“A Bar Song (Tipsy)” reigns, while “Good Luck, Babe!” jumps to No. 4.

Shaboozey’s “A Bar Song (Tipsy)” earns an 11th week at No. 1 on the Billboard Hot 100, extending 2024’s longest command.

The hit, which became the Virginia-born singer-songwriter’s first Hot 100 No. 1 in July, is one of just five songs to reign for 11 or more weeks this decade, and the first since another country/pop crossover smash, Morgan Wallen’s “Last Night,” dominated for 16 weeks in March-August 2023.

“A Bar Song (Tipsy)” also furthers the longest No. 1 run on the multimetric Hot Country Songs chart this year, logging a 15th week in the top spot.

Plus, Chappell Roan notches her first top five Hot 100 hit as “Good Luck, Babe!,” which became her first top 10, leaps from No. 7 to No. 4.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Sept. 28, 2024) will update on Billboard.com tomorrow, Sept. 24). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Source: billboard.com

The set jumps 106-1 after its vinyl edition shipped to customers — scoring the biggest week on vinyl in the modern era for a rap album.

Travis Scott’s 2014 mixtape Days Before Rodeo reaches No. 1 on the Billboard 200 albums chart (dated Sept. 28), vaulting 106-1 after its vinyl editions — exclusively sold by the artist’s webstore — shipped to customers. The set earned 156,000 equivalent album units in the U.S. in the tracking week ending Sept. 19 (up 1,295%), according to Luminate.

Of that sum, traditional album sales comprise 150,000 (making it the top-selling album of the week; it’s No. 1 on Top Album Sales). Vinyl sales comprise 149,000 of that sales figure — Scott’s largest week on vinyl ever. It’s also the biggest week on vinyl for a rap album, as well as the sixth-largest week on vinyl across all genres, since Luminate began tracking sales in 1991.

Days Before Rodeo marks Scott’s fourth No. 1, all earned consecutively. He previously topped the list with Utopia (2023), Astroworld (2018) and Birds in the Trap Sing McKnight (2016).

Days Before Rodeo was initially a free release in 2014. On Aug. 23, it was commercially released for the first time and officially made its wide streaming debut. The album debuted at No. 2 on the Billboard 200 dated Sept. 7 with 361,000 units earned in the week ending Aug. 29, largely from the strength of album sales (331,000 — mostly from digital download album sales). The album then fell to No. 30 in its second week, and then to No. 106, before jumping to No. 1 in its fourth week of release.

The vinyl sales pushing Scott to No. 1 began generating pre-orders via his official webstore before the album was released on Aug. 23 via streamers, as a digital download and on CD. It was available in two vinyl variants (a standard edition and a deluxe edition in expanded packaging), as well as two boxed sets (one containing a hoodie and the standard vinyl and one with a T-shirt and the deluxe vinyl), and in two Fan Pack offers (one with a hoodie and the standard vinyl and one with a T-shirt and the deluxe vinyl).

A wide retail release beyond Scott’s webstore for any physical formats of the album has not been announced.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Sept. 28, 2024-dated chart will be posted in full on Billboard‘s website on Tuesday, Sept. 24. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of the 156,000 equivalent album units earned by Days Before Rodeo in the latest tracking week, album sales comprise 150,000 (up 4,608%), SEA units comprise 6,000 (down 25%, equaling 7.94 million on-demand official streams of the album’s songs) and TEA units comprise a negligible sum (down 30%).

Days Before Rodeo is the second album of 2024 to reach No. 1 without having debuted atop the chart. Toby Keith’s 35 Biggest Hits re-entered the chart dated Feb. 17 at No. 1, following his death; the album had previously debuted and peaked at No. 2 in 2008. Before Keith and Scott, the last album to be No. 1 without having debuted at No. 1 was the Encanto soundtrack, which debuted at No. 197 on the Dec. 11, 2021-dated chart, and then rose to No. 1 on the Jan. 15, 2022 list, spending nine nonconsecutive weeks at No. 1.

Days Before Rodeo additionally has the largest jump to No. 1 since the April 30, 2022 chart; when Tyler, the Creator’s Call Me If You Get Lost returned to the top, flying 120-1 after its vinyl release.

Sabrina Carpenter’s Short n’ Sweet slips to No. 2 on the latest Billboard 200 (108,000 equivalent album units; down 8%) after spending its first three weeks atop the chart. It remains at No. 1 on the Top Streaming Albums chart for a fourth week.

Chappell Roan’s The Rise and Fall of a Midwest Princess is a non-mover at No. 3 (64,000 equivalent album units; up 13%); Post Malone’s former No. 1 F-1 Trillion dips 2-4 (60,000; down 16%); Morgan Wallen’s chart-topping One Thing at a Time falls 4-5 (52,000; up less than 1%); and Taylor Swift’s former leader The Tortured Poets Department descends 5-6 (51,000; down less than 1%).

Eminem’s chart-topping The Death of Slim Shady (Coup de Grâce) returns to the top 10, surging 42-7, following its deluxe reissue and CD release. The album was reissued via digital download services and streamers on Sept. 13 with bonus tracks, while on the same day its original standard album was issued in two CD variants. In the tracking week ending Sept. 19, The Death of Slim Shady earned 48,000 equivalent album units (up 180%). Of that sum, album sales comprise 24,000 (up 3,328%), SEA units comprise 23,000 (up 43%; equaling 31.64 million on-demand official streams of the album’s songs) and TEA units comprise 1,000 (up 210%).

Rounding out the top 10 of the latest Billboard 200 are Billie Eilish’s Hit Me Hard and Soft (6-8 with 44,000 equivalent album units; down 5%), Noah Kahan’s Stick Season (8-9 with 38,000; up 2%) and Zach Bryan’s The Great American Bar Scene (7-10 with nearly 38,000; down 1%).

Source: billboard.com

Plus: David Gilmour scores third solo top 10 album with the debut of Luck and Strange.

Sabrina Carpenter’s Short n’ Sweet scores a third consecutive week at No. 1 on the Billboard 200 albums chart (dated Sept. 21), becoming the second album to spend its first three weeks atop the list in 2023. Only Taylor Swift’s The Tortured Poets Department also spent its first three frames atop the list in 2024, of its total 15 nonconsecutive weeks at No. 1.

Short n’ Sweet earned 117,000 equivalent album units in the U.S. in the week ending Sept. 12 (down 25%), according to Luminate — largely driven by streaming activity of the album’s 12 songs.

Also in the top 10 of the Billboard 200, David Gilmour achieves his third solo top 10 album, as his first studio effort in nine years, Luck and Strange, bows at No. 10.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Sept. 21, 2024-dated chart will be posted in full on Billboard‘s website on Tuesday (Sept. 17). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of Short n’ Sweet’s 117,000 equivalent album units earned in its third week, SEA units comprise 101,000 (down 20%, equaling 134.79 million on-demand official streams of the album’s 12 songs; it holds at No. 1 on the Top Streaming Albums chart), album sales comprise 15,000 (down 45%) and TEA units comprise 1,000 (down 5%).

Nos. 2-6 on the Billboard 200 are all non-movers. Post Malone’s former leader F-1 Trillion ranks at No. 2 (72,000 equivalent album units earned; down 16%); Chappell Roan’s The Rise and Fall of a Midwest Princess is No. 3 (57,000; down 7%); Morgan Wallen’s chart-topping One Thing at a Time places at No. 4 (52,000; down 7%); Swift’s The Tortured Poets Department is No. 5 (51,000; down 3%); and Billie Eilish’s Hit Me Hard and Soft is No. 6 (47,000; down 3%).

Zach Bryan’s The Great American Bar Scene rises one spot to No. 7 with 38,000 equivalent album units earned (down 2%), Noah Kahan’s Stick Season climbs 9-8 with 38,000 (down 3%) and Wallen’s former leader Dangerous: The Double Album ascends 11-9 with 32,000 (down 5%).

David Gilmour rounds out the new top 10, as his first studio album in nine years, Luck and Strange, debuts at No. 10. It’s his third solo top 10-charting effort. He previously visited the top 10 with the solo sets Rattle That Lock (No. 5 in 2015) and On an Island (No. 6, 2006).

The new album earned 32,000 equivalent album units in the U.S. in the week ending Sept. 12. Of that sum, album sales comprise 30,000 (it’s the top-selling album of the week and bows at No. 1 on Top Album Sales), SEA units comprise 2,000 units (equaling 2.17 million on-demand streams of the set’s songs) and TEA units comprise a negligible sum. The album’s first-week sales were bolstered by its availability across four vinyl variants (which combined to sell 8,500 copies), two CD variants and a Blu-ray Audio configuration.

Gilmour is also a member of Pink Floyd, and all 10 of iconic rock band’s top 10-charting albums (from 1973’s No. 1 The Dark Side of the Moon through 2014’s The Endless River) reached the region after Gilmour joined the band in 1967. (The Dark Side of the Moon holds the record for the most weeks on the Billboard 200 of any album in the chart’s history — 990 weeks — having most recently made the list in May.)

Source: billboard.com

“A Bar Song (Tipsy)” furthers 2024’s longest reign, while Carpenter claims another feat previously achieved only by The Beatles.

Shaboozey’s “A Bar Song (Tipsy)” hoists a ninth nonconsecutive week at No. 1 on the Billboard Hot 100, extending 2024’s longest rule. The hit became the singer-songwriter’s first leader on the chart in July.

“A Bar Song (Tipsy)” likewise furthers the longest domination this year on the multimetric Hot Country Songs chart, adding a 13th week at No. 1.

Meanwhile, Sabrina Carpenter logs three songs in the Hot 100’s top five for a second consecutive week, as “Espresso” returns to its No. 3 best, from No. 4; “Please Please Please” dips 3-4, after it became her first No. 1 in June; and “Taste” falls 2-5 in its second week.

All three songs are from Carpenter’s new album, Short n’ Sweet, which scores a second week at No. 1 on the Billboard 200.

Notably, as Carpenter’s three songs mark her first three top five Hot 100 hits, she becomes only the second act – and first soloist – ever to chart three initial top five hits in the region simultaneously in multiple weeks. She joins only The Beatles, who first achieved such a triple over five weeks in 1964, with “I Want to Hold Your Hand,” “She Loves You” and “Please Please Me.” (No other act has charted three first top five hits in the region simultaneously for even one week.)

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Sept. 14, 2024) will update on Billboard.com Tuesday, Sept. 10. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Source: billboard.com

Plus: LE SSERAFIM and Destroy Lonely debut in the top 10.

Sabrina Carpenter’s Short n’ Sweet stays steady atop the Billboard 200 (dated Sept. 14) for a second week, after opening at No. 1 a week ago. In its second frame, the album earned 159,000 equivalent album units in the U.S. in the week ending Sept. 5 (down 56%), according to Luminate.

That 159,000-unit sum is substantial for an album’s second week in recent times. In the last 12 months, only three other albums have logged a second week as big as Short n’ Sweet’s. Taylor Swift’s The Tortured Poets Department tallied 439,000 units in its second week (chart dated May 11; down from its 2.61 million-unit debut), Swift’s 1989 (Taylor’s Version) earned 245,000 in its second week (Nov. 18, 2023; down from 1.653 million), and Drake’s For All the Dogs earned 164,000 in its second week (Oct. 28, 2023; down from 402,000).

Notably, Republic Records is the distributing label of all four albums. Short n’ Sweet was released via Island/Republic, For All the Dogs was issued via OVO Sound/Republic, and Swift’s two albums are straight Republic titles.

Also in the top 10 of the new Billboard 200, LE SSERAFIM captures it third top 10-charting effort with the No. 7 arrival of CRAZY, while Destroy Lonely achieves his first top 10 as Love Lasts Forever enters at No. 10.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Sept. 14, 2024-dated chart will be posted in full on Billboard‘s website on Tuesday (Sept. 10). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of Short n’ Sweet’s 159,000 equivalent album units earned in its second week, SEA units comprise 126,000 (down 28%, equaling 168.45 million on-demand official streams of the album’s 12 songs; it holds at No. 1 on the Top Streaming Albums chart, as well), album sales comprise 32,000 (down 83%) and TEA units comprise 1,000 (down 38%).

Post Malone’s former leader F-1 Trillion (released via Mercury/Republic) rises one rung to No. 2 with 86,000 equivalent album units earned (down 23%), Chappell Roan’s The Rise and Fall of a Midwest Princess (KRA/Amusement/Island/Republic) is up a spot to No. 3 with 64,000 (down 10%), Morgan Wallen’s chart-topping One Thing at a Time (Big Loud/Mercury/Republic) steps 5-4 with 55,000 (down 5%) and Swift’s former No. 1 The Tortured Poets Department climbs 6-5 with 54,000 (down 6%).

Republic Records holds the entire top five titles — a feat that it’s achieved four times. Republic remains the only label to claim the entire top five since the Billboard 200 combined its previously separate mono and stereo album charts into one all-encompassing chart in August 1963. Republic previously controlled the top five on the Jan. 13 and 20, 2024, charts, and on the Dec. 9, 2023-dated list.

Billie Eilish’s Hit Me Hard and Soft rises one rung to No. 6 on the latest Billboard 200, earning 49,000 equivalent album units (down 7%).

LE SSERAFIM’s CRAZY debuts at No. 7 with 47,000 equivalent album units earned, landing the Korean pop ensemble its third top 10-charting effort — and largest week by units earned. Of its starting sum, album sales comprise 38,000 (it’s No. 1 on the Top Album Sales chart), SEA units comprise 9,000 (equaling 12.08 million on-demand official streams of the set’s five songs; with over half of that sum driven by the title track) and TEA units comprise a negligible sum. CRAZY’s first-week was bolstered by its availability across more than 20 CD variants, all containing collectible branded paper ephemera such as photocards, postcards, stickers, and posters.

Noah Kahan’s Stick Season rises 10-8 on the latest Billboard 200, with 40,000 equivalent album units earned (up 7%) in the week ending Sept. 5. The set’s gain is concurrent with the Aug. 30 arrival of Kahan’s new album, Live From Fenway Park.

Zach Bryan’s The Great American Bar Scene is a non-mover at No. 9 on the new Billboard 200 with 39,000 equivalent album units earned (down 6%).

Rapper Destroy Lonely lands his first top 10-charting set on the Billboard 200 as his second studio album, Love Lasts Forever, bows at No. 10 with 37,500 equivalent album units earned — his best week by units. Of its starting sum, album sales comprise 19,000, SEA units comprise 18,500 (equaling 25.19 million on-demand official streams of the album’s songs) and TEA units comprise a negligible sum. The album’s first week was bolstered by its availability in a signed CD edition and two digital download album variants — all exclusive to the artist’s webstore. The latter two were each sold for $5 and each included five additional bonus songs (five different songs per variant).

Source: billboard.com

“A Bar Song (Tipsy)” extends 2024’s longest rule, while “Taste” leads Carpenter’s haul.

Shaboozey’s “A Bar Song (Tipsy)” tallies an eighth nonconsecutive week at No. 1 on the Billboard Hot 100, furthering 2024’s longest command. The single became the singer-songwriter’s first leader on the survey in July.

“A Bar Song (Tipsy)” likewise lengthens the longest command this year on the multimetric Hot Country Songs chart, hoisting a 12th week at No. 1.

At No. 2 on the Hot 100, Sabrina Carpenter soars in with “Taste.” She follows with “Please Please Please,” up 9-3 after it became her first No. 1 in June, and “Espresso,” which jumps 7-4 after reaching No. 3. All three songs are from her new album, Short n’ Sweet, which blasts in at No. 1 on the Billboard 200.

Carpenter meets The Beatles: Notably, as Carpenter’s three songs mark her first three top five Hot 100 hits, she becomes only the second act – and first soloist – ever to chart her first three top five hits in the region simultaneously. She joins only The Beatles, who first tripled up on the chart dated March 7, 1964, with “I Want To Hold Your Hand,” “She Loves You” and “Please Please Me” at Nos. 1, 2 and 4, respectively. (The classics took the top three the following two weeks; “Twist and Shout” joined them the following frame to give the group the top fab four ranks; and, the week after that, The Beatles monopolized the entire top five as “Can’t Buy Me Love” leaped 27-1.)

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Sept. 7, 2024) will update on Billboard.com tomorrow, Sept. 4 (a day later than usual due to the Labor Day holiday Sept. 2). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Source: billboard.com

Plus: Travis Scott’s Days Before Rodeo rides in at No. 2, and Lainey Wilson scores her first top 10 with the arrival of Whirlwind.

Sabrina Carpenter achieves her first No. 1 album on the Billboard 200 chart (dated Sept. 7), as her new studio album, Short n’ Sweet, debuts atop the tally. The set earned 362,000 equivalent album units in the U.S. in the week ending Aug. 29, according to Luminate — marking her best week ever, and the year’s third-largest debut. The set, which is also her first top 10-charting effort, was announced on June 3, and its Aug. 23 release was preceded by a pair of top three-charting Billboard Hot 100 hit songs: “Espresso” (No. 3) and “Please Please Please” (No. 1).

Meanwhile, the first official release of Travis Scott’s 2014 mixtape Days Before Rodeo opens at No. 2, marking his fifth top five-charting effort. The set earned a little over 361,000 equivalent album units — the year’s fourth-largest debut and biggest week for any rap album. Of that sum, album sales comprise 331,000 – yielding 2024’s second-biggest sales week, and best sales week for any rap album. Days Before Rodeo’s Aug. 23 release was announced on Aug. 18 — the 10th anniversary of the set’s initial free release in 2014. Until Aug. 23, the set had never been commercially released nor officially made widely available through all streaming services.

Carpenter’s and Scott’s debuts were both aided by social media chatter about them potentially vying for No. 1 on the Billboard 200. The two artists also had promotional help on social media from some very famous friends. Among the endorsements: Taylor Swift shouted out her former Eras Tour mate Carpenter in her Instagram story on Aug. 23, writing, “Short. Sweet. Has made an extraordinary album… Go support our girl!” Carpenter’s rumored boyfriend and “Please Please Please” video co-star, Academy Award-nominated actor Barry Keoghan, shared a link to buy the album in his own Instagram story on Aug. 29. That same day, Ye (formerly Kanye West) shared a link to buy Scott’s album in his Instagram story.

While Carpenter’s and Scott’s albums lead the top 10 action, they aren’t the only debuts in the region. Country singer-songwriter Lainey Wilson notches her first top 10-charting set on the Billboard 200, as Whirlwind blows in at No. 8 in its opening week.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multimetric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Sept. 7, 2024-dated chart will be posted in full on Billboard‘s website on Wednesday, Sept. 4 (a day later than usual due to the Labor Day holiday in the U.S. on Sept. 2). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Carpenter’s Short n’ Sweet starts with 362,000 equivalent album units earned. Of that sum, album sales comprise 184,000 (her biggest sales week ever and the fifth-largest sales debut of 2024), SEA units comprise 176,000 (equaling 233 million on-demand official streams of the 12 songs on the streaming edition of the album; her largest streaming week ever and the fourth-largest streaming debut of 2024) and TEA units comprise 2,000.

Short n’ Sweet also opens at No. 1 on the Streaming Albums chart.

Short n’ Sweet is Carpenter’s seventh charting album but first to reach the top 20. Her first visit to the chart came in 2015 with Eyes Wide Open, peaking at No. 43. Until this week, Carpenter’s best chart rank came with the 2022 release Emails I Can’t Send, which debuted and peaked at No. 23. The album includes “Nonsense,” which marked her first top 10-charting hit on the Pop Airplay chart. She followed it up with “Feather,” a bonus track added to a deluxe edition of Emails. “Feather” floated to No. 1 on Pop Airplay and marked her first top 40-charting song on the Hot 100.

The Short n’ Sweet campaign began brewing on the charts with its lead single, “Espresso,” which reached No. 3 on the Hot 100 in June and No. 1 on Pop Airplay in July. A second single, “Please Please Please,” followed, and it hit No. 1 on the Hot 100 in its second week on the list in June, and tops the Sept. 7-dated Pop Airplay chart. The set’s third promoted song, “Taste,” debuts at No. 34 on the Sept. 7-dated Pop Airplay ranking.

The official music videos for “Please” and “Taste” are also starry affairs, with the former co-starring Keoghan and the latter featuring actress Jenna Ortega.

Source: billboard.com

“A Bar Song (Tipsy)” solely claims 2024’s longest reign, while “Die With a Smile” soars in at No. 3.

Shaboozey’s “A Bar Song (Tipsy)” adds a seventh nonconsecutive week at No. 1 on the Billboard Hot 100. The single, which became the singer-songwriter’s first leader on the list in July, claims outright 2024’s longest reign, surpassing the six nonconsecutive weeks on top for Post Malone’s “I Had Some Help” featuring Morgan Wallen. The latter, now at No. 2, led the chart in May-July.

“A Bar Song (Tipsy)” likewise logs the sole longest command this year on the multimetric Hot Country Songs chart, notching an 11th week at No. 1. It bests Beyoncé’s “Texas Hold ‘Em,” which ruled for 10 weeks in February-April.

Also in the Hot 100’s top 10, Lady Gaga and Bruno Mars blast in at No. 3 with “Die With a Smile.” The superstar pairing marks the 19th top 10 for the latter and the 18th for the former.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Aug. 31, 2024) will update on Billboard.com Tuesday, Aug. 27. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Source: billboard.com

The singer’s third No. 1 also becomes his first leader on the Top Country Albums chart.

Post Malone’s first country album, F-1 Trillion, rolls in at No. 1 on the Billboard 200 chart (dated Aug. 31) with 250,000 equivalent album units earned in the U.S. in the week ending Aug. 22, according to Luminate. It’s the sixth top 10, and third No. 1 for the artist. He last led the list with Hollywood’s Bleeding in 2019, which racked up five weeks atop the list. He first reigned with Beerbongs & Bentleys, for three weeks in 2018.

The standard edition of the F-1 Trillion album was released on Aug. 16 and has 18 songs, 15 of which are collaborations with country stars ranging from Dolly Parton and Hank Williams Jr., to Brad Paisley and Blake Shelton, to HARDY and Morgan Wallen. Later on Aug. 16,  F-1 Trillion garnered a deluxe reissue, dubbed the “Long Bed” edition, with nine additional solo Post Malone tracks.

F-1 Trillion also leads the Top Country Albums — where it’s Post Malone’s first entry — and the Top Streaming Albums and Top Album Sales tallies.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Aug. 31, 2024-dated chart will be posted in full on Billboard‘s website on Aug. 27. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

F-1 Trillion debuts with 250,000 equivalent album units earned — the second-largest week for any country album in 2024. Only Beyoncé’s Cowboy Carter earned a bigger week this year among country sets, when it opened in April with 407,000 units.

Of F-1 Trillion’s first-week sum of 250,000 units, SEA units comprise 164,000 (equaling 212.86 million on-demand official streams of the deluxe album’s 27 songs), album sales comprise 80,000 and TEA units comprise 6,000. The album’s first-week sales were bolstered by its availability across four vinyl editions (a standard black vinyl and three color variants; which combined to sell 25,000 — Post Malone’s best week on vinyl), a cassette and a CD, in addition to explicit and clean digital download albums for the standard 18-song version and the 27-song “Long Bed” version.

F-1 Trillion was led by the crossover hit “I Had Some Help,” featuring country superstar Wallen. The single spent six weeks atop the all-genre Billboard Hot 100 chart, in May-July, reached No. 1 on the all-genre Streaming Songs chart, and topped both the Hot Country Songs and Country Airplay tallies. It also crowned the all-genre Radio Songs airplay ranking and hit No. 1 on both the Pop Airplay and Adult Pop Airplay charts. “Help” was followed by two further preview tracks from the album before the full-length set dropped: “Pour Me a Drink,” featuring Shelton, and “Guy for That,” featuring Luke Combs. Both reached the top 20 on the Hot 100 and the top 10 on Hot Country Songs.

Reflecting their latest sonic turns, Post Malone is the second artist, following Beyoncé, to lead the Top Country Albums chart in 2024 with a first entry after having reached No. 1 on other genre-specific album charts with earlier albums. Between 2017 and 2022, Post Malone claimed four No. 1s on Top R&B/Hip-Hop Albums (with Stoney, Beerbongs & Bentleys, Hollywood’s Bleeding and Twelve Carat Toothache), and also led the Top Rock & Alternative Albums chart in 2023 (with Austin). Earlier in 2024, Beyoncé made her first visit to Top Country Albums with Cowboy Carter, leading the list for four weeks in April-May. Beyoncé previously logged eight No. 1s on the Top R&B/Hip-Hop Albums chart as a soloist in 2003-22.

Post Malone leads an otherwise sleepy top 10 on the new Billboard 200, as F1-Trillion is the only debut in the region. Chappell Roan’s The Rise and Fall of a Midwest Princess holds at its No. 2 high for a second week, earning 72,000 equivalent album units (down 1%), while Taylor Swift’s The Tortured Poets Department falls to No. 3, after 15 nonconsecutive weeks at No. 1, with 62,000 (down 27%). Wallen’s chart-topping One Thing at a Time dips 3-4 with 60,000 (down 5%) and Billie Eilish’s Hit Me Hard and Soft descends 4-5 with 53,000 (down 8%).

Zach Bryan’s The Great American Bar Scene drops 5-6 with 44,000 equivalent album units earned (down 8%), Charli XCX’s Brat slips 6-7 with 41,000 (down 14%); Noah Kahan’s Stick Season falls 7-8 with 38,000 (down 2%); Wallen’s former No. 1 Dangerous: The Double Album descends 8-9 with 36,000 (down 5%); and Bryan’s self-titled leader is a non-mover at No. 10 with 33,000 (down less than 1%).

Source: billboard.com