The song reigns for the first time since July. Plus, Chappell Roan’s “Pink Pony Club” and SZA’s “30 for 30,” featuring Lamar, hit the top 10.

Kendrick Lamar’s “Not Like Us” blasts back to No. 1, from No. 15, on the Billboard Hot 100 songs chart (dated Feb. 22), sparked by his performance of the song during the Super Bowl LIX halftime show Feb. 9.

The scathing diss track – which on Feb. 2 won the Grammy Awards for record and song of the year, among its five victories – adds a third week atop the Hot 100. It debuted at No. 1 on the May 18, 2024, chart and became a pop-culture fixture, spending the next eight weeks between Nos. 2 and 6. It was further boosted by Lamar’s Juneteenth The Pop Out: Ken & Friends concert – in which he performed the song five times. It rebounded for a second week at No. 1 on the July 20 chart, following the July 4 premiere of its official video.

“Not Like Us” leads the Hot 100 again after a break of 29 chart weeks (and 30 total, encompassing a week off the chart while holiday hits decorated the ranking) – the third-longest break between time at No. 1 in the chart’s 66-year history (surpassing two hits that waited nine weeks each between stays on top: Olivia Rodrigo’s “Vampire,” in 2023, and Miley Cyrus’ “Wrecking Ball,” in 2013).

Among all songs, the only longer breaks between No. 1 Hot 100 runs belong to Chubby Checker’s “The Twist” and Mariah Carey’s “All I Want for Christmas Is You.” The former returned to the top after a record wait of a year, three months and three weeks, between 1960 and 1962, after it re-entered the chart thanks to new popularity among adult audiences; Carey’s Yuletide anthem has led for 18 total weeks, via annual reigns since December 2019.

Meanwhile, “Not Like Us” becomes the first non-holiday song to top the Hot 100 three separate times with breaks of two or more months in between each domination.

Lamar additionally ties his longest Hot 100 command, as he first led for three weeks last April with “Like That,” with Future and Metro Boomin. He has earned five No. 1s, also ruling for a week each with “Squabble Up” in December (thus, in between his second and third turns at No. 1 with “Not Like Us”); “Humble.” in 2017; and as featured on Taylor Swift’s “Bad Blood” in 2015.

Additionally, two songs reach the Hot 100’s top 10 for the first time, led by Chappell Roan’s “Pink Pony Club” (18-9), after she performed the song on the Grammys and won for best new artist and has drawn continued attention for her acceptance speech calling for improvements in artists’ healthcare. Plus, SZA’s “30 for 30,” featuring Lamar, leaps 22-10 after she guested during Lamar’s halftime show performance.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Feb. 22, 2025) will update on Billboard.com tomorrow, Feb. 19, a day later than usual due to the Presidents’ Day holiday in the United States Feb. 17. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Source: billboard.com

The set surges back to No. 1 after its physical release and Lamar’s Super Bowl halftime show. Plus, two more Lamar albums return to the top 10.

Kendrick Lamar’s GNX jumps back to No. 1 on the Billboard 200 albums chart, for a second week atop the list (rising 4-1 on the survey dated Feb. 22), following his Super Bowl halftime show (Feb. 9) and the set’s release on physical formats. (It was previously only available to stream, and to purchase as a digital download album.)

Plus, two more Lamar albums return to the top 10 in the wake of the halftime show: 2017’s chart-topping DAMN. drives 29-9 and 2012’s good kid, m.A.A.d city vaults 27-10. The latest Billboard 200 reflects activity generated in the U.S. in the week ending Feb. 13.

With GNX, DAMN. and good kid, m.A.A.d city all in the top 10, Lamar is the first rap act with three albums in the top 10 of the Billboard 200 at the same time. The chart began publishing on a regular, weekly basis in March 1956.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Feb. 22, 2025-dated chart will be posted in full on Billboard‘s website on Feb. 19, one day later than usual, owed to the Presidents’ Day holiday in the U.S. on Feb. 17. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

According to Luminate, of the 236,000 equivalent album units earned by GNX in the week ending Feb. 13 in the U.S., SEA units comprise 117,000 (up 86%; equaling 161.01 million on-demand official streams of the set’s songs; it jumps 4-1 on Top Streaming Albums), album sales comprise 116,000 (up 10,100%; it reenters at No. 1 on Top Album Sales for its first week at No. 1 on that chart) and TEA units comprise 3,000. The set’s 236,000 units earned mark its largest week since it debuted at No. 1 on the Dec. 7, 2024-dated chart with 319,000.

With GNX selling 116,000, that marks Lamar’s largest sales week for an album since DAMN. debuted with 353,000 sold in its first week (chart dated May 6, 2017). Of GNX’s 116,000 sold, vinyl sales comprise 87,000 — Lamar’s best week ever on vinyl. GNX was released on physical formats for the first time on Feb. 7, on CD, cassette and five vinyl variants.

As Lamar has three albums concurrently in the top 10 on the Billboard 200, he’s the first living male artist to achieve that feat since Herb Alpert on the Dec. 24, 1966-dated chart (when he, along with the Tijuana Brass, had three titles in the top 10). The most recent act, overall, with at least three albums in the top 10 was Taylor Swift on the Dec. 9, 2023, chart, when she had five in the region.

Before Lamar, the last male artist — or anyone aside from Swift — to have at least three albums in the top 10 at the same time was Prince, following his death, in 2016. That year, on the May 14 chart, he logged five titles in the region; and on the May 7 chart, he had three in the top 10. Prince died on April 21, 2016.

GNX is currently in its 12th consecutive week on the chart and has yet to depart the top five on the weekly tally.

Former No. 1 DAMN. drives 29-9 on the Billboard 200 with 39,000 equivalent album units earned (up 93%) and good kid, m.A.A.d city jumps 27-10 with 37,000 units (up 71%). DAMN. spent four weeks atop the list in 2017, and it was last in the top 10 on the March 17, 2018-dated chart, when it ranked at No. 9. The good kid album peaked at No. 2 in 2012 and was last in the top 10 on the Nov. 24, 2012-dated chart, when it placed at No. 9.

SZA, who was a special guest performer during Lamar’s halftime show, sees her former No. 1 SOS climb 3-2 on the latest Billboard 200 with 109,000 equivalent album units earned (up 33%). The album was reissued on Feb. 9 with four additional tracks.

The Weeknd’s Hurry Up Tomorrow falls 1-3 on the Billboard 200 in its second week (101,000 equivalent album units; down 79%), Bad Bunny’s chart-topping Debí Tirar Más Fotos descends 2-4 (78,000; down 17%) and Chappell Roan’s The Rise and Fall of a Midwest Princess climbs 6-5 (59,000; up 19%).

Billie Eilish’s Hit Me Hard and Soft falls 5-6 (56,000 equivalent album units earned; up 6%), Sabrina Carpenter’s former leader Short n’ Sweet is steady at No. 7 (51,000; up 5%) and Morgan Wallen’s chart-topping One Thing at a Time is a non-mover at No. 8 (41,000; down 8%).

Source: billboard.com

Plus, Morgan Wallen’s “I’m the Problem” launches at No. 2 and multiple songs in the top 10 surge following the Grammy Awards.

Lady Gaga and Bruno Mars’ “Die With a Smile” rebounds a spot to No. 1 for a fifth total week atop the Billboard Hot 100 songs chart.

The ballad became Gaga’s sixth Hot 100 leader and Mars’ ninth. Gaga moves to within one week of tying her longest No. 1 stay – she dominated for six weeks in 2011 with “Born This Way.” Mars logs his third reign of five or more weeks.

“Die With a Smile” also ascends to its first week at No. 1 on the Radio Songs chart, marking Gaga’s third leader – and first since “Born This Way” – and Mars’ milestone 10th.

Morgan Wallen’s “I’m the Problem” launches at No. 2 on the Hot 100, as well as No. 1 on the Streaming Songs and Digital Song Sales charts. The track becomes the country star’s 13th Hot 100 top 10.

Plus, multiple songs, including “Die With a Smile,” gain in the Hot 100’s top 10 following exposure on the 67th Annual Grammy Awards Feb. 2.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Feb. 15, 2025) will update on Billboard.com tomorrow, Feb. 11. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Source: billboard.com

Plus: Chappell Roan surges back into top 10 after best new artist Grammy win.

The Weeknd lands his fifth No. 1 on the Billboard 200 albums chart with the debut of Hurry Up Tomorrow atop the tally (dated Feb. 15). The set earned 490,500 equivalent album units in the U.S. in the week ending Feb. 6, according to Luminate. That marks the largest week for any album since Taylor Swift’s The Tortured Poets Department debuted at No. 1 on the May 4, 2024-dated chart with 2.61 million. Hurry Up Tomorrow logs the biggest week for an R&B/hip-hop album since Travis Scott’s Utopia debuted at No. 1 on the Aug. 12, 2023, chart with 496,000.

The Weeknd previously topped the chart with After Hours (2020), My Dear Melancholy (2018), Starboy (2016) and Beauty Behind the Madness (2015).

Also in the latest top 10, Chappell Roan’s The Rise and Fall of a Midwest Princess surges 14-6 following her best new artist win at the Grammy Awards (Feb. 2), while Billie Eilish’s Hit Me Hard and Soft (10-5) also climbs in the wake of Grammy exposure.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Feb. 15, 2025-dated chart will be posted in full on Billboard‘s website on Feb. 11. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of Hurry Up Tomorrow’s 490,500 first-week equivalent album units, album sales comprise 359,000 (it debuts at No. 1 on Top Album Sales), SEA units comprise 130,500 (equaling 171.5 million on-demand official streams of the songs on the streaming edition of the album; it debuts at No. 1 on Top Streaming Albums) and TEA units comprise 1,000.

Hurry Up Tomorrow’s launch of 490,500 units marks The Weeknd’s biggest week by units earned (since the chart began measuring in units in December 2014). The set’s sales of 359,000 claim The Weeknd’s largest sales week ever.

The set was released as a nine-song standard album, widely available through digital download retailers. It was alternatively available as an 11-song edition across all of its physical formats (CD, vinyl and cassette) and a 22-track digital download and streaming edition. It was also available in two further digital download editions, both exclusively sold via The Weeknd’s HurryUpTomorrow.Club site. Each sold for $4.99, boasted alternative cover art and had the 22 tracks available on the deluxe digital/streaming edition, but each had at least one additional track. One included “Closing Night,” with Swedish House Mafia. The other included “Runaway” and “Society,” which were also included on all of the physical formats, but not any of the other digital or streaming editions.

In total, the album generated 183,000 in digital album sales; 99,000 in CD sales; 77,000 in vinyl sales (The Weeknd’s best week on vinyl) and 1,000 in cassette sales.

Hurry Up Tomorrow’s first-week sales were aided by its availability across eight vinyl variants (including a signed edition), eight CD variants (including multiple signed editions), a cassette tape, and nine deluxe boxed sets containing a branded piece of clothing and a CD.

The album was preceded by the Billboard Hot 100-charting songs “Timeless” (with Playboi Carti, No. 3 peak last October) and “Sao Paulo” (with Anitta, No. 77 last November).

Bad Bunny’s Debí Tirar Más Fotos falls 1-2 on the Billboard 200 with 94,000 equivalent album units earned (down 20%). SZA’s chart-topping SOS slips 2-3 with 82,000 (down 6%), Kendrick Lamar’s GNX dips 3-4 with 65,000 (though up 9%) and Billie Eilish’s Hit Me Hard and Soft jumps 10-5 with 53,000 (up 47%).

Eilish was the first performer on the Feb. 2 Grammy Awards broadcast (on CBS), singing the album’s “Birds of a Feather.” Also on the show: The Weeknd performed (singing his new album’s “Cry for Me” and “Timeless,” with Playboi Carti), while SZA presented the best pop duo/group performance, and Lamar won two on-air trophies (for record of the year, and song of the year, both for “Not Like Us”).

Chappell Roan’s The Rise and Fall of a Midwest Princess surges 14-6 with a 56% gain — to 49,000 equivalent album units earned. The album vaults up the tally following Roan’s win for best new artist at the Grammys, along with her performance of the album’s “Pink Pony Club” on the show (and her buzzy acceptance speech which generated headlines).

Sabrina Carpenter’s former No. 1 Short n’ Sweet gaind 20% (up to 48,000 equivalent album units) but is pushed down a spot to No. 7. On the Grammy Awards, Carpenter won the best pop vocal album award, while also performing a medley of the album’s “Espresso” and “Please Please Please.” (She also won best pop solo performance for “Espresso,” but that category was presented before the television broadcast began.)

Morgan Wallen’s chart-topping One Thing at a Time drops 5-8 on the Billboard 200, despite an 11% gain (to 45,000 equivalent album units). Taylor Swift’s former No. 1 The Tortured Poets Department ascends 11-9 with 38,000 equivalent album units (up 8%) — also likely basking in some glow from the Grammy Awards, where the album and its “Fortnight” single were up for six awards (though did not win). Swift was a visible presence throughout the ceremony, cheering on winners and performers, and presented the best country album trophy to Beyoncé (for Cowboy Carter).

Rounding out the latest top 10 on the Billboard 200 is Gracie Abrams’ The Secret of Us, falling 8-10 with 36,000 equivalent album units earned (down 5%).

Source: billboard.com

Plus, Shaboozey’s “A Bar Song (Tipsy)” breaks the record for the longest rule ever on Radio Songs.

Travis Scott’s “4X4” debuts at No. 1 on the Billboard Hot 100 songs chart.

The track, released Jan. 24, marks the superstar rapper’s fifth Hot 100 leader, following “Franchise,” featuring Young Thug and M.I.A. (one week at No. 1 in October 2020); “The Scotts,” billed to The Scotts, Travis Scott and Kid Cudi (one, May 2020); “Highest in the Room” (one, October 2019); and “Sicko Mode” (one, December 2018). All have debuted at No. 1 except for “Sicko Mode,” which started at No. 4.

Scott appeared at the College Football Playoff National Championship halftime show on Jan. 20, when he debuted “4×4” atop Atlanta’s Mercedes-Benz Stadium. All proceeds from the song’s CD single, among other of his offerings, benefit Direct Relief’s California Wildfire Response Fund.

Also notably, Shaboozey’s “A Bar Song (Tipsy),” at No. 5 on the Hot 100 after a record-tying 19 weeks at No. 1, rewrites the longest reign ever on the Radio Songs chart – 27 weeks – breaking out of a tie with The Weeknd’s “Blinding Lights.”

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Feb. 8, 2025) will update on Billboard.com tomorrow, Feb. 4. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Source: billboard.com

Plus: Teddy Swims, Kane Brown and Central Cee debut in the top 10.

Bad Bunny’s Debí Tirar Más Fotos develops a third straight week at No. 1 on the Billboard 200 albums chart (dated Feb. 8), earning 117,000 equivalent album units in the U.S. in the week ending Jan. 30 (down 22%), according to Luminate.

Also in the top 10 of the latest Billboard 200, new albums from Teddy Swims, Kane Brown and Central Cee all debut.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new, Feb. 8, 2025-dated chart will be posted in full on Billboard‘s website on Tuesday (Feb. 4). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of the 117,000 equivalent album units earned by Debí Tirar Más Fotos in the week ending Jan. 30, SEA units comprise 114,000 (down 22%; equaling 156.18 million on-demand official streams of the set’s songs; it’s No. 1 for a fourth week on Top Streaming Albums), album sales comprise 2,500 (down 45%; falling 11-48 on Top Album Sales) and TEA units comprise 500 (down 31%).

SZA’s former leader SOS is a non-mover at No. 2 on the Billboard 200 (87,000 equivalent album units; down 2%) and Kendrick Lamar’s chart-topping GNX rises 4-3 (60,000; up 1%).

Teddy Swims scores his highest-charting album and first top 10, as I’ve Tried Everything But Therapy (Part 2) debuts at No. 4. The set earned 50,000 equivalent album units, with album sales comprising 26,000 (it debuts at No. 1 on Top Album Sales), SEA units comprising 23,000 (equaling 30.38 million on-demand official streams of the set’s songs; it debuts at No. 17 on Top Streaming Albums) and TEA units totaling 1,000.

The album’s launch of 50,000 marks Swims’ biggest week yet by units earned, while his sales bow of 26,000 is also his best sales week ever. Plus, his streaming start (30.38 million) marks his best streaming week for an album.

The LP is the follow-up to the singer-songwriter’s I’ve Tried Everything But Therapy (Part 1), which spawned 2024’s year-end No. 1 on the Billboard Hot 100, “Lose Control.” That set topped out at No. 17 but has spent 69 weeks on the list (it slips 21-25 on the latest chart).

The new album was preceded by a pair of charting hits on the weekly Hot 100: “Bad Dreams” and “Are You Even Real” (the latter with Giveon).

The first-week sales of the new album were bolstered by its availability across eight vinyl variants (including a signed edition) and two CD variants (including a signed edition).

Morgan Wallen’s former leader One Thing at a Time climbs 8-5 on the latest Billboard 200 (41,000 equivalent album units; up 9%) while Sabrina Carpenter’s chart-topping Short n’ Sweet stays at No. 6 (just over 40,000; down 7%).

Kane Brown achieves his fifth top 10-charting album on the Billboard 200, as The High Road rides in at No. 7 with 40,000 equivalent album units earned. Of that sum, SEA units comprise 20,000 (equaling 26.76 million on-demand official streams of the set’s songs; it debuts at No. 21 on Top Streaming Albums), album sales comprise 19,000 (it debuts at No. 2 on Top Album Sales) and TEA units comprise 1,000.

The High Road was preceded by four entries on the Hot Country Songs chart: “I Can Feel It,” “Miles On It” (with Marshmello), “Backseat Driver” and “Gorgeous.”

The album’s first-week sales were aided by its availability across nine vinyl variants (including a signed edition), four CD variants (including a signed edition), and three digital download variants (a standard version, plus two with alternative cover art).

Gracie Abrams’ The Secret of Us falls 5-8 on the latest Billboard 200, with 37,000 equivalent album units earned (down 28%).

Rapper Central Cee scores his first top 10, with his first charting album, as Can’t Rush Greatness bows at No. 9 with nearly 37,000 equivalent album units earned. SEA units comprise 27,000 of that sum (equaling 36.91 million on-demand official streams of the set’s songs; it debuts at No. 14 on Top Streaming Albums), album sales comprise 10,000 (debuting at No. 5 on Top Album Sales) and TEA units comprise a negligible sum.

The album was preceded by two charting hits on both Hot Rap Songs and the all-genre Hot 100. On the former, “BAND4BAND” (with Lil Baby) hit No. 4, while “GBP” (featuring 21 Savage) has reached No. 16. On the Hot 100, the tracks hit Nos. 17 and 92, respectively, through the most recently published chart, dated Feb. 1.

Central Cee, who hails from London, scored his first U.S. chart hit with “Doja,” reaching No. 36 on Hot R&B/Hip-Hop Songs in 2022. He’s charted a total of seven hits on that ranking, including collabs with Drake, J. Cole and Ice Spice.

Can’t Rush Greatness debuted at No. 1 on the U.K. Official Albums Chart (his second leader there). Central Cee has notched eight top 10-charting hits on the U.K. Official Singles Chart, including the No. 1 “Sprinter” (with Dave). He also recently nabbed three BRIT Award nominations, including artist of the year.

Closing out the latest top 10 on the Billboard 200 is Billie Eilish’s Hit Me Hard and Soft, slipping 9-10 with 36,000 equivalent album units earned (down 2%).

Source: billboard.com

Plus, Shaboozey’s “A Bar Song (Tipsy)” ties the longest reign ever on Radio Songs.

Lady Gaga and Bruno Mars’ “Die With a Smile” notches a fourth total and consecutive week at No. 1 on the Billboard Hot 100 songs chart.

The ballad became Gaga’s sixth Hot 100 leader and Mars’ ninth. Gaga runs up her sole second-longest No. 1 stay, as “Die With a Smile” breaks out of a tie with her debut smash “Just Dance” (featuring Colby O’Donis), which ruled for three weeks in January 2009. She dominated for six weeks in February-April 2011 with “Born This Way.”

Mars logs his fifth Hot 100 reign of four or more weeks, following his featured turn on Mark Ronson’s “Uptown Funk!” (14 weeks at No. 1, in 2015) and his own “Locked Out of Heaven” (six, 2012-13), “Grenade” (four, 2011) and “Just the Way You Are” (four, 2010).

Plus, Mars adds his 38th career week at No. 1 on the Hot 100, surpassing Michael Jackson (as a soloist, apart from the Jackson 5) for the sole eighth-most time spent in the top spot. Mariah Carey leads with 97 career weeks at No. 1.

Also notably, Shaboozey’s “A Bar Song (Tipsy),” at No. 4 on the Hot 100 after a record-tying 19 weeks at No. 1, matches the longest rule ever on the Radio Songs chart – 26 weeks – equaling the command of The Weeknd’s “Blinding Lights” in 2020.

Additionally, Teddy Swims’ “Lose Control,” at No. 7, becomes just the seventh single to spend at least 75 weeks on the Hot 100.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Feb. 1, 2025) will update on Billboard.com tomorrow, Jan. 28. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Source: billboard.com

Plus: Mac Miller’s Balloonerism debuts in the top five.

Bad Bunny’s Debí Tirar Más Fotos captures a second week at No. 1 on the Billboard 200 albums chart (dated Feb. 1), earning 151,000 equivalent album units in the U.S. in the week ending Jan. 23 (down 26%), according to Luminate. Of Bad Bunny’s four chart-topping albums, it’s the second to spend more than a single week at No. 1; his 2022 set, Un Verano Sin Ti, has collected the most weeks atop the list, with 13 weeks, nonconsecutively.

Also in the top 10 of the latest Billboard 200, Mac Miller’s from-the-vaults release Balloonerism debuts at No. 3, marking the eighth top 10-charting set for the rapper, who died in 2018. The set’s songs date back to 2014, but the project was shelved in favor of other releases.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Feb. 1, 2025-dated chart will be posted in full on Billboard‘s website on Jan. 28. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of the 151,000 equivalent album units earned by Debí Tirar Más Fotos in the week ending Jan. 23, SEA units comprise 146,000 (down 25%; equaling 198.78 million on-demand official streams of the set’s songs; it’s No. 1 for a third week on Top Streaming Albums), album sales comprise 4,000 (down 46%; falling 8-11 on Top Album Sales) and TEA units comprise 1,000 (down 30%).

SZA’s former No. 1 SOS rises 3-2 with 90,000 equivalent album units (down 12%).

Mac Miller’s Balloonerism bows at No. 3 with 81,000 equivalent album units earned. Of that sum, album sales comprise 41,000 (it debuts at No. 1 on Top Album Sales), SEA units comprise 40,000 (equaling 51.56 million on-demand official streams of the set’s songs; it debuts at No. 4 on Top Streaming Albums) and TEA units comprise a negligible sum. The set’s sales were bolstered by its availability across six vinyl variants, a CD, digital download album and cassette tape.

In total, Balloonerism is Miller’s eighth top 10-charting effort on the Billboard 200. It follows Faces (No. 3 in 2021), Circles (No. 3, 2020), Swimming (No. 3, 2018), The Divine Feminine (No. 2, 2016), GO:OD AM (No. 4, 2015), Watching Movies With the Sound Off (No. 2, 2013) and Blue Slide Park (No. 1, 2011).

Kendrick Lamar’s former leader GNX is a non-mover on the Billboard 200 at No. 4 (59,000 equivalent album units; down 8%) while Gracie Abrams’ The Secret of Us surges 10-5 (52,000; up 42% after the release of a deluxe version across three vinyl variants and a CD).

Three former No. 1s are next, with Sabrina Carpenter’s Short n’ Sweet steady at No. 6 (43,000 equivalent album units; down 9%), Lil Baby’s WHAM dipping 5-7 (39,000; down 30%) and Morgan Wallen’s One Thing at a Time rising a notch to No. 8 (37,000 down 3%).

Billie Eilish’s Hit Me Hard and Soft falls two rungs to No. 9 (nearly 37,000 equivalent album units; down 8%), and Taylor Swift’s The Tortured Poets Department climbs 12-10 (35,000; down 3%).

Source: billboard.com

Plus, Bad Bunny banks three new Hot 100 top 10s, led by “DtMF” at No. 2.

Lady Gaga and Bruno Mars’ “Die With a Smile” secures a third total and consecutive week at No. 1 on the Billboard Hot 100 songs chart.

The ballad became Gaga’s sixth Hot 100 leader and Mars’ ninth. Gaga ties her second-longest command, as her debut smash “Just Dance,” featuring Colby O’Donis, ruled for three weeks in January 2009. She dominated for six weeks in February-April 2011 with “Born This Way.”

Mars runs up his fifth Hot 100 reign of three or more weeks, following his featured turn on Mark Ronson’s “Uptown Funk!” (14 weeks at No. 1, in 2015) and his own “Locked Out of Heaven” (six, 2012-13), “Grenade” (four, 2011) and “Just the Way You Are” (four, 2010).

Bad Bunny blasts to the Hot 100’s top 10 with three songs, all from his new album, DeBÍ TiRAR MáS FOToS, which surges to No. 1 on the Billboard 200 chart: “DtMF” (38-2), “BAILE INoLVIDABLE” (28-3) and “NUEVAYoL” (27-8). He ups his count to 15 career top 10s – extending his mark for the most all-time among acts who record primarily Latin music. He also now boasts 13 top 10 hits recorded in Spanish, the most non-English-language top 10s among all artists. “DtMF” concurrently becomes his second No. 1 on the Streaming Songs chart.

Plus, ROSÉ and Bruno Mars’ “APT.” holds at its No. 5 Hot 100 high and ascends to No. 1 on the Digital Song Sales chart, where it becomes their first and 11th leader, respectively.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Jan. 25, 2025) will update on Billboard.com tomorrow (Jan. 22, a day later than usual due to the Martin Luther King Jr. holiday Jan. 20). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Source: billboard.com

Plus: Taylor Swift’s 2023 album ‘Lover: Live From Paris’ re-enters at No. 2 after a reissue.

Following its first full week of activity, Bad Bunny’s Debí Tirar Más Fotos climbs 2-1 on the Billboard 200 albums chart (dated Jan. 25), scoring the superstar his fourth leader on the list. Bunny’s album was released on an off-cycle Sunday (Jan. 5), and, thus, it arrived on the chart a week ago with only five days of activity (as the chart’s tracking week runs Friday through Thursday).

In the tracking week ending Jan. 16, Debí Tirar Más Fotos earned 203,500 equivalent album units (up 67%) in the U.S., according to Luminate — largely driven by streaming activity. The set was only available as a standard 17-song streaming album, and as a digital download for purchase (widely through all digital retailers, as well as Bunny’s official webstore). Traditional album sales drove just under 8,000 of the album’s activity for the week.

Bunny previously led the Billboard 200 with Nadie Sabe Lo Que Va a Pasar Mañana (in 2023), Un Verano Sin Ti (2022) and El Último Tour del Mundo (2020).

At No. 2 on the Billboard 200, Taylor Swift’s 2023 album Lover: Live From Paris reenters, with 202,500 equivalent album units earned, all from album sales, following its reissue on vinyl (161,000 sold for the week), as well as its first release as a digital download album. The album was exclusively available only to purchase as either a vinyl LP or download in Swift’s webstore. It marks the 18th top 10-charting effort for Swift and the highest-charting live album in over five years. It’s the top-selling album of the week, and also scores the single-largest sales week for a live album on vinyl since Luminate began tracking sales in 1991.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Jan. 25, 2025-dated chart will be posted in full on Billboard‘s website on Jan. 22 (one day later than usual, owed to the Martin Luther King Jr. Day holiday in the U.S. on Jan. 20). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of Debí Tirar Más Fotos’ 203,500 equivalent album units earned in the week ending Jan. 16, SEA units comprise 195,000 (up 72%, equaling 264.03 million on-demand official streams of the set’s songs; it holds at No. 1 on the Top Streaming Albums chart for a second week), traditional album sales comprise 7,500 (down 3%, falling 6-8 on Top Album Sales) and TEA units comprise 1,000 (up 123%).

The 264.03 million streams of the album’s songs mark the largest streaming week for any album since Kendrick Lamar’s GNX arrived with 379.72 million (Dec. 7, 2024 chart), and the largest for any Latin music album since Bunny’s own Un Verano Sin Ti debuted with 356.55 million (May 21, 2022 chart).

Like in its opening chart week, Debí Tirar Más Fotos was sale priced for $4.99 in the iTunes Store, as well as in Bunny’s webstore.

As Debí Tirar Más Fotos is mostly in the Spanish language, it is the 28th mostly non-English-language album to hit No. 1, and the first of 2025. Four mostly non-English titles topped the list in 2024, and all were Korean-language efforts. Of the 28 mostly non-English-language albums to reach No. 1, 18 are mostly Korean, six mostly (or all) Spanish, one mostly Italian, one entirely French and two mostly a blend of Spanish, Italian and French.

aylor Swift’s Lover: Live From Paris returns to the Billboard 200, reentering at No. 2 with 202,500 equivalent album units earned (up from nothing the week previous). The eight-song set was recorded in 2019 and had a limited release on vinyl in 2023 (exclusively through Swift’s webstore), and spent one week on the Billboard 200 that March, at No. 58.

Lover: Live From Paris is the highest-charting live album on the Billboard 200 in over five years, since Lionel Richie’s Hello From Las Vegas debuted and peaked at No. 2 on the Aug. 31, 2019-dated chart. Further, as Lover: Live From Paris marks Swift’s 18th top 10-charting set, she ties with Mariah Carey for the third-most top 10s among women in the history of the Billboard 200. Only Madonna (with 23) and Barbra Streisand (34) have more among women. (Meanwhile, all 20 of Swift’s Billboard 200 chart entries, dating to her 2006 debut, have now peaked in the top 20.)

Lover: Live From Paris is Swift’s second top 10-charting live set, following Folklore: The Long Pond Studio Sessions (No. 3 in May 2023).

Of Lover: Live From Paris’ 202,500 units earned in the tracking week ending Jan. 16, album sales comprise the entire number (it reenters at No. 1 on Top Album Sales), with vinyl sales accounting for 161,000 (the largest sales week for a live album on vinyl since Luminate began tracking sales in 1991) and digital download sales accounting for the remaining sales. The set has no SEA or TEA units powering its reentry, since the album was not available on streaming services (thus, customers could not stream songs from the album directly), or through digital retailers such as iTunes, so customers couldn’t purchase songs from the album directly.

The Lover: Live From Paris album commemorates Swift’s The City of Lover live show on Sept. 9, 2019, at the Olympia in Paris. It was the only concert that Swift held to promote the 2019 album Lover, after her planned 2020 Lover Fest trek was cancelled due to COVID-19. Swift didn’t return to live shows until the career-spanning The Eras Tour kicked off in March 2023.

The City of Lover live gig was turned into an ABC-TV special on May 17, 2020 (titled Taylor Swift: City of Lover), and included only the eight songs that are also on the Lover: Live From Paris album. The album was initially released as a double-vinyl set, on heart-shaped color vinyl, in early 2023, exclusively through Swift’s webstore. The limited-pressing sold 13,500 copies in its one and only week of availability, and debuted and then-peaked at No. 58 on the Billboard 200 (March 4, 2023-dated chart).

Earlier in January 2025, Lover: Live From Paris was restocked on Swift’s webstore, for a limited time, on the same double-vinyl set, on heart-shaped color vinyl. At the time, customers were informed that the set would ship on or before Jan. 20.

In addition to the vinyl release, Lover: Live From Paris saw its debut as a digital download album, exclusively through Swift’s webstore, for a limited time. On Jan. 16, the final day of the latest chart’s tracking week, the set was made available in Swift’s store across four variants for six hours only, each priced at $4.99. One was the standard eight-song album, and the other three each contained the standard eight songs plus one unique live bonus track of a Lover album cut performed during The Eras Tour (“False God,” “I Think He Knows” and “Paper Rings”).

No version of the Lover: Live From Paris album was available during the tracking week on streaming services, nor through any digital retailer outside of Swift’s webstore. The album’s core eight songs were released as stand-alone tracks in May 2020 (the same week as the premiere of Taylor Swift: City of Lover TV special) widely through digital retailers and streamers.

As for the rest of the top 10 on the latest Billboard 200 chart, four former No. 1s are at Nos. 3-6. SZA’s SOS is steady at No. 3 (102,000 equivalent album units earned; down 10%), Kendrick Lamar’s GNX is a non-mover at No. 4 (64,000; down 4%), Lil Baby’s WHAM falls 1-5 in its second week (55,000; down 60%) and Sabrina Carpenter’s Short n’ Sweet slips 5-6 (48,000; down 6%).

Billie Eilish’s Hit Me Hard and Soft is stationary at No. 7 (40,000 equivalent album units earned; down 7%), the Wicked film soundtrack falls 6-8 (39,000; down 15%), Morgan Wallen’s chart-topping One Thing at a Time dips 8-9 (nearly 39,000; down 4%) and Gracie Abrams’ The Secret of Us descends 9-10 (36,000; down 4%).

Source: billboard.com