{"id":3829,"date":"2023-07-17T18:03:13","date_gmt":"2023-07-17T18:03:13","guid":{"rendered":"https:\/\/musicnow.iprorecords.com\/?p=3829"},"modified":"2023-07-17T18:03:13","modified_gmt":"2023-07-17T18:03:13","slug":"morgan-wallens-last-night-logs-14th-week-atop-hot-100-tying-for-fifth-longest-reign-ever","status":"publish","type":"post","link":"https:\/\/musicnow.iprorecords.com\/?p=3829","title":{"rendered":"Morgan Wallen\u2019s \u2018Last Night\u2019 Logs 14th Week Atop Hot 100, Tying for Fifth-Longest Reign\u00a0Ever"},"content":{"rendered":"\r\n<script>\r\nif( document.getElementById( \"builder-styles-css\" ) ) document.getElementById( \"builder-styles-css\" ).insertAdjacentHTML( \"beforebegin\", \"<link rel='stylesheet' href='https:\/\/musicnow.iprorecords.com\/wp-content\/themes\/themify-music\/themify\/themify-builder\/css\/themify-builder-style.css' type='text\/css' \/>\" );\r\n<\/script>\r\n\t\t\t\n<p>Plus, Taylor Swift becomes the first woman with simultaneous top 10s from three of her own albums, as her re-recorded &#8220;I Can See You&#8221; debuts at No. 5.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.billboard.com\/artist\/morgan-wallen\/\">Morgan Wallen<\/a>\u2019s \u201cLast Night\u201d rebounds to top the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/hot-100\">Billboard Hot 100<\/a>&nbsp;songs chart for a 14th total week. The smash ties for the fifth-longest command in the Hot 100\u2019s nearly 65-year history.<\/p>\n\n\n\n<p>Plus, as\u00a0<a href=\"https:\/\/www.billboard.com\/artist\/taylor-swift\/\">Taylor Swift<\/a>\u2019s\u00a0<em>Speak Now (Taylor\u2019s Version)<\/em>\u00a0<a href=\"https:\/\/www.billboard.com\/music\/chart-beat\/taylor-swift-speak-now-taylors-version-number-one-debut-billboard-200-chart-1235372565\/\">launches at No. 1<\/a>\u00a0on the\u00a0<a href=\"https:\/\/www.billboard.com\/charts\/billboard-200\/\">Billboard 200<\/a>\u00a0albums chart, the set\u2019s \u201cI Can See You (Taylor\u2019s Version) (From the Vault)\u201d debuts at No. 5 on the Hot 100. The song joins Swift\u2019s \u201cCruel Summer,\u201d from 2019\u2019s\u00a0<em>Lover<\/em>, and \u201cKarma,\u201d from 2022\u2019s\u00a0<em>Midnights<\/em>, in the Hot 100\u2019s top 10 \u2013 making Swift the first woman ever with simultaneous top 10s from three of her own albums. Among all acts, only The Beatles previously achieved such a triple from three of their albums.<\/p>\n\n\n\n<p>Meanwhile, \u201cI Can See You\u201d opens as Swift\u2019s 42nd Hot 100 top 10, extending her record for the most among women.<\/p>\n\n\n\n<p>The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated July 22, 2023) will update on&nbsp;Billboard.com&nbsp;Tuesday (July 18). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-embed-handler wp-block-embed-embed-handler wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"post-video\"><iframe loading=\"lazy\" title=\"Morgan Wallen - Last Night\" width=\"1165\" height=\"655\" src=\"https:\/\/youtube.com\/embed\/bUjPPBxbQrQ?wmode=transparent&#038;fs=1\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<p>Wallen\u2019s \u201cLast Night,\u201d released on Big Loud\/Mercury\/Republic Records, drew 75.4 million radio airplay audience impressions (up 1%) and 28.6 million streams (down 4%) and sold 7,000 downloads (down 8%) in the July 7-13 tracking week, according to Luminate.<\/p>\n\n\n\n<p>As \u201cLast Night\u201d leads the Hot 100 for a 14th week, returning from No. 2, it ties for the&nbsp;<a href=\"https:\/\/www.billboard.com\/pro\/hot-100-songs-longest-leading-no-1s\/\">fifth-longest domination<\/a>&nbsp;in the chart\u2019s history.<\/p>\n\n\n\n<p>Longest-Leading Billboard Hot 100 No. 1s:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>19, \u201cOld Town Road,\u201d Lil Nas X feat. Billy Ray Cyrus, beginning April 13, 2019<\/li>\n\n\n\n<li>16, \u201cDespacito,\u201d Luis Fonsi &amp; Daddy Yankee feat. Justin Bieber, May 27, 2017<\/li>\n\n\n\n<li>16, \u201cOne Sweet Day,\u201d Mariah Carey &amp; Boyz II Men, Dec. 2, 1995<\/li>\n\n\n\n<li>15, \u201cAs It Was,\u201d Harry Styles, April 16, 2022<\/li>\n\n\n\n<li>14 (to date), \u201cLast Night,\u201d Morgan Wallen, March 18, 2023<\/li>\n\n\n\n<li>14, \u201cUptown Funk!,\u201d Mark Ronson feat. Bruno Mars, Jan. 17, 2015<\/li>\n\n\n\n<li>14, \u201cI Gotta Feeling,\u201d The Black Eyed Peas, July 11, 2009<\/li>\n\n\n\n<li>14, \u201cWe Belong Together,\u201d Mariah Carey, June 4, 2005<\/li>\n\n\n\n<li>14, \u201cCandle in the Wind 1997\u201d\/\u201cSomething About the Way You Look Tonight,\u201d Elton John, Oct. 11, 1997<\/li>\n\n\n\n<li>14, \u201cMacarena (Bayside Boys Mix),\u201d Los Del Rio, Aug. 3, 1996<\/li>\n\n\n\n<li>14, \u201cI\u2019ll Make Love to You,\u201d Boyz II Men, Aug. 27, 1994<\/li>\n\n\n\n<li>14, \u201cI Will Always Love You,\u201d Whitney Houston, Nov. 28, 1992<\/li>\n<\/ul>\n\n\n\n<p>\u201cLast Night,\u201d which\u00a0<a href=\"https:\/\/www.billboard.com\/music\/chart-beat\/morgan-wallen-last-night-hot-100-number-one-1235285151\/\">first led<\/a>\u00a0the Hot 100 in March, becoming Wallen\u2019s initial leader on the list, pushes from No. 2 for a 16th week at No. 1 on the\u00a0<a href=\"https:\/\/www.billboard.com\/charts\/streaming-songs\">Streaming Songs<\/a>\u00a0chart; lifts 5-2 on\u00a0<a href=\"https:\/\/www.billboard.com\/charts\/digital-song-sales\/\">Digital Song Sales<\/a>, following a week on top; and holds at its No. 3 best on\u00a0<a href=\"https:\/\/www.billboard.com\/charts\/radio-songs\/\">Radio Songs<\/a>.<\/p>\n\n\n\n<p>\u201cLast Night\u201d also tops\u00a0<em>Billboard<\/em>\u2019s\u00a0<a href=\"https:\/\/www.billboard.com\/charts\/country-songs\/\">Hot Country Songs<\/a>\u00a0chart, which employs the same multi-metric methodology as the Hot 100, for a 23rd week, the sixth-longest rule since the chart became an all-encompassing genre reflection in 1958; Bebe Rexha and Florida Georgia Line\u2019s \u201cMeant To Be\u201d spent a record 50 weeks at No. 1 in 2017-18.<\/p>\n\n\n\n<p>Plus, \u201cLast Night,\u201d which crowned the Country Airplay chart for eight weeks, ascends to No. 5 on both Pop Airplay and Adult Pop Airplay \u2013 as it becomes the first song by a lead male soloist to have topped Country Airplay and hit the top five on the two latter lists. (It\u2019s the first top five hit by a lead solo male on all three charts since Kid Rock\u2019s \u201cAll Summer Long\u201d hit No. 2 on Adult Pop Airplay and No. 4 on both Country Airplay and Pop Airplay in 2008.)<\/p>\n\n\n\n<p>\u201cLast Night\u201d additionally notches a seventh week atop&nbsp;<em>Billboard<\/em>\u2019s&nbsp;<a href=\"http:\/\/www.billboard.com\/charts\/summer-songs\">Songs of the Summer chart<\/a>, having ranked at No. 1 each week since the survey&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/chart-beat\/songs-of-the-summer-chart-returns-2023-morgan-wallen-1235346631\/\">returned<\/a>.<\/p>\n\n\n\n<p>Luke Combs\u2019 cover of Tracy Chapman\u2019s \u201cFast Car\u201d rebounds for a third week at its No. 2 high on the Hot 100, from No. 3, with top Sales Gainer honors (11,000, up 7%).<\/p>\n\n\n\n<p>A week after soaring in as her third Hot 100 No. 1, Olivia Rodrigo\u2019s \u201cVampire\u201d falls to No. 3. Although down 32% to 24.3 million streams and 81% to 5,000 sold, it jumps by 6% to 27.9 million in airplay audience. It falls to No. 3 on Streaming Songs, from No. 1, and 2-6 on Digital Song Sales, while rising 22-21 on Radio Songs.<\/p>\n\n\n\n<p>Rema and Selena Gomez\u2019s \u201cCalm Down\u201d holds at No. 4 on the Hot 100, after reaching its No. 3 best, as it spends a fourth week atop Radio Songs (92.2 million, essentially even week over week). The collab concurrently tops the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/billboard-u-s-afrobeats-songs\/\">Billboard U.S. Afrobeats Songs<\/a>&nbsp;chart for a 46th week, extending the longest reign since the ranking&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/chart-beat\/afrobeats-songs-chart-first-anniversary-calm-down-tems-burna-boy-1235295679\/\">began<\/a>&nbsp;over a year ago (in partnership with music festival and global brand&nbsp;<a href=\"https:\/\/www.billboard.com\/t\/afro-nation\/\">Afro Nation<\/a>).<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-embed-handler wp-block-embed-embed-handler wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"post-video\"><iframe loading=\"lazy\" title=\"Taylor Swift - I Can See You (Taylor\u2019s Version) (From The Vault) (Official Video)\" width=\"1165\" height=\"655\" src=\"https:\/\/youtube.com\/embed\/lVkKLf4DCn8?wmode=transparent&#038;fs=1\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<p>As Taylor Swift\u2019s\u00a0<em>Speak Now (Taylor\u2019s Version)<\/em>\u00a0soars in at No. 1 on the Billboard 200 albums chart \u2013 marking her 12th leader, the most among women, as she surpasses Barba Streisand\u2019s 11 \u2013 the re-recorded LP\u2019s \u201cI Can See You (Taylor\u2019s Version) (From the Vault)\u201d debuts at No. 5 on the Hot 100. The song starts with 24.7 million streams, 361,000 in airplay audience and 4,000 sold.<\/p>\n\n\n\n<p>The track arrives as Swift\u2019s 42nd Hot 100 top 10, extending her record for the most among women.<\/p>\n\n\n\n<p>Most Billboard Hot 100 Top 10s:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>68, Drake<\/li>\n\n\n\n<li>42, Taylor Swift<\/li>\n\n\n\n<li>38, Madonna<\/li>\n\n\n\n<li>34, The Beatles<\/li>\n\n\n\n<li>32, Rihanna<\/li>\n\n\n\n<li>30, Michael Jackson<\/li>\n\n\n\n<li>29, Elton John<\/li>\n\n\n\n<li>28, Mariah Carey<\/li>\n\n\n\n<li>28, Stevie Wonder<\/li>\n\n\n\n<li>27, Janet Jackson<\/li>\n\n\n\n<li>26, Justin Bieber<\/li>\n\n\n\n<li>25, Lil Wayne<\/li>\n\n\n\n<li>25, Elvis Presley (whose career start&nbsp;<a href=\"https:\/\/www.billboard.com\/pro\/elvis-presley-history-hot-100-before\/\">predated<\/a>&nbsp;the Hot 100\u2019s inception)<\/li>\n<\/ul>\n\n\n\n<p>\u201cI Can See You\u201d is also Swift\u2019s 26th top five Hot 100 hit, the chart\u2019s fifth-best total. Drake leads with 35 top five entries, followed by The Beatles (29), Madonna (28) and Mariah Carey (27).<\/p>\n\n\n\n<p>Meanwhile, \u201cI Can See You\u201d joins Swift\u2019s \u201cCruel Summer,\u201d down to No. 9 on the Hot 100 from its No. 7 high, and \u201cKarma\u201d (featuring Ice Spice), which dips 9-10 after reaching No. 2, in the top 10. With the tracks from three Swift albums \u2013&nbsp;<em>Speak Now (Taylor\u2019s Version)<\/em>, 2019\u2019s&nbsp;<em>Lover<\/em>&nbsp;and 2022\u2019s&nbsp;<em>Midnights<\/em>, respectively \u2013 she becomes the first woman with simultaneous top 10s from three of her own albums.<\/p>\n\n\n\n<p>Swift scores the feat thanks to the stars-aligning combination of the arrival of her new LP and its highest-charting hit on the Hot 100; the revived \u201cCruel Summer,\u201d now being&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/pop\/taylor-swift-cruel-summer-new-radio-single-1235355186\/\">promoted as a single<\/a>&nbsp;four years after its release; and the continued run of the latest single from her newest studio album of all-new material.<\/p>\n\n\n\n<p>Among all acts, only The Beatles have also charted three simultaneous Hot 100 top 10s from three different albums of theirs: On the Feb. 29, 1964, chart, \u201cI Want To Hold Your Hand\u201d ranked at No. 1, \u201cShe Loves You\u201d placed at No. 2 and \u201cPlease Please Me\u201d entered the top 10 at No. 6; the songs were released on, respectively, the Fab Four\u2019s U.S. albums&nbsp;<em>Meet The Beatles<\/em>,&nbsp;<em>The Beatles\u2019 Second Album<\/em>&nbsp;and&nbsp;<em>Introducing\u2026 The Beatles<\/em>.<\/p>\n\n\n\n<p>Also notably, \u201cI Can See You\u201d is Swift\u2019s second \u201cTaylor\u2019s Version\u201d-titled song to hit the Hot 100\u2019s top 10; \u201cAll Too Well (Taylor\u2019s Version),\u201d from\u00a0<em>Red (Taylor\u2019s Version)<\/em>, premiered at No. 1 on the Nov. 27, 2021, chart. \u201cI Can See You\u201d is also Swift\u2019s second \u201cFrom the Vault\u201d-branded song to reach the top 10, after multiple mixes of \u201cAll Too Well\u201d contributed to that song\u2019s Hot 100 run, including its 10-minute-plus \u201cFrom the Vault\u201d version; she has unearthed such-named songs on\u00a0<em>Speak Now (Taylor\u2019s Version)<\/em>,\u00a0<em>Red (Taylor\u2019s Version)<\/em>\u00a0and\u00a0<em>Fearless (Taylor\u2019s Version)<\/em>, the first three of her planned\u00a0<a href=\"https:\/\/www.billboard.com\/music\/music-news\/billboard-explains-taylor-swift-re-recording-albums-9552912\/\">six re-recorded albums<\/a>.<\/p>\n\n\n\n<p>Meanwhile, \u201cCruel Summer\u201d claims the Hot 100\u2019s top Airplay Gainer award for a third consecutive week (38.3 million, up 27%).<\/p>\n\n\n\n<p>Miley Cyrus\u2019 \u201cFlowers\u201d falls 5-6 on the Hot 100, after eight weeks at No. 1 beginning upon its debut in January.<\/p>\n\n\n\n<p>Gunna\u2019s \u201cFukumean\u201d pushes 8-7 for a new Hot 100 high. It concurrently reaches No. 1 on both the multi-metric\u00a0<a href=\"https:\/\/www.billboard.com\/charts\/r-b-hip-hop-songs\/\">Hot R&amp;B\/Hip-Hop Songs<\/a>\u00a0and\u00a0<a href=\"https:\/\/www.billboard.com\/charts\/rap-song\/\">Hot Rap Songs<\/a>\u00a0charts, becoming the rapper\u2019s first leader on each ranking. On the Hot 100, it takes the top Streaming Gainer nod (23.7 million, up 17%).<\/p>\n\n\n\n<p>Elsewhere in the Hot 100\u2019s top 10, Lil Durk\u2019s \u201cAll My Life,\u201d featuring J. Cole, descends 6-8, after it debuted at its No. 2 peak.<\/p>\n\n\n\n<p>Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated July 22), including the Hot 100 in its entirety, will refresh on\u00a0Billboard.com\u00a0Wednesday (July 18).<\/p>\n\n\n\n<p>Source: billboard.com<\/p>\n<div id=\"themify_builder_content-3829\" data-postid=\"3829\" class=\"themify_builder_content themify_builder_content-3829 themify_builder themify_builder_front\">\r\n\r\n\t<\/div>\r\n<!-- \/themify_builder_content -->","protected":false},"excerpt":{"rendered":"<p>Plus, Taylor Swift becomes the first woman with simultaneous top 10s from three of her own albums, as her re-recorded &#8220;I Can See You&#8221; debuts at No. 5. Morgan Wallen\u2019s \u201cLast Night\u201d rebounds to top the&nbsp;Billboard Hot 100&nbsp;songs chart for a 14th total week. The smash ties for the fifth-longest command in the Hot 100\u2019s [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3787,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[1],"tags":[],"class_list":["post-3829","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-now","has-post-title","has-post-date","has-post-category","has-post-tag","no-post-comment","no-post-author"],"jetpack_featured_media_url":"https:\/\/musicnow.iprorecords.com\/wp-content\/uploads\/2023\/06\/Morgan-Wallen-cr-John-Shearer-billboard-15481.jpg","jetpack_publicize_connections":[],"_links":{"self":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/3829","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3829"}],"version-history":[{"count":2,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/3829\/revisions"}],"predecessor-version":[{"id":3834,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/3829\/revisions\/3834"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/media\/3787"}],"wp:attachment":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3829"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3829"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3829"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}