n<p><strong>\u201cDie\u201d wouldn\u2019t:<\/strong>&nbsp;As&nbsp;<em>Starboy<\/em>&nbsp;opened atop the Billboard 200 dated Dec. 17, 2016, \u201cDie for You\u201d concurrently debuted at No. 43 on the Hot 100. The song spent three weeks on the chart that month (and, promoted as a single to R&amp;B\/hip-hop and rhythmic radio, reached the Mainstream R&amp;B\/Hip-Hop Airplay, Adult R&amp;B Airplay and Rhythmic Airplay charts in 2017-18). It returned to the Hot 100 dated Sept. 3, 2022. In October, it reached the Hot 100\u2019s top 40 and this January it&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/chart-beat\/taylor-swift-anti-hero-number-one-seven-weeks-the-weeknd-beyonce-top-10-1235195652\/\">hit the top 10<\/a>. It also topped the Pop Airplay chart for two weeks and reached a new No. 2 best on Rhythmic Airplay in January-February.<\/p>\n\n\n\n<p>The song completes the second-longest trip to No. 1 on the Hot 100 in terms of time from a debut to scaling the summit \u2013 and the longest among non-holiday songs. Notably, The Weeknd and Grande claim two of the six longest such journeys.<\/p>\n\n\n\n<p>Most Time to No. 1 on Hot 100, from Chart Debut:<br>19 years, 11 months, 2 weeks, \u201cAll I Want for Christmas Is You,\u201d Mariah Carey (2000-19; originally released in 1994, the carol ultimately first led&nbsp;<a href=\"https:\/\/www.billboard.com\/pro\/mariah-carey-all-i-want-for-christmas-is-you-number-one\/\">25 years after its release<\/a>)<br>6 years, 2 months, 3 weeks, \u201cDie for You,\u201d The Weeknd &amp; Ariana Grande (2016-23)<br>5 years, 8 months, 2 weeks, \u201cWhen I\u2019m With You,\u201d Sheriff (1983-89)<br>4 years, 8 months, 2 weeks, \u201cRed Red Wine,\u201d UB40 (1984-88; the pop\/reggae classic and Sheriff\u2019s love song above were&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/rb-hip-hop\/ub40-red-red-wine-labour-of-love-8472113\/\">revived<\/a>, in part, by adventurous radio exec Guy Zapoleon)<br>1 year, 2 months, \u201cHeat Waves,\u201d Glass Animals (2021-22)<br>1 year, 1 month, \u201cSave Your Tears,\u201d The Weeknd &amp; Ariana Grande (2020-21)<br><em>(Additional research by&nbsp;<\/em>Billboard<em>&nbsp;senior charts and social manager Xander Zellner)<\/em><\/p>\n\n\n\n<p>Meanwhile, \u201cDie for You\u201d tops the Hot 100 in its 31st total week on the tally, the fourth-longest such climb. \u201cHeat Waves\u201d reigned when it wrapped a\u00a0<a href=\"https:\/\/www.billboard.com\/music\/chart-beat\/glass-animals-heat-waves-number-one-billboard-hot-100-1235040322\/\">record 59-week ascent<\/a>.<\/p>\n\n\n\n<p><strong>The Weeknd &amp; Grande\u2019s No. 1s:<\/strong>&nbsp;The Weeknd and Grande earn a seventh Hot 100 No. 1 each. Here\u2019s a recap of their leaders.<\/p>\n\n\n\n<p>The Weeknd\u2019s Hot 100 No. 1s:<br>\u201cCan\u2019t Feel My Face,\u201d three weeks at No. 1, beginning Aug. 22, 2015<br>\u201cThe Hills,\u201d six weeks, Oct. 3, 2015<br>\u201cStarboy,\u201d feat. Daft Punk, one week, Jan. 7, 2017<br>\u201cHeartless,\u201d one week, Dec. 14, 2019<br>\u201cBlinding Lights,\u201d four weeks, April 4, 2020<br>\u201cSave Your Tears,\u201d with Ariana Grande, two weeks, May 8, 2021<br>\u201cDie for You,\u201d with Grande, one week to-date, March 11, 2023<\/p>\n\n\n\n<p>Notably,&nbsp;<em>Starboy<\/em>&nbsp;now boasts two Hot 100 leaders, as \u201cDie for You\u201d joins the set\u2019s title cut after over six years \u2013 a record for the longest time between No. 1 songs both originally released on a single album.<\/p>\n\n\n\n<p>Ariana Grande\u2019s Hot 100 No. 1s:<br>\u201cThank U Next,\u201d seven weeks at No. 1, beginning Nov. 17, 2018<br>\u201c7 Rings,\u201d eight weeks, Feb. 2, 2019<br>\u201cStuck With U,\u201d with Justin Bieber, one week, May 23, 2020<br>\u201cRain on Me,\u201d with Lady Gaga, one week, June 6, 2020<br>\u201cPositions,\u201d one week, Nov. 7, 2020<br>\u201cSave Your Tears,\u201d with The Weeknd, two weeks, May 8, 2021<br>\u201cDie for You,\u201d with The Weeknd, one week to-date, March 11, 2023<\/p>\n\n\n\n<p>Grande simultaneously adds her milestone 20th Hot 100 top 10. \u201cDie for You\u201d became The Weeknd\u2019s 16th top 10 \u2013 his first such hit was also with Grande, as their \u201cLove Me Harder\u201d reached No. 7 in November 2014.<\/p>\n\n\n\n<p><strong>Dominant duet partners:<\/strong>&nbsp;The Weeknd and Grande become the latest pair of solo acts that have teamed up for multiple Hot 100 No. 1s. Here\u2019s a look at the acts that might want to consider making their collaborations more frequent, given their repeat success rates. (Drake and Rihanna have achieved the feat thanks to two pairings apiece.)<\/p>\n\n\n\n<p>Acts That Have Teamed for Multiple Hot 100 No. 1s:<br>The Weeknd &amp; Ariana Grande: \u201cSave Your Tears,\u201d 2021; \u201cDie for You,\u201d 2023<br>Drake &amp; Future: \u201cWay 2 Sexy\u201d (Drake feat. Future &amp; Young Thug), 2021; \u201cWait for U\u201d (Future feat. Drake &amp; Tems), 2022<br>Rihanna feat. Drake: \u201cWhat\u2019s My Name?,\u201d 2010; \u201cWork,\u201d 2016<br>Eminem feat. Rihanna: \u201cLove the Way You Lie,\u201d 2010; \u201cThe Monster,\u201d 2013-14<br>Nelly Furtado &amp; Timbaland: \u201cPromiscuous\u201d (Furtado feat. Timbaland), 2006; \u201cGive It to Me\u201d (Timbaland feat. Furtado &amp; Justin Timberlake), 2007<br>Jennifer Lopez feat. Ja Rule: \u201cI\u2019m Real,\u201d 2001; \u201cAin\u2019t It Funny,\u201d 2002<\/p>\n\n\n\n<p><strong>\u2018Die for You\u2019 deconstructed:<\/strong>&nbsp;<a href=\"https:\/\/www.hitsongsdeconstructed.com\/hsd_wire\/\" rel=\"noreferrer noopener\" target=\"_blank\">Hit Songs Deconstructed<\/a>, which analyzes the compositional traits of Hot 100 top 10s, notes that despite the 2016 arrival of \u201cDie for You,\u201d the song \u201cfits in with the recent uptick of synth-heavy top 10s, which doubled between 2020 and&nbsp;<a href=\"https:\/\/www.billboard.com\/pro\/2022-year-end-hot-100-top-10-hit-songs-insights\/\">2022<\/a>&nbsp;to nearly one-quarter of such songs, and the continued popularity of R&amp;B, which has held steady in half of all top 10s over the past two years.\u201d<\/p>\n\n\n\n<p>Speaking of R&amp;B \u2026<\/p>\n\n\n\n<p><strong>No. 1 R&amp;B\/hip-hop:<\/strong>&nbsp;\u201cDie for You\u201d concurrently hits No. 1 on&nbsp;<em>Billboard<\/em>\u2019s&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/r-b-hip-hop-songs\">Hot R&amp;B\/Hip-Hop Songs<\/a>&nbsp;and&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/r-and-b-songs\/\">Hot R&amp;B Songs<\/a>&nbsp;charts, which use the same methodology as the Hot 100. On Hot R&amp;B\/Hip-Hop Songs, The Weeknd adds his eighth leader and Grande achieves her first. On Hot R&amp;B Songs, The Weeknd claims his record-extending 11th No. 1 (dating to the chart\u2019s 2012 start) and Grande notches her first.<\/p>\n\n\n\n<p>Miley Cyrus\u2019 \u201cFlowers\u201d descends to No. 2 after spending its first six weeks on the Hot 100 at No. 1. Still, it tops Radio Songs for a third week, up 7% to 102.1 million in audience. It\u2019s the first song to draw over 100 million in reach since Adele\u2019s \u201cEasy on Me\u201d (101.2 million; Jan. 22, 2022) and logs the highest sum since The Weeknd\u2019s \u201cBlinding Lights\u201d posted six such weeks (reaching a high of 114.6 million) in April-May 2020.<\/p>\n\n\n\n<p>SZA\u2019s \u201cKill Bill\u201d slips to No. 3 on the Hot 100 after seven weeks at its No. 2 high \u2013 although it takes top Airplay Gainer honors, up 13% to 81 million in audience.<\/p>\n\n\n\n<p>PinkPantheress and Ice Spice\u2019s \u201cBoy\u2019s a Liar, Pt. 2\u201d retreats to No. 4 on the Hot 100 from its No. 3 best; Morgan Wallen\u2019s \u201cLast Night\u201d holds at No. 5, after reaching No. 3, as it leads the multi-metric\u00a0<a href=\"https:\/\/www.billboard.com\/charts\/country-songs\/\">Hot Country Songs<\/a>\u00a0chart for a fourth week; and Metro Boomin, The Weeknd and 21 Savage\u2019s \u201cCreepin&#8217;\u201d backtracks 4-6, after hitting No. 3.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-embed-handler wp-block-embed-embed-handler wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"post-video\"><iframe loading=\"lazy\" title=\"KAROL G, Shakira - TQG (Official Video)\" width=\"1165\" height=\"874\" src=\"https:\/\/youtube.com\/embed\/jZGpkLElSu8?wmode=transparent&#038;fs=1\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<p>Karol G and Shakira\u2019s \u201cTQG\u201d charges onto the Hot 100 at No. 7, with 29 million streams, 4.6 million in airplay audience and 7,000 sold. The song is from Karol G\u2019s album\u00a0<em>Ma\u00f1ana Ser\u00e1 Bonito<\/em>, which\u00a0<a href=\"https:\/\/www.billboard.com\/music\/chart-beat\/karol-g-manana-sera-bonito-billboard-200-albums-chart-debut-1235280052\/\">debuts at No. 1<\/a>\u00a0on the Billboard 200, making history as the first all-Spanish-language leader by a woman.<\/p>\n\n\n\n<p>The track is Karol G\u2019s first Hot 100 top 10 and Shakira\u2019s sixth \u2013 and second this year, after her and Bizarrap\u2019s \u201cBzrp Music Sessions, Vol. 53\u201d debuted at its No. 9 peak in January, following her nearly 16-year absence from the region, since \u201cBeautiful Liar,\u201d with Beyonc\u00e9, rose to No. 3 in April 2007.<\/p>\n\n\n\n<p>While Shakira\u2019s lengthy break from the Hot 100\u2019s top 10 only to return with two such hits in relatively quick succession is rare, it\u2019s not unprecedented: Elton John went over 24 years after 1998 before revisiting the tier with \u201cCold Heart (Pnau Remix),\u201d with Dua Lipa (No. 7, 2021), and \u201cHold Me Closer,\u201d with Britney Spears (No. 6, 2022). Plus,&nbsp;<em>Billboard<\/em>&nbsp;deputy editor Andrew Unterberger shouts out Santana\u2019s wait of over 28 years after 1971 before bounding back with two No. 1s in 1999-2000 \u2013 \u201cSmooth,\u201d featuring Rob Thomas, and \u201cMaria Maria,\u201d featuring The Product G&amp;B \u2013 along with two more top 10s in 2002-03. (All such examples reflect acts teaming with artists who followed in their footsteps, capitalizing on multi-generational appeal.)<\/p>\n\n\n\n<p>\u201cTQG\u201d concurrently launches at No. 1 on the multi-metric&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/latin-songs\/\">Hot Latin Songs<\/a>&nbsp;chart, where it\u2019s Karol G\u2019s sixth leader, all since 2018, and fellow Colombian Shakira\u2019s 13th, with her run having begun in 1998.<\/p>\n\n\n\n<p>Elsewhere in the Hot 100\u2019s top 10, Sam Smith and Kim Petras\u2019 \u201cUnholy\u201d falls 7-8, after it ruled for a week in October; Taylor Swift\u2019s \u201cAnti-Hero\u201d dips 8-9, following a\u00a0<a href=\"https:\/\/www.billboard.com\/music\/chart-beat\/taylor-swift-anti-hero-eighth-week-number-one-zach-bryan-top-10-1235199856\/\">personal-best eight weeks<\/a>\u00a0at No. 1 in November-December; and Beyonc\u00e9\u2019s \u201cCuff It\u201d falls 9-10, after hitting No. 6.<\/p>\n\n\n\n<p>Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated March 11), including the Hot 100 in its entirety, will refresh on\u00a0Billboard.com\u00a0tomorrow (March 7).<\/p>\n\n\n\n<p>Source: billboard.com<\/p>\n<div id=\"themify_builder_content-3655\" data-postid=\"3655\" class=\"themify_builder_content themify_builder_content-3655 themify_builder themify_builder_front\">\r\n\r\n\t<\/div>\r\n<!-- \/themify_builder_content -->","protected":false},"excerpt":{"rendered":"<p>The song surges after Grande joined for its remix. Plus, Karol G &amp; Shakira launch at No. 7 with &#8220;TQG.&#8221; The Weeknd&nbsp;and&nbsp;Ariana Grande\u2019s \u201cDie for You\u201d bounds from No. 6 to No. 1 on the&nbsp;Billboard Hot 100, after Grande&nbsp;joined for its remix. The song reigns after it was originally released on The Weeknd\u2019s album&nbsp;Starboy&nbsp;in 2016, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3660,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[1],"tags":[],"class_list":["post-3655","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-now","has-post-title","has-post-date","has-post-category","has-post-tag","no-post-comment","no-post-author"],"jetpack_featured_media_url":"https:\/\/musicnow.iprorecords.com\/wp-content\/uploads\/2023\/03\/the-weeknd-ariana-grande-billboard-15481.jpg","jetpack_publicize_connections":[],"_links":{"self":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/3655","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3655"}],"version-history":[{"count":2,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/3655\/revisions"}],"predecessor-version":[{"id":3662,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/3655\/revisions\/3662"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/media\/3660"}],"wp:attachment":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3655"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3655"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3655"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}