{"id":796,"date":"2017-09-18T12:06:34","date_gmt":"2017-09-18T19:06:34","guid":{"rendered":"http:\/\/musicnow.iprorecords.com\/?p=796"},"modified":"2022-05-12T16:49:28","modified_gmt":"2022-05-12T16:49:28","slug":"taylor-swift-tops-billboard-hot-100-for-third-week-sam-smith-debuts-at-no-5","status":"publish","type":"post","link":"https:\/\/musicnow.iprorecords.com\/?p=796","title":{"rendered":"Taylor Swift Tops Billboard Hot 100 for Third Week, Sam Smith Debuts at No. 5"},"content":{"rendered":"\r\n<script>\r\nif( document.getElementById( \"builder-styles-css\" ) ) document.getElementById( \"builder-styles-css\" ).insertAdjacentHTML( \"beforebegin\", \"<link rel='stylesheet' href='https:\/\/musicnow.iprorecords.com\/wp-content\/themes\/themify-music\/themify\/themify-builder\/css\/themify-builder-style.css' type='text\/css' \/>\" );\r\n<\/script>\r\n\t\t\t<h2 class=\"article__deck\">Swift leads again with &#8220;Look What You Made Me Do,&#8221; while Smith scores his highest entrance.<\/h2>\n<p><a href=\"http:\/\/www.billboard.com\/artist\/371422\/taylor-swift\/chart\">Taylor Swift<\/a>&#8216;s &#8220;Look What You Made Me Do&#8221; rules the\u00a0<a href=\"http:\/\/www.billboard.com\/charts\/hot-100\">Billboard Hot 100<\/a>\u00a0chart (dated Sept. 30) for a third week.<\/p>\n<p>Meanwhile,\u00a0<a href=\"http:\/\/www.billboard.com\/artist\/7266002\/cardi-b\/chart\">Cardi B<\/a>&#8216;s &#8220;Bodak Yellow (Money Moves),&#8221; at No. 2 on the Hot 100, becomes the most-streamed song of the week, reaching No. 1 on the\u00a0<a href=\"http:\/\/www.billboard.com\/charts\/streaming-songs\">Streaming Songs<\/a>\u00a0chart, and\u00a0<a href=\"http:\/\/www.billboard.com\/artist\/5811918\/sam-smith\/chart\">Sam Smith<\/a>\u00a0soars onto the Hot 100 at No. 5 with &#8220;Too Good at Goodbyes,&#8221; marking his highest debut and fifth top 10. The track also launches atop the\u00a0<a href=\"http:\/\/www.billboard.com\/charts\/digital-song-sales\">Digital Song Sales<\/a>\u00a0chart as the week&#8217;s best-selling download.<\/p>\n<p>As we do every Monday, let&#8217;s run down the top 10 of the Hot 100, which blends all-genre streaming, airplay and sales data. All charts will update on Billboard.com tomorrow (Sept. 19).<\/p>\n<div class=\"fluid-width-video-wrapper\"><iframe loading=\"lazy\" id=\"fitvid0\" src=\"https:\/\/www.youtube.com\/embed\/oE-JSacA00A\" width=\"650\" height=\"366\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<p>&#8220;Look,&#8221; released on Big Machine\/Republic Records as the lead single from Swift&#8217;s sixth studio album,\u00a0<em>Reputation<\/em>, due Nov. 10, remains atop the Hot 100 despite not leading any of the chart&#8217;s three main component rankings. It dips 1-2 on Streaming Songs with 39.9 million U.S. streams, down 35 percent, in the week ending Sept. 14, according to Nielsen Music, and holds at No. 2 on Digital Song Sales with 69,000 downloads sold, down 39 percent, in the week ending Sept. 14. (The song led the lists for two weeks and one week, respectively.) On\u00a0<a href=\"http:\/\/www.billboard.com\/charts\/radio-songs\">Radio Songs<\/a>, &#8220;Look&#8221; lifts 13-10 with 75 million all-format audience impressions, up 11 percent, in the week ending Sept. 17, becoming Swift&#8217;s 13th top 10 on the airplay ranking.<\/p>\n<p>It&#8217;s rare, but not entirely uncommon, for a song to top the Hot 100 but not be a week&#8217;s No. 1 title in streaming, airplay or sales (while still accumulating enough overall chart points to reign).\u00a0<a href=\"http:\/\/www.billboard.com\/artist\/298455\/bruno-mars\/chart\">Bruno Mars<\/a>&#8216; &#8220;That&#8217;s What I Like&#8221; last did so, leading the Hot 100 dated May 13, when it ranked No. 2 in both airplay and sales and No. 4 in streaming.<\/p>\n<p>Cardi B&#8217;s &#8220;Bodak Yellow&#8221; holds at its No. 2 high on the Hot 100 and takes over at No. 1 on Streaming Songs with 40.8 million U.S. streams (despite a 12 percent decline). It falls 8-12 on Digital Song Sales (30,000, down 14 percent) and bullets at No. 16 on Radio Songs (57 million, up 2 percent). The rapper&#8217;s breakthrough hit spends a fifth week at No. 1 on the\u00a0<a href=\"http:\/\/www.billboard.com\/charts\/rap-song\">Hot Rap Songs<\/a>\u00a0chart and a third week atop\u00a0<a href=\"http:\/\/www.billboard.com\/charts\/r-b-hip-hop-songs\">Hot R&amp;B\/Hip-Hop Songs<\/a>.<\/p>\n<p><a href=\"http:\/\/www.billboard.com\/artist\/6260934\/logic\/chart\">Logic<\/a>&#8216;s &#8220;1-800-273-8255,&#8221; featuring\u00a0<a href=\"http:\/\/www.billboard.com\/artist\/6592648\/alessia-cara\/chart\">Alessia Cara<\/a>\u00a0and\u00a0<a href=\"http:\/\/www.billboard.com\/artist\/7414979\/khalid\/chart\">Khalid<\/a>, hits a new Hot 100 peak, pushing 5-3. The\u00a0<a href=\"http:\/\/www.billboard.com\/articles\/columns\/hip-hop\/7965759\/logic-1-800-273-8200-positive-message\">positive-message song<\/a>, whose title doubles as the National Suicide Prevention Lifeline and which gained further momentum after the trio performed it at the MTV Video Music Awards Aug. 27, rises 5-3 on Streaming Songs (34.2 million, up 12 percent); 4-3 on Digital Song Sales (51,000, although down 17 percent); and 33-29 on Radio Songs (41 million, up 16 percent).<\/p>\n<p>All three acts on &#8220;1-800&#8221; hit new career highs on the Hot 100, while Cara breaks a tie with her prior best rank: her debut hit &#8220;Here&#8221; reached No. 5 in early 2016.<\/p>\n<p><a href=\"http:\/\/www.billboard.com\/artist\/308529\/luis-fonsi\/chart\">Luis Fonsi<\/a>\u00a0and\u00a0<a href=\"http:\/\/www.billboard.com\/artist\/300083\/daddy-yankee\/chart\">Daddy Yankee<\/a>&#8216;s &#8220;Despacito,&#8221; featuring\u00a0<a href=\"http:\/\/www.billboard.com\/artist\/305459\/justin-bieber\/chart\">Justin Bieber<\/a>, descends 3-4 on the Hot 100 after spending a\u00a0<a href=\"http:\/\/www.billboard.com\/articles\/columns\/chart-beat\/7942306\/despacito-hot-100-number-one-ties-record-luis-fonsi-daddy-yankee-justin-bieber\">record-tying 16 weeks at No. 1<\/a>. Still, it tops the\u00a0<a href=\"http:\/\/www.billboard.com\/charts\/latin-songs\">Hot Latin Songs<\/a>\u00a0chart for a 33rd week.<\/p>\n<div class=\"fluid-width-video-wrapper\"><iframe loading=\"lazy\" id=\"fitvid1\" src=\"https:\/\/www.youtube.com\/embed\/J_ub7Etch2U\" width=\"650\" height=\"366\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<p>Smith&#8217;s &#8220;Too Good at Goodbyes&#8221; blasts onto the Hot 100 at No. 5, arriving at No. 1 on Digital Song Sales with 90,000 sold. Smith scores his second leader on the sales tally, following &#8220;Stay With Me,&#8221; which spent two weeks on top in 2014. On the Hot 100, Smith easily lands his highest debut (toppling his prior best, set when &#8220;Omen,&#8221; by\u00a0<a href=\"http:\/\/www.billboard.com\/artist\/301001\/disclosure\/chart\">Disclosure<\/a>\u00a0featuring Smith, began at No. 64 in 2015). He notches his fifth Hot 100 top 10, following &#8220;Latch,&#8221; also by Disclosure featuring Smith (No. 7, 2014); &#8220;Stay&#8221; (No. 2, 2014); &#8220;I&#8217;m Not the Only One&#8221; (No. 5, 2014); and &#8220;Lay Me Down&#8221; (No. 8, 2015).<\/p>\n<p>&#8220;Goodbyes&#8221; starts at No. 10 on Streaming Songs (20.8 million first-week U.S. streams), where it&#8217;s Smith&#8217;s fourth top 10, and ranks at No. 35 on Radio Songs (35 million, up 38 percent) following its first full week of tracking. As\u00a0<a href=\"http:\/\/www.billboard.com\/articles\/columns\/chart-beat\/7965971\/uk-no-1-the-national-sam-smith\">previously reported<\/a>, the song debuts as the British singer-songwriter&#8217;s sixth No. 1 on the Official UK Singles chart.<\/p>\n<p>&#8220;Goodbyes&#8221; is the lead single from Smith&#8217;s forthcoming sophomore LP. &#8220;The whole album is about many different things, but I wanted to open up with this [song] because it&#8217;s about me, and I think that&#8217;s where I left people,&#8221;\u00a0<a href=\"http:\/\/www.billboard.com\/articles\/columns\/pop\/7965642\/sam-smith-too-good-at-goodbyes-larry-flick-interview\">Smith says<\/a>. &#8220;I just wanted to come back with something that updated you on my love life, which is still going terribly.&#8221;<\/p>\n<p>Rounding out the Hot 100&#8217;s top 10,\u00a0<a href=\"http:\/\/www.billboard.com\/artist\/299939\/dj-khaled\/chart\">DJ\u00a0<\/a><a href=\"http:\/\/www.billboard.com\/artist\/299939\/dj-khaled\/chart\">Khaled<\/a>&#8216;s &#8220;Wild Thoughts,&#8221; featuring\u00a0<a href=\"http:\/\/www.billboard.com\/artist\/365068\/rihanna\/chart\">Rihanna<\/a>and\u00a0<a href=\"http:\/\/www.billboard.com\/artist\/6627423\/bryson-tiller\/chart\">Bryson Tiller<\/a>, is steady at No. 6 after\u00a0<a href=\"http:\/\/www.billboard.com\/articles\/columns\/chart-beat\/7957889\/ask-billboard-kelly-clarksons-career-sales-wild-thoughts-about\">peaking at No. 2<\/a>\u00a0for seven weeks, while leading the\u00a0<a href=\"http:\/\/www.billboard.com\/charts\/r-and-b-songs\">Hot R&amp;B Songs<\/a>\u00a0chart for an 11th week; French Montana&#8217;s &#8220;Unforgettable,&#8221; featuring\u00a0<a href=\"http:\/\/www.billboard.com\/artist\/7892273\/swae-lee\/chart\">Swae Lee<\/a>, rebounds 9-7 on the Hot 100, after reaching No. 3;\u00a0<a href=\"http:\/\/www.billboard.com\/artist\/6473237\/charlie-puth\/chart\">Charlie\u00a0<\/a><a href=\"http:\/\/www.billboard.com\/artist\/6473237\/charlie-puth\/chart\">Puth<\/a>&#8216;s &#8220;Attention&#8221; slips 7-8 on the Hot 100, after reaching No. 5, and tops Radio Songs for a second week (124 million, down 2 percent);\u00a0<a href=\"http:\/\/www.billboard.com\/artist\/303738\/imagine-dragons\/chart\">Imagine Dragons<\/a>&#8216; No. 4-peaking &#8220;Believer&#8221; backtracks 8-9 on the Hot 100, while ruling the\u00a0<a href=\"http:\/\/www.billboard.com\/charts\/rock-songs\">Hot Rock Songs<\/a>\u00a0chart for a 28th week; and\u00a0<a href=\"http:\/\/www.billboard.com\/artist\/6143288\/shawn-mendes\/chart\">Shawn Mendes<\/a>&#8216; &#8220;There&#8217;s Nothing Holdin&#8217; Me Back&#8221; holds at No. 10, after hitting to No. 6.<\/p>\n<p>Just outside the Hot 100&#8217;s top 10, three songs hit new peaks in the top 20:\u00a0<a href=\"http:\/\/www.billboard.com\/artist\/7526935\/niall-horan\/chart\">Niall\u00a0<\/a><a href=\"http:\/\/www.billboard.com\/artist\/7526935\/niall-horan\/chart\">Horan<\/a>&#8216;s &#8220;Slow Hands&#8221; (15-11);\u00a0<a href=\"http:\/\/www.billboard.com\/artist\/347085\/portugal-man\/chart\">Portugal. The Man<\/a>&#8216;s &#8220;Feel It Still&#8221; (18-14); and\u00a0<a href=\"http:\/\/www.billboard.com\/artist\/5773491\/j-balvin\/chart\">J Balvin<\/a>and\u00a0<a href=\"http:\/\/www.billboard.com\/artist\/6821358\/willy-william\/chart\">Willy William<\/a>&#8216;s &#8220;Mi Gente&#8221; (22-19).<\/p>\n<p>Meanwhile, the Hot 100&#8217;s top three debuts after Sam Smith belong to\u00a0<a href=\"http:\/\/www.billboard.com\/artist\/6530593\/zayn-malik\/chart\">Zayn<\/a>&#8216;s &#8220;Dusk Till Dawn,&#8221; featuring\u00a0<a href=\"http:\/\/www.billboard.com\/artist\/279248\/sia\/chart\">Sia<\/a>\u00a0(No. 44);\u00a0<a href=\"http:\/\/www.billboard.com\/artist\/305681\/kelly-clarkson\/chart\">Kelly Clarkson<\/a>&#8216;s &#8220;Love So Soft&#8221; (No. 62); and\u00a0<a href=\"http:\/\/www.billboard.com\/artist\/289793\/blake-shelton\/chart\">Blake Shelton<\/a>&#8216;s &#8220;I&#8217;ll Name the Dogs&#8221; (No. 73).<\/p>\n<p>Find out more Hot 100 news in the weekly &#8220;Hot 100 Chart Moves&#8221; column and by listening (and subscribing) to\u00a0<em>Billboard<\/em>&#8216;s\u00a0<a href=\"https:\/\/itunes.apple.com\/us\/podcast\/chart-beat\/id1082747004?mt=2\" target=\"_blank\" rel=\"noopener noreferrer\">Chart Beat Podcast<\/a>\u00a0and\u00a0<a href=\"https:\/\/itunes.apple.com\/us\/podcast\/pop-shop-podcast\/id720291560?mt=2\" target=\"_blank\" rel=\"noopener noreferrer\">Pop Shop Podcast<\/a>, all posting this week. And again, be sure to visit Billboard.com tomorrow (Sept. 19), when all charts, including the Hot 100 in its entirety, will refresh.<\/p>\n<p>Source: billboard.com<\/p>\n<div id=\"themify_builder_content-796\" data-postid=\"796\" class=\"themify_builder_content themify_builder_content-796 themify_builder themify_builder_front\">\r\n\r\n\t<\/div>\r\n<!-- \/themify_builder_content -->","protected":false},"excerpt":{"rendered":"<p>Swift leads again with &#8220;Look What You Made Me Do,&#8221; while Smith scores his highest entrance. Taylor Swift&#8216;s &#8220;Look What You Made Me Do&#8221; rules the\u00a0Billboard Hot 100\u00a0chart (dated Sept. 30) for a third week. Meanwhile,\u00a0Cardi B&#8216;s &#8220;Bodak Yellow (Money Moves),&#8221; at No. 2 on the Hot 100, becomes the most-streamed song of the week, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":797,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[1],"tags":[],"class_list":["post-796","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-now","has-post-title","has-post-date","has-post-category","has-post-tag","no-post-comment","no-post-author"],"jetpack_featured_media_url":"https:\/\/musicnow.iprorecords.com\/wp-content\/uploads\/2017\/09\/11-taylor-swift-look-what-you-made-me-do-screenshot-2017-billboard-15482.jpg","jetpack_publicize_connections":[],"_links":{"self":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/796","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=796"}],"version-history":[{"count":1,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/796\/revisions"}],"predecessor-version":[{"id":3113,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/posts\/796\/revisions\/3113"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=\/wp\/v2\/media\/797"}],"wp:attachment":[{"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=796"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=796"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicnow.iprorecords.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=796"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}