Plus: Jelly Roll, ENHYPEN, Metro Boomin’s “Spider-Verse” soundtrack, Foo Fighters and Moneybagg Yo all bow in top 10.

Stray Kids lead a busy week in the top 10 on the Billboard 200 albums chart (dated June 17), as the pop group debuts at No. 1 with 5-STAR. It’s the Korean act’s third chart entry, and third to debut at No. 1, following MAXIDENT and ODDINARY, both in 2022.

The new album launches with 249,500 equivalent album units earned in the United States in the week ending June 8, according to Luminate. That marks the fourth-largest week, by units earned, for any album in 2023. Further, of its starting unit sum, album sales comprise 235,000 — the largest sales week for an album this year, and the biggest for any title since Taylor Swift’s Midnights sold 1.14 million in its first week (Nov. 5, 2022-dated chart).

Also in the top 10 of the new Billboard 200 albums chart, five other titles arrive in the region: Jelly Roll’s Whitsitt Chapel starts at No. 3; ENHYPEN’s Dark Blood bows at No. 4 after its CD release on June 2 (it was issued via streamers and digital download on May 22); Metro Boomin’s Spider-Man: Across the Spider-Verse soundtrack flies in at No. 7; Foo Fighters’ But Here We Are starts at No. 8; and Moneybagg Yo’s Hard to Love enters at No. 10.

With six debuts in the top 10, the region hosts the most new arrivals in over two and a half years, since the Oct. 10, 2020-dated chart, when six albums also began in the top 10.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new June 17, 2023-dated chart will be posted in full on Billboard‘s website on Tuesday (June 13). For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of 5-STAR’s 249,500 equivalent album units earned, album sales comprise 235,000, SEA units comprise 14,000 (equaling 19.55 million on-demand official streams of the set’s tracks) and TEA units comprise 500.

As Stray Kids have seen their first three entries on the Billboard 200 all debut at No. 1, the last act also to have its first three chart entries all debut atop the list was Harry Styles, with his first three solo albums: Harry Styles (2017), Fine Line (2019) and Harry’s House (2022).

Like many K-pop releases, the CD edition of 5-STAR was issued in collectible CD packages (18 total, including exclusives for Barnes & Noble, Target, Walmart and a signed edition in the group’s webstore), each containing a standard set of bonus items and randomized elements (photo cards, mini posters, sticker sets, photo books). There were also four alternative digital versions of the album, sold only in the act’s webstore, each containing the base song tracklist, but with alternative covers and bonus voice memos from individual members of the eight-member group, each selling for $6.99.

Effectively all of 5-STAR’s first-week album sales were CDs (98%; 231,000), with about 2% from digital album sales (about 4,000). The set was not available in any other retail format (such as vinyl or cassette).

5-STAR is mostly in the Korean language, but includes some English lyrics. It is the 19th mostly non-English language album to hit No. 1, and the third of 2023, following Karol G’s Mañana Será Bonito (one week, March 11 chart) and TOMORROW X TOGETHER’s The Name Chapter: Temptation (one week, Feb. 11).

Stray Kids have yet to chart a song on the U.S.-based Billboard Hot 100 songs chart (through the most recently published list, dated June 10). The act has notched four entries on the Billboard Global 200, and seven titles on the Billboard Global 200 Excl. U.S. chart, which rank the most popular songs globally, and globally excluding the U.S., respectively.

Morgan Wallen’s former leader One Thing at a Time is a non-mover at No. 2 on the Billboard 200 with 117,000 equivalent album units earned (down 7%).

Jelly Roll rocks in at No. 3 on the Billboard 200 with Whitsitt Chapel, starting with 90,000 equivalent album units earned — his biggest week yet and first top 40-charting release. (He previously logged three albums, none going higher than No. 97.) Of the new set’s first-week units, album sales comprise 63,000, SEA units comprise 25,000 (equaling 33.09 million on-demand official streams of the set’s songs) and TEA units comprise 2,000.

Whitsitt’s album sales were aided by three vinyl LPs (including a color variant exclusive for Walmart), a standard CD, a signed CD sold through Jelly Roll’s webstore, a deeply-discounted digital album (only $4.20 for a limited time during the tracking week in his webstore), nine deluxe CD boxed sets that included branded merch and a copy of the CD and a “hymnal” Zine/CD package.

ENHYPEN notches its second top 10 on the Billboard 200, and the Korean pop group’s highest charting effort yet, as Dark Blood bows at No. 4 with 88,000 equivalent album units earned (also the act’s best week yet by units). Of its first-week units, album sales comprise 85,000, SEA units comprise 3,000 (equaling 3.79 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum.

Like many K-pop releases, the CD edition of Dark Blood was issued in collectible CD packages (17 total, including a number of retailer-exclusives), each containing a standard set of bonus items and randomized elements. Dark Blood’s debut on the Billboard 200 comes only after its CD was released, as its digital album and streaming album both dropped on May 22.

Swift’s chart-topping Midnights falls 1-5 on the Billboard 200 with 83,000 equivalent album units earned (down 70%) and Lil Durk’s Almost Healed dips 3-6 in its second week (67,000; down 46%).

Metro Boomin’s star-studded soundtrack to Spider-Man: Across the Spider-Verse swings in, debuting at No. 7 with 66,000 equivalent album units earned. Of that sum, streaming equivalent album units comprise 62,000 (equaling 83.57 million on-demand official streams of the set’s songs), album sales comprise 3,000 and TEA units comprise 1,000. It’s the sixth top 10-charting set for Metro Boomin. The album features guests such as Future, Lil Wayne and Nas.

Foo Fighters’ But Here We Are — the band’s first album since the death of drummer Taylor Hawkins in early 2022 — starts at No. 8 with 62,000 equivalent album units earned. It’s the 10th top 10 album for the group. The album was led by the single “Rescued,” which topped both the Alternative Airplay chart (the act’s 11th leader there) and the Mainstream Rock Airplay chart (its 12th No. 1).

SZA’s chart-topping SOS drops 4-9 with 51,000 equivalent album units (down 8%).

Moneybagg Yo’s Hard to Love is the sixth and final debut in the top 10, as it bows at No. 10 with 51,000 equivalent album units earned. Of that sum, SEA units comprise 48,500 (equaling 66.56 million on-demand official streams of the set’s songs), album sales comprise 2,500 and TEA units comprise a negligible sum. It’s the sixth top 10-charting set for the rapper.

Source: billboard.com

Swift scores her 25th top five Hot 100 hit.

Morgan Wallen’s “Last Night” leads the Billboard Hot 100 songs chart for a ninth week.

Plus, Taylor Swift’s “Karma” vaults from No. 27 to No. 2 on the Hot 100. After it originally spent a week in the top 10, at No. 9, upon its debut last November (concurrent with the chart start of parent album Midnights), the song hits a new high following the May 26 release of its remix with Ice Spice, and the wide premiere of its official video May 27.

Swift achieves her milestone 25th top five Hot 100 hit. Ice Spice, now credited on “Karma” on the chart (as the remix accounts for over half the song’s consumption in the May 26-June 1 tracking week), adds both her third top 10 and top five track – and earns her highest career rank.

As previously reported, Midnights surges back to No. 1 on the Billboard 200 albums chart.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated June 10, 2023) will update on Billboard.com tomorrow (June 6). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.

Wallen’s “Last Night,” released on Big Loud/Mercury/Republic Records, drew 66.3 million radio airplay audience impressions (up 1%) and 32.8 million streams (essentially even week-over-week) and sold 8,000 downloads (down 4%) in the May 26-June 1 tracking week, according to Luminate.

The song, which initially led the Hot 100 in March, becoming Wallen’s first leader on the list, notches an 11th week at No. 1 on the Streaming Songs chart; rises 5-4 for a new best on Radio Songs; and dips 5-6 on Digital Song Sales, following a week on top.

“Last Night” commands the Country Airplay chart for a fifth week, having become the first song to top the Hot 100 and Country Airplay simultaneously, and becomes Wallen’s first top 10 on the Pop Airplay chart. It leads the Hot Country Songs chart, which uses the same methodology as the Hot 100, for a 17th week.

Swift’s “Karma” soars 27-2 on the Hot 100. After it first logged a week in the top 10, at No. 9, in its debut frame last November (concurrent with the No. 1 Billboard 200 debut of parent album Midnights), the song hits a new Hot 100 best following the May 26 release of its remix with Ice Spice, and the wide premiere of its official video May 27 (at midnight each day). Attendees at Swift’s May 26 concert — as part of her The Eras Tour at MetLife Stadium in East Rutherford, N.J. — saw the clip even earlier at the show, while Ice Spice joined Swift on-stage for a live debut of the remix.

The song drew 38.4 million in airplay audience (up 15%) and 22.5 million streams (up 175%) and sold 17,000 (up 744%) May 26-June 1, as it wins top Streaming and Sales Gainer honors on the Hot 100. It bounds 50-4 on Streaming Songs; returns to Digital Song Sales at No. 2; and jumps 18-12 on Radio Songs, hitting new highs on each survey.

Swift achieves her 25th top five Hot 100 entry, solely claiming the fifth-most such hits since the chart began in August 1958.

Most Top Five Hot 100 Hits:

• 35, Drake
• 29, The Beatles
• 28, Madonna
• 27, Mariah Carey
• 25, Taylor Swift
• 24, Janet Jackson
• 24, Rihanna
• 21, Elvis Presley (whose career began before the chart originated)
• 20, Justin Bieber
• 20, Michael Jackson
• 20, Stevie Wonder

Meanwhile, Swift boasts the sixth-most top two Hot 100 hits: 17, with nine having hit No. 1 and eight having reached No. 2. She follows The Beatles (23; 20 No. 1s, three No. 2 hits); Mariah Carey (23; 19 No. 1s, four No. 2 hits); Drake (20; 11 No. 1s, nine No. 2 hits); Rihanna (18; 14 No. 1s, four No. 2 hits); and Madonna (18; 12 No. 1s, six No. 2 hits).

Plus, Midnights has now generated three top two Hot 100 songs: “Anti-Hero” became Swift’s longest-leading No. 1, for eight weeks in November-January, and “Lavender Haze” debuted at its No. 2 peak in November, as 10 tracks from the album blanketed the top 10 in the set’s starting frame and Swift made history as the first artist to rank at each spot in the top 10 in a single week.

The album is Swift’s second to produce a trio of top two Hot 100 hits, after 1989 yielded three No. 1s in 2014-15: “Shake It Off,” “Blank Space” and “Bad Blood” (featuring Kendrick Lamar).

Midnights is the first album by any act with three top two Hot 100 hits since The Weeknd’s After Hours spun off three No. 1s in 2019-21: “Heartless,” “Blinding Lights” and “Save Your Tears,” the lattermost remixed with Ariana Grande – who, prior to that LP, posted three top two hits, including two No. 1s, from Thank U Next in 2018-19. Earlier in 2018, Drake rung up four, including three No. 1s, from his album Scorpion.

Ice Spice is now credited on “Karma” on the Hot 100, as the remix accounts for over half the song’s consumption in the tracking week. She notches her third top 10 – and highest-charting hit – following “Boy’s a Liar, Pt. 2,” with PinkPantheress (No. 3, March), and “Princess Diana,” with Nicki Minaj (No. 4, April).

Miley Cyrus’ “Flowers” descends 2-3 on the Hot 100, after eight weeks at No. 1, beginning upon its debut in January. It posts a 16th week atop Radio Songs (86.8 million in audience, down 3%).

Notably, “Flowers” ties for the third-longest reign since Radio Songs began in December 1990 – and passes Adele’s “Easy On Me” for the longest rule for a Columbia Records single.

Most Weeks at No. 1 on Radio Songs:

• 26, “Blinding Lights,” The Weeknd, 2020
• 18, “Iris,” Goo Goo Dolls, 1998
• 16, “Flowers,” Miley Cyrus, 2023
• 16, “Girls Like You,” Maroon 5 feat. Cardi B, 2018
• 16, “We Belong Together,” Mariah Carey, 2005
• 16, “Don’t Speak,” No Doubt, 1996-97
• 15, “Easy On Me,” Adele, 2021-22

Lil Durk’s “All My Life,” featuring J. Cole, rebounds 7-4 on the Hot 100, two weeks after it launched at No. 2. It also returns to No. 1 on Hot R&B/Hip-Hop Songs and Hot Rap Songs, leading each multi-metric list for a second week, as parent album Almost Healed debuts at No. 3 on the Billboard 200.

Rema and Selena Gomez’s “Calm Down” retreats to No. 5 on the Hot 100, from its No. 4 high. It tops the Billboard U.S. Afrobeats Songs chart for a 40th week, extending the longest reign since the ranking began over a year ago (in partnership with music festival and global brand Afro Nation).

(‘00s and aahs: despite Swift, Cyrus and Gomez having all first hit the Hot 100 in the second half of the 2000s – Cyrus in August 2006 [via her former Hannah Montana alter ego]; Swift that September; and Gomez in January 2009 – the three artists appear in the top five together for the first time this week.)

SZA’s “Kill Bill” drops 3-6 on the Hot 100, after it became her first No. 1, for a week in April. It rules the multi-metric Hot R&B Songs chart for a 24th week.

Eslabon Armado and Peso Pluma’s “Ella Baila Sola” slides 6-7 on the Hot 100, after hitting No. 4 – the best rank ever for a regional Mexican song. It adds a ninth week at No. 1 on the multi-metric Hot Latin Songs chart.

Luke Combs’ cover of Tracy Chapman’s “Fast Car” revs to a new No. 8 Hot 100 best, from No. 10, as it claims the chart’s top Airplay Gainer award for a second consecutive week (26.3 million, up 33%). (Chapman’s original version hit No. 6 in 1988.)

Rounding out the Hot 100’s top 10, Toosii’s “Favorite Song” falls to No. 9 from its No. 5 high and Metro Boomin, The Weeknd and 21 Savage’s “Creepin’ ” backtracks 9-10, after hitting No. 3.

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated June 10), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (June 6).

Source: billboard.com

Plus: Lil Durk’s ‘Almost Healed’ debuts at No. 3.

Taylor Swift’s Midnights jumps back to No. 1 on the Billboard 200 albums chart (dated June 10), for a sixth nonconsecutive week atop the list. The set bumps 3-1 after the May 26 release of two deluxe editions of the album, along with a new color vinyl variant of the original standard album.

Midnights earned 282,000 equivalent album units in the United States in the week ending June 1 (up 389%), according to Luminate – the second-largest week of 2023 for any album. Only the debut frame of Morgan Wallen’s One Thing at a Time posted a bigger week this year, when it launched at No. 1 with 501,000 (chart dated March 18).

Midnights debuted at No. 1 on the Billboard 200 dated Nov. 5, 2022, and spent its first two weeks at No. 1. It then notched three further weeks at No. 1 on the charts dated Nov. 26-Dec. 10, 2022. The album has never left the top 10 in its 32 weeks on the chart.

Midnights’ return to No. 1 halts the chart-topping run of Morgan Wallen’s One Thing at a Time, which falls to No. 2 after spending its first 12 weeks at No. 1 – the most weeks atop the chart for a country album in over 30 years. (Country albums are those that have charted on, or are eligible for, Billboard’s Top Country Albums chart.)

Also in the top 10 of the new Billboard 200 chart, rapper Lil Durk score his sixth top 10, as Almost Healed starts at No. 3.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new June 10, 2023-dated chart will be posted in full on Billboard‘s website on June 6. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of Midnights’ 282,000 equivalent album units earned in the week ending June 1, album sales comprise 196,000 (up 1,529% — the largest sales week for any album in 2023 and the biggest since Midnights itself debuted with 1.114 million sold on the Nov. 5-dated chart), SEA units comprise 80,000 (up 79%, equaling 107.6 million on-demand official streams of the set’s songs), album sales comprise 6,000 (down 30%) and TEA units comprise 6,000 (up 618%).

Midnights had an array of drivers assisting its return to No. 1 on the Billboard 200. On May 26, Swift released a new deluxe edition of Midnights, dubbed The Til Dawn Edition, through digital retailers, Swift’s webstore and streaming services. The 23-track set includes the original standard album’s 13 tracks, plus the seven bonus tracks from the earlier-released Midnights (The 3am Edition, originally released on Oct. 21, 2022, shortly after the standard album), and three bonus tracks: “Hits Different,” which was previously only on the Target-exclusive CD edition of the standard edition of Midnights; a new version of the standard album’s “Snow on the Beach,” featuring more Lana Del Rey, and a remix of the standard set’s “Karma,” adding Ice Spice as a featured artist.

The “Karma” remix, alongside its official music video, also premiered across streamers and digital retailers as a single on May 26. Swift and Ice Spice gave the first live performance of the track at Swift’s May 26 The Eras Tour concert at MetLife Stadium in East Rutherford, N.J.

In addition to the Midnights (The Til Dawn Edition), on May 26 Swift introduced a further iteration of the album, named Midnights (The Late Night Edition). The 21-track set contains the original standard album’s 13 tracks, plus five of the seven bonus tracks from The 3am Edition and three bonus tracks: the previously noted new versions of “Snow on the Beach” and “Karma,” along with a previously unreleased track titled “You’re Losing Me (From the Vault).” The Late Night Edition version of the album is available only as a CD sold at merch stands at Swift’s The Eras Tour stops (having started on May 26) for $10 and was briefly sold through Swift’s webstore (for 24 hours only) as a digital download album for $5.99 (from 8 p.m. ET on May 26 to 8 p.m. ET on May 27). “You’re Losing Me” is exclusive to The Late Night edition of the album and is not available to stream anywhere officially, nor sold as a stand-alone track.

There is no word on when, or if, The Late Night Edition will be widely released, nor if “You’re Losing Me” will be released a la carte.

Beyond the above drivers, the standard Midnights vinyl album was reissued in a color variant on May 26. The day, the Love Potion purple marble color variant of Midnights was available in select independent record stores, after being previously sold in a short pre-order window through Swift’s webstore (with orders shipping out starting May 26).

Wallen’s One Thing at a Time surrenders the No. 1 slot after spending its first 12 weeks at No. 1, as the album dips to No. 2 with 126,000 equivalent album units earned (down 2%).

Lil Durk notches his sixth top 10-charting effort on the Billboard 200 as Almost Healed debuts at No. 3 with 125,000 equivalent album units earned. Of that sum, SEA units comprise 122,000 (equaling 167.82 million on-demand official streams of the set’s tracks), album sales comprise 2,000 and TEA units comprise 1,000. Notably, the 125,000-unit start marks Durk’s best week, outside of his collaborative set with Lil Baby, which bowed at No. 1 with 150,000 (June 19, 2021, chart).

A trio of former No. 1s is next on the Billboard 200, as SZA’s SOS dips 2-4 (55,000 equivalent album units earned; down 29%), Wallen’s Dangerous: The Double Album falls 4-5 (48,000; up 2%) and Swift’s Lover is a non-mover at No. 6 (38,000; down 1%). Luke Combs’ Gettin’ Old rises one rung to No. 7 with 33,000 (down 4%).

Bad Bunny’s chart-topping Un Verano Sin Ti climbs one spot to No. 8 (nearly 33,000 equivalent album units; down 3%), Zach Bryan’s American Heartbreak bumps 10-9 (31,000; down 1%) and Bailey Zimmerman’s Religiously. The Album. climbs back to the top 10, up 11-10 (30,000; down 4%).

As the top 10 contains Wallen’s two albums (One Thing at a Time and Dangerous at Nos. 2 and 5), Combs’ Gettin’ Old (No. 7), Bryan’s American Heartbreak (No. 9) and Zimmerman’s Religiously. The Album. (No. 10), there are five country albums in the top 10 for the first time in nearly a decade. The chart last had at least five country sets in the top 10 on the Oct. 5, 2013-dated list. That week, Justin Moore’s Off the Beaten Path debuted at No. 2, Chris Young’s A.M. launched at No. 3, Luke Bryan’s former leader Crash My Party fell 4-6, Keith Urban’s Fuse fell 1-8 and Billy Currington’s We Are Tonight debuted at No. 10.

Source: billboard.com

Plus, Toosii’s “Favorite Song” hit the Hot 100’s top five.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated June 3, 2023) will update on Billboard.com tomorrow (May 31, a day later than usual due to the Memorial Day holiday in the United States May 29). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.

Wallen’s “Last Night,” released on Big Loud/Mercury/Republic Records, drew 65.4 million radio airplay audience impressions (up 3%) and 32.7 million streams (down 1%) and sold 9,000 downloads (up 1%) in the May 19-25 tracking week, according to Luminate.

The song, which first led the Hot 100 in March, becoming Wallen’s initial leader on the list, notches a 10th week at No. 1 on the Streaming Songs chart; drops 2-5 on Digital Song Sales, following a week on top; and keeps at its No. 5 best on Radio Songs.

“Last Night” also tops the Country Airplay chart for a fourth week, having become the first track to rule the Hot 100 and Country Airplay simultaneously, and continues in the top 20 on Pop Airplay, Adult Pop Airplay and Adult Contemporary. It leads the Hot Country Songs chart, which uses the same methodology as the Hot 100, for a 16th week.

As previously reported, “Last Night” parent album One Thing at a Time dominates the Billboard 200 for a 12th week, encompassing its entire stay on the chart so far. It boasts the most weeks in a row at No. 1 since the Titanic soundtrack linked 16 in 1998. Meanwhile, One Thing at a Time is just the second album to spend its first 12 weeks on the chart on top, after Stevie Wonder’s classic Songs in the Key of Life led in its first 13 weeks in 1976-77. Plus, the dozen weeks atop the Billboard 200 for One Thing at a Time mark the most for a country album since Billy Ray Cyrus’ Some Gave All, sparked by its own crossover smash, “Achy Breaky Heart,” ruled for 17 weeks in 1992.

Miley Cyrus’ “Flowers” rebounds 3-2 on the Hot 100, after eight weeks at No. 1 beginning upon its debut in January. It posts a 15th week atop Radio Songs (89.7 million in audience, down 2%).

“Flowers” ties for the sixth-longest reign since Radio Songs began in December 1990 – and matches Adele’s “Easy On Me” for the longest rule for a Columbia Records single.

Most Weeks at No. 1 on Radio Songs:

• 26, “Blinding Lights,” The Weeknd, 2020
• 18, “Iris,” Goo Goo Dolls, 1998
• 16, “Girls Like You,” Maroon 5 feat. Cardi B, 2018
• 16, “We Belong Together,” Mariah Carey, 2005
• 16, “Don’t Speak,” No Doubt, 1996-97
• 15, “Flowers,” Miley Cyrus, 2023
• 15, “Easy On Me,” Adele, 2021-22

SZA’s “Kill Bill” lifts 4-3 on the Hot 100, after it became her first No. 1, for a week in April. It rules the multi-metric Hot R&B/Hip-Hop Songs and Hot R&B Songs charts for a 21st and 23rd week, respectively.

On Hot R&B/Hip-Hop Songs, the No. 1 run of “Kill Bill” is historic, as the song passes Lil Nas X’s “Old Town Road,” featuring the aforementioned Billy Ray Cyrus, for the longest command since the chart became an all-encompassing genre survey in 1958.

Most Weeks at No. 1 on Hot R&B/Hip-Hop Songs:

• 21, “Kill Bill,” SZA, 2022-23
• 20, “Old Town Road,” Lil Nas X feat. Billy Ray Cyrus, 2019
• 18, “Industry Baby,” Lil Nas X & Jack Harlow, 2021-22
• 18, “One Dance,” Drake feat. WizKid & Kyla, 2016
• 16, “Blurred Lines,” Robin Thicke feat. T.I. + Pharrell, 2013
• 15, “Be Without You,” Mary J. Blige, 2006

Rema and Selena Gomez’s “Calm Down” reaches a new Hot 100 high, rising 6-4. It leads the Billboard U.S. Afrobeats Songs chart for a 39th week, extending the longest rule since the ranking began over a year ago (in partnership with music festival and global brand Afro Nation).

Toosii’s “Favorite Song” pushes 8-5 to hit the Hot 100’s top five for the first time. Aided by a new remix with Future, released May 19, to go along with a previously-available version with Khalid and sped-up and instrumental options, plus a “Midnight Session” mix, the track surges 17-1 on Digital Song Sales (17,000 sold, up 471%), as Toosii reigns in his initial appearance on the chart.

The track also climbs 8-5 on Streaming Songs (22.4 million, up 12%) – as it wins the Hot 100’s top Sales and Streaming Gainer awards – and 17-14 on Radio Airplay (36.4 million, up 15%). Plus, it rebounds for a third week at No. 1 on the multi-metric Hot Rap Songs chart.

Eslabon Armado and Peso Pluma’s “Ella Baila Sola” recedes 5-6 on the Hot 100, after hitting No. 4 – the best rank ever for a regional Mexican song. The collaboration claims an eighth week at No. 1 on the multi-metric Hot Latin Songs chart.

Lil Durk’s “All My Life,” featuring J. Cole, falls to No. 7 on the Hot 100, a week after it soared in at No. 2.

Bad Bunny’s “Where She Goes” bounds onto the Hot 100 at No. 8, with 23.4 million streams, 2.9 million in radio reach and 2,000 sold in its first full week (May 19-25), following its May 18 release. The Spanish-language song arrives as the star’s 10th top 10, and second this year, after “Un x100to,” with Grupo Frontera, hit No. 5 earlier in May.

“Where She Goes” marks Bad Bunny’s first Hot 100 entry with no accompanying artists since he released his LP Un Verano Sin Ti, which controlled the Billboard 200 for 13 weeks in May-October 2022 and generated four Hot 100 top 10s.

Rounding out the Hot 100’s top 10, Metro Boomin, The Weeknd and 21 Savage’s “Creepin’ ” slides 7-9, after hitting No. 3, and Luke Combs’ cover of Tracy Chapman’s “Fast Car” backs up from No. 9 to No. 10 a week after it reached the region, although it takes top Airplay Gainer honors (19.8 million, up 52%).

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated June 3), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (May 31).

Source: billboard.com

Plus: Dave Matthews Band and Ghost debut in top 10.

Morgan Wallen’s One Thing at a Time spends a 12th week in a row, and in total, atop the Billboard 200 albums chart (dated June 3) – the most weeks at No. 1 for a country album in over 30 years. As the album surpasses the 11-week reign of Taylor Swift’s Fearless in 2008-09, Wallen’s set has the most weeks at No. 1 for a country album since Billy Ray Cyrus’ Some Gave All, which notched 17 weeks, all consecutively, atop the list (June 13-Oct. 3, 1992-dated charts). (Country albums are those that have charted on, or are eligible for, Billboard’s Top Country Albums chart.)

One Thing at a Time earned 129,000 equivalent album units in the United States in the week ending May 25 (down 4%), according to Luminate.

One Thing at a Time continues to have the most weeks in a row at No. 1 since the Titanic soundtrack ruled at No. 1 for 16 consecutive weeks in 1998 (its entire run at No. 1, Jan. 24-May 9 of that year). The last album to spend at least 12 weeks in total at No. 1 was Bad Bunny’s Un Verano Sin Ti, which notched 13 nonconsecutive weeks atop the list in May-October 2022.

One Thing at a Time debuted at No. 1 on the Billboard 200 chart dated March 18 and has yet to yield the top slot. As it has now spent its first 12 weeks at No. 1, One Thing at a Time is just the second album to rule for its first 12 weeks on the chart, after Stevie Wonder’s Songs in the Key of Life logged its first 13 weeks at No. 1 (of a total of 14 weeks in the top slot) in late 1976 and early 1977. (For context, today, it’s common for albums to debut at No. 1. However, before 1991, when the Billboard 200 began utilizing Luminate’s electronically monitored tracking information, only six albums debuted at No. 1, including Songs In the Key of Life.)

Wallen has now spent a total of 22 weeks at No. 1 across his two chart-topping albums (One Thing at a Time, with 12 weeks, and his last album, Dangerous: The Double Album, with 10). Among acts with the most weeks at No. 1 this decade (2020-onwards), Wallen pulls further ahead of the act with the second-most weeks at No. 1 in that span of time – Taylor Swift, with 20.

Notably, Swift’s most recent No. 1, Midnights (which spent five weeks atop the list in late 2022), was reissued in multiple formats on May 26 (on vinyl, CD, digital download and via streaming services), with some iterations containing additional bonus tracks. The sales and streaming impact of those new variations will be reflected on next week’s Billboard 200 chart, dated June 10.

Also in the top 10 of the new Billboard 200 albums chart, Dave Matthews Band earns its 14th top 10-charting effort with the debut of Walk Around the Moon at No. 5. Plus, Ghost logs it fourth top 10, and second in a little over a year, as its new five-song covers set Phantomime bows at No. 7.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new June 3, 2023-dated chart will be posted in full on Billboard‘s website on May 31 (a day later than usual due to the Memorial Day holiday in the U.S. on May 29). For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of One Thing at a Time’s 129,000 equivalent album units earned in the week ending May 25, SEA units comprise 121,000 (down 3%, equaling 162.52 million on-demand official streams of the set’s 36 songs), album sales comprise 6,000 (down 30%) and TEA units comprise 2,000 (up less than 1%).

SZA’s chart-topping SOS jumps 5-2 with 77,000 equivalent album units earned (up 52%) following the album’s release on CD and vinyl on May 19. The set sold 29,000 copies across all formats (physical and digital) – up 22,963% from a negligible sum the previous week. SOS was released on Dec. 9, 2022, via streaming services and to purchase as a digital download album.

Swift’s Midnights falls 2-3 with 58,000 equivalent album units (down 4%), while Wallen’s Dangerous climbs 6-4 with 47,000 units (down 2%).

Dave Matthews Band achieves its 14th top 10-charting album on the Billboard 200 as its new studio effort Walk Around the Moon debuts at No. 5. It’s the act’s first new studio set since 2018. The new album earned 44,000 equivalent album units in its first week. Of that sum, album sales comprise 40,000 (making it the top-selling album of the week), SEA units comprise 4,000 (equaling 5.45 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum. The album’s first-week sales were supported by multiple vinyl editions, including exclusive color variants for the band’s fan club and webstore, Barnes & Noble, independent record stores and Target.

Dave Matthews Band notched its first top 10 with Crash (No. 2 in 1996) and has earned at least one new top 10 album in every decade since (three total in the 1990s, eight in the 2000s, two in the ‘10s and one so far in the ‘20s). In addition, Matthews himself has three solo top 10s.

Dave Matthews Band is the 11th group to have tallied a new top 10 in each of those four decades, joining AC/DC, Def Leppard, Foo Fighters, Green Day, Marilyn Manson, Megadeth, Metallica, Pearl Jam, Red Hot Chili Peppers and U2.

Swift’s former No. 1 Lover jumps 10-6 with 38,000 equivalent album units earned (up 1%). That’s the highest rank for the 2019 set since that December, sparked by Swift performing songs from it live for the first time on her ongoing juggernaut The Eras Tour.

Ghost’s five-song covers project Phantomime debuts at No. 7 on the Billboard 200 with 36,000 equivalent album units earned. It’s the fourth top 10 for the band, and second in a little over a year, following Impera, which debuted and peaked at No. 2 (March 26, 2022-dated chart).

Of Phantomime’s 36,000 units earned, album sales comprise 34,000, SEA units comprise 2,000 (equaling 2.67 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum. The set’s first-week sales were bolstered by its availability across a variety of physical formats, including multiple vinyl LPs (including exclusives color variants for independent record stores, Target and Urban Outfitters) and even a cassette tape.

Phantomime boasts covers of Genesis (“Jesus He Knows Me”), Iron Maiden (“Phantom of the Opera”) and the late Tina Turner (“We Don’t Need Another Hero [Thunderdome]”).

Luke Combs’ Gettin’ Old rises 12-8 on the Billboard 200 with 34,000 equivalent album units earned (down 3%), Bad Bunny’s former No. 1, Un Verano Sin Ti, ascends 11-9 with nearly 34,000 (down 4%) and Zach Bryan’s American Heartbreak bumps 15-10 with 32,000 (up 5%).

Source: billboard.com

Lil Durk’s “All My Life,” featuring J. Cole, roars in at No. 2 and Combs’ “Fast Car” cruises to No. 9.

Morgan Wallen’s “Last Night” logs a seventh week at No. 1 on the Billboard Hot 100 songs chart.

Next up,  Lil Durk’s “All My Life,” featuring J. Cole, soars onto the Hot 100 at No. 2, tying a career-best rank for each artist.

Plus, Luke Combs’ cover of Tracy Chapman’s classic “Fast Car” speeds from No. 11 to No. 9 on the Hot 100.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated May 27, 2023) will update on Billboard.com tomorrow (May 23). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.

Wallen’s “Last Night,” released on Big Loud/Mercury/Republic Records, drew 63.3 million radio airplay audience impressions (up 5%) and 33 million streams (down 4%) and sold 9,000 downloads (down 6%) in the May 12-18 tracking week, according to Luminate.

The song, which first led the Hot 100 in March, becoming his initial leader on the list, adds a ninth week at No. 1 on the Streaming Songs chart and holds at No. 2 on Digital Song Sales, following a week on top, and its No. 5 best on Radio Songs.

“Last Night” also tops the Country Airplay chart for a third week, having become the first track to rule the Hot 100 and Country Airplay simultaneously, and continues climbing in the top 20 on Pop Airplay, Adult Pop Airplay and Adult Contemporary.

“Last Night” concurrently leads the Hot Country Songs chart, which uses the same methodology as the Hot 100, for a 15th week. It became just the 20th song to have topped both charts – and having now ruled the Hot 100 for seven weeks, it claims outright the longest Hot 100 reign among those 20 hits, surpassing Kenny Rogers’ “Lady” and Johnny Horton’s “The Battle of New Orleans,” which spent six weeks at No. 1 on the Hot 100 in 1980 and 1959, respectively.

As previously reported, parent album One Thing at a Time dominates the Billboard 200 for an 11th week, encompassing its entire stay on the chart so far. It boasts the most weeks in a row at No. 1 since the Titanic soundtrack linked 16 in 1998. One Thing at a Time is also the first album to spend its first 11 weeks on the chart on top since Whitney Houston’s Whitney also ruled in its first 11 frames in 1987; the only other title to tally as many or more weeks at No. 1 from a debut is Stevie Wonder’s Songs in the Key of Life (13 in 1976-77), dating to the chart’s 1956 launch.

Lil Durk’s “All My Life,” featuring J. Cole, launches at No. 2 on the Hot 100, with 30.9 million streams, 10.8 million in radio audience and 3,000 sold from its release May 12 through May 18.

Both artists match their best career Hot 100 placements. Lil Durk lands his third top 10 – and first in a lead role – following his featured turns on Drake’s “Laugh Now Cry Later” (No. 2, August 2020) and “In the Bible” (No. 7, September 2021), the latter also featuring Giveon. J. Cole tallies his 11th top 10 (and first as a featured artist); he previously hit No. 2 with “my.life,” with 21 Savage and Morray, in May 2021.

The new collab also opens atop the multi-metric Hot R&B/Hip-Hop Songs and Hot Rap Songs charts. On the former, Lil Durk earns his third leader and J. Cole, his second. On the latter, they each score a No. 1 for a second time.

Miley Cyrus’ “Flowers” holds at No. 3 on the Hot 100, after eight weeks at No. 1 beginning upon its debut in January. It posts a 14th week atop Radio Songs (91.2 million in audience, essentially even week-over-week).

“Flowers” ties for the seventh-longest reign since Radio Songs began in December 1990, and is one of just 10 hits with at least 14 weeks at No. 1. (It also moves to within a week of tying the longest rule for a Columbia Records single, held by Adele’s “Easy On Me.”)

Most Weeks at No. 1 on Radio Songs:
26, “Blinding Lights,” The Weeknd, 2020
18, “Iris,” Goo Goo Dolls, 1998
16, “Girls Like You,” Maroon 5 feat. Cardi B, 2018
16, “We Belong Together,” Mariah Carey, 2005
16, “Don’t Speak,” No Doubt, 1996-97
15, “Easy On Me,” Adele, 2021-22
14, “Flowers,” Miley Cyrus, 2023
14, “High Hopes,” Panic! At the Disco, 2018-19
14, “No One,” Alicia Keys, 2007-08
14, “Because You Loved Me,” Celine Dion, 1996

SZA’s “Kill Bill” slips 2-4 on the Hot 100, four weeks after it became her first No. 1. It rules the multi-metric Hot R&B Songs chart for 22nd week.

Eslabon Armado and Peso Pluma’s “Ella Baila Sola” descends to No. 5 on the Hot 100 from its high at No. 4 – the best rank ever for a regional Mexican song. The collaboration adds a seventh week at No. 1 on the multi-metric Hot Latin Songs chart.

Source: billboard.com

Plus, SZA’s “Kill Bill,” at No. 2 on the Hot 100, ties for the longest reign ever on the Hot R&B/Hip-Hop Songs chart.

Morgan Wallen’s “Last Night” claims a sixth week at No. 1 on the Billboard Hot 100 songs chart.

SZA’s “Kill Bill” holds at No. 2 on the Hot 100, three weeks after it became her first No. 1, and ties for the longest command – 20 weeks – in the history of the Hot R&B/Hip-Hop Songs chart.

Plus, Toosii’s “Favorite Song” jumps from No. 11 to No. 8 on the Hot 100, becoming his first top 10 on the chart.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated May 20, 2023) will update on Billboard.com tomorrow (May 16). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.

Wallen’s “Last Night,” released on Big Loud/Mercury/Republic Records, drew 60.2 million radio airplay audience impressions (up 8%) and 34.3 million streams (up 6%) and sold 9,000 downloads (down 2%) in the May 5-11 tracking week, according to Luminate.

The song, which first led the Hot 100 in March, becoming his initial leader on the list, rebounds from No. 2 for an eighth week at No. 1 on the Streaming Songs chart; holds at No. 2 on Digital Song Sales, following a week on top; and keeps at its No. 5 best on Radio Songs.

A week after becoming the first song ever to top the Hot 100 and the Country Airplay chart simultaneously, “Last Night” adds a second week atop the latter list. It also pushes 13-12 on Pop Airplay, 15-14 on Adult Pop Airplay and 22-19 on Adult Contemporary.

“Last Night” concurrently leads the Hot Country Songs chart, which uses the same methodology as the Hot 100, for a 14th week.

As previously reported, parent album One Thing at a Time tops the Billboard 200 for a 10th week. As Wallen’s last LP, Dangerous: The Double Album, also reigned for 10 frames, he becomes the first male soloist ever with back-to-back 10-week No. 1s, dating to the chart’s 1956 launch.

SZA’s “Kill Bill” keeps at No. 2 on the Hot 100, three weeks after it became her first No. 1. It rules the multi-metric Hot R&B/Hip-Hop Songs and Hot R&B Songs charts for a 20th and 21st week, respectively.

On Hot R&B/Hip-Hop Songs, “Kill Bill” makes history, as it ties Lil Nas X’s “Old Town Road,” featuring Billy Ray Cyrus, for the longest No. 1 run since the chart became an all-encompassing genre survey in 1958.

Most Weeks at No. 1 on Hot R&B/Hip-Hop Songs:

• 20, “Kill Bill,” SZA, 2022-23
• 20, “Old Town Road,” Lil Nas X feat. Billy Ray Cyrus, 2019
• 18, “Industry Baby,” Lil Nas X & Jack Harlow, 2021-22
• 18, “One Dance,” Drake feat. WizKid & Kyla, 2016
• 16, “Blurred Lines,” Robin Thicke feat. T.I. + Pharrell, 2013
• 15, “Be Without You,” Mary J. Blige, 2006

Miley Cyrus’ “Flowers” repeats at No. 3 on the Hot 100, after eight weeks at No. 1 beginning upon its debut in January. It posts a 13th week atop Radio Songs (91.5 million in audience, up 1%).

“Flowers” ties for the 10th-longest reign since Radio Songs began in December 1990. (It also matches Mariah Carey and Boyz II Men’s “One Sweet Day” for the second-longest domination for a Columbia Records single, after only Adele’s “Easy On Me.”)

Most Weeks at No. 1 on Radio Songs:

• 26, “Blinding Lights,” The Weeknd, 2020
• 18, “Iris,” Goo Goo Dolls, 1998
• 16, “Girls Like You,” Maroon 5 feat. Cardi B, 2018
• 16, “We Belong Together,” Mariah Carey, 2005
• 16, “Don’t Speak,” No Doubt, 1996-97
• 15, “Easy On Me,” Adele, 2021-22
• 14, “High Hopes,” Panic! At the Disco, 2018-19
• 14, “No One,” Alicia Keys, 2007-08
• 14, “Because You Loved Me,” Celine Dion, 1996
• 13, “Flowers,” Miley Cyrus, 2023
• 13, “No Scrubs,” TLC, 1999
• 13, “I Love You Always Forever,” Donna Lewis, 1996
• 13, “One Sweet Day,” Mariah Carey & Boyz II Men, 1995-96
• 13, “The Sign,” Ace of Base, 1994
• 13, “End of the Road,” Boyz II Men, 1992

Eslabon Armado and Peso Pluma’s “Ella Baila Sola” repeats at its No. 4 high on the Hot 100, the best rank ever for a regional Mexican song in the chart’s history. The collaboration notches a sixth week at No. 1 on the multimetric Hot Latin Songs chart.

Rema and Selena Gomez’s “Calm Down” rounds out the Hot 100’s top five, holding at its No. 5 best. It tops the Billboard U.S. Afrobeats Songs chart for a 37th week, extending the longest rule since the ranking began just over a year ago (in partnership with music festival and global brand Afro Nation).

Metro Boomin, The Weeknd and 21 Savage’s “Creepin’ ” is steady at No. 6 on the Hot 100, after hitting No. 3, and Grupo Frontera and Bad Bunny’s “Un x100to” is stationary at No. 7, after reaching No. 5.

“Favorite Song” surges from No. 11 to No. 8 on the Hot 100, where it becomes the first top 10 for Toosii, born Nau’Jour Grainger in Syracuse, N.Y., where he was raised before relocating to Raleigh, N.C., and pursuing a music career. The melodic rap song ascends with 28.5 million in airplay audience (up 11%), 20.7 million streams (up 6%) and 3,000 sold (down 2%). Aiding its counts, a remix featuring Khalid arrived May 5 (the first day of the tracking week). The single also tops the multimetric Hot Rap Songs chart for a second week.

TikTok has been key to the track’s profile, thanks to both its original and sped-up versions. Between the two, the song has soundtracked over 1 million clips on the platform. (Activity on TikTok does not directly contribute to Billboard’s charts.)

Top 10 ‘song’s: “Favorite Song” is the whopping 43rd Hot 100 top 10 with the word “song” in its title. The list began with The Chipmunks’ “The Chipmunk Song” with David Seville (No. 1 for four weeks in 1958-59), and was most recently bolstered by … a fellow Yuletide standard, Nat King Cole’s “The Christmas Song (Merry Christmas to You),” which reached the region for the first time over the latest holiday season (No. 9). Just before that, Post Malone’s “I Like You (A Happier Song)” featuring Doja Cat, hit No. 3 last October.

The Weeknd and Ariana Grande’s “Die for You” dips 8-9 on the Hot 100, following a week at No. 1 in March.

Capping the Hot 100’s top 10, Taylor Swift’s “Anti-Hero” keeps at No. 10. The song became her sole longest-leading No. 1, for eight weeks in November-January. It adds a 27th week in the top 10, likewise extending her longest stay in the tier.

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated May 20), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (May 16).

Source: billboard.com

“Last Night” becomes the first song to top the Hot 100 and Country Airplay charts simultaneously.

Morgan Wallen’s “Last Night” adds a fifth week at No. 1 on the Billboard Hot 100 songs chart. It first led in March, becoming his initial leader on the list.

Notably, as “Last Night” ascends to No. 1 on the Country Airplay chart, it becomes the first song ever to have topped that tally and the Hot 100 simultaneously.

Elsewhere, Eslabon Armado and Peso Pluma’s “Ella Baila Sola” holds at its No. 4 Hot 100 high, the best rank ever for a regional Mexican song. It concurrently hits No. 1 on Streaming Songs – becoming the first regional Mexican title to rule that chart.

Plus, Rema and Selena Gomez’s “Calm Down” rises 6-5 on the Hot 100, marking the former’s first top five hit and Gomez’s fourth.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated May 13, 2023) will update on Billboard.com tomorrow (May 9). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.

Wallen’s “Last Night,” released on Big Loud/Mercury/Republic Records, drew 55.9 million radio airplay audience impressions (up 17%) and 32.4 million streams (down 4%) and sold 9,000 downloads (down 7%) in the April 28-May 4 tracking week, according to Luminate.

The single slips to No. 2 after seven weeks atop the Streaming Songs chart; rebounds 4-2 on Digital Song Sales, following a week on top; and pushes 7-5 on Radio Songs, where Wallen earns his first top five hit.

As previously reported, “Last Night” crowns the Country Airplay chart, vaulting from No. 5 (as it also scales the top 15 of both Pop Airplay and Adult Pop Airplay). It makes history as the first song to top the Hot 100 and Country Airplay simultaneously, dating to the latter’s January 1990 inception. (The Hot 100 began in August 1958.) It’s just the second song to have ruled both the Hot 100 and Country Airplay overall, after Lonestar’s “Amazed” led the Hot 100 for two weeks in March 2000, propelled in part by pop and adult crossover airplay. The ballad had dominated Country Airplay for a then-record eight weeks in July-September 1999.

“Last Night” concurrently leads the Hot Country Songs chart, which uses the same methodology as the Hot 100, for a 13th week. It became just the 20th song to have topped both charts. As it has now ruled the Hot 100 for five weeks and Hot Country Songs for 13, among those 20 songs, its 18 combined weeks atop the rankings mark the most, surpassing Johnny Horton’s “The Battle of New Orleans,” which spent six and 10 weeks at No. 1, respectively, in 1959.

Songs to Have Topped Both the Hot 100 & Hot Country Songs Charts:
Combined Weeks at No. 1, Title, Artist, Year(s), Weeks atop Hot 100/Hot Country Songs
18 – “Last Night,” Morgan Wallen, 2023 – 5/13
16 – “The Battle of New Orleans,” Johnny Horton, 1959 – 6/10
13 – “We Are Never Ever Getting Back Together,” Taylor Swift, 2012-13 – 3/10
10 – “Amazed,” Lonestar, 1999-2000 – 2/8
9 – “El Paso,” Marty Robbins, 1959-60 – 2/7
8 – “Honey,” Bobby Goldsboro, 1968 – 5/3
7 – “Lady,” Kenny Rogers, 1980 – 6/1
7 – “Convoy,” C.W. McCall, 1975-76 – 1/6
7 – “Big Bad John,” Jimmy Dean, 1961 – 5/2
5 – “Rhinestone Cowboy,” Glen Campbell, 1975 – 2/3
5 – “The Most Beautiful Girl,” Charlie Rich, 1973 – 2/3
4 – “All Too Well (Taylor’s Version),” Taylor Swift, 2021 – 1/3
4 – “Islands in the Stream,” Kenny Rogers, duet with Dolly Parton, 1983 – 2/2
3 – “I Love a Rainy Night,” Eddie Rabbitt, 1981 – 2/1
3 – “9 to 5,” Dolly Parton, 1981 – 2/1
3 – “Southern Nights,” Glen Campbell, 1977 – 1/2
3 – “Before the Next Teardrop Falls,” Freddy Fender, 1975 – 1/2
2 – “I’m Sorry,” John Denver, 1975 – 1/1
2 – “Thank God I’m a Country Boy,” John Denver, 1975 – 1/1
2 – “(Hey Won’t You Play) Another Somebody Done Somebody Wrong Song,” B.J. Thomas, 1975 – 1/1

SZA’s “Kill Bill” keeps at No. 2 on the Hot 100, two weeks after it became her first No. 1. It concurrently commands the multi-metric Hot R&B/Hip-Hop Songs and Hot R&B Songs charts for a 19th and 20th week, respectively. On Hot R&B/Hip-Hop Songs, “Kill Bill” claims the sole second-longest No. 1 run – and moves to within a week of tying the record for the longest.

Most Weeks at No. 1 on Hot R&B/Hip-Hop Songs:
20, “Old Town Road,” Lil Nas X feat. Billy Ray Cyrus, 2019
19, “Kill Bill,” SZA, 2022-23
18, “Industry Baby,” Lil Nas X & Jack Harlow, 2021-22
18, “One Dance,” Drake feat. WizKid & Kyla, 2016
16, “Blurred Lines,” Robin Thicke feat. T.I. + Pharrell, 2013
15, “Be Without You,” Mary J. Blige, 2006

Miley Cyrus’ “Flowers” holds at No. 3 on the Hot 100, after eight weeks at No. 1, beginning upon its debut in January. It logs a 12th week atop Radio Songs (90.7 million in audience, down 1%).

Eslabon Armado and Peso Pluma’s “Ella Baila Sola” repeats at its No. 4 high on the Hot 100, the best rank ever for a regional Mexican song in the chart’s history. It concurrently climbs 2-1 on Streaming Songs (34.6 million, up 2%) – becoming the first regional Mexican song to lead the list. The collaboration also adds a fifth week at No. 1 on the multi-metric Hot Latin Songs chart.

Rema and Selena Gomez’s “Calm Down” rises 6-5 on the Hot 100, with 78.9 million in airplay audience (up 19%), 15.7 million streams (up 1%) and 5,000 sold (up 3%).

Rema released the original version of “Calm Down” in February 2022 as a single from his debut solo LP, Rave & Roses. Its remix with Gomez arrived last August, and that version’s official video premiered in September.

Rema hits the Hot 100’s top five with his first entry on the chart. Gomez adds her fourth top five hit, as “Calm Down” joins “Lose You To Love Me” (No. 1, one week, November 2019), “Same Old Love” (No. 5, January 2016) and “Good for You,” featuring A$AP Rocky (No. 5, October 2015).

“Calm Down” simultaneously tops the Billboard U.S. Afrobeats Songs chart for a 36th week, extending the longest rule since the ranking began just over a year ago (in partnership with music festival and global brand Afro Nation). As previously reported, it also ascends to No. 1 on the Pop Airplay chart, becoming the first hit to have led both Billboard U.S. Afrobeats Songs and Pop Airplay.

Metro Boomin, The Weeknd and 21 Savage’s “Creepin’ “ lifts 7-6 on the Hot 100, after hitting No. 3; Grupo Frontera and Bad Bunny’s “Un x100to” backtracks to No. 7 from its No. 5 high, a week after it became the chart’s second-ever top five regional Mexican hit; The Weeknd and Ariana Grande’s “Die for You” holds at No. 8, following a week at No. 1 in March; and PinkPantheress and Ice Spice’s “Boy’s a Liar, Pt. 2” is steady at No. 9, after reaching No. 3.

Rounding out the Hot 100’s top 10, Taylor Swift’s “Anti-Hero” keeps at No. 10. The song became her sole longest-leading No. 1, for eight weeks in November-January. It adds a 26th week in the top 10, likewise extending her longest run in the region.

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated May 13), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (May 9).

Source: billboard.com

Plus: SEVENTEEN, Eslabon Armado and Jack Harlow debut in top 10.

Morgan Wallen’s One Thing at a Time continues to lead the Billboard 200 albums chart (dated May 13) for a ninth consecutive, and total, week on top. The set earned 138,000 equivalent album units in the United States in the week ending May 4 (down 8%), according to Luminate. The album bowed at No. 1 on the chart dated March 18 and has yet to depart the top slot.

The last album to spend nine weeks in a row at No. 1 was Wallen’s last release, Dangerous: The Double Album, which spent its first 10 weeks at No. 1 (its total run atop the list), from the Jan. 23-March 27, 2021-dated charts.

Meanwhile, thanks to extended runs at No. 1 on the Billboard 200 in recent months by both One Thing at a Time and SZA’s SOS, there have only been four No. 1 albums in the 21 weeks since the Dec. 24, 2022-dated list.

For the seven weeks from the Dec. 24, 2022, through Feb. 4 charts, SOS was No. 1. Then, on the Feb. 11, 2023 chart, TOMORROW X TOGETHER’s The Name Chapter: Temptation debuted at No. 1 and spent one week on top. SOS returned to No. 1 for three weeks (Feb. 18-March 3) and then Karol G’s Mañana Será Bonito debuted at No. 1 and spent one week in the lead (March 11). From March 18 onwards, One Thing at a Time has been No. 1.

Also in the top 10 of the new Billboard 200, SEVENTEEN, Eslabon Armado and Jack Harlow all see their latest releases debut.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new May 13, 2023-dated chart will be posted in full on Billboard‘s website on May 9. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of One Thing at a Time’s 138,000 equivalent album units earned in the week ending May 13, SEA units comprise 130,000 (down 8%, equaling 174.18 million on-demand official streams of the set’s 36 songs), album sales comprise 5,500 (down 7%) and TEA units comprise 2,500 (down 10%).

SEVENTEEN notches its highest charting album yet on the Billboard 200, as 10th Mini Album FML debuts at No. 2. It’s the third top 10, all earned consecutively, for the 13-member Korean pop ensemble. The set bows with 135,000 equivalent album units earned, of which album sales comprise 132,000 (it’s the top-selling album of the week, with the fourth-largest sales week of 2023), SEA units comprise 3,000 (equaling 4.36 million on-demand official streams of the set’s six tracks) and TEA units comprise a negligible sum.

Like many K-pop releases, the CD edition of FML was issued in collectible CD packages (14 total, including exclusives for Barnes & Noble, Target and the Weverse webstore), each containing a standard set of items and randomized elements (postcards, mini posters, bookmarks and stickers). It was also available as a standard digital download album, as well as via 17 digital download variants that were sold exclusively through the act’s official webstore, each with alternate cover art. Four of them have two bonus tracks — one instrumental track and a voice memo from certain group members — that are different on each album. The remaining 13 alternate digital albums all have the album’s standard tracklist, just with a different cover (one for each of the group members). Of FML’s first-week album sales, 98% were CDs, while the remaining 2% were digital album downloads. The set was not available in any other retail format (such as vinyl or cassette).

Taylor Swift’s chart-topping Midnights rises 4-3 on the Billboard 200 with 57,000 equivalent album units (though down 7%), while SOS climbs 6-4 (56,000; down 5%) and Dangerous skips 7-5 (47,000; down 2%).

Eslabon Armado’s Desvelado debuts at No. 6 on the Billboard 200, making it the highest charting regional Mexican album ever on the list. It’s only the second regional Mexican set to reach the top 10, following the act’s No. 9 debut and peak of Nostalgia on the May 21, 2022-dated list. (Regional Mexican albums are defined as those that are eligible for, or have charted on, Billboard’s Regional Mexican Albums chart.)

Desvelado bows with 44,000 equivalent album units earned, with 43,500 of that sum in SEA units (equaling 63.51 million on-demand streams of the set’s 16 tracks) and album sales and TEA units comprise the remaining 500 units.

The album contains the hit single “Ella Baila Sola,” a co-billed collaboration with Peso Pluma, which ranked at No. 4 on the most recently published all-genre Billboard Hot 100 songs chart (dated May 6). The track — which initially garnered notoriety because of its popularity on TikTok — marks the first regional Mexican song to reach the top 10 on the Hot 100.

Luke Combs’ Gettin’ Old bumps 8-7 on the Billboard 200 with 37,000 equivalent album units earned (down 5%).

Jack Harlow achieves his third top 10-charting effort on the Billboard 200 albums chart as Jackman. enters at No. 8. The set starts with 35,500 equivalent album units earned. Of that sum, SEA units comprise 33,500 (equaling 43.37 million on-demand official streams of the set’s 10 tracks), album sales comprise 1,500 and TEA units comprise 500.

Jackman. was released with little warning, as it was announced on April 25, just before its April 28 release.

Two former No. 1s round out the top 10 on the new Billboard 200, as Metro Boomin’ Heroes & Villains is a non-mover at No. 9 (34,500 units; down 6%) and Swift’s Lover is stationary at No. 10 (just over 34,000; down 5%).

Source: billboard.com

A week after Eslabon Armado & Peso Pluma scored the Hot 100’s first top five regional Mexican hit, Grupo Frontera & Bad Bunny add the second.

Morgan Wallen’s “Last Night” returns to No. 1, from No. 2, for a fourth total week atop the Billboard Hot 100 songs chart. It first ruled in March, becoming the country singer-songwriter’s initial leader on the list.

Meanwhile, a week after Eslabon Armado and Peso Pluma scored the Hot 100’s first top five regional Mexican hit, Grupo Frontera and Bad Bunny add the second. The former pairing retains the mark for the highest-charting song ever for the genre, as “Ella Baila Sola” rises 5-4, while the latter leaps 15-5 with “Un x100to.”

Plus, Taylor Swift rewrites her longest run in the Hot 100’s top 10, as “Anti-Hero” spends a 25th week in the region, at No. 10, surpassing the 24-week top 10 stay of “Shake It Off” in 2014-15.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated May 6, 2023) will update on Billboard.com tomorrow (May 2). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.

Wallen’s “Last Night,” released on Big Loud/Mercury/Republic Records, drew 47.7 million radio airplay audience impressions – up 20%, good for the chart’s top Airplay Gainer award for a fourth consecutive week – and 33.7 million streams (down 4%) and sold 10,000 downloads (down 9%) in the April 21-27 tracking week, according to Luminate.

The single scores a seventh week at No. 1 on the all-genre Streaming Songs chart; dips 2-4 on Digital Song Sales, following a week on top; and ascends 11-7 on Radio Songs, marking Wallen’s second top 10 (after “You Proof” hit No. 10 last October). “Last Night” pushes to No. 5 on the Country Airplay chart, while scaling the top 20 of both Pop Airplay and Adult Pop Airplay.

“Last Night” concurrently tops the Hot Country Songs chart, which uses the same methodology as the Hot 100, for a 12th week. It becomes the first song to have led the Hot 100 and Hot Country Songs and ranked in the top 10 on Streaming Songs, Radio Songs and Digital Song Sales simultaneously.

“Last Night” became just the 20th song to have topped both the Hot 100 and Hot Country Songs. As it has now ruled the former for four weeks and the latter for 12, among those 20 songs, its 16 combined weeks atop the charts ties for the most, matching Johnny Horton’s “The Battle of New Orleans,” which spent six and 10 weeks at No. 1, respectively, in 1959.

Songs to Have Topped Both the Hot 100 & Hot Country Songs Charts:
“Last Night,” Morgan Wallen, 2023 – 4 weeks atop the Hot 100 / 12 weeks atop Hot Country Songs
“All Too Well (Taylor’s Version),” Taylor Swift, 2021 – 1 week / 3 weeks
“We Are Never Ever Getting Back Together,” Taylor Swift, 2012-13 – 3 weeks / 10 weeks
“Amazed,” Lonestar, 1999-2000 – 2 weeks / 8 weeks
“Islands in the Stream,” Kenny Rogers, duet with Dolly Parton, 1983 – 2 weeks / 2 weeks
“I Love a Rainy Night,” Eddie Rabbitt, 1981 – 2 weeks / 1 week
“9 to 5,” Dolly Parton, 1981 – 2 weeks / 1 week
“Lady,” Kenny Rogers, 1980 – 6 weeks / 1 week
“Southern Nights,” Glen Campbell, 1977 – 1 week / 2 weeks
“Convoy,” C.W. McCall, 1975-76 – 1 week / 6 weeks
“I’m Sorry,” John Denver, 1975 – 1 week / 1 week
“Rhinestone Cowboy,” Glen Campbell, 1975 – 2 weeks / 3 weeks
“Thank God I’m a Country Boy,” John Denver, 1975 – 1 week / 1 week
“Before the Next Teardrop Falls,” Freddy Fender, 1975 – 1 week / 2 weeks
“(Hey Won’t You Play) Another Somebody Done Somebody Wrong Song,” B.J. Thomas, 1975 – 1 week / 1 week
“The Most Beautiful Girl,” Charlie Rich, 1973 – 2 weeks / 3 weeks
“Honey,” Bobby Goldsboro, 1968 – 5 weeks / 3 weeks
“Big Bad John,” Jimmy Dean, 1961 – 5 weeks / 2 weeks
“El Paso,” Marty Robbins, 1959-60 – 2 weeks / 7 weeks
“The Battle of New Orleans,” Johnny Horton, 1959 – 6 weeks / 10 weeks

SZA’s “Kill Bill” slips to No. 2 on the Hot 100 a week after it became her first No. 1. It concurrently crowns the multi-metric Hot R&B/Hip-Hop Songs and Hot R&B Songs charts for an 18th and 19th week, respectively.

On Hot R&B/Hip-Hop Songs, “Kill Bill” extends the longest reign for a song by a woman in a lead role since the survey became an all-encompassing genre chart in 1958, having passed Mary J. Blige’s “Be Without You” (15 weeks, 2006). Overall, “Kill Bill” ties for the second-longest Hot R&B/Hip-Hop Songs command.

Most Weeks at No. 1 on Hot R&B/Hip-Hop Songs (since 1958):
20, “Old Town Road,” Lil Nas X feat. Billy Ray Cyrus, 2019
18, “Kill Bill,” SZA, 2022-23
18, “Industry Baby,” Lil Nas X & Jack Harlow, 2021-22
18, “One Dance,” Drake feat. WizKid & Kyla, 2016
16, “Blurred Lines,” Robin Thicke feat. T.I. + Pharrell, 2013
15, “Be Without You,” Mary J. Blige, 2006

Miley Cyrus’ “Flowers” holds at No. 3 on the Hot 100, after eight weeks at No. 1, beginning upon its debut in January. It posts an 11th week atop Radio Songs (91.6 million in audience, down 1%). The song also spends a fourth week topping the Pop Airplay, Adult Pop Airplay and Adult Contemporary charts simultaneously, becoming just the third hit with that many weeks leading all three lists at the same time; it joins only Adele’s “Hello” (four, 2015) and Celine Dion’s “Because You Loved Me” (five, 1996).

Eslabon Armado and Peso Pluma’s “Ella Baila Sola” ascends 5-4 on the Hot 100. It claims another new all-time high rank for a regional Mexican song, a week after it became the chart’s initial top five hit, and two weeks after it became the first top 10, for the genre. The collaboration logs a fourth week at No. 1 on the multi-metric Hot Latin Songs chart.

Meanwhile, Grupo Frontera and Bad Bunny’s “Un x100to” becomes the Hot 100’s second-ever top five (and top 10) regional Mexican hit, surging 15-5. It drew 28.6 million streams, up 44%, as it wins the Hot 100’s top Streaming Gainer ribbon, along with 6.3 million in airplay audience and 3,000 sold.

Regional Mexican sextet Grupo Frontera, from Texas, achieves its first Hot 100 top 10, among six career entries dating to its first last October, while Bad Bunny adds his ninth.

Hot ‘100’: “Un x100to” is the first top 10, among over 5,000 top 10s in the Hot 100’s history, with “100” in its title. Special shout-outs to Gene McDaniels’ “A Hundred Pounds of Clay” (No. 3 peak, 1961) and “Somebody’s Been Seeping” by 100 Proof Aged in Soul (No. 8, 1970).

Rema and Selena Gomez’s “Calm Down” rebounds to its No. 6 Hot 100 high, from No. 7. It tops the Billboard U.S. Afrobeats Songs chart for a 35th week, extending the longest rule since the ranking began a year ago (in partnership with music festival and global brand Afro Nation).

Metro Boomin, The Weeknd and 21 Savage’s “Creepin’ “ descends 6-7 on the Hot 100, after hitting No. 3; The Weeknd and Ariana Grande’s “Die for You” holds at No. 8, following a week at No. 1 in March; and PinkPantheress and Ice Spice’s “Boy’s a Liar, Pt. 2” lifts 10-9, after reaching No. 3.

Rounding out the Hot 100’s top 10, Taylor Swift’s “Anti-Hero” returns to the tier, rising 11-10. The song became her sole longest-leading No. 1, for eight weeks in November-January, surpassing the seven-week reign of “Blank Space” in 2014-15. Now, with a 25th week in the top 10, it bests “Shake It Off” (24 weeks, 2014-15) for her longest run in the bracket. Next up in her catalog, “Blank Space” totaled 17 weeks in the top 10, also in 2014-15, followed by (each with 16), “I Knew You Were Trouble.” (2012-13) and “You Belong With Me” (2009).

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated May 6), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (May 2).

Source: billboard.com