{"id":4052,"date":"2024-01-22T20:08:36","date_gmt":"2024-01-22T20:08:36","guid":{"rendered":"https:\/\/musicnow.iprorecords.com\/?p=4052"},"modified":"2024-01-22T20:08:36","modified_gmt":"2024-01-22T20:08:36","slug":"ariana-grandes-yes-and-debuts-at-no-1-on-billboard-hot-100","status":"publish","type":"post","link":"https:\/\/musicnow.iprorecords.com\/?p=4052","title":{"rendered":"Ariana Grande\u2019s \u2018Yes, And?\u2019 Debuts at No. 1 on Billboard Hot\u00a0100"},"content":{"rendered":"\r\n<script>\r\nif( document.getElementById( \"builder-styles-css\" ) ) document.getElementById( \"builder-styles-css\" ).insertAdjacentHTML( \"beforebegin\", \"<link rel='stylesheet' href='https:\/\/musicnow.iprorecords.com\/wp-content\/themes\/themify-music\/themify\/themify-builder\/css\/themify-builder-style.css' type='text\/css' \/>\" );\r\n<\/script>\r\n\t\t\t\n<p>Plus, 21 Savage debuts two songs in the top 10.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.billboard.com\/artist\/ariana-grande\/\">Ariana Grande<\/a>\u2019s \u201cYes, And?\u201d soars in at No. 1 on the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/hot-100\">Billboard Hot 100<\/a>, becoming the pop superstar\u2019s eighth career leader on the chart.<\/p>\n\n\n\n<p>The song is the lead single from Grande\u2019s seventh studio album,&nbsp;<em>Eternal Sunshine<\/em>, due March 8 (as&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/music-news\/ariana-grande-new-album-eternal-sunshine-release-date-1235582670\/\">announced Jan. 17<\/a>).<\/p>\n\n\n\n<p>Grande wrote and produced \u201cYes, And?\u201d with Max Martin and ILYA. With its Hot 100 triumph, Martin makes history, as he passes George Martin for the most No. 1s among producers \u2013 24 \u2013 ever on the chart.<\/p>\n\n\n\n<p>Max Martin also ties John Lennon for the second-most Hot 100 No. 1s among writers \u2013 26 each \u2013 after only Paul McCartney\u2019s 32.<\/p>\n\n\n\n<p>Additionally in the Hot 100\u2019s top 10,&nbsp;<a href=\"https:\/\/www.billboard.com\/artist\/21-savage\/\">21 Savage<\/a>&nbsp;debuts two songs: \u201cRedrum,\u201d at No. 5, and \u201cN\u00e9e-nah,\u201d with Travis Scott and Metro Boomin, at No. 10. The tracks are from 21 Savage\u2019s LP&nbsp;<em>American Dream<\/em>, which&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/chart-beat\/21-savage-american-dream-debut-number-one-billboard-200-albums-chart-1235585940\/\">bounds in at No. 1<\/a>&nbsp;on the Billboard 200 albums chart.<\/p>\n\n\n\n<p>The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Jan. 27, 2024) will update on\u00a0Billboard.com\u00a0tomorrow, Jan. 23. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.<\/p>\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/eB6txyhHFG4?si=VQ_CLplt61M4X5fJ\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n\n\n\n<p>\u201cYes, And?,\u201d on Republic Records, becomes the 1,162nd No. 1 in the Hot 100\u2019s&nbsp;<a href=\"https:\/\/www.billboard.com\/pro\/hot-100-co-creator-seymour-stein-interview\/\">65-year archives<\/a>, and the 74th to&nbsp;<a href=\"https:\/\/www.billboard.com\/photos\/billboard-hot-100-number-1-song-debuts-426225\/\">debut at the summit<\/a>.<\/p>\n\n\n\n<p>Here\u2019s a look at its coronation.<\/p>\n\n\n\n<p><strong>Streams, airplay &amp; sales:<\/strong>&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/pop\/ariana-grandes-yes-and-single-stream-it-now-1235580356\/\">Released Jan. 12<\/a>, \u201cYes, And?\u201d drew 27.2 million streams and 24.8 million radio airplay audience impressions and sold 53,000, including 41,000 digital downloads, in the Jan. 12-18 tracking week, according to Luminate.<\/p>\n\n\n\n<p>The single launches at No. 1 on both the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/streaming-songs\">Streaming Songs<\/a>&nbsp;and&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/digital-song-sales\/\">Digital Song Sales<\/a>&nbsp;charts, where Grande ups her totals to five and nine leaders, respectively, and No. 28 on&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/radio-songs\/\">Radio Songs<\/a>.<\/p>\n\n\n\n<p>The track was available for purchase via 14 digital iterations, all for 69 cents by the end of the tracking week: its original version, an edit, an&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/music-news\/ariana-grande-yes-and-extended-mix-1235581729\/\">extended<\/a>&nbsp;mix, an a cappella version and slowed and sped up mixes, each in clean and explicit options, as well instrumental and extended mix instrumental versions.<\/p>\n\n\n\n<p><strong>Grande\u2019s eighth Hot 100 No. 1:<\/strong>&nbsp;Grande earns her eighth Hot 100 No. 1. It\u2019s her first since \u201cDie for You,\u201d with The Weeknd,&nbsp;<a href=\"https:\/\/www.billboard.com\/music\/chart-beat\/the-weeknd-ariana-grande-die-for-you-number-one-billboard-hot-100-1235280422\/\">last March<\/a>, and her first on her own since \u201cPositions\u201d in November 2020. (She notches her sixth No. 1&nbsp; debut, following her first five leaders, as she ties Taylor Swift for the most among women; Drake leads all acts with nine chart-topping entrances.)<\/p>\n\n\n\n<p>Ariana Grande\u2019s Hot 100 No. 1s:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u201cYes, And?,\u201d one week at No. 1 to-date, Jan. 27, 2024<\/li>\n\n\n\n<li>\u201cDie for You,\u201d with The Weeknd, one week, March 11, 2023<\/li>\n\n\n\n<li>\u201cSave Your Tears,\u201d with The Weeknd, two weeks, beginning May 8, 2021<\/li>\n\n\n\n<li>\u201cPositions,\u201d one week, Nov. 7, 2020<\/li>\n\n\n\n<li>\u201cRain on Me,\u201d with Lady Gaga, one week, June 6, 2020<\/li>\n\n\n\n<li>\u201cStuck With U,\u201d with Justin Bieber, one week, May 23, 2020<\/li>\n\n\n\n<li>\u201c7 Rings,\u201d eight weeks, beginning Feb. 2, 2019<\/li>\n\n\n\n<li>\u201cThank U Next,\u201d seven weeks, beginning Nov. 17, 2018<\/li>\n<\/ul>\n\n\n\n<p>Grande ties Beyonc\u00e9 for the eighth-most Hot 100 No. 1s among solo women. Mariah Carey leads all women soloists with 19, followed by Rihanna (14), Madonna (12), Whitney Houston, Taylor Swift (11 each), Janet Jackson (10) and Katy Perry (nine).<\/p>\n\n\n\n<p><strong>Max Martin solely claims most Hot 100 No. 1s among producers:<\/strong>&nbsp;Grande co-wrote and co-produced \u201cYes, And?\u201d with Max Martin and ILYA. She earns her eighth Hot 100 No. 1 as a writer and her first as a producer. ILYA adds his second leader as both a writer and producer, after Sam Smith and Kim Petras\u2019 \u201cUnholy,\u201d for a week in 2022.<\/p>\n\n\n\n<p>Meanwhile, with its arrival atop the Hot 100, Martin makes history, passing the late George Martin \u2013 who produced 19 of The Beatles\u2019 record 20 No. 1s \u2013 for the most leaders among producers ever on the chart: 24.<\/p>\n\n\n\n<p>Most Hot 100 No. 1s Among Producers:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>24, Max Martin<\/li>\n\n\n\n<li>23, George Martin<\/li>\n\n\n\n<li>18, Lukasz \u201cDr. Luke\u201d Gottwald<\/li>\n\n\n\n<li>16, James \u201cJimmy Jam\u201d Harris III<\/li>\n\n\n\n<li>16, Terry Lewis<\/li>\n<\/ul>\n\n\n\n<p>Max Martin also ties the late John Lennon for the second-most Hot 100 No. 1s among writers, 26 each, after only Paul McCartney\u2019s 32. (McCartney and Lennon co-penned all 20 of The Beatles\u2019 No. 1s.)<\/p>\n\n\n\n<p>Most Hot 100 No. 1s Among Writers:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>32, Paul McCartney<\/li>\n\n\n\n<li>26, John Lennon<\/li>\n\n\n\n<li>26, Max Martin<\/li>\n\n\n\n<li>18, Mariah Carey<\/li>\n\n\n\n<li>18, Lukasz \u201cDr. Luke\u201d Gottwald<\/li>\n<\/ul>\n\n\n\n<p>Max Martin first dominated the Hot 100 both as a producer and writer 25 years ago this month, when Britney Spears\u2019 debut smash \u201c\u2026Baby One More Time\u201d hit No. 1 on the Jan. 30, 1999-dated chart.<\/p>\n\n\n\n<p><strong>\u2018Yes,\u2019 it\u2019s No. 1, \u2018And\u2019 a first:<\/strong>&nbsp;\u201cYes, And?\u201d is the first Hot 100 No. 1 with the word \u201cyes\u201d in its title. It one-ups Teri DeSario\u2019s \u201cYes, I\u2019m Ready\u201d (with K.C.), which hit No. 2 in March 1980.<\/p>\n\n\n\n<p>Honorable mention: 40 years ago, the band Yes ruled the Hot 100 with \u201cOwner of a Lonely Heart,\u201d for two weeks in January 1984.<\/p>\n\n\n\n<p>(Not to sound negative \u2026 but 10 singles with \u201cno\u201d in their titles have topped the Hot 100, from The Rolling Stones\u2019 \u201c(I Can\u2019t Get No) Satisfaction\u201d in 1965 through Alicia Keys\u2019 \u201cNo One\u201d in 2007.)<\/p>\n\n\n\n<p><strong>No. 1 on Hot Dance\/Electronic Songs:<\/strong>&nbsp;\u201cYes, And?\u201d concurrently opens at No. 1 on the&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/dance-electronic-songs\/\">Hot Dance\/Electronic Songs<\/a>&nbsp;chart, which uses the same methodology as the Hot 100.<\/p>\n\n\n\n<p>Grande posts her first Hot Dance\/Electronic Songs leader on her own, and her third overall, following \u201cRain on Me,\u201d with Lady Gaga (two weeks at No. 1, 2020), and \u201cBreak Free,\u201d featuring Zedd (nine, 2014).<\/p>\n\n\n\n<p>Jack Harlow\u2019s \u201cLovin on Me\u201d dips to No. 2 after three weeks atop the Hot 100. Meanwhile, it ascends to No. 1 on Radio Songs (67 million, up 15%), becoming his second leader, after \u201cFirst Class\u201d (four weeks, 2022). \u201cLovin on Me\u201d tops the multimetric&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/r-b-hip-hop-songs\/\">Hot R&amp;B\/Hip-Hop Songs<\/a>&nbsp;and&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/rap-song\/\">Hot Rap Songs<\/a>&nbsp;charts for a 10th week each.<\/p>\n\n\n\n<p>Taylor Swift\u2019s \u201cCruel Summer\u201d slips 2-3 on the Hot 100, following four nonconsecutive weeks at No. 1 beginning in October, and Tate McRae\u2019s \u201cGreedy\u201d backtracks to No. 4 from its No. 3 best.<\/p>\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/U4mADkt6o-M?si=LMFrlSB7mTanQPFW\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n\n\n\n<p>21 Savage debuts two songs in the Hot 100\u2019s top 10: \u201cRedrum,\u201d at No. 5, and \u201cN\u00e9e-nah,\u201d with Travis Scott and Metro Boomin, at No. 10. The tracks start with 21.4 and 18 million streams, respectively.<\/p>\n\n\n\n<p>21 Savage tallies his 16th and 17th Hot 100 top 10s \u2013 with \u201cRedrum\u201d marking his first with no accompanying artists. Travis Scott scores his 15th top 10 and Metro Boomin, his fifth.<\/p>\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/hSitXYlIqKI?si=JlqdYod6fZA4pdKG\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n\n\n\n<p>Zach Bryan\u2019s \u201cI Remember Everything,\u201d featuring Kacey Musgraves, falls 4-6 on the Hot 100, after it led for a week upon its debut last September, as it rules the multimetric&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/rock-songs\/\">Hot Rock &amp; Alternative Songs<\/a>&nbsp;and&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/hot-rock-songs\/\">Hot Rock Songs<\/a>&nbsp;charts for a 21st week each and&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/country-songs\/\">Hot Country Songs<\/a>&nbsp;for a 17th frame.<\/p>\n\n\n\n<p>Doja Cat\u2019s \u201cPaint the Town Red\u201d descends 5-7 on the Hot 100, after it led for three nonconsecutive weeks beginning in September; Teddy Swims\u2019 \u201cLose Control\u201d holds at its No. 8 high, a week after it became his first top 10; and SZA\u2019s \u201cSnooze\u201d drifts 6-9, after reaching No. 2, as it leads the multimetric&nbsp;<a href=\"https:\/\/www.billboard.com\/charts\/r-and-b-songs\/\">Hot R&amp;B Songs<\/a>&nbsp;chart for a 25th week.<\/p>\n\n\n\n<p>Again, for all chart news, you can follow @billboard and @billboardcharts on\u00a0<em>Billboard<\/em>\u2019s social accounts, and all charts (dated Jan. 27), including the Hot 100 in its entirety, will refresh on\u00a0Billboard.com\u00a0tomorrow (Jan. 23).<\/p>\n\n\n\n<p>Source: billboard.com<\/p>\n<div id=\"themify_builder_content-4052\" data-postid=\"4052\" class=\"themify_builder_content themify_builder_content-4052 themify_builder themify_builder_front\">\r\n\r\n\t<\/div>\r\n<!-- \/themify_builder_content -->","protected":false},"excerpt":{"rendered":"<p>Plus, 21 Savage debuts two songs in the top 10. Ariana Grande\u2019s \u201cYes, And?\u201d soars in at No. 1 on the&nbsp;Billboard Hot 100, becoming the pop superstar\u2019s eighth career leader on the chart. The song is the lead single from Grande\u2019s seventh studio album,&nbsp;Eternal Sunshine, due March 8 (as&nbsp;announced Jan. 17). Grande wrote and produced [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4053,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[1],"tags":[],"class_list":["post-4052","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-now","has-post-title","has-post-date","has-post-category","has-post-tag","no-post-comment","no-post-author"],"jetpack_featured_media_url":"https:\/\/musicnow.iprorecords.com\/wp-content\/uploads\/2024\/01\/02-Ariana-Grande-yes-and-Official-Music-Video-billboard-15481.jpg","jetpack_publicize_connections":[],"_links":{"self":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/4052","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4052"}],"version-history":[{"count":2,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/4052\/revisions"}],"predecessor-version":[{"id":4055,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/4052\/revisions\/4055"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/media\/4053"}],"wp:attachment":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4052"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4052"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4052"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}