Plus, Stella Lefty lands her first Hot 100 top 10 and Olivia Dean has the biggest song on radio.

Ella Langley’s “Choosin’ Texas” tallies a 14th week at No. 1 on the Billboard Hot 100 — tying a pair of iconic songs for more historic heights.

The single, which first led the Hot 100 in February, matches Mariah Carey’s “We Belong Together” and Whitney Houston’s “I Will Always Love You” for the most weeks at No. 1 among non-holiday titles by women with no male-billed acts. Adding in Carey’s “All I Want for Christmas Is You,” “Choosin’ Texas” ties for the second-longest command among songs by only women.

Here’s an updated rundown, ranked by most weeks at No. 1, of the longest-leading Hot 100 hits billed solely to women over the chart’s archives, which date to August 1958:

• 22 weeks (the overall record), “All I Want for Christmas Is You,” Mariah Carey, 2019-26
• 14, “Choosin’ Texas,” Ella Langley, 2026
• 14, “We Belong Together,” Mariah Carey, 2005
• 14, “I Will Always Love You,” Whitney Houston, 1992-93
• 13, “The Boy Is Mine,” Brandy & Monica, 1998
• 11, “Independent Women Part I,” Destiny’s Child, 2000-01
• 11, “Un-Break My Heart,” Toni Braxton, 1996-97

Elsewhere, Stella Lefty achieves her first Hot 100 top 10, as “Boston” bounds to No. 6, and Olivia Dean has the newly-minted biggest song on radio, as “So Easy (To Fall in Love)” tops the Radio Songs chart, while continuing its run in the Hot 100’s top 10.

Read on for details of the entire top 10 on this week’s Hot 100.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts dated July 25, 2026, will update on Billboard.com tomorrow, July 21. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram. Plus, for all chart rules and explanations, click here.

Source: billboard.com

Plus, The Rolling Stones and the Heated Rivalry soundtrack debut in the top 10.

Future achieves his 12th No. 1 album on the Billboard 200 chart as his latest studio release, The Real Me, debuts atop the July 25-dated list. With a dozen leaders, Future now solely stands as the rap act with the third-most No. 1 albums on the Billboard 200 chart.

Among all acts with the most No. 1s, Future pushes ahead of Eminem (with 11), while the only acts with more No. 1s are The Beatles (19), Drake, Taylor Swift (both with 15) and JAY-Z (14).

The Real Me launches with 131,000 equivalent album units earned in the United States in the week ending July 16, according to Luminate, with the lion’s share of that sum driven by streaming activity.

The Real Me was announced on June 15, with its release date of July 9 shared 10 days later. It’s lead single, “Radio,” dropped on June 26 and has hit the top 25 on both Hot Rap Songs and Hot R&B/Hip-Hop Songs. The new set is the hip-hop star’s first project since his pair of No. 1 albums with Metro Boomin in 2024: We Don’t Trust You and We Still Don’t Trust You.

Also in the top 10 of the latest Billboard 200 chart, The Rolling Stones extend their record for the most top 10s as Foreign Tongues debuts at No. 7, while the Heated Rivalry soundtrack skates in at No. 9 after its release on CD and vinyl.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 2,500 ad-supported or 1,000 paid/subscription on-demand official audio and video streams generated by songs from an album. The new July 25, 2026-dated chart will be posted in full on Billboard‘s website on July 21. For all chart news, follow @billboard and @billboardcharts on both X and Instagram.

Of The Real Me’s 131,000 equivalent album units earned in the tracking week, SEA units comprise 118,000 (equaling 120.29 million on-demand official streams of the set’s songs — it debuts at No. 1 on Top Streaming Albums), album sales comprise 13,000 (it debuts at No. 9 on Top Album Sales) and TEA units comprise a negligible sum. The Real Me was initially released as a standard widely available 11-track download edition, a 13-track vinyl (across four variants, including two signed editions), a 21-track CD (two editions, including a signed version) and a 22-track download and streaming edition.

Five former No. 1s follow Future on the Billboard 200. Olivia Rodrigo’s you seem pretty sad for a girl so in love is a non-mover at No. 2 (96,000 equivalent album units earned, down 7%); Morgan Wallen’s I’m the Problem is up one to No. 3 (73,000, down 2%); Ella Langley’s Dandelion is down a spot to No. 4 (nearly 73,000, down 4%); Noah Kahan’s The Great Divide steps 6-5 (67,000, up 8%); and Drake’s ICEMAN falls 5-6 (61,000, down 10%).

The Rolling Stones extend their record for the most top 10s on the Billboard 200 albums chart as the band’s latest studio project, Foreign Tongues, debuts at No. 7, marking the legendary act’s 39th top 10. It starts with 53,000 equivalent album units earned. Of that sum, album sales comprise 48,500 (it’s No. 1 on Top Album Sales), SEA units comprise 4,000 (equaling 4.48 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum. The set’s first-week sales were bolstered by its availability across more than a dozen vinyl variants, four CD editions, two download editions and one cassette.

Foreign Tongues follows the Stones’ last new studio set, Hackney Diamonds, which debuted and peaked at No. 3 in 2023. The new album was preceded the radio-promoted single “In the Stars,” which has reached No. 14 on the Adult Alternative Airplay chart.

After the Stones, Barbra Streisand ranks second with 34 Billboard 200 top 10s, followed by Frank Sinatra with 33.

Michael Jackson’s chart-topping Thriller is a non-mover on the latest Billboard 200, holding at No. 8 with 41,000 equivalent album units (down 3%).

The soundtrack to the hit TV series Heated Rivalry debuts at No. 9 following the release of its CD and vinyl editions on July 9. It debuts with 41,000 equivalent album units earned (all in album sales; it debuts at No. 2 on Top Album Sales).

Heated Rivalry marks the first soundtrack from a TV series to debut in the Billboard 200 top 10 in more than a decade. The last was the season-one soundtrack to Fox’s Empire in 2015, which debuted at No. 1. Since Empire, the only other TV series soundtrack to reach the top 10 was the season-two soundtrack of Prime Video’s animated hit Hazbin Hotel, which peaked at No. 8, after debuting at No. 70 a week earlier, in 2025.

Heated Rivalry premiered on Canadian streamer Crave on Nov. 28, 2025, and debuted the same day in the United States on HBO Max. Its six-episode first season concluded on Dec. 26. The show has been renewed for a second season.

The soundtrack was issued physically on two vinyl variants and a two-CD set. The vinyl releases contain songs featured in the show (including t.A.T.u.’s “All the Things She Said,” Wolf Parade’s “I’ll Believe in Anything” and Feist’s “My Moon My Man”), along with highlights of Peter Peter’s original score for the series. The CD edition expands the tracklist to include Peter Peter’s full score alongside the songs.

Closing out the top 10 of the latest Billboard 200 is Morgan Wallen’s former leader One Thing at a Time, rising 11-10 with 37,000 equivalent album units earned (down 2%).

Source: billboard.com

She’s the first act with a No. 1 album in the 2020s and three other decades.

Madonna earns her 10th No. 1 album on the Billboard 200 chart as her new studio album, CONFESSIONS II, debuts atop the list dated July 18. With the arrival, the Queen of Pop gets her first No. 1 album of the 2020s and becomes the first act with a No. 1 album in the 2020s to have also topped the chart in three other decades.

Further, Madonna becomes only the fourth act to have achieved at least 10 No. 1s each on the Billboard 200 albums chart and the Billboard Hot 100 songs chart. On the latter, she has 12 leaders.

CONFESSIONS II launches with 134,000 equivalent album units earned in the United States in the week ending July 9, according to Luminate. That marks the largest week for a dance album this year. It also scores Madonna her best week, by units, since the Billboard 200 transitioned to an equivalent album units-ranked list in December 2014. CONFESSIONS II additionally yields Madonna’s biggest streaming week ever for an album, and her largest pure album sales week in more than a decade.

The new album is the sequel to 2005’s chart-topping Confessions on a Dance Floor, and reunites Madonna with her main collaborator from that project, DJ/writer/producer Stuart Price. CONFESSIONS II was announced on April 15, released on July 3 and marks Madonna’s first new studio album since 2019’s No. 1 Madame X. The new set was preceded by its Hot 100 hit “Bring Your Love,” with Sabrina Carpenter.

Also in the top 10 of the latest Billboard 200, Ken Carson captures his second top 10-charted title as xperiment debuts at No. 7, Sienna Spiro makes her chart debut with the No. 9 bow of her first full-length studio album, Visitor, and the late Toby Keith returns to the top 10 following the July 4 holiday.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 2,500 ad-supported or 1,000 paid/subscription on-demand official audio and video streams generated by songs from an album. The new July 18, 2026-dated chart will be posted in full on Billboard‘s website on July 14. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of CONFESSIONS II’s 134,000 equivalent album units earned in the tracking week, album sales comprise 114,000 (Madonna’s best sales week since 2015 — it debuts at No. 1 on Top Album Sales), SEA units comprise 19,000 (equaling 20.1 million on-demand official streams of the set’s tracks, Madonna’s largest streaming week ever for an album; it debuts at No. 32 on Top Streaming Albums) and TEA units comprise 1,000.

CONFESSIONS II was initially widely released as both a 12-track and 16-track album. The project’s first-week sales were bolstered by its availability across 15 vinyl variants, four CD editions, one cassette and six digital download editions. Of the album’s opening-week sales, vinyl purchases comprised 59,000 — Madonna’s biggest week on vinyl in the modern era (since Luminate began electronically tracking sales in 1991).

CONFESSIONS II marks Madonna’s 10th No. 1 on the Billboard 200 albums chart and first of the 2020s. She landed three No. 1s in the 1980s, four in the 2000s and two in the ‘10s. (She logged seven top 10s in the ‘90s, including five that peaked at No. 2.)

CONFESSIONS II also marks Madonna’s 24th top 10-charted album. The only acts with more top 10s are The Rolling Stones (38), Barbra Streisand (34), The Beatles, Frank Sinatra (both with 32) and Elvis Presley (27).

Here’s a rundown of Madonna’s 10 No. 1 albums on the Billboard 200:

Title, Year, Weeks at No. 1
CONFESSIONS II, 2026, one (to date)
Madame X, 2019, one
MDNA, 2012, one
Hard Candy, 2008, one
Confessions on a Dance Floor, 2005, one
American Life, 2003, one
Music, 2000, one
Like a Prayer, 1989, six
True Blue, 1986, five
Like a Virgin, 1985, three

Here’s a recap of the acts with at least 10 No. 1s on the Billboard 200:

The Beatles, 19
Drake, 15
Taylor Swift, 15
JAY-Z, 14
Eminem, 11
Future, 11
Bruce Springsteen, 11
Barbra Streisand, 11
Ye (formerly Kanye West), 11
Madonna, 10
Elvis Presley, 10

With a 10th No. 1 on the Billboard 200, Madonna joins an elite group of acts that have achieved at least 10 No. 1 albums on the Billboard 200 and 10 No. 1s on the Billboard Hot 100 songs chart.

Only The Beatles, Drake and Taylor Swift have also achieved the distinction. The Beatles have 19 No. 1s on the Billboard 200 and 20 No. 1s on the Hot 100 (the record for both charts, among all acts). Drake has 15 No. 1s on the Billboard 200 and 14 No. 1s on the Hot 100. Swift has 15 No. 1s each on the Billboard 200 and Hot 100.

Olivia Rodrigo’s chart-topping you seem pretty sad for a girl so in love is a non-mover at No. 2 with 103,000 equivalent album units earned (down 19%). Four former leaders follow, as Ella Langley’s Dandelion is steady at No. 3 (76,000, down 8%), Morgan Wallen’s I’m the Problem climbs 5-4 (75,000, down 5%), Drake’s ICEMAN dips 4-5 (68,000, down 15%) and Noah Kahan’s The Great Divide is stationary at No. 6 (62,000, down 3%).

Ken Carson captures his second top 10-charted album as xperiment debuts at No. 7 on the Billboard 200, earning 42,000 equivalent album units. Essentially all of that sum is driven by SEA units, equaling 44.89 million on-demand official streams of the set’s songs (it debuts at No. 6 on Top Streaming Albums). The rapper previously hit the top 10 with his chart-topping More Chaos release in 2025.

With Michael Jackson’s former No. 1 Thriller falling one spot to No. 8 on the latest Billboard 200 (42,000 equivalent album units, down 12%), the King of Pop is joined by the Queen of Pop, Madonna, in the top 10. Jackson and Madonna have shared space in the top 10 only once previously, on the Dec. 1, 2001-dated chart. That week, Jackson’s chart-topping Invincible fell 3-4 in its third week on the list, while Madonna’s compilation GHV2: Greatest Hits Volume 2 debuted at No. 7.

The two icons almost met up once in the 1980s in the top 10, but missed one another by a single week. On the Sept. 19, 1987-dated chart, the Madonna-led Who’s That Girl film soundtrack spent its third and final week in the top 10, at No. 7. The following week (Sept. 26), Who’s That Girl fell to No. 11, while Jackson’s Bad debuted at No. 1. Then, on the Oct. 3-dated chart, Who’s That Girl remained at No. 11, while Bad held at No. 1.

Sienna Spiro scores her first entry on the Billboard 200 with her debut full-length studio album, Visitor, launching at No. 9. The set bows with 39,000 equivalent album units earned. Of that sum, SEA units comprise 22,000 (equaling 22.6 million on-demand official streams; it debuts at No. 25 on Top Streaming Albums), album sales comprise 17,000 (it debuts at No. 4 on Top Album Sales) and TEA units comprise a negligible sum. First-week sales of the album were bolstered by its availability across 10 vinyl variants (including two signed editions), six CD variants (including four signed editions), one cassette and two download editions.

Visitor follows a trio of Hot 100-charting hits from the English singer-songwriter’s album: “The Visitor” (No. 43 peak in March), “You Stole the Show” (No. 55 in February) and “Die on This Hill” (No. 19 in February). The lattermost track is Spiro’s current promoted radio single, which has become a top 10 hit on the Pop Airplay and Adult Pop Airplay charts.

Toby Keith’s chart-topping 35 Biggest Hits returns to the top 10, rising 31-10, following the Independence Day holiday on July 4 in the United States. The set earned nearly 39,000 equivalent album units in the tracking week ending July 9 (up 82%), largely from streaming activity generated by “Courtesy of the Red, White and Blue (The Angry American)” during the Fourth of July holiday weekend. The anthem topped the Hot Country Songs chart in 2002.

Source: billboard.com

The smash becomes the sole longest-leading country song by a woman.

Ella Langley’s “Choosin’ Texas” rebounds a spot for another history-making week atop the Billboard Hot 100.

With an 11th week in command, the song becomes the sole longest-leading Hot 100 No. 1 by a woman with a country hit, defined as those that have hit Billboard’s multimetric Hot Country Songs chart. It breaks out of a tie with Debby Boone’s “You Light Up My Life,” which dominated the Hot 100 for 10 weeks (becoming the first song to reign for double-digit weeks) and reached No. 4 on Hot Country Songs in 1977.

(Also of note, Dolly Parton wrote “ I Will Always Love You,” which Whitney Houston took to No. 1 on the Hot 100 for 14 weeks in 1992-93. Parton sent two versions of the revered ballad to the top of Hot Country Songs, in 1974 and 1982.)

“Choosin’ Texas” tops Hot Country Songs for a 29th week.

The hit adds another unprecedented feat: Langley’s first Hot 100 leader stakes its sixth distinct stay at No. 1, previously leading on charts dated Feb. 14; March 7 and 21-28; April 11-25; and May 9-23. It solely claims the most separate No. 1 stays over a single release cycle, one-upping the five flights for Morgan Wallen’s “Last Night” in 2023 and Harry Styles’ “As It Was” in 2022. (Overall, Mariah Carey’s “All I Want for Christmas Is You” leads with eight ascents to No. 1 over 2019-25.)

Amid the No. 1 run on the Hot 100 for the resilient “Choosin’ Texas,” eight other songs have taken turns at the top: Bad Bunny’s “DtMF”; Taylor Swift’s “Opalite;” Bruno Mars’ “I Just Might”; BTS’ “Swim”; Olivia Rodrigo’s “Drop Dead”; Drake’s “Janice STFU”; Ariana Grande’s “Hate That I Made You Love Me”; and Swift’s “I Knew It, I Knew You.” (The reigns of “Last Night” and “As It Was” were interrupted by six No. 1s each.)

Read on for details of the entire top 10 on this week’s Hot 100.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts dated July 4, 2026, will update on Billboard.com tomorrow, June 30. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram. Plus, for all chart rules and explanations, click here.

Source: billboard.com

Plus, Olivia Rodrigo boasts four songs in the top 10.

Taylor Swift’s “I Knew It, I Knew You” lassos a second week at No. 1 on the Billboard Hot 100. The single from Toy Story 5, inspired by the film’s cowgirl star Jessie, launched a week earlier as Swift’s 15th career leader. She has the third-most No. 1s in the chart’s history, after only The Beatles (20) and Mariah Carey (19).

The movie and its official soundtrack arrived Friday (June 19). The film began with $160 million in domestic ticket sales, according to studio estimates (June 21), marking a new record for the franchise, which began in 1995, and the biggest opening weekend of 2026.

Meanwhile, Olivia Rodrigo claims four songs in the Hot 100’s top 10, all from her new album, you seem pretty sad for a girl so in love, which bounds in as her third No. 1 on the Billboard 200.

Read on for details of the top 10 on this week’s Hot 100.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts dated June 27, 2026, will update on Billboard.com tomorrow, June 23. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram. Plus, for all chart rules and explanations, click here.

Source: billboard.com

 The set launches with year’s biggest week by units for a soloist.

Olivia Rodrigo achieves her third No. 1 album on the Billboard 200 chart as her third studio release, you seem pretty sad for a girl so in love, launches atop the list dated June 27. The set bows with 485,000 equivalent album units earned in the United States in the week ending June 18, according to Luminate — marking Rodrigo’s biggest week ever by units, and the largest week of 2026 for any album by a soloist.

Rodrigo also topped the Billboard 200 with her two previous studio albums, GUTS (in 2023) and SOUR (2021).

The new album was preceded by a pair of top five-charted singles on the Billboard Hot 100: its lead-off track “drop dead” (No. 1 in May) and “the cure” (No. 5 in June).

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 2,500 ad-supported or 1,000 paid/subscription on-demand official audio and video streams generated by songs from an album. The new June 27, 2026-dated chart will be posted in full on Billboard‘s website on June 23. For all chart news, follow @billboard and @billboardcharts on both X and Instagram.

Of you seem pretty sad for a girl so in love’s 485,000 equivalent album units earned in the latest tracking week, album sales comprise 273,000 (Rodrigo’s best sales week and the largest sales week for a woman in 2026; it debuts at No. 1 on Top Album Sales), SEA units comprise 211,000 (equaling 218.41 million on-demand official streams of the set’s tracks, the largest streaming week of 2026 by a woman; it debuts at No. 1 on Top Streaming Albums) and TEA units comprise 1,000.

The album’s first-week sales were bolstered by its availability across more than 15 physical variants (including two signed editions). Of the album’s opening-week sales, vinyl purchases comprised 164,000 — Rodrigo’s biggest week on vinyl and the largest week of 2026 by a woman.

Rodrigo will embark on The Unraveled Tour beginning on Sept. 25 in Hartford, Conn., and continuing through at least May 10, 2027, in London.

Rodrigo’s new album is the only debut in the top 10 of the latest Billboard 200. Drake’s ICEMAN cedes the No. 1 slot after spending its first four weeks atop the Billboard 200, as the set dips 1-2 in its fifth week on the list (105,000 equivalent album units earned, down 21%). Four former No. 1s follow ICEMAN, as Ella Langley’s Dandelion falls 2-3 (84,000, down 4%), Morgan Wallen’s I’m the Problem is down 3-4 (78,000, down 2%), Noah Kahan’s The Great Divide slips 4-5 (71,000, up 5%) and Michael Jackson’s Thriller is a non-mover at No. 6 (53,000, down 4%).

Jackson’s Number Ones rises a spot to No. 7 on the Billboard 200 (49,000 equivalent album units earned, down 4%), Wallen’s former leader One Thing at a Time climbs 9-8 (39,000, down 4%), Olivia Dean’s The Art of Loving is up a spot to No. 9 (35,000, down 1%) and BTS’ chart-topping ARIRANG ascends 11-10 (34,000, down less than 1%).

Source: billboard.com

The superstar scores her 15th Hot 100 No. 1 with her new Toy Story 5 single.

Taylor Swift’s “I Knew It, I Knew You” gallops in at No. 1 on the Billboard Hot 100. The single from Toy Story 5, inspired by the film’s cowgirl heroine Jessie, is Swift’s 15th career leader.

Among highlights of the song’s instant coronation, Swift breaks out of a tie with Drake and Rihanna to claim sole possession of the third-most No. 1s in the Hot 100’s history, after only The Beatles (20) and Mariah Carey (19).

The track is also Swift’s ninth No. 1 Hot 100 debut, as she passes Ariana Grande for the most among women, and her 70th top 10, extending her record for the most by a woman artist.

Plus, the song is just the third Hot 100 No. 1 ever from an animated Disney movie, and the first from its Pixar studio, following the ensemble “We Don’t Talk About Bruno,” from Encanto, in 2022 and Peabo Bryson and Regina Belle’s “A Whole New World,” from Aladdin, in 1993.

“I Knew It, I Knew You” concurrently launches at No. 1 on the Hot Country Songs chart, marking Swift’s milestone 10th leader.

Read on for details of No. 1 and beyond (the top 10, if not infinity) on this week’s Hot 100.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts dated June 20, 2026, will update on Billboard.com Tuesday, June 16. For all chart news, you can follow @billboard and @billboardcharts on both X and Instagram. Plus, for all chart rules and explanations, click here.

Source: billboard.com

Grande achieves her milestone 10th Hot 100 No. 1.

Ariana Grande’s “Hate That I Made You Love Me” bounds in at No. 1 on the Billboard Hot 100, becoming the pop superstar’s milestone 10th career leader on the chart. She ties for the 10th-most No. 1s over the survey’s history.

The song previews Grande’s eighth studio album, Petal, due July 31.

Plus, as Grande wrote and produced “Hate That I Made You Love Me” with Max Martin and ILYA, Martin extends his record for the most Hot 100 No. 1s among producers — 28 — in the chart’s archives. He continues to boast the second-most leaders among writers — 30 — after only Paul McCartney’s 32.

Read on for details of the entire top 10 on this week’s Hot 100.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts dated June 13, 2026, will update on Billboard.com Tuesday, June 9. For all chart news, you can follow @billboard and @billboardcharts on both X and Instagram. Plus, for all chart rules and explanations, click here.

Source: billboard.com

Plus, LE SSERAFIM debuts in the top 10.

Drake’s ICEMAN holds atop the Billboard 200 albums chart (dated June 6) for a second week, earning 225,000 equivalent album units in the United States in the week ending May 28 (down 52%), according to Luminate.

The set bowed at No. 1 a week ago, alongside two more Drake projects, HABIBTI and MAID OF HONOUR, as he became the first artist ever to rank at Nos. 1, 2 and 3 simultaneously in the chart’s 70-year history. They fall 2-7 (53,000 units, down 53%) and 3-8 (42,000, down 62%), respectively, in their second week.

Also in the top 10 of the latest Billboard 200, LE SSERAFIM notches its fifth top 10 as PUREFLOW debuts at No. 10.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 2,500 ad-supported or 1,000 paid/subscription on-demand official audio and video streams generated by songs from an album. The new June 6, 2026-dated chart will be posted in full on Billboard‘s website on June 2. For all chart news, follow @billboard and @billboardcharts on both X and Instagram.

Of ICEMAN’s 225,000 equivalent album units earned in the latest tracking week, SEA units comprise 223,000 (down 50%, equaling 228.45 million on-demand official streams of the set’s tracks; it spends a second week at No. 1 on Top Streaming Albums), album sales comprise 1,000 (down 90%) and TEA units comprise 1,000 (down 59%).

Of Drake’s 15 Billboard 200 No. 1s — tied for the most among soloists with Taylor Swift — ICEMAN is his sixth to lead for multiple weeks.

The rest of the top five on the new Billboard 200 are all former No. 1s. Ella Langley’s Dandelion rises 5-2 (93,000 equivalent album units, down 5%); Noah Kahan’s The Great Divide climbs 4-3 (85,000, down 16%); Morgan Wallen’s I’m the Problem ascends 6-4 (80,000, down 6%); and Michael Jackson’s Thriller is up 7-5 (64,000, up 3%).

Jackson’s Number Ones bumps 8-6 (60,000 equivalent album units earned, down less than 1%), while BTS’ former No. 1 ARIRANG steps 10-9 with just more than 41,000 (down 1%).

LE SSERAFIM rounds out the top 10, notching its fifth top 10-charted project as PUREFLOW debuts at No. 10 with 41,000 equivalent album units earned. Of that sum, album sales comprise 34,000 (it debuts at No. 1 on Top Album Sales), SEA units comprise 7,000 (equaling 7.1 million on-demand official streams of the set’s tracks) and TEA units comprise the remainder. The album’s first-week sales were boosted by its availability across more than 30 CD variants, many containing collectible items such as photocards, stickers and posters, with some items randomized.

Source: billboard.com

He’s the first artist to hold the top three album on the Billboard 200 in the same week.

Drake takes over the top of the Billboard 200 albums chart as his three new albums, ICEMAN, HABIBTI and MAID OF HONOUR, debut at Nos. 1, 2 and 3, respectively, on the chart dated May 30.

All three albums were released on Friday, May 15. It’s the first time that an artist has held the top three on the Billboard 200 concurrently since it began publishing on a regular, weekly basis in March 1956.

ICEMAN also yields Drake his 15th No. 1 album, pushing him ahead of Jay-Z for the most No. 1s among solo men and R&B/hip-hop artists, and tying him with Taylor Swift for the most No. 1s among soloists. Only one act is ahead of Drake and Swift: The Beatles, with a record 19 No. 1 albums.

While ICEMAN had been teased for months before it dropped, the existence of the other two albums was only announced during a livestream on May 14, shortly before the trio of titles was released.

ICEMAN enters with 463,000 equivalent album units earned in the United States in the week ending May 21, marking the second-largest week of 2026 for an album and the biggest week of the year for an R&B/hip-hop set. HABIBTI and MAID OF HONOUR launch with 114,000 and 110,000 units, respectively.

Also in the top 10 of the latest Billboard 200, rapper LUCKI lands his first top 10 as Dr*gs R Bad debuts at No. 9.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 2,500 ad-supported or 1,000 paid/subscription on-demand official audio and video streams generated by songs from an album. The new May 30, 2026-dated chart will be posted in full on Billboard‘s website on May 27 (a day later than usual due to the Memorial Day holiday in the U.S. on May 25). For all chart news, follow @billboard and @billboardcharts on both X and Instagram.

Of ICEMAN’s 463,000 equivalent album units earned in the latest tracking week, SEA units comprise 449,000 (equaling 462.2 million on-demand official streams of the set’s 18 tracks; it debuts at No. 1 on Top Streaming Albums), album sales comprise 13,000 (only available as a digital download, it debuts at No. 5 on Top Album Sales) and TEA units comprise 1,000.

Of HABIBTI’s starting sum of 114,000, SEA units comprise 108,000 (equaling 110.63 million on-demand official streams of the set’s 11 tracks; it debuts at No. 2 on Top Streaming Albums), album sales comprise nearly 6,000 (it debuts at No. 12 on Top Album Sales) and TEA units comprise a negligible sum.

As for MAID OF HONOUR, of its first-week total of 110,000, SEA units comprise 104,000 (equaling 105.48 million on-demand official streams of the set’s 14 tracks; it debuts at No. 3 on Top Streaming Albums), album sales comprise 6,000 (it debuts at No. 11 on Top Album Sales) and TEA units comprise a negligible sum.

Both HABIBTI and MAID OF HONOUR, like ICEMAN, were available to purchase only as digital download albums.

As Drake debuts at Nos. 1, 2 and 3 on the Billboard 200, it marks the first time that one act has had the top three albums at the same time since the chart began publishing on a regular, weekly basis in March 1956.

Drake thus becomes the first act to debut at Nos. 1, 2 and 3 at the same time. He’s also only the third act to debut at Nos. 1 and 2 simultaneously.

Guns N’ Roses was the first act to debut at Nos. 1 and 2 concurrently, with Use Your Illusion II and Use Your Illusion I, respectively, on the Oct. 5, 1991-dated chart. Nelly was the second act to start at Nos. 1 and 2 at the same time, with Suit and Sweat, on the Oct. 2, 2004-dated chart. Beyond debuts, multiple acts have ranked at Nos. 1 and 2 simultaneously, most recently Future in March 2017. The Beatles lead with 20 such weeks, all in 1964.

Notably, in the pre-streaming era, one other act earned comparable dominance, although it was not on the Billboard 200. Before December 2014, the Billboard 200 ranked titles by pure album sales and in the week ending June 28, 2009, Michael Jackson had the top three-selling albums of the week, following his death on June 25 — all with catalog (older) albums (Number Ones, The Essential Michael Jackson and Thriller). However, at the time, catalog albums were excluded from charting on the Billboard 200, and Jackson ranked at Nos. 1, 2 and 3 on the now-defunct Top Comprehensive Albums chart, which, during its existence, included both current and catalog albums.

ICEMAN marks Drake’s 15th No. 1 on the Billboard 200 albums chart, surpassing Jay-Z for the most No. 1s among men. Drake ties Taylor Swift for the most No. 1s among soloists. Drake and Swift trail just one act, The Beatles, who have the most No. 1s among all acts, with 19. Jay-Z now follows Drake and Swift, with 14 leaders.

ICEMAN also tallies an 18th top 10-charted album for Drake on the Billboard 200, tying him with Future for the most top 10s among R&B/hip-hop acts.

Here’s a rundown of Drake’s 15 No. 1 albums on the Billboard 200:

Title, Year, Weeks at No. 1
ICEMAN, 2026, one (to date)
$ome $exy $ongs 4 U, with PARTYNEXTDOOR, 2025, one
For All the Dogs, 2023, two
Her Loss, with 21 Savage, 2022, one
Honestly, Nevermind, 2022, one
Certified Lover Boy, 2012, five
Care Package, 2019, one
Scorpion, 2018, five
More Life, 2017, three
Views, 2016, 13
What a Time To Be Alive, with Future, 2015, one
If You’re Reading This It’s Too Late, 2015, one
Nothing Was the Same, 2012, one
Take Care, 2011, one
Thank Me Later, 2010, one

Here’s a recap of the acts with at least 10 No. 1s on the Billboard 200:
The Beatles, 19
Drake, 15
Taylor Swift, 15
Jay-Z, 14
Eminem, 11
Future, 11
Bruce Springsteen, 11
Barbra Streisand, 11
Ye (formerly Kanye West), 11
Elvis Presley, 10

With 463,000 equivalent album units earned in its first week, ICEMAN collects the largest week, by units, of 2026 for an R&B/hip-hop album. ICEMAN also logs the second-largest week, by units, of 2026 among all albums — second only to the debut week of BTS’ ARIRANG with 641,000 (April 4 chart).

The last R&B/hip-hop title to score a bigger week than ICEMAN was the opening frame of The Weeknd’s Hurry Up Tomorrow, with its start of 490,000 on the Feb. 15, 2025-dated chart. The last rap title to log a larger week was Travis Scott’s Utopia, with a 496,000-unit debut on the Aug. 12, 2023, chart.

ICEMAN arrives with 463,000 equivalent album units earned, of which 449,000 are derived from SEA units. The latter figure equals 462.2 million on-demand official streams of the album’s tracks during its first week. That 462.2 million-mark is the largest streaming total for an album in 2026, and the biggest for an R&B/hip-hop album since Drake’s own For All the Dogs debuted with 514.01 million streams for its songs (Oct. 21, 2023-dated chart).

For the first time in nearly a year, the top four titles on the Billboard 200 each exceed 100,000 equivalent album units earned for the week. Following Drake’s trio of albums is Noah Kahan’s The Great Divide, which falls to No. 4 after three weeks atop the list. In its latest tracking week, The Great Divide earned 101,000 equivalent album units (down 24%).

The Billboard 200 last saw the top four titles each surpass 100,000 units on the July 26, 2025-dated chart. That week, JACKBOYS and Travis Scott’s JACKBOYS 2 debuted at No. 1 with 232,000, Justin Bieber’s SWAG debuted at No. 2 with 163,000, Morgan Wallen’s I’m the Problem fell 1-3 with 147,000 and Clipse’s Let God Sort Em Out debuted at No. 4 with 118,000.

Following Kahan on the latest Billboard 200 is a trio of former No. 1s. Ella Langley’s Dandelion dips 2-5 (98,000 equivalent album units earned, down 2%), Wallen’s I’m the Problem falls 4-6 (84,000, down less than 1%) and Michael Jackson’s Thriller slips 5-7 (63,000, down 5%). Jackson’s best-of collection Number Ones is next, as it drops 6-8 (60,000, down 8%).

LUCKI lands his first top 10-charted album as Dr*Gs R Bad bows at No. 9 with 51,000 equivalent album units earned. Of that sum, SEA units comprise 45,000 (equaling 48.39 million on-demand official streams of the set’s tracks, his best streaming week; it debuts at No. 9 on Top Streaming Albums), album sales comprise 6,000 (his best sales week; it debuts at No. 13 on Top Album Sales) and TEA units comprise a negligible sum. First-week sales of the album got a boost from multiple physical variants, including signed editions.

Rounding out the top 10 on the latest Billboard 200 is BTS’s former leader ARIRANG, falling 8-10 with 42,000 equivalent album units earned (down 4%).

Source: billboard.com