Monthly Archives: March 2023

“Flowers” logs an eighth week at No. 1, while “Players” jumps to No. 9 and “Rock and a Hard Place” rises to No. 10.

Miley Cyrus’ “Flowers” adds an eighth week at No. 1 on the Billboard Hot 100 songs chart.

Meanwhile, two acts notch their first Hot 100 top 10s: Coi Leray’s “Players” pushes 12-9 and Bailey Zimmerman’s “Rock and a Hard Place” rolls 11-10.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated April 1, 2023) will update on Billboard.com tomorrow (March 28). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.

“Flowers,” released on Smiley Miley/Columbia Records, drew 107.9 million radio airplay audience impressions (up 1%) and 24.7 million streams (down 12%) and sold 11,000 (down 26%) March 17-23, according to Luminate.

“Flowers” claims a sixth week at No. 1 on the Radio Songs chart and falls 2-4 on Streaming Songs and 2-7 on Digital Song Sales, after it ruled the rankings for four and five weeks, respectively.

The song, from Cyrus’ new album Endless Summer Vacation, debuted at No. 1 on the Hot 100 dated Jan. 28 and spent its first six weeks on the chart at the summit; it then ranked at No. 2 for two weeks and has since logged its latest two frames on top.

Morgan Wallen’s “Last Night” holds at No. 2 on the Hot 100, two weeks after it hit No. 1, as it tops Streaming Songs for a third week (35.9 million, down 8%). It leads the Hot Country Songs chart, which uses the same methodology as the Hot 100, for a seventh week, as parent album One Thing at a Time commands the Billboard 200 for a third frame.

SZA’s “Kill Bill” keeps at No. 3 on the Hot 100 after seven weeks at its No. 2 high. It tops the multi-metric Hot R&B/Hip-Hop Songs and Hot R&B Songs charts for a 14th frame each.

Metro Boomin, The Weeknd and 21 Savage’s “Creepin’ ” rises 5-4 on the Hot 100, after reaching No. 3; The Weeknd and Ariana Grande’s “Die for You” retreats 4-5, three weeks after it reigned; PinkPantheress and Ice Spice’s “Boy’s a Liar, Pt. 2” holds at No. 6, after hitting No. 3; and Taylor Swift’s “Anti-Hero” is steady at No. 7, following a personal-best eight weeks at No. 1 in November-January.

Rema and Selena Gomez’s “Calm Down” is stationary at its No. 8 Hot 100 high and ascends to the Radio Songs top 10 (11-9; 49.6 million, up 12%). Rema achieves his first Radio Songs top 10, while Gomez earns her ninth, following “Lose You to Love Me” (No. 5, December 2019); “Back to You” (No. 5, October 2018); “It Ain’t Me,” with Kygo (No. 4, May 2017); “Hands to Myself” (No. 7, April 2016); “Same Old Love” (No. 3, January 2016); “Good for You,” featuring A$AP Rocky (No. 4, September 2015); “The Heart Wants What It Wants” (No. 9, February 2015); and “Come & Get It” (No. 6, July 2013).

The track concurrently tops the Billboard U.S. Afrobeats Songs chart for a milestone 30th week – extending the longest reign since the survey began almost a year ago (in partnership with music festival and global brand Afro Nation).

Coi Leray’s “Players” surges 12-9 on the Hot 100, with 58.5 million in airplay audience (up 11% – good for top Airplay Gainer honors), 10.5 million streams (up 3%) and 4,000 sold (up 5%).

Leray, who was born in Boston and raised in Hackensack, N.J. – and presented SZA as the 2023 Woman of the Year at the Billboard Women in Music celebration March 1 – posts her first Hot 100 top 10, following two top 40 entries: “Blick Blick!,” with Nicki Minaj (No. 37, April 2022), and “No More Parties,” featuring Lil Durk (No. 26, March 2021).

“Players” samples Grandmaster Flash’s classic “The Message,” which hit No. 4 on Hot R&B/Hip-Hop Songs (and No. 62 on the Hot 100) in 1982. “I feel like this record was to connect the new with the old,” Leray recently told Billboard. “There’s a lot of older cats and OGs … and it just feels good to bring everybody together. Whether you’re 10, 2, 80 or 30, everyone’s bopping, and those are the moments I love.”

“Players” also tops the multi-metric Hot Rap Songs chart for a second week.

Rounding out the Hot 100’s top 10, Bailey Zimmerman’s “Rock and a Hard Place” lifts 11-10 – as with Leray, becoming his first top 10 among three top 40 hits – with 35.8 million in airplay audience (essentially even week-over-week), 15.3 million streams (up 3%) and 3,000 sold (up 9%).

The track hits the top 10 in its 41st week on the Hot 100 – rewriting the record for the longest climb to the top 10 for a song by a soloist in the chart’s history. Among all acts, only Glass Animals’ “Heat Waves” took longer, reaching the tier in its 42nd week in November 2021. Now in third place overall, Zach Bryan’s “Something in the Orange,” Nat King Cole’s “The Christmas Song (Merry Christmas to You)” (both this January) and Carrie Underwood’s “Before He Cheats” (2007) all completed 38-week trips to the top 10.

As previously reported, “Rock and a Hard Place” becomes the Louisville, Ind., native’s second No. 1 on the Country Airplay chart, after “Fall in Love” led for a week in December. Notably (and unlike the far steadier climb for “Rock” on the Hot 100, where it was first driven most heavily by streaming), his three-month, three-week span between his first two Country Airplay leaders is the quickest for any act’s first two in nearly a quarter-century – since The Chicks took three months between “There’s Your Trouble” and “Wide Open Spaces” in August-November 1998.

“In my wildest dreams, I never thought I’d see my name or any of my songs on the Billboard charts, so the fact that I’ve now had two reach the No. 1 spot is mind-blowing,” Zimmerman says. “Thanks to everyone who has supported me and my music. I owe everything to y’all.”

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated April 1), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (March 28).

Source: billboard.com

Plus: U2 collects its 13th top 10-charting album with “Songs of Surrender.”

Morgan Wallen’s One Thing at a Time notches a third straight week at No. 1 on the Billboard 200 albums chart (dated April 1). The set earned 209,500 equivalent album units in the United States in the week ending March 23 (down 19%), according to Luminate. It debuted at No. 1 with 501,000 units, then tallied 259,000 in its second frame.

In the last 12 months, only two albums have exceeded 200,000 units in each of their first three weeks: One Thing at a Time and Taylor Swift’s Midnights (which surpassed 200,000 in each of its first four weeks).

The last album by a male act to spend its first three weeks at No. 1 on the Billboard 200 was Drake’s Certified Lover Boy, which also spent its first three frames atop the list (Sept. 18-Oct. 2, 2021-dated charts).

Further, in the last 10 years, only two country albums have clocked at least three weeks at No. 1 on the Billboard 200 and both are by Wallen: One Thing at a Time, his last album, Dangerous: The Double Album (10 weeks at No. 1 in 2021). (Country albums are considered those that have hit or are eligible for Billboard’s Top Country Albums chart.)

Also in the top 10 of the new Billboard 200 chart, U2 collects its 13th top 10-charting effort, as Songs of Surrender debuts at No. 5. The retrospective sees U2 revisiting its own catalog, re-recording and re-interpreting familiar hit songs from the band’s career. Among the tracks including on the project: “Where the Streets Have No Name,” “One,” “Pride (In the Name of Love)” and “I Will Follow.”

Plus, U2 becomes only the fourth group with a newly-charting top 10 title on the Billboard 200 albums chart in the 1980s, ‘90s, 2000s, ‘10s and now the ‘20s.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new April 1, 2023-dated chart will be posted in full on Billboard‘s website on March 28. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of One Thing at a Time’s 209,500 equivalent album units earned in the week ending March 23, SEA units comprise 194,000 (down 17%, equaling 256.13 million on-demand official streams of the set’s 36 songs), album sales comprise 12,500 (down 41%) and TEA units comprise 3,000 (down 12%).

SZA’s chart-topping SOS climbs 4-2 on the Billboard 200 with 72,000 equivalent album units earned (though down 5%), while Swift’s former leader Midnights jumps 6-3 with 61,000 units (up 31%) following her Eras Tour launch on March 17. Miley Cyrus’ Endless Summer Vacation falls 3-4 in its second week with 49,000 units (down 59%).

U2’s Songs of Surrender debuts at No. 5 on the Billboard 200 with 46,500 equivalent album units earned. Of that sum, album sales comprise 42,000, SEA units comprise 4,000 equaling 4.99 million on-demand official streams of the set’s tracks) and TEA units comprise 500. The retrospective re-records project is available in multiple editions, including a standard 16-track edition, a 20-track deluxe and a 40-track super deluxe (with the latter divided into four 10-track chapters named after each band member: Bono, Adam Clayton, The Edge and Larry Mullen Jr.). Sales were also aided by a dozen vinyl variants of the album, including exclusive editions sold by Amazon, Target and independent retailers.

U2 is the fourth group to achieve a newly-charting top 10 album on the Billboard 200 chart in the 1980s, ‘90s, 2000s, ‘10s and now the ‘20s. The quartet joins AC/DC, Def Leppard and Metallica.

Rounding out the top 10 of the new Billboard 200 are five former No. 1s: Karol G’s Mañana Será Bonito (5-6 with 45,000 equivalent album units earned; down 15%); Dangerous: The Double Album (a non-mover at No. 7 with 42,000; down 2%); Metro Boomin’s Heroes & Villains (holding at No. 8 with 40,000; up 3%); Drake and 21 Savage’s Her Loss (10-9 with 38,000; up 12%); and Bad Bunny’s Un Verano Sin Ti (9-10 with 37,000; up 1%).

Source: billboard.com

“Flowers” adds a seventh week atop the Hot 100, while “Calm Down” marks Rema’s first top 10 and Gomez’s ninth.

Miley Cyrus’ “Flowers” rebounds for a seventh week atop the Billboard Hot 100. The song debuted at No. 1 and spent its first six weeks on the chart in charge before ranking at No. 2 the last two weeks, as The Weeknd and Ariana Grande’s “Die for You” and then Morgan Wallen’s “Last Night” took turns at the summit.

“Flowers” is from Cyrus’ new album, Endless Summer Vacation, which debuts at No. 3 on the Billboard 200 chart. It’s her 14th top 10 set, including those under her former Disney Channel-Hannah Montana alter ego, a run that began in 2006.

Meanwhile, Rema and Selena Gomez’s “Calm Down” jumps from No. 19 to No. 8 on the Hot 100, becoming Rema’s first top 10 and Gomez’s ninth.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated March 25, 2023) will update on Billboard.com today (March 21). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.

“Flowers,” released on Smiley Miley/Columbia Records, drew 106.7 million radio airplay audience impressions (up 1%) and 28.2 million streams (up 12%, good for top Streaming Gainer honors on the Hot 100) and sold 15,000 (up 15%) March 10-16, according to Luminate.

“Flowers” claims a fifth week at No. 1 on the Radio Songs chart, with its 106.7 million in reach the highest weekly total since The Weeknd’s “Blinding Lights” drew 114.6 million (May 23, 2020). Further, “Flowers” is the first song by a woman this decade with multiple weeks over 100 million in airplay audience; it’s the first since Lizzo’s “Truth Hurts” (nine such frames in September-November 2019).

“Flowers” also rebounds 5-2 on Streaming Songs and 3-2 on Digital Song Sales, after it led the lists for four and five weeks, respectively. Cyrus logs her 10th total week at No. 1 on the Hot 100, after her prior leader, “Wrecking Ball,” reigned for three weeks in 2013.

Morgan Wallen’s “Last Night” drops to No. 2 after a week atop the Hot 100, as it leads Streaming Songs for a second week (39.9 million, down 18%). It also drew 14.5 million in airplay audience (up 34%) and sold 12,000 (down 37%). It tops the Hot Country Songs chart, which uses the same methodology as the Hot 100, for a sixth frame.

SZA’s “Kill Bill” holds at No. 3 on the Hot 100 after seven weeks at its No. 2 high. It tops Billboard’s multi-metric Hot R&B/Hip-Hop Songs and Hot R&B Songs charts for a 13th week each.

The Weeknd and Grande’s “Die for You” repeats at No. 4 on the Hot 100, after a week at No. 1 two weeks earlier; Metro Boomin, The Weeknd and 21 Savage’s “Creepin’ ” rises 6-5, after reaching No. 3; PinkPantheress and Ice Spice’s “Boy’s a Liar, Pt. 2” slips 5-6, also after hitting No. 3; and Taylor Swift’s “Anti-Hero” jumps 12-7, following a personal-best eight weeks at No. 1 in November-January.

Rema and Selena Gomez’s “Calm Down” bounds 19-8 on the Hot 100, besting its prior No. 15 high set two weeks earlier, with 44.2 million in airplay audience (up 13%, as it wins the chart’s top Airplay Gainer award), 14.9 million streams (up 4%) and 5,000 sold (up 8%).

Nigeria native Rema (real name: Divine Ikubor) released the original version of “Calm Down” in February 2022 as a single from his debut solo LP, Rave & Roses. Its remix with Gomez arrived Aug. 26, and that version’s official video premiered Sept. 7. He hits the Hot 100’s top 10 with his first entry on the chart.

Gomez lands her ninth Hot 100 top 10. “Calm Down” follows “Lose You to Love Me” (one week at No. 1, November 2019); “It Ain’t Me,” with Kygo (No. 10, May 2017); Charlie Puth’s “We Don’t Talk Anymore,” on which she’s featured (No. 9, October 2016); “Hands to Myself” (No. 7, February 2016); “Same Old Love” (No. 5, January 2016); “Good for You,” featuring A$AP Rocky (No. 5, October 2015); “The Heart Wants What It Wants” (No. 6, December 2014); and “Come & Get It” (No. 6, May 2013).

“Calm Down” tops the Billboard U.S. Afrobeats Songs chart for a 29th week – extending the longest reign since the survey began almost a year ago (in partnership with music festival and global brand Afro Nation).

The collaboration also crowned the Billboard Global Excl. U.S. chart for two weeks in January.

Going to Disney world: Notably, Gomez and Cyrus, both of whom broke through on Disney Channel shows, on Wizards of Waverly Place and Hannah Montana, respectively, share space in the Hot 100’s top 10 for the first time in nearly 10 years; on the July 20, 2013, tally, Cyrus’ “We Can’t Stop” ranked at No. 3 and Gomez’s “Come & Get It” placed at No. 9.

Rounding out the Hot 100’s top 10 are two more tracks, joining “Last Night,” from Wallen’s album One Thing at a Time, which rules the Billboard 200 for a second week. “Thought You Should Know” falls to No. 9 from its No. 7 Hot 100 high and “You Proof” descends 8-10, after it hit No. 5 in October.

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated March 25), including the Hot 100 in its entirety, will refresh on Billboard.com today (March 21).

Source: billboard.com

Plus: TWICE and Miley Cyrus debut in top three.

Morgan Wallen’s One Thing at a Time spends a second week atop the Billboard 200 albums chart (dated March 25), as the set earned 259,000 equivalent album units in the United States in the week ending March 16, according to Luminate. That’s down 48% compared to its debut week sum of 501,000 units a week ago.

One Thing at a Time logs the largest second-week for an album since Taylor Swift’s Midnights collected 342,000 units in the week ending Nov. 3, 2022 (chart dated Nov. 12), after debuting a week earlier with 1.578 million units.

One Thing at a Time’s second week is nearly as large as the opening week of Wallen’s last album, Dangerous: The Double Album, which launched with 265,000 units (week ending Jan. 14, 2021, chart dated Jan. 23).

One Thing at a Time is the first album by a male act to spend its first two weeks at No. 1 on the Billboard 200 since Harry Styles’ Harry’s House tallied its first two weeks atop the list on the charts dated June 4 and 11, 2022. It’s also the first country album to log its first two weeks at No. 1 since Dangerous spent its first 10 weeks at No. 1 (Jan. 21-March 27, 2021 charts). (Country albums are considered those that have hit or are eligible for Billboard’s Top Country Albums chart.)

Also in the top 10 of the new Billboard 200 albums chart, TWICE and Miley Cyrus debut at Nos. 2 and 3, respectively, with their latest efforts, Ready to Be and Endless Summer Vacation. Both acts earn their largest weeks by units earned since the chart began measuring by units in December 2014.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new March 25, 2023-dated chart will be posted in full on Billboard‘s website on March 21. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of One Thing at a Time’s 259,000 equivalent album units earned in the week ending March 16, SEA units comprise 234,000 (down 39%, equaling 308.06 million on-demand official streams of the set’s 36 songs), album sales comprise 21,000 (down 81%) and TEA units comprise 4,000 (down 53%). Notably, the album’s haul of 308.06 million streams for its songs tallies the second-biggest streaming week ever for a country album, after the set’s debut frame (498.28 million).

TWICE scores a career-high placing on the Billboard 200, as the pop ensemble’s new album Ready to Be debuts at No. 2 with 153,000 equivalent album units earned – the act’s biggest week ever. It’s the fourth top 10-charting effort for the South Korean group. Previously, the act went as high as No. 3 with its last two charting sets, Between 1&2: 11th Mini Album and Formula of Love: O+T=<3, The 3rd Full Album, both in 2021.

Of Ready to Be’s 153,000 equivalent album units earned, album sales comprise 145,500, SEA units comprise 7,000 (equaling 10.28 on-demand official streams of the set’s seven tracks) and TEA units comprise 500.

Like many K-pop releases, Ready to Be was issued in collectible physical format packages (11 different CDs [including exclusives for Barnes & Noble, Target and the group’s official webstore] and two vinyl LPs [one exclusive to Target and one exclusive to the act’s webstore). 86% of the album’s first-week sales came from its CD editions. CD variants of Ready contain a standard set of items and randomized elements (such as a postcards, photo cards, etc.).

Unusually, Ready to Be had a vinyl version of the album available on the same wide release date as the CD edition of the album, as most major K-pop titles in the past were initially available only as a physical album on CD – on no other physical formats (like vinyl or cassette).

TWICE recently scored its second charting hit on the Billboard Hot 100 songs chart, with the new album’s “Moonlight Sunrise,” spending one week on the list at No. 84 (Feb. 4, 2023 dated chart).

Miley Cyrus’ Endless Summer Vacation debuts at No. 3 on the Billboard 200 with 119,000 equivalent album units earned – her biggest week since the chart began measuring by units in December of 2014. Endless Summer Vacation marks Cyrus’ 14th top 10-charting effort, including her releases billed to her Disney Channel character Hannah Montana.

Of Endless Summer Vacation’s 119,000 equivalent album units earned, SEA units comprise 61,000 (equaling 80.61 on-demand official streams of the set’s 13 tracks – Cyrus’ biggest streaming week ever for an album), album sales comprise 55,000, and TEA units comprise 3,000. Aiding first-week sales for Endless Summer Vacation were four vinyl LP variants (including one exclusive to Target and two exclusive to her webstore) and two deluxe boxed sets (one with a puzzle and a CD, the other with a beach towel and a CD) sold exclusively through her webstore. 44% of Endless’ first week sales came from its vinyl editions.

Endless Summer Vacation was ushered in by the smash single “Flowers,” which has spent six weeks at No. 1 on the Billboard Hot 100 (through the most recently published chart, dated March 18). It marks her second No. 1 on the list, following 2013’s “Wrecking Ball.”

As Ready to Be and Endless Summer Vacation both launch with over 100,000 units, it’s the first time the chart has housed two debuting albums each with over 100,000 units since the Sept. 10, 2022-dated chart – when TWICE also factored in. That week, DJ Khaled’s God Did debuted at No. 1 with 107,000, while TWICE’s Between 1&2 debuted at No. 3 with just over 100,000.

Both Ready to Be and Endless Summer Vacation arrive with first weeks so significant that had either arrived on the chart in the four weeks before Wallen’s One Thing at a Time debuted (March 18-dated chart), and posted the same opening-numbers, either could have been No. 1. Here are the five weeks at No. 1 leading up to One Thing at a Time’s arrival: March 11-dated chart: 94,000 units (the debut week of Karol G’s Mañana Sera Bonito); March 4: 87,000 (SZA’s 10th week at No. 1 with SOS); Feb. 24: 93,000 (SOS’ ninth week at No. 1) and Feb. 18: 100,000 (SOS’ eighth week at No. 1).

The rest of the new top 10 on the Billboard 200 consists entirely of former No. 1s. SOS falls 2-4 (76,000 equivalent album units earned; down 8%), Mañana dips 3-5 (52,000; down 13%), Midnights descends 5-6 (47,000; down 3%), Dangerous is down a spot to No. 7 (39,000; a decline of 6%), Metro Boomin’s Heroes & Villains moves 7-8 (39,000; down 4%), Bad Bunny’s Un Verano Sin Ti falls 8-9 (36,000; down 5%) and Drake and 21 Savage’s Her Loss is a non-mover at No. 10 (34,000; down less than 1%).

Source: billboard.com

The track is the first shared Hot 100 and Hot Country Songs leader by an unaccompanied male artist since Eddie Rabbitt’s “I Love a Rainy Night” in 1981.

Morgan Wallen’s “Last Night” leaps from No. 5 to No. 1 on the Billboard Hot 100, becoming the country star’s first leader on the list. The song, which hit its prior No. 3 high four weeks ago, and debuted five weeks ago, is from his new 36-track album, One Thing at a Time. Released March 3, the set launches as Wallen’s second No. 1 on the Billboard 200 chart, with the largest streaming week ever for a country album, as well as the biggest week by equivalent album units for any album, among all genres, in 2023.

Wallen also claims five of the Hot 100’s top 10 – becoming the first core country act to stake out half the top 10 in a single week, as well as only the sixth act overall ever to achieve the feat. All five songs are from One Thing at a Time, including three in the region for the first time: “Thought You Should Know,” up 13-7; “Thinkin’ Bout Me,” new at No. 9; and the set’s title track, which charges 51-10. They join “Last Night” and “You Proof,” Wallen’s former top five hit which rebounds 21-8.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated March 18, 2023) will update on Billboard.com tomorrow (March 14). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.

Here’s a look at the Hot 100 coronation for “Last Night.” Released on Big Loud / Mercury / Republic Records, the song becomes the 1,147th No. 1 since the chart began in August 1958.

Streams, airplay & sales: “Last Night” drew 47.5 million streams (up 59%, good for the Hot 100’s top Streaming Gainer award) and 10.8 million radio airplay audience impressions (up 81%) and sold 18,000 (up 12%) March 3-9.

The track jumps 3-1 on the all-genre Streaming Songs chart, where, as on the Hot 100, it becomes Wallen’s first leader. It flies 41-29 on the Country Airplay chart and, being promoted to pop radio, climbs 34-32 on Pop Airplay and debuts at No. 40 on Adult Pop Airplay.

Historic Hot 100 & Hot Country Songs No. 1s: As “Last Night” leads the Hot Country Songs chart, which uses the same methodology as the Hot 100, for a fifth week, it becomes just the 20th song to have topped both tallies. It’s the first since Taylor Swift’s “All Too Well (Taylor’s Version)” on the charts dated Nov. 27, 2021 – and the first by a solo male unaccompanied by any other acts in over 42 years, since Eddie Rabbitt’s “I Love a Rainy Night” ruled Hot Country Songs for a week in January 1981 and the Hot 100 for two weeks that February-March.

Songs to Have Hit No. 1 on Both the Hot 100 & Hot Country Songs Charts:
“Last Night,” Morgan Wallen, 2023
“All Too Well (Taylor’s Version),” Taylor Swift, 2021
“We Are Never Ever Getting Back Together,” Taylor Swift, 2012
“Amazed,” Lonestar, 1999-2000
“Islands in the Stream,” Kenny Rogers, duet with Dolly Parton, 1983
“I Love a Rainy Night,” Eddie Rabbitt, 1981
“9 to 5,” Dolly Parton, 1981
“Lady,” Kenny Rogers, 1980
“Southern Nights,” Glen Campbell, 1977
“Convoy,” C.W. McCall, 1975-76
“I’m Sorry,” John Denver, 1975
“Rhinestone Cowboy,” Glen Campbell, 1975
“Thank God I’m a Country Boy,” John Denver, 1975
“Before the Next Teardrop Falls,” Freddy Fender, 1975
“(Hey Won’t You Play) Another Somebody Done Somebody Wrong Song,” B.J. Thomas, 1975
“The Most Beautiful Girl,” Charlie Rich, 1973
“Honey,” Bobby Goldsboro, 1968
“Big Bad John,” Jimmy Dean, 1961
“El Paso,” Marty Robbins, 1959-60
“The Battle of New Orleans,” Johnny Horton, 1959

Of the 20 songs listed above, 12 were concentrated in 1973-83. Meanwhile, Glen Campbell, John Denver, Dolly Parton, Kenny Rogers and Swift are the only acts with two songs each that have crowned both the Hot 100 and Hot Country Songs charts.

Big week for Big Loud, Mercury & Republic: Big Loud Records achieves its first Hot 100 No. 1 with Wallen’s “Last Night.” The Nashville-based label formed in 2011.

Mercury Records tops the Hot 100 for the first time since Taio Cruz’s “Break Your Heart” ruled for a week in March 2010. The label, whose history dates to 1945, first led over 64 years ago, with The Platters’ “Smoke Gets in Your Eyes” in January 1959.

Republic Records, meanwhile, succeeds itself atop the Hot 100, a week after The Weeknd and Ariana Grande’s “Die for You” surged to No. 1. Republic, which began in 1995, wrapped at No. 1 on the 2022 Hot 100 Labels recap and has earned the distinction in nine of the last 11 years.

Victorious ‘Voice’ vocalist: Wallen notches the first Hot 100 No. 1 for a contestant from NBC’s The Voice, which has run for 23 seasons, dating to its April 2011 premiere. (Its latest season began March 6.) He competed in the series’ sixth season, in 2014, and was eliminated in playoff rounds. “I didn’t feel like I was the best I could have been,” Wallen told Billboard in reflection of his run on the show. (He first hit Billboard’s charts in November 2016, by then signed to Big Loud.) “So, I practiced harder and really tried to make my voice second nature.”

Wallen with 5 of top 10: Wallen stockpiles half the Hot 100’s top 10, with “Last Night” at No. 1 followed by “Thought You Should Know” (13-7); “You Proof” (21-8, after hitting No. 5 last October); “Thinkin’ Bout Me” (No. 9 debut); and “One Thing at a Time,” the new LP’s title cut (51-10).

Wallen ups his career count of Hot 100 top 10s from five to eight, thanks to “Thought” (33.4 million in radio airplay audience; 20.5 million streams, up 56%), “Thinkin’ ” (20.7 million streams, 7,700 sold in its first week) and “Thing” (21.4 million streams, up 156%; 6.7 million in airplay audience, up 87%). “Thought” led the Country Airplay chart for three weeks beginning in February, becoming Wallen’s eighth and most recent No. 1, while “Thing” is now being promoted to country radio and soars 36-25 on Country Airplay.

“Proof” drew 21.8 million streams (up 58%) and 20 million in airplay audience in the tracking week. The song topped Country Airplay for a record 10 weeks in October-January.

Wallen becomes the first core country act to log at least half the Hot 100’s top 10 in a single week, and only the sixth act overall to achieve the feat. (Drake has posted three such weeks and The Beatles, who inaugurated the exclusive club in 1964, two.)

Acts With 5 or More of Hot 100’s Top 10 in a Single Week:
10, Taylor Swift, Nov. 5, 2022
9, Drake, Sept. 18, 2021
8, Drake, Nov. 19, 2022
7, 21 Savage, Nov. 19, 2022
7, Drake, July 14, 2018
5, Juice WRLD, July 25, 2020
5, Morgan Wallen, March 18, 2023
5, The Beatles, April 11, 1964
5, The Beatles, April 4, 1964

Save the ‘last’ for best: Occasionally, “last” shall be first on the Hot 100. Wallen’s “Last Night” is just the fifth song with “last” in its title to lead the list. Here’s a recap:

“Last Night,” Morgan Wallen, one week to-date, March 18, 2023
“Last Friday Night (T.G.I.F.),” Katy Perry, two weeks, beginning Aug. 27, 2011
“Save the Best for Last,” Vanessa Williams, five weeks, beginning March 21, 1992
“Last Train to Clarksville,” The Monkees, one week, Nov. 5, 1966
“Save the Last Dance for Me,” The Drifters, No. 1 for three weeks, beginning Oct. 17, 1960

We love reign-y “night”s: “Last Night” also marks the first “night”-titled Hot 100 No. 1 since Maroon 5’s “One More Night,” which led for nine weeks in 2012. Wallen scores the 30th such No. 1 (including variations “nights,” “midnight” and “tonight” in song titles).

As for the five songs in the latest Hot 100’s top 10 not by Wallen, Miley Cyrus’ “Flowers” leads them at No. 2, where it holds after spending its first six weeks on the chart at No. 1. It commands the Radio Songs chart for a fourth week, up 4% to 105.8 million in audience, the highest weekly total since The Weeknd’s “Blinding Lights” drew 114.6 million (May 23, 2020).

SZA’s “Kill Bill” keeps at No. 3 on the Hot 100 after seven weeks at its No. 2 high. It tops Billboard’s multi-metric Hot R&B/Hip-Hop Songs and Hot R&B Songs charts for a 12th week each.

The Weeknd and Grande’s “Die for You” drops to No. 4 on the Hot 100 from No. 1, with 79.5 million in radio reach (down 2%), 28.2 million streams (down 13%) and 2,600 sold (down 81%); PinkPantheress and Ice Spice’s “Boy’s a Liar, Pt. 2” slips 4-5, after hitting No. 3, as it takes top Airplay Gainer honors (20.7 million in audience, up 72%); and Metro Boomin, The Weeknd and 21 Savage’s “Creepin’ ” is steady at No. 6, after reaching No. 3.

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated March 18), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (March 14).

Source: billboard.com

It’s his second No. 1, and the follow-up to the blockbuster 10-week leader ‘Dangerous: The Double Album.’

Morgan Wallen’s One Thing at a Time debuts at No. 1 on the Billboard 200 albums chart (dated March 18) with 501,000 equivalent album units earned in the United States in the week ending March 9, according to Luminate. It’s the largest week of 2023 for any album by units earned, the biggest since Taylor Swift’s Midnights debut with 1.578 million (week ending Oct. 27, 2022; chart dated Nov. 5, 2022) and the largest week for a country album since Swift’s Red (Taylor’s Version) opened with 604,500 (week ending Nov. 18, 2021; chart dated Nov. 27, 2021).

A hefty 76% of One Thing at a Time’s debut-week total was powered by streaming activity. The set’s 36 tracks collectively generated 498.28 million on-demand official streams in the U.S. in the album’s first week – marking the fifth-largest streaming week ever for any album, and the biggest ever for a country album.

One Thing at a Time was released March 3 via Big Loud/Mercury/Republic Records and is the follow-up to Wallen’s chart-topping effort Dangerous: The Double Album, released in January 2021. The latter spent 10 weeks atop the Billboard 200 chart and ranks at No. 6 on the latest list — its 110th nonconsecutive week in the top 10. It now solely has the second-most weeks in the top 10 in the list’s 67-year history, surpassing 109 weeks for the soundtrack to The Sound of Music. (The original cast recording of My Fair Lady holds the record for the most weeks in the top 10, with 173.)

One Thing at a Time was preceded by the release of nine songs from the album as far back as April of 2022. Four of those tunes topped Billboard’s Hot Country Songs chart: “Don’t Think Jesus,” “Thought You Should Know,” “You Proof” and “Last Night,” the lattermost of which has reigned for four weeks running (through the most recently published March 11-dated ranking).

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new March 18, 2023-dated chart will be posted in full on Billboard‘s website on March 14. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of One Thing at a Time’s 501,000 equivalent album units earned, SEA units comprise 382,000 (equaling 498.28 million on-demand official streams of the set’s 36 tracks), album sales comprise 111,500 and TEA units comprise 7,500. The album’s sales were powered by its digital download option (87,500; available as both a clean and explicit edition) while its double-CD (explicit only) sold 24,000. On the final day of the tracking week, the digital album was also offered in two alternative cover variants in Wallen’s official webstore for a discounted price. The set was not commercially released in any other formats.

One Thing at a Time has the second-largest week of 2023 by traditional album sales for an album, after the debut frame of TOMORROW X TOGETHER’s The Name Chapter: Temptation (152,000; chart dated Feb. 11). One Thing at a Time has the largest sales week for a country album since Red (Taylor’s Version) sold 369,000 in its first week (Nov. 27, 2021, chart).

As noted above, One Thing at a Time captures the fifth-largest streaming week ever for an album. The four largest streaming weeks for albums, by total streams earned, were all also debut frames. Drake’s Scorpion leads the pack, as it collected 745.92 million clicks for its 25 tracks in the week ending July 5, 2018. Scorpion is followed by the opening weeks of Drake’s Certified Lover Boy (743.67 million for its 21 tracks, week ending Sept. 9, 2021), Taylor Swift’s Midnights (549.26 million for its 20 tracks across its standard and deluxe editions, week ending Oct. 27, 2022) and Drake and 21 Savage’s Her Loss (513.56 million for its 16 tracks, week ending Nov. 10, 2022).

Certainly, the fact that One Thing at a Time has 36 songs helps its first-week numbers — as streaming activity for the chart is measured by taking the number of streams generated by each song on an album and adding them up to one overall total. Had the album been shortened to a length comparable to Drake’s 25-track Scorpion, it still would have had a big streaming figure. The top 25 most-streamed songs on One Thing at a Time generated 397.93 million on-demand official streams — which would made it the 10th-largest streaming week ever, and still the biggest among all country albums. Had One Thing at a Time’s tracklist been even shorter — as short as Drake and 21 Savage’s 16-track Her Loss, it still would have had a robust, but not quite as eye-popping, streaming start. One Thing at a Time’s top 16 most-streamed tracks collectively generated 294.65 million on-demand official streams — which would have ranked the set among the top 20 biggest streaming weeks of all time, though still the second-largest streaming week for a country album (behind the debut of Swift’s Red [Taylor’s Version], with 303.23 million for its 30 tracks).

In the last 12 months, One Thing at a Time has the most songs on its streaming album of any No. 1 on the Billboard 200, save for the 44-track Encanto soundtrack — although most of those 44 tracks are score and instrumental cuts, and the vast majority of the album’s streaming activity has come from the set’s nine focus songs, including the ensemble smash “We Don’t Talk About Bruno.” Including Encanto, in the last 12 months, the average tracklist length for the streaming edition of a No. 1 album on the Billboard 200 has been 19. If we remove Encanto from the math, that average falls to 18. In the last 12 months, only four No. 1 albums have had fewer than 12 songs — and all were K-pop projects, powered largely by CD album sales, not streams.

A few last notes about Wallen… he is the first male artist with back-to-back country No. 1s on the Billboard 200 since 2019, when Thomas Rhett notched his second No. 1 in a row with Center Point Road, following Life Changes in 2017. Further, Wallen has the largest week for any country album by a male artist since the Billboard 200 began tracking by equivalent album units in December of 2014. In fact, only one country album has posted a bigger week in that span of time — Swift’s Red (Taylor’s Version), with 604,500 units in its debut week in 2021. (Country albums are considered those that have hit or are eligible for Billboard’s Top Country Albums chart.)

Notably, since the Billboard 200 began measuring by equivalent album units in December 2014 (transitioning from an album sales-only methodology to a blend of album sales, SEA and TEA), only nine acts have registered a half-million units in a week for an album (with some having done so with multiple albums). They are: Adele, Beyoncé, Justin Bieber, Drake, Kendrick Lamar, Travis Scott, Harry Styles, Taylor Swift and Wallen.

As No. 2 on the new Billboard 200, SZA’s SOS holds in place with 82,000 equivalent album units earned (down 5%). The set previously spent 10 nonconsecutive weeks atop the list. Karol G’s Mañana Será Bonito falls 1-3 in its second week with 60,000 units (down 36%).

Kali Uchis achieves her first top 10-charting album on the Billboard 200 as Red Moon in Venus debuts at No. 4 with 55,000 equivalent album units earned. Of that sum, album sales comprise 28,000, SEA units comprise 27,000 (equaling 35.49 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum. The mostly-English-language project is the artist’s first album release since the breakthrough success of the mostly-Spanish-language single “Telepatía” in 2021 (from her last album, 2020’s Spanish-language Sin Miedo [Del Amor y Otros Demonios]). That track spent eight weeks at No. 1 on Hot Latin Songs (her first leader there) and marked her first top 40-charting hit on the all-genre Billboard Hot 100 (peaking at No. 25 and spending 25 weeks on the list). Red Moon in Venus includes guest turns from Omar Apollo, Don Toliver and Summer Walker.

Six former No. 1s round out the top 10 of the new Billboard 200: Swift’s Midnights is stationary at No. 5 (48,000 equivalent album units earned, down 1%); Wallen’s Dangerous: The Double Album is a non-mover at No. 6 (46,000, down less than 1%); Metro Boomin’s Heroes & Villains is steady at No. 7 (40,000, down 4%); Bad Bunny’s Un Verano Sin Ti rises 10-8 (39,000, up less than 1%); The Weeknd’s Starboy holds at No. 9 (35,000, down 13%) and Drake and 21 Savage’s Her Loss rises 11-10 (34,000, down 5%).

Source: billboard.com

The song surges after Grande joined for its remix. Plus, Karol G & Shakira launch at No. 7 with “TQG.”

The Weeknd and Ariana Grande’s “Die for You” bounds from No. 6 to No. 1 on the Billboard Hot 100, after Grande joined for its remix. The song reigns after it was originally released on The Weeknd’s album Starboy in 2016, before it was revived in recent months thanks in part to interaction on TikTok, which helped spark new promotion to radio and streaming services.

The team-up marks each artist’s seventh Hot 100 No. 1 – and their second together, after “Save Your Tears” led in 2021, for two weeks, also after Grande was added on a remixed version.

Plus, Karol G and Shakira’s “TQG” soars onto the Hot 100 at No. 7, marking the former’s first top 10 and the latter’s sixth – and second this year, following a nearly 16-year break from the region. The collaboration is from Karol G’s new album Mañana Será Bonito, which debuts at No. 1 on the Billboard 200 albums chart, becoming the first all-Spanish-language leader by a woman in the list’s history.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated March 11, 2023) will update on Billboard.com tomorrow (March 7). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.

Here’s a look at the coronation for “Die for You,” which becomes the 1,146th No. 1 since the Hot 100 began in August 1958.

Airplay, streams & sales: “Die for You,” released on XO/Republic Records, drew 81.1 million radio airplay audience impressions (up less than 1%) and 32.4 million streams (up 181%) and sold 14,000 (up 1,170%) Feb. 24-March 2, according to Luminate. It doubles up with the Hot 100’s top Streaming Gainer and Sales Gainer weekly awards.

The track blasts from No. 22 to No. 1 on the Streaming Songs chart (where it becomes Grande’s fourth leader and The Weeknd’s third); debuts at No. 3 on Digital Song Sales; and holds at No. 3 on Radio Songs, after two weeks on top.

The song was originally released by The Weeknd solo in 2016 on his album Starboy, with its recent resurgence sparked by interaction on TikTok (which does not presently contribute directly to Billboard’s charts). That buzz helped lead to the song’s current promotion to radio and streaming services. On Feb. 24, the song’s remix with Grande was released, with that version and an instrumental mix, both billed as by the tandem, discounted to 69 cents through March 2. Late on March 1, an a cappella version by the pair arrived, also for 69 cents. Those versions joined The Weeknd’s original solo version and its sped-up and instrumental mixes, also priced at 69 cents during the tracking week. (The instrumental versions, one billed as by The Weeknd and the other by The Weeknd and Grande, share audio and differ only in digital artwork; they were available during the tracking week only in the acts’ webstores.)

“Die” wouldn’t: As Starboy opened atop the Billboard 200 dated Dec. 17, 2016, “Die for You” concurrently debuted at No. 43 on the Hot 100. The song spent three weeks on the chart that month (and, promoted as a single to R&B/hip-hop and rhythmic radio, reached the Mainstream R&B/Hip-Hop Airplay, Adult R&B Airplay and Rhythmic Airplay charts in 2017-18). It returned to the Hot 100 dated Sept. 3, 2022. In October, it reached the Hot 100’s top 40 and this January it hit the top 10. It also topped the Pop Airplay chart for two weeks and reached a new No. 2 best on Rhythmic Airplay in January-February.

The song completes the second-longest trip to No. 1 on the Hot 100 in terms of time from a debut to scaling the summit – and the longest among non-holiday songs. Notably, The Weeknd and Grande claim two of the six longest such journeys.

Most Time to No. 1 on Hot 100, from Chart Debut:
19 years, 11 months, 2 weeks, “All I Want for Christmas Is You,” Mariah Carey (2000-19; originally released in 1994, the carol ultimately first led 25 years after its release)
6 years, 2 months, 3 weeks, “Die for You,” The Weeknd & Ariana Grande (2016-23)
5 years, 8 months, 2 weeks, “When I’m With You,” Sheriff (1983-89)
4 years, 8 months, 2 weeks, “Red Red Wine,” UB40 (1984-88; the pop/reggae classic and Sheriff’s love song above were revived, in part, by adventurous radio exec Guy Zapoleon)
1 year, 2 months, “Heat Waves,” Glass Animals (2021-22)
1 year, 1 month, “Save Your Tears,” The Weeknd & Ariana Grande (2020-21)
(Additional research by Billboard senior charts and social manager Xander Zellner)

Meanwhile, “Die for You” tops the Hot 100 in its 31st total week on the tally, the fourth-longest such climb. “Heat Waves” reigned when it wrapped a record 59-week ascent.

The Weeknd & Grande’s No. 1s: The Weeknd and Grande earn a seventh Hot 100 No. 1 each. Here’s a recap of their leaders.

The Weeknd’s Hot 100 No. 1s:
“Can’t Feel My Face,” three weeks at No. 1, beginning Aug. 22, 2015
“The Hills,” six weeks, Oct. 3, 2015
“Starboy,” feat. Daft Punk, one week, Jan. 7, 2017
“Heartless,” one week, Dec. 14, 2019
“Blinding Lights,” four weeks, April 4, 2020
“Save Your Tears,” with Ariana Grande, two weeks, May 8, 2021
“Die for You,” with Grande, one week to-date, March 11, 2023

Notably, Starboy now boasts two Hot 100 leaders, as “Die for You” joins the set’s title cut after over six years – a record for the longest time between No. 1 songs both originally released on a single album.

Ariana Grande’s Hot 100 No. 1s:
“Thank U Next,” seven weeks at No. 1, beginning Nov. 17, 2018
“7 Rings,” eight weeks, Feb. 2, 2019
“Stuck With U,” with Justin Bieber, one week, May 23, 2020
“Rain on Me,” with Lady Gaga, one week, June 6, 2020
“Positions,” one week, Nov. 7, 2020
“Save Your Tears,” with The Weeknd, two weeks, May 8, 2021
“Die for You,” with The Weeknd, one week to-date, March 11, 2023

Grande simultaneously adds her milestone 20th Hot 100 top 10. “Die for You” became The Weeknd’s 16th top 10 – his first such hit was also with Grande, as their “Love Me Harder” reached No. 7 in November 2014.

Dominant duet partners: The Weeknd and Grande become the latest pair of solo acts that have teamed up for multiple Hot 100 No. 1s. Here’s a look at the acts that might want to consider making their collaborations more frequent, given their repeat success rates. (Drake and Rihanna have achieved the feat thanks to two pairings apiece.)

Acts That Have Teamed for Multiple Hot 100 No. 1s:
The Weeknd & Ariana Grande: “Save Your Tears,” 2021; “Die for You,” 2023
Drake & Future: “Way 2 Sexy” (Drake feat. Future & Young Thug), 2021; “Wait for U” (Future feat. Drake & Tems), 2022
Rihanna feat. Drake: “What’s My Name?,” 2010; “Work,” 2016
Eminem feat. Rihanna: “Love the Way You Lie,” 2010; “The Monster,” 2013-14
Nelly Furtado & Timbaland: “Promiscuous” (Furtado feat. Timbaland), 2006; “Give It to Me” (Timbaland feat. Furtado & Justin Timberlake), 2007
Jennifer Lopez feat. Ja Rule: “I’m Real,” 2001; “Ain’t It Funny,” 2002

‘Die for You’ deconstructed: Hit Songs Deconstructed, which analyzes the compositional traits of Hot 100 top 10s, notes that despite the 2016 arrival of “Die for You,” the song “fits in with the recent uptick of synth-heavy top 10s, which doubled between 2020 and 2022 to nearly one-quarter of such songs, and the continued popularity of R&B, which has held steady in half of all top 10s over the past two years.”

Speaking of R&B …

No. 1 R&B/hip-hop: “Die for You” concurrently hits No. 1 on Billboard’s Hot R&B/Hip-Hop Songs and Hot R&B Songs charts, which use the same methodology as the Hot 100. On Hot R&B/Hip-Hop Songs, The Weeknd adds his eighth leader and Grande achieves her first. On Hot R&B Songs, The Weeknd claims his record-extending 11th No. 1 (dating to the chart’s 2012 start) and Grande notches her first.

Miley Cyrus’ “Flowers” descends to No. 2 after spending its first six weeks on the Hot 100 at No. 1. Still, it tops Radio Songs for a third week, up 7% to 102.1 million in audience. It’s the first song to draw over 100 million in reach since Adele’s “Easy on Me” (101.2 million; Jan. 22, 2022) and logs the highest sum since The Weeknd’s “Blinding Lights” posted six such weeks (reaching a high of 114.6 million) in April-May 2020.

SZA’s “Kill Bill” slips to No. 3 on the Hot 100 after seven weeks at its No. 2 high – although it takes top Airplay Gainer honors, up 13% to 81 million in audience.

PinkPantheress and Ice Spice’s “Boy’s a Liar, Pt. 2” retreats to No. 4 on the Hot 100 from its No. 3 best; Morgan Wallen’s “Last Night” holds at No. 5, after reaching No. 3, as it leads the multi-metric Hot Country Songs chart for a fourth week; and Metro Boomin, The Weeknd and 21 Savage’s “Creepin’” backtracks 4-6, after hitting No. 3.

Karol G and Shakira’s “TQG” charges onto the Hot 100 at No. 7, with 29 million streams, 4.6 million in airplay audience and 7,000 sold. The song is from Karol G’s album Mañana Será Bonito, which debuts at No. 1 on the Billboard 200, making history as the first all-Spanish-language leader by a woman.

The track is Karol G’s first Hot 100 top 10 and Shakira’s sixth – and second this year, after her and Bizarrap’s “Bzrp Music Sessions, Vol. 53” debuted at its No. 9 peak in January, following her nearly 16-year absence from the region, since “Beautiful Liar,” with Beyoncé, rose to No. 3 in April 2007.

While Shakira’s lengthy break from the Hot 100’s top 10 only to return with two such hits in relatively quick succession is rare, it’s not unprecedented: Elton John went over 24 years after 1998 before revisiting the tier with “Cold Heart (Pnau Remix),” with Dua Lipa (No. 7, 2021), and “Hold Me Closer,” with Britney Spears (No. 6, 2022). Plus, Billboard deputy editor Andrew Unterberger shouts out Santana’s wait of over 28 years after 1971 before bounding back with two No. 1s in 1999-2000 – “Smooth,” featuring Rob Thomas, and “Maria Maria,” featuring The Product G&B – along with two more top 10s in 2002-03. (All such examples reflect acts teaming with artists who followed in their footsteps, capitalizing on multi-generational appeal.)

“TQG” concurrently launches at No. 1 on the multi-metric Hot Latin Songs chart, where it’s Karol G’s sixth leader, all since 2018, and fellow Colombian Shakira’s 13th, with her run having begun in 1998.

Elsewhere in the Hot 100’s top 10, Sam Smith and Kim Petras’ “Unholy” falls 7-8, after it ruled for a week in October; Taylor Swift’s “Anti-Hero” dips 8-9, following a personal-best eight weeks at No. 1 in November-December; and Beyoncé’s “Cuff It” falls 9-10, after hitting No. 6.

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated March 11), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (March 7).

Source: billboard.com