The song reigns following the release of its remix with Doja Cat. Plus, Ice Spice and Nicki Minaj’s “Princess Diana” debuts at No. 4.

SZA slices her way to her first Billboard Hot 100 No. 1, as “Kill Bill” jumps from No. 4 to the top spot, following eight weeks at its prior No. 2 high. The song reigns following the release of its remix adding Doja Cat.

Plus, Ice Spice and Nicki Minaj’s “Princess Diana” launches at No. 4 on the Hot 100, marking the second top 10 for the former rapper and the 22nd for the latter.

Also in the Hot 100’s top tier, Eslabon Armado and Peso Pluma log the first regional Mexican top five hit in the chart’s history, as “Ella Baila Sola” soars 10-5. A week earlier, the song became the chart’s first-ever regional Mexican top 10.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated April 29, 2023) will update on Billboard.com tomorrow (April 25). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.

Here’s a rundown of the Hot 100 coronation for “Kill Bill.” The song is the 1,149th No. 1 since the chart originated in August 1958. It was released on her Top Dawg/RCA Records album SOS, which ranks at No. 3 on the Billboard 200 chart, after 10 weeks at the summit.

Airplay, streams & sales: “Kill Bill” drew 86.5 million radio airplay audience impressions (down 1%) and 28.3 million streams – up 32% – and sold 5,000 downloads – up 228% – in the April 14-20 tracking week, according to Luminate, as it claims both the Hot 100’s top Streaming Gainer and Sales Gainer awards.

Sparking the song’s surge, its remix with Doja Cat arrived April 14. (All versions of the song roll up into one chart listing; Doja Cat is not listed on “Kill Bill” on the Hot 100, as the remix did not account for the majority of the song’s overall consumption during the tracking week.)

The track rises 3-2 for a new high on the Radio Songs chart; ascends 4-3 on Streaming Songs, following four weeks at No. 1; and bounds 36-8, returning to its best rank, on Digital Song Sales.

SZA’s first No. 1: SZA claims her first Hot 100 No. 1 with “Kill Bill.”

Here’s a look at her seven career Hot 100 top 10s, ranked by peak position. She scored her prior best peak also thanks to collaborating with Doja Cat, as featured on 2021’s “Kiss Me More.”

• No. 1, one week, to-date, April 29, 2023, “Kill Bill”
• No. 3, July 10, 2021, “Kiss Me More” (Doja Cat feat. SZA)
• No. 7, Dec. 18, 2021, “I Hate U”
• No. 7, March 3, 2018, “All the Stars” (with Kendrick Lamar)
• No. 9, Feb. 6, 2021, “Good Days”
• No. 9, Nov. 25, 2017, “What Lovers Do” (Maroon 5 feat. SZA)
• No. 10, Dec. 24, 2022, “Nobody Gets Me”

Eight’s not too late: “Kill Bill” tops the Hot 100 after eight nonconsecutive weeks at No. 2. It debuted at No. 3 on the Dec. 24, 2022, chart – as SOS premiered at No. 1 on the Billboard 200.

The song ties for the second-most weeks spent at No. 2 on the Hot 100 before rising to No. 1 at last:

• 9 weeks at No. 2 on Hot 100 before hitting No. 1, “Bad Guy,” Billie Eilish, hit No. 1 Aug. 24, 2019
• 8, “Kill Bill,” SZA, April 29, 2023
• 8, “Starboy,” The Weeknd feat. Daft Punk, Jan. 7, 2017
• 8, “Sorry,” Justin Bieber, Jan. 23, 2016
• 8, “The Way You Move,” OutKast feat. Sleepy Brown, Feb. 14, 2004
• 7, “Havana,” Camila Cabello feat. Young Thug, Jan. 27, 2018
• 7, “Sexy and I Know It,” LMFAO, Jan. 7, 2012
• 6, “Girls Like You,” Maroon 5 feat. Cardi B, Sept. 29, 2018
• 6, “All of Me,” John Legend, May 17, 2014

‘Kill’-er hits: As SZA takes out all chart competition in her way, she notches the fourth Hot 100 No. 1 with “kill” (or any form of the word) in its title:

• “Kill Bill,” one week at No. 1, to-date, April 29, 2023
• “Stronger (What Doesn’t Kill You),” Kelly Clarkson, three weeks, beginning Feb. 18, 2012
• “A View to a Kill,” Duran Duran, two, July 13, 1985
• “Killing Me Softly With His Song” Roberta Flack, five, Feb. 24, 1973

Meanwhile, “Kill Bill” is the second Hot 100 No. 1 of the four above that doubles as a movie title, as it’s an ode to the 2003 Quentin Tarantino-directed, and likewise revenge-focused, martial arts favorite (subtitled Volume 1) starring Uma Thurman, among others (including David Carradine in the role of Bill). Duran Duran’s “A View to a Kill” is the theme from the same-named 1985 James Bond movie, and the only one from the franchise to have topped the Hot 100.

Record-extending R&B/hip-hop reign: “Kill Bill” concurrently rules the multi-metric Hot R&B/Hip-Hop Songs and Hot R&B Songs charts for a 17th and 18th week, respectively. On Hot R&B/Hip-Hop Songs, it boasts the longest command for a song by a woman in a lead role since the survey became an all-encompassing genre chart in 1958, having passed Mary J. Blige’s “Be Without You” (15 weeks at No. 1 in 2006).

Morgan Wallen’s “Last Night” dips to No. 2 on the Hot 100 after three nonconsecutive weeks at No. 1. It adds a sixth frame at No. 1 on Streaming Songs (35.1 million, down 4%), while winning top Airplay Gainer honors on the Hot 100 for a third week in a row (39.9 million, up 16%). The single from Wallen’s album One Thing at a Time, which spends a seventh week atop the Billboard 200, leads the multi-metric Hot Country Songs chart for an 11th week.

Miley Cyrus’ “Flowers” holds at No. 3 on the Hot 100, after eight weeks at No. 1, beginning upon its debut in January. It posts a 10th week atop Radio Songs (92.7 million in audience, down 1%) – where, since the survey began in December 1990, only 15% of all No. 1s have dominated for double-digit weeks. Notably, the song spends a third week topping the Pop Airplay, Adult Pop Airplay and Adult Contemporary charts simultaneously, becoming just the fourth hit with that many weeks leading all three lists at the same time; it joins Adele’s “Easy on Me” (three, 2022) and “Hello” (four, 2015) and Celine Dion’s “Because You Loved Me” (five, 1996).

Ice Spice and Nicki Minaj’s “Princess Diana” debuts at No. 4 on the Hot 100, with 21.8 million streams, 2.4 million in radio audience and 77,000 downloads sold, following the April 14 arrival of its remix with Minaj; the original version of the track was released by Ice Spice solo in January.

The song starts as Ice Spice’s second Hot 100 top 10 – her first, “Boy’s a Liar, Pt. 2,” with PinkPantheress, drops 8-10, after reaching No. 3. Minaj achieves her 22nd top 10, extending her record for the most among women rappers.

“Princess Diana” opens at No. 1 on Digital Song Sales, where it’s Minaj’s 13th leader, and Ice Spice’s first, and No. 6 on Streaming Songs. (Helping the song’s sales, along with Ice Spice’s solo version and the main [billed as “edited”] version of the duet remix, clean, explicit, extended, sped-up, slowed-down and instrumental versions of the Minaj remix were available for purchase in the tracking week.)

The single also begins atop the multi-metric Hot Rap Songs chart, where Minaj earns her 10th No. 1 and Ice Spice, her first.

Eslabon Armado and Peso Pluma’s “Ella Baila Sola” vaults 10-5 on the Hot 100, led by 31.8 million streams, up 31%. It becomes the first regional Mexican top five hit in the chart’s archives, a week after it became the list’s initial top 10 for the genre. The collaboration tallies a third week at No. 1 on the multi-metric Hot Latin Songs chart.

Metro Boomin, The Weeknd and 21 Savage’s “Creepin’ ” slips 5-6 on the Hot 100, after hitting No. 3, and Rema and Selena Gomez’s “Calm Down” descends to No. 7 from its No. 6 high. The latter tops the Billboard U.S. Afrobeats Songs chart for a 34th week, extending the longest rule since the ranking began a year ago (in partnership with music festival and global brand Afro Nation).

The Weeknd and Ariana Grande’s “Die for You” backtracks 7-8 on the Hot 100, following a week at No. 1 in March, and Drake’s “Search & Rescue” falls to No. 9, a week after it roared in at No. 2.

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated April 29), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (April 25).

Source: billboard.com

Plus: Metallica scores the biggest week for a rock album in over three-and-a-half years as ’72 Seasons’ debuts at No. 2.

Morgan Wallen’s One Thing at a Time spends a seventh consecutive and total week at No. 1 on the Billboard 200 albums chart (dated April 29). The set earned 166,000 equivalent album units in the week ending April 20 (down 1%) in the United States, according to Luminate.

In the last 10 years, only two acts – Wallen and Taylor Swift – have had multiple albums with at least seven weeks at No. 1 each. Wallen has done so with One Thing at a Time and his previous release, Dangerous: The Double Album, which spent 10 weeks at No. 1 in 2021. Swift did it with Folklore (eight weeks in 2020) and 1989 (11 weeks in 2014-15).

Also in the top 10 of the new Billboard 200, Metallica blasts in at No. 2 with its new studio album, 72 Seasons. The set debuts with 146,000 units earned – achieving the largest week, by units, for any rock or hard rock album in over three-and-a-half years. It also marks the band’s 12th top 10 charting album – of which eight have reached the top two. 72 Seasons marks the band’s first original album in seven years.

Plus, Taylor Swift’s 2019 album Lover ranks in the Billboard 200’s top 10 for the first time in over three years, climbing 12-9.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new April 29, 2023-dated chart will be posted in full on Billboard‘s website on April 25. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of One Thing at a Time’s 166,000 equivalent album units earned in the week ending April 20, SEA units comprise 151,000 (down 5%, equaling 201.71 million on-demand official streams of the set’s 36 songs), album sales comprise 12,000 (up 102% following the release of a new vinyl edition of the set) and TEA units comprise 3,000 (up 7%).

Metallica’s new studio album 72 Seasons starts at No. 2 on the Billboard 200, scoring the Rock & Roll Hall of Fame band its 12th top 10-charting effort. The set opens with 146,000 equivalent album units earned – the biggest week for any rock or hard rock album since Tool’s Fear Inoculum arrived with 270,000 equivalent album units at No. 1 (Sept. 14, 2019-dated chart). (Rock and hard rock albums are defined as those that have hit or are eligible to chart on Billboard’s Top Rock Albums and Top Hard Rock Albums chart.)

Of 72 Seasons’ 146,000 units earned, album sales comprise 134,000 — it’s the top-selling album of the week, and it bows with the biggest sales week for any rock or hard rock album since Fear Inoculum’s debut with 248,000 sold, SEA units comprise 11,500 (equaling 15.91 million on-demand official streams of the set’s 12 songs) and TEA units comprise 500.

72 Seasons was led by the single “Lux Æterna,” which racked up 11 weeks at No. 1 on the Mainstream Rock Airplay chart – tying the band’s cover of “Turn the Page” (1998-99) for its longest ruler atop the list. The album’s title track rose 8-6 on the most recently published Mainstream Rock Airplay chart (dated April 29), and marks the group’s 26th top 10-charting song on the tally.

SZA’s chart-topping SOS rises 4-3 on the Billboard 200 with 66,000 equivalent album units (up 9%), Taylor Swift’s former No. 1 Midnights falls 3-4 (60,000; up 1%) and Wallen’s former leader Dangerous: The Double Album rises 6-5 (49,000; up 3%). Luke Combs’ Gettin’ Old bumps 7-6 (43,000; down 7%), Metro Boomin’ chart-topping Heroes & Villains goes up 9-7 (37,000; up 1%) and Bad Bunny’s former No. 1 Un Verano Sin Ti steps 10-8 (36,000; up 5%).

Taylor Swift’s chart-topping Lover rises 12-9 (34,000; up 4%) – marking the first week in the top 10 for the set, which debuted at No. 1 in September 2019, in over three years – since the chart dated Feb. 22, 2020. The album has been bumping around the top 20 of the Billboard 200 in the last month, since Swift’s The Eras Tour launched on March 17. It’s moved 35-13-16-15-12-9 in the last six weeks.

Melanie Martinez’s Portals rounds out the top 10 of the Billboard 200, falling 5-10 with 33,000 (down 31%).

Source: billboard.com

“Last Night” leads for a third week, “Search & Rescue” starts at No. 2 and “Ella Baila Sola” becomes the first top 10 ever for a regional Mexican song.

Morgan Wallen’s “Last Night” leads a busy Billboard Hot 100 top 10, adding a third nonconsecutive week atop the chart. It first ruled last month, marking the country singer-songwriter’s initial No. 1.

The song is from Wallen’s LP One Thing at a Time, which notches a sixth week at No. 1 on the Billboard 200 albums chart.

Elsewhere in the Hot 100’s top tier, Drake’s “Search & Rescue” launches at No. 2. It marks the superstar’s record-extending 68th top 10.

Plus, Eslabon Armado and Peso Pluma log a historic Hot 100 top 10 with “Ella Baila Sola”: Their first top 10 each is also the first regional Mexican top 10 in the chart’s 64-year history.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated April 22, 2023) will update on Billboard.com tomorrow (April 18). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.

Wallen’s “Last Night,” released on Big Loud/Mercury/Republic Records, drew 36.6 million streams (up 4%) and 34.5 million radio airplay audience impressions (up 16%, good for the chart’s top Airplay Gainer award for a second consecutive week) and sold 10,000 downloads (up 6%) in the April 7-13 tracking week, according to Luminate.

The track falls to No. 2 on the all-genre Streaming Songs chart, after five weeks at No. 1; holds at No. 3 on Digital Song Sales, following at the summit; and ascends 21-17 on Radio Songs. A multi-format radio hit, it pushes to No. 13 on the Country Airplay chart, No. 20 on Pop Airplay and No. 21 on Adult Pop Airplay and debuts at No. 27 on Adult Contemporary.

“Last Night” concurrently leads the Hot Country Songs chart, which uses the same methodology as the Hot 100, for a 10th week. It became just the 20th song to have topped both lists – and the first by a solo male unaccompanied by any other acts since Eddie Rabbitt’s “I Love a Rainy Night” ruled Hot Country Songs for a week and the Hot 100 for two weeks in 1981.

As “Last Night” has now ruled Hot Country Songs for 10 weeks and the Hot 100 for three, it’s the first song among those that have topped both charts with that many weeks atop that pair of tallies since Taylor Swift’s “We Are Never Ever Getting Back Together” also ran up 10 and three weeks at No. 1, respectively, in 2012-13.

Drake’s “Search & Rescue” bounds onto the Hot 100 at No. 4. After it premiered April 7 (a day after he announced the song’s pending release), it begins with 33.8 million streams, 6.9 million in radio airplay audience and 3,600 sold through April 13.

The track opens at No. 1 on Streaming Songs, becoming Drake’s record-furthering 16th leader. (While the song’s sum of raw streams is the week’s second highest, after Wallen’s “Last Night,” “Search & Rescue” tops the chart due to the application of weighting to all titles’ paid/subscription and ad-supported on-demand streams and programmed/radio streams.)

Drake posts his record-extending 68th Hot 100 top 10, and first of 2023.

Most Billboard Hot 100 Top 10s:

• 68, Drake
• 40, Taylor Swift
• 38, Madonna
• 34, The Beatles
• 32, Rihanna
• 30, Michael Jackson
• 29, Elton John
• 28, Mariah Carey
• 28, Stevie Wonder
• 27, Janet Jackson

“Search & Rescue” is also Drake’s record-padding 35th top five Hot 100 hit (distancing himself further from runners-up The Beatles’ 29); his 174th top 40 hit (ahead of Taylor Swift, second with 105); and his 294th entry overall (with the Glee Cast second with 207). (He adds his 20th top two hit; The Beatles and Mariah Carey lead with 23 each.)

The track concurrently crowns the multi-metric Hot R&B/Hip-Hop Songs and Hot Rap Songs charts upon its debut, marking Drake’s record-extending 27th and 28th No. 1s on the surveys.

We did some re-‘search’: “Search & Rescue” is the highest-charting Hot 100 hit with “search” in its title, surpassing Survivor’s No. 4-peaking love song “The Search Is Over” in 1985. (Honorable mention to the No. 3 classic “Love Potion Number Nine,” in 1965, by The Searchers.) Drake’s new hit is also the highest charting with “rescue” in its name. It bests The Rolling Stones’ “Emotional Rescue” (No. 3, 1980), followed by “Rescue Me” by Fontella Bass (No. 4, 1965).

Miley Cyrus’ “Flowers” keeps at No. 3 on the Hot 100, after eight weeks at No. 1, beginning upon its debut in January. It claims a ninth week atop Radio Songs (93.5 million in audience, down 9%).

SZA’s “Kill Bill” retreats to No. 4 on the Hot 100, from No. 2, where it has spent eight weeks at its highpoint. It also dominates the multi-metric Hot R&B Songs charts for a 17th week. (Its new remix featuring Doja Cat arrived Friday, April 14, and will begin contributing to next week’s charts [dated April 29], with all versions of the song rolling up into one chart listing.)

Metro Boomin, The Weeknd and 21 Savage’s “Creepin’ ” dips 4-5 on the Hot 100, after hitting No. 3, and Rema and Selena Gomez’s “Calm Down” climbs 7-6 for a new high. The latter tops the Billboard U.S. Afrobeats Songs chart for a 33rd week, extending the longest rule since the ranking began a year ago (in partnership with music festival and global brand Afro Nation).

The Weeknd and Ariana Grande’s “Die for You” drops 5-7 on the Hot 100, following a week at No. 1 in March, and PinkPantheress and Ice Spice’s “Boy’s a Liar, Pt. 2” slips 6-8, after reaching No. 3. Still, the latter becomes each act’s first top 10 on Radio Songs (14-10; 40.9 million, up 3%).

Taylor Swift’s “Anti-Hero” descends 8-9 on the Hot 100, following a personal-best eight weeks at No. 1 in November-January. It has now spent 24 weeks in the top 10 – equaling Swift’s longest stay in the region, first set by “Shake It Off” in 2014-15. Next up, her “Blank Space” totaled 17 weeks in the top 10, also in 2014-15, followed by “I Knew You Were Trouble.” (16 weeks, 2012-13) and “You Belong With Me” (16, 2009).

Rounding out the Hot 100’s top 10, Eslabon Armado and Peso Pluma’s “Ella Baila Sola” soars 17-10, led by 24.4 million streams, up 30%, as it wins the Hot 100’s top Streaming Gainer trophy, and jumps 6-3 on Streaming Songs.

Quartet Eslabon Armado, from California, and Peso Pluma, from Mexico, each reach the Hot 100’s top for the first time – as “Ella Baila Sola” makes history as the first regional Mexican song ever to hit the Hot 100’s top 10. The genre has surged this decade, thanks in part to exposure on TikTok and other social media, with Gera MX and Christian Nodal’s “Botella Tras Botella” having become the first regional Mexican Hot 100 hit in May 2021, peaking at No. 60.

After “Ella Baila Sola,” Peso Pluma also has the second-highest-charting regional Mexican Hot 100 hit: “La Bebe,” with Yng Lvcas, rises to a new No. 17 best on the latest, April 22-dated chart. The next-highest-peaking such hits: Yahritza y Su Esencia’s “Soy El Unico” (No. 20, April 2022 – it debuted at that rank, the highest entrance for a regional Mexican song) and Fuerza Regida and Grupo Frontera’s “Bebe Dame” (No. 25, this January).

Among Latin genres, regional Mexican’s arrival in the Hot 100’s top 10 follows that of Latin pop, which, after English-language hits by Gloria Estefan in the 1980s (plus Los Lobos’ “La Bamba,” in Spanish) surged in the late ‘90s and beyond thanks to songs (in varying degrees of English and Spanish) by Enrique Iglesias, Jennifer Lopez and Ricky Martin, among other stars. At the same time, Marc Anthony helped tropical break through on the chart. In more recent years, Daddy Yankee and Luis Fonsi’s pop-centered, mostly-Spanish-language “Despacito,” featuring Justin Bieber, spent a then-record-tying 16 weeks at No. 1 in 2017, while, this decade, Bad Bunny, with Spanish-language songs, has carried the torch for Latin rhythm in the top 10.

As for Latin music overall, Eslabon Armado and Peso Pluma earn the Hot 100’s third Spanish-language top 10 this year, following two Latin pop hits: Bizarrap and Shakira’s “Bzrp Music Sessions, Vol. 53” (No. 9, January) and Karol G and Shakira’s “TQG” (No. 7, March).

“Ella Baila Sola” was released on Prajin Parlay/DEL Records, both of which likewise appear in the Hot 100’s top 10 for the first time.

The collaboration concurrently achieves a second week at No. 1 on the multi-metric Hot Latin Songs chart, where it became the first leader for both Eslabon Armado and Peso Pluma. “We didn’t expect for the song to make so much noise!” Pedro Tovar, lead singer for the former act, and the song’s sole author, told Billboard upon its coronation. “I really liked the song when I first wrote it, but I didn’t really expect it to be such a big hit. I previewed it on my stories on Instagram and, two days after, it went viral on TikTok, and that’s when I knew that the song was going to do big numbers.”

“Normally I don’t expect to chart with songs,” Peso Pluma marveled. “We just enjoyed the process of doing it.”

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated April 22), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (April 18).

Source: billboard.com

Also in the top 10: NF’s “Hope” debuts, while Linkin Park’s “Meteora” returns after 20th anniversary reissue.

Morgan Wallen’s One Thing at a Time holds atop the Billboard 200 albums chart (dated April 22) for a sixth consecutive and total week at No. 1. The set earned 167,000 equivalent album units in the United States in the week ending April 13 (down 3%), according to Luminate. One Thing at a Time debuted at No. 1 on the chart dated March 18 and has held firm at No. 1 since.

Also in the top 10 of the new Billboard 200 chart, NF notches his fourth top 10-charting effort as Hope bows at No. 2, while Linkin Park’s former No. 1 Meteora re-enters the list at No. 8 after its 20th anniversary reissue.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new April 22, 2023-dated chart will be posted in full on Billboard‘s website on Tuesday (April 18). For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of One Thing at a Time’s 167,000 equivalent album units earned in the week ending April 13, SEA units comprise 158,500 (down 2%, equaling 211.05 million on-demand official streams of the set’s 36 songs), album sales comprise 6,000 (down 24%) and TEA units comprise 2,500 (down 1%).

NF’s Hope debuts at No. 2 on the Billboard 200, scoring the artist his fourth top 10-charting effort. The set launches with 123,000 equivalent album units. Of that sum, album sales comprise 80,500 (making it the top-selling album of the week), SEA units comprise 41,500 (equaling 56.85 million on-demand official streams of the set’s 13 songs — NF’s biggest streaming week yet), and TEA units comprise 1,000.

Hope’s handsome first-week sales figure — NF’s second-largest sales week ever — was bolstered by the album’s availability in an autographed CD edition in his webstore, a Target-exclusive CD with a poster packaged inside, four deluxe CD/merch boxed sets, and a both a white vinyl and a standard black vinyl edition.

Hope is the fourth album to debut at No. 2 behind One Thing at a Time, following Melanie Martinez’s Portals (April 15-dated chart), Jimin’s FACE (April 8) and TWICE’s Ready to Be (March 25). It’s not unusual for an album to spend a lengthy amount of time at No. 1 and end up blocking a number of albums from the top slot. Last year, for example, eight different albums peaked at No. 2 behind Bad Bunny’s Un Verano Sin Ti.

Taylor Swift’s chart-topping Midnights rises 6-3 on the new Billboard 200 with 60,000 equivalent album units earned (down 2%), while SZA’s former leader SOS rises 5-4 with just under 60,000 units (down 7%). Martinez’s Portals dips 2-5 in its second week, with 48,000 (down 66%). Wallen’s former No. 1 Dangerous: The Double Album bumps 8-6 with 47,000 (up 7%), and Luke Combs’ Gettin’ Old is a non-mover at No. 7 with 46,000 (down 15%).

Linkin Park’s chart-topping Meteora re-enters the chart at No. 8, following the album’s 20th anniversary deluxe reissue on April 7. The set, which spun off such Billboard Hot 100 hits as “Numb” and “Faint” in 2003-04, returns with 38,500 equivalent album units earned (up 635%). Of that sum, album sales comprise 19,500, SEA units comprise 17,000 (equaling 23.65 million on-demand official streams of the set’s tracks) and TEA units comprise 2,000.

Meteora marked Linkin Park’s first of six No. 1s on the Billboard 200, when it debuted atop the chart dated April 12, 2003. The group’s second studio album spent two weeks atop the list. Previously, the rock band logged a pair of No. 2-peaking efforts with its debut studio set Hybrid Theory and the remix project Reanimation (both in 2002).

The 20th anniversary reissue was led by its first single, the from-the-vaults track “Lost” that was recorded for Meteora but didn’t make the original album’s final tracklist. The cut features the vocals of the band’s late lead singer Chester Bennington, who died in 2017. “Lost” debuted at No. 38 on the Billboard Hot 100 (Feb. 25, 2023 chart) and marked the group’s first new top 40 hit in over a decade. It’s one of a number of unreleased songs on the deluxe Meteora reissue, which also includes demo recordings, live cuts and other rarities.

Meteora was reissued in multiple expansive formats, including an 89-track digital download and streaming edition, a three-CD set, a four vinyl LP box and a super deluxe boxed set priced at $199.98 (containing five vinyl LPs, four CDs, three DVDs, a book and collectibles). All versions of the album, new and old, are combined for tracking and charting purposes.

Rounding out the top 10 of the new Billboard 200 is a pair of former No. 1s: Metro Boomin’s Heroes & Villains (steady at No. 9 with 36,000 equivalent album units earned; down 14%) and Bad Bunny’s Un Verano Sin Ti (11-10 with 35,000; down 2%).

Source: billboard.com

The song is the first by a solo male and no accompanying acts with multiple weeks atop both the Hot 100 and Hot Country Songs since 1975.

Morgan Wallen’s “Last Night” rebounds to No. 1 on the Billboard Hot 100 songs chart. It first reigned four weeks earlier, marking the country singer-songwriter’s initial leader on the list.

The track is from Wallen’s LP One Thing at a Time, which spends a fifth week at No. 1 on the Billboard 200 albums chart.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated April 15, 2023) will update on Billboard.com tomorrow (April 11). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.

Up 3-1 on the Hot 100, “Last Night,” released on Big Loud/Mercury/Republic Records, drew 35.1 million streams (down 2%) and 29.7 million radio airplay audience impressions (up 25%, good for the chart’s top Airplay Gainer award) and sold 10,000 downloads (up 1%) in the March 31-April 6 tracking week, according to Luminate.

The track tops the all-genre Streaming Songs chart for a fifth week; holds at No. 3 on Digital Song Sales, following a week at No. 1; and jumps 30-21 on Radio Songs. A growing multi-format radio hit, it ascends to No. 17 on the Country Airplay chart, No. 21 on Pop Airplay and No. 23 on Adult Pop Airplay.

“Last Night” concurrently leads the Hot Country Songs chart, which uses the same methodology as the Hot 100, for a ninth week. It became just the 20th song to have topped both tallies – and the first by a solo male unaccompanied by any other acts in over 42 years, since Eddie Rabbitt’s “I Love a Rainy Night” ruled Hot Country Songs for a week in January 1981 and the Hot 100 for two weeks that February-March.

As “Last Night” has now ruled Hot Country Songs for nine weeks and the Hot 100 for two, it’s the first song with multiple weeks atop each chart since Taylor Swift’s “We Are Never Ever Getting Back Together” (10 and three weeks at No. 1, respectively) in 2012. It’s the first such hit by a solo male and no accompanying acts since Glen Campbell’s “Rhinestone Cowboy” (three and two weeks, respectively) in 1975. The only other titles by unaccompanied solo males to have topped Hot Country Songs and the Hot 100 for multiple weeks each: Charlie Rich’s “The Most Beautiful Girl” (1973), Bobby Goldsboro’s “Honey” (1968), Jimmy Dean’s “Big Bad John” (1961), Marty Robbins’ “El Paso” (1959-60) and Johnny Horton’s “The Battle of New Orleans” (1959).

SZA’s “Kill Bill” rises 4-2 on the Hot 100, adding an eighth week at its No. 2 high. It wins top Sales Gainer honors (6,000, up 158%, helped by 69-cent sale-pricing in the iTunes Store), as it zooms 25-8 to become her fifth top 10 on Digital Song Sales.

“Kill Bill” simultaneously dominates the multi-metric Hot R&B/Hip-Hop Songs and Hot R&B Songs charts for a 16th week each. On Hot R&B/Hip-Hop Songs, it passes Mary J. Blige’s “Be Without You” (15 weeks at No. 1 in 2006) for the longest reign for a song by a woman in a lead role since the survey became an all-encompassing genre chart in 1958.

Miley Cyrus’ “Flowers” slips 2-3 on the Hot 100, after eight weeks at No. 1, starting upon its debut in January. It logs an eighth week atop Radio Songs (102.2 million in audience, down 4%).

Metro Boomin, The Weeknd and 21 Savage’s “Creepin’ ” rebounds 5-4 on the Hot 100, after reaching No. 3; The Weeknd and Ariana Grande’s “Die for You” lifts 6-5, following a week at No. 1 in March; and PinkPantheress and Ice Spice’s “Boy’s a Liar, Pt. 2” pushes 7-6, after hitting No. 3.

Rema and Selena Gomez’s “Calm Down” climbs 8-7 for a new Hot 100 high. It tops the Billboard U.S. Afrobeats Songs chart for a 32nd week, extending the longest command since the list began a year ago (in partnership with music festival and global brand Afro Nation).

Taylor Swift’s “Anti-Hero” reverses course, 9-8, on the Hot 100, following a personal-best eight weeks at No. 1 in November-January. It has spent 23 weeks in the top 10 – one week shy of Swift’s longest stay in the region, set by “Shake It Off” in 2014-15.

Coi Leray’s “Players” rises 10-9 on the Hot 100, returning to its best rank, as it leads the multi-metric Hot Rap Songs chart for a fourth week.

Rounding out the Hot 100’s top 10, Bailey Zimmerman’s “Rock and a Hard Place” re-enters the tier, up 13-10, revisiting its best rank first reached two weeks earlier. As previously reported, the songs tops Country Airplay for a third week.

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated April 15), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (April 11).

Source: billboard.com

Plus: Melanie Martinez & Boygenius debut in top 10, while Tyler, the Creator’s “Call Me If You Get Lost” surges back to top three after deluxe reissue.

Morgan Wallen’s One Thing at a Time continues to cruise at No. 1 on the Billboard 200, as the album spends a fifth straight and total week atop chart (dated April 15). The set earned 173,000 equivalent album units in the United States in the week ending April 6 (down 12%), according to Luminate. One Thing at a Time debuted at No. 1 on the Billboard 200 dated March 18 and has held in place ever since.

Across Wallen’s two No. 1 albums on the Billboard 200, One Thing at a Time and Dangerous: The Double Album, he has now spent a total of 15 weeks atop the chart. That surpasses Bad Bunny for the second-most weeks at No. 1 this decade. Only Taylor Swift has more weeks at No. 1 since the start of 2020, with 20 total.

Across Wallen’s two No. 1 albums on the Billboard 200, One Thing at a Time and Dangerous: The Double Album, he has now spent a total of 15 weeks atop the chart. That surpasses Bad Bunny for the second-most weeks at No. 1 this decade. Only Taylor Swift has more weeks at No. 1 since the start of 2020, with 20 total.

In total, Portals marks Martinez’s third top 10-charting set, following K-12 (No. 3 peak in 2019) and Cry Baby (No. 6 in 2015).

The new album was previewed by the songs “Void” (the set’s official first single) and “Death,” both of which have reached the top 40 on the Hot Rock & Alternative Songs chart, while “Death” debuted on the Billboard Hot 100 dated April 1 at No. 95. The latter debut is Martinez’s first appearance on the Hot 100 since 2012, and the first time she’s charted with anything that wasn’t part of her run as a contestant on NBC’s The Voice. (Her two previous entries on the Hot 100 were both covers from the reality competition show.)

Portals’ sizable first-week sales of 99,000 was supported by 21 different physical variants of the album — six vinyl LPs, 14 CDs and one cassette. The audio content across all of the editions is the same; the variations are mostly distinguished by their packaging (including color vinyl editions, alternative covers, a signed CD and four deluxe boxed sets with either a tank top or a shirt along with a CD).

Tyler, the Creator’s chart-topping Call Me If You Get Lost jumps from No. 137 to No. 3 following its deluxe reissue on March 31. The set, first released in 2021, was reintroduced to the market with eight additional songs (dubbed the Call Me If You Get Lost: The Estate Sale edition). All versions of the album, old and new, are combined for tracking and charting purposes.

In total, Call Me If You Get Lost earned 68,000 equivalent album units for the week, up 617%. The bulk of that sum was driven by SEA activity: 57,000 (up 734%, equaling 77.97 million on-demand official streams of all of the set’s songs, old and new). The set also sold 11,000 copies, including digital download and CD editions of the new deluxe version (though the CD is exclusively sold through the artist’s webstore at this time).

Call Me If You Get Lost was last in the top 10 almost a year ago, on the April 30, 2022-dated chart, when the album zoomed 120-1 after its belated release on vinyl pushed it back to the top. It first led in July 2021 upon its debut.

Rock supergroup Boygenius sees its debut full-length studio album — and major label debut — The Record launch at No. 3 on the Billboard 200. The trio comprises Julien Baker, Phoebe Bridgers and Lucy Dacus. The set starts with 67,000 equivalent album units earned. Of that sum, album sales comprise 53,000, SEA units comprise 14,000 (equaling 18.17 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum.

The Record was previewed by a trio of charting songs on Billboard’s tallies: “Emily I’m Sorry,” “Not Strong Enough” and “$20.” The latter two charted on the Adult Alternative Airplay chart (with “Not Strong Enough” hitting the top 10 on the April 15-dated list), while the former two both reached Hot Rock & Alternative Songs.

The Record was supported largely by vinyl sales. Of the album’s overall first-week units, vinyl sales represented 67% of the total sum (45,000 of 67,000). And, of the album’s traditional album sales number, vinyl accounts for 85% of the total (45,000 of 53,000). The Record was available in eight different-colored vinyl variants, including exclusives for indie stores, Target and Urban Outfitters.

SZA’s former No. 1 SOS is a non-mover at No. 5 on the Billboard 200 with 64,000 equivalent album units earned (down 8%), Swift’s chart-topping Midnights rises 7-6 with 61,000 (up 5%) and Luke Combs’ Gettin’ Old dips 4-7 with 54,000 (down 46% in its second week). Wallen’s chart-topping Dangerous: The Double Album climbs 9-8 with 45,000 (up 3%), Metro Boomin’s former No. 1 Heroes & Villains falls 8-9 with 42,000 (down 7%), and Lana Del Rey’s Did You Know That There’s a Tunnel Under Ocean Blvd. drops 3-10 with 38,000 (down 67% in its second week).

Source: billboard.com

The song also makes Jimin the first South Korean soloist to top the Hot 100.

Jimin’s “Like Crazy” blasts in at No. 1 on the Billboard Hot 100 songs chart, marking his first leader – and the first for a member of superstar South Korean pop group BTS. He’s also the first South Korean solo artist to lead the list.

The Hot 100 start for “Like Crazy” was largely driven by sales, with five versions available during the chart’s tracking week. The song was released March 24 on Jimin’s debut solo set FACE, which enters at No. 2 on the Billboard 200 albums chart.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated April 8, 2023) will update on Billboard.com tomorrow (April 4). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.

Here’s a look at the Hot 100 coronation for “Like Crazy,” released on BigHit Music / Geffen / Interscope Records. The song begins as the 1,148th No. 1 since the chart originated in August 1958. It’s the 66th title to premiere at the summit.

Streams, airplay & sales: “Like Crazy” sold 254,000 song downloads and CD singles combined and drew 10 million streams and 64,000 radio airplay audience impressions in its first week (March 24-30).

The song’s original version, sung in Korean, and its English version were released March 24, while its “Deep House” and “UK Garage” mixes and an instrumental version arrived March 26, with all available in BTS’ webstore and at wide retail for 69 cents each, while a CD single of the original mix was on sale in BTS’ webstore for $1.99. (All versions roll up into one listing on Billboard’s charts.)

The sales sum for “Like Crazy” is the highest in a single week since Taylor Swift’s “Anti-Hero” sold 328,000 (Nov. 19, 2022), sparked by seven remixes released that tracking week.

“Like Crazy” debuts at No. 1 on the Digital Song Sales chart, where its Jimin’s third leader, and No. 35 on Streaming Songs, where he makes his first appearance. (Its airplay audience is the lowest for a Hot 100 No. 1 this decade, although it’s not being actively promoted to radio; still, it has received a handful of early plays on Radio Songs reporters KIIS Los Angeles, KJYO Oklahoma City, Okla., KYLD San Francisco and WSNX Grand Rapids, Mich., all of which also contribute to the Pop Airplay chart and are owned by iHeartMedia, as well as Dance/Mix Show Airplay chart panelist KNHC Seattle.)

Jimin & BTS have each hit No. 1: Jimin achieves the first Hot 100 No. 1, and No. 1 debut, for a BTS member solo, with the group – which announced a break last June – having notched six leaders, five of which debuted at No. 1.

Here’s a rundown:

Jimin, “Like Crazy,” one week at No. 1 (to-date), April 8, 2023
Coldplay & BTS, “My Universe,” one to-date, Oct. 9, 2021
BTS, “Permission To Dance,” one, July 24, 2021
BTS, “Butter,” 10, June 5, 2021
BTS, “Life Goes On,” one, Dec. 5, 2020
Jawsh 685 x Jason Derulo x BTS, “Savage Love (Laxed – Siren Beat),” one, Oct. 17, 2020
“Dynamite,” three weeks at No. 1, beginning Sept. 5, 2020

Jimin makes history as the first soloist to score a solo Hot 100 debut breaking out of a group that has also debuted at No. 1 on the chart. (Travis Scott has begun atop the list solo and as part of the collaboratively credited The Scotts; in addition to his own “Highest in the Room,” in October 2019, and “Franchise,” featuring Young Thug and M.I.A., in October 2020, his and Kid Cudi’s “The Scotts,” billed on the chart as by The Scotts, Travis Scott and Kid Cudi [born Scott Mescudi], opened at No. 1 in May 2020.)

Jimin and BTS, thus, join the ranks of soloists and groups each with Hot 100 No. 1s, a list most recently bolstered, before this week, when Beyoncé reigned with “Break My Soul” for two weeks last August; Destiny’s Child, with her as a member, tallied four No. 1s.

First South Korean soloist to top Hot 100: After BTS became the first all-South Korean group to lead the Hot 100, with “Dynamite,” Jimin becomes the first South Korean soloist to hit No. 1. Previously among South Korean solo artists, PSY reached a No. 2 best with “Gangnam Style” for seven weeks in 2012.

The history of Asian acts atop the Hot 100 dates back to the chart’s early years, as Japanese-born Kyu Sakamoto became the first to lead, with “Sukiyaki” for three weeks in 1963. In 2010, Far*East Movement reigned with “Like a G6,” with the act’s lineup at the time including two members of Korean heritage.

BTS members solo on the Hot 100: Jimin scores not only the first Hot 100 No. 1 by a BTS member solo, but the first top 10, or even top 20, hit on the chart. Plus, of the four solo top 40 hits by the group’s members, Jimin has two.

Here’s a recap of all 15 Hot 100 entries so far by BTS members apart from the group, ranked by peak position. All seven of the act’s members have reached the chart with solo songs: J-Hope, Jimin, Jin, Jung Kook, RM, Suga and V.

Peak Pos., Date, Artist, Title:
No. 1 (one week to-date), April 8, 2023, Jimin, “Like Crazy”
No. 22, July 9, 2022, Charlie Puth feat. Jung Kook, “Left and Right”
No. 29, Dec. 25, 2021, Juice WRLD & Suga, “Girl of My Dreams”
No. 30, April 1, 2023, Jimin, “Set Me Free, Pt. 2”
No. 51, Nov. 12, 2022, Jin, “The Astronaut”
No. 60, March 18, 2023, J-Hope with J. Cole, “On the Street”
No. 76, Jan. 28, 2023, TAEYANG feat. Jimin, “Vibe”
No. 76, June 6, 2020, Agust D (Suga’s alternate billing), “Daechwita”
No. 79, Jan. 8, 2022, V, “Christmas Tree”
No. 80, May 14, 2022, PSY feat. Suga, “That That”
No. 81; Oct. 12, 2019, J-Hope feat. Becky G, “Chicken Noodle Soup”
No. 82; July 16, 2022, J-Hope, “More”
No. 83; Dec. 17, 2022, RM with Youjeen, “Wild Flower”
No. 95; Feb. 26, 2022, Jung Kook, “Stay Alive”
No. 96; July 30, 2022, J-Hope, “Arson”

Jimin & RM atop the Hot 100 as writers: Notably, both Jimin and RM of BTS are among the seven credited co-writers of “Like Crazy.”

Jimin earns his first Hot 100 No. 1 as a writer, while RM rings ups his fourth, following credits on BTS’ “My Universe,” “Butter” and “Life Goes On.”

A lot to ‘Like’: “Like Crazy” is the 21st Hot 100 No. 1 with the word “like” in its title. “Walk Like a Man,” by The 4 Seasons, became the first, in 1963, while, until this week, “Girls Like You,” by Maroon 5 featuring Cardi B, was the most recent, in 2018.

This might sound ‘Crazy’ …: “Like Crazy” is the sixth Hot 100 No. 1 with “crazy” in its title:

“Like Crazy,” Jimin, 2023
“Crazy in Love,” Beyoncé feat. Jay-Z, 2003
“She Drives Me Crazy,” Fine Young Cannibals, 1989
“Crazy for You,” Madonna, 1985
“Let’s Go Crazy,” Prince and the Revolution, 1984
“Crazy Little Thing Called Love,” Queen, 1980

(Honorable mention: Crazy Town ruled the Hot 100 with “Butterfly” in 2001.)

Miley Cyrus’ “Flowers” drops to No. 2 on the Hot 100 after eight weeks at No. 1, starting upon its debut in January. It logs a seventh week atop the Radio Songs chart (106.9 million in audience, down 1%); rebounds 7-2 on Digital Song Sales (10,000, down 10%), which it led for five weeks; and holds at No. 4 on Streaming Songs (22.9 million, down 7%), following four frames on top.

Morgan Wallen’s “Last Night” slips 2-3 on the Hot 100, three weeks after it hit No. 1, as it tops Streaming Songs for a fourth week (35.8 million, essentially even week-over-week). It leads the Hot Country Songs chart, which uses the same methodology as the Hot 100, for an eighth week, as parent album One Thing at a Time controls the Billboard 200 for a fourth week.

SZA’s “Kill Bill” descends 3-4 on the Hot 100, following seven weeks at its No. 2 high. It tops the multi-metric Hot R&B/Hip-Hop Songs and Hot R&B Songs charts for a 15th week each.

Metro Boomin, The Weeknd and 21 Savage’s “Creepin’” retreats 4-5 on the Hot 100, after reaching No. 3; The Weeknd and Ariana Grande’s “Die for You” dips 5-6, four weeks after it reigned; and PinkPantheress and Ice Spice’s “Boy’s a Liar, Pt. 2” backtracks 6-7, after hitting No. 3.

Rema and Selena Gomez’s “Calm Down” holds at its No. 8 Hot 100 high. It tops the Billboard U.S. Afrobeats Songs chart for a 31st week, extending the longest domination since the survey began a year ago (in partnership with music festival and global brand Afro Nation).

Rounding out the Hot 100’s top 10, Taylor Swift’s “Anti-Hero” falls 7-9, following a personal-best eight weeks at No. 1 in November-January, and Coi Leray’s “Players” places at No. 10, a week after entering the tier at No. 9. “Players” leads the multi-metric Hot Rap Songs chart for a third week.

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated April 8), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (April 4).

Source: billboard.com

Plus: Jimin, Lana Del Rey, Luke Combs and Fall Out Boy debut in top 10.

Morgan Wallen’s One Thing at a Time logs a fourth straight and total week atop the Billboard 200 albums chart (dated April 8). The title earned 197,000 equivalent album units in the United States in the week ending March 30 (down 6%), according to Luminate. One Thing at a Time debuted at No. 1 on the chart dated March 18 and has held the top spot ever since.

Across Wallen’s two No. 1 albums on the Billboard 200 — One Thing at a Time and Dangerous: The Double Album — he has now spent a total of 14 weeks atop the chart. That ties Bad Bunny for the second-most weeks at No. 1 this decade, trailing only Taylor Swift’s 20 weeks (across five No. 1s). Bad Bunny’s 14 total weeks at No. 1 has come from two chart-toppers: Un Verano Sin Ti (13 weeks) and El Ultimo Tour del Mundo (one week).

The last album by a male act to spend its first four weeks at No. 1 was Wallen’s own Dangerous, which spent 10 weeks in total atop the chart — all from its debut week (Jan. 23-March 27, 2021).

Also in the top 10 of the new Billboard 200 chart, BTS’ Jimin bows at No. 2 with his debut solo album, FACE; Lana Del Rey notches her ninth top 10 with the No. 3 arrival of Did You Know That There’s a Tunnel Under Ocean Blvd; Luke Combs claims his fifth top 10 set with the No. 4 debut of Gettin’ Old; and Fall Out Boy achieves its seventh top 10 effort with the No. 6 launch of So Much (for) Stardust.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new April 8, 2023-dated chart will be posted in full on Billboard‘s website on April 4. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of One Thing at a Time’s 197,000 equivalent album units earned in the week ending March 30, SEA units comprise 177,500 (down 8%, equaling 235.76 million on-demand official streams of the set’s 36 songs), album sales comprise 17,000 (up 36%) and TEA units comprise 2,500 (down 14%).

BTS’ Jimin sees his first solo album, FACE, bow at No. 2 on the Billboard 200. The last artist to enter as high with a first charting effort was Olivia Rodrigo, with Sour, which debuted at No. 1 on the June 5, 2021-dated chart.

FACE was led by Jimin’s first top 40-charting song as a soloist on the Billboard Hot 100, “Set Me Free, Pt. 2,” which debuted at No. 30 on the April 1-dated chart. FACE, performed largely in the Korean language, includes six total cuts: “Face-off,” “Interlude: Drive,” “Like Crazy,” “Alone,” “Set Me Free, Pt. 2” and “Like Crazy (English Version).”

FACE starts with 164,000 equivalent album units earned — the second-largest debut week of 2023 after Wallen’s One Thing at a Time’s launch of 501,000 units. Of FACE’s opening-week sum, album sales comprise 124,000 — marking the third-biggest sales week of 2023 and the largest for a solo act this year). SEA units comprise 13,500 (equaling 19.51 million on-demand official streams of the set’s songs).

TEA units comprise 26,500, the largest TEA figure for any album in four months. Most of FACE’s TEA units come from the album’s current single, “Like Crazy” — which was available in five different versions (the album version — performed in the Korean language, an English-language version, two dance remixes and an instrumental) during the tracking week. All versions of the song are combined for tracking and charting purposes.

The last time an album had a bigger TEA figure in a single week when Swift’s Midnights tallied 34,000 TEA units on the Nov. 19, 2022 chart, after she released seven new hot-selling remixes of “Anti-Hero” (joining its two previously released versions — an original version and an instrumental).

Like many K-pop releases, the CD edition of FACE was issued in five collectible CD packages (including exclusives for Target and the Weverse webstore) each containing a standard set of items and randomized elements (photo cards and postcards). It was also available as a standard digital download album, plus two late-in-the-week alternative cover digital download variants that were sold exclusively through his official webstore. 79% of FACE’s first-week sales were CDs, while the remaining 21% were digital album downloads.

Jimin is the third member of seven-member South Korean pop group BTS to chart on the Billboard 200, following RM and J-Hope, who have each placed two albums on the chart. RM’s Indigo peaked at No. 3 in December 2022 and Mono. hit No. 26 in 2018. J-Hope’s Jack in the Box reached No. 17 in July 2022 and Hope World hit No. 38 in 2018.

BTS announced that it was taking a break last summer — and since then — three of its members have released solo albums (FACE, RM’s Indigo and J-Hope’s Jack in the Box). FACE is the first of the three to have CDs available the same day that the album was released to streaming services and as a digital download. J-Hope’s Jack in the Box has not been issued on CD, while RM’s Indigo got a CD release two weeks after its streaming and digital debut. (Indigo debuted on the Billboard 200 at No. 15, fell off the chart the following week, and re-entered the next week at its peak of No. 3 — powered by its CD sales).

K-pop artists typically sell well with CD albums, bolstered by their collectability. In 2022, seven of the year’s top 10-selling albums on CD in the U.S. were K-pop releases, including the year’s No. 2-seller, BTS’ retrospective compilation Proof. Further, BTS was the No. 2-selling act on the CD album format in 2022, with 917,000 copies sold of its albums on CD last year. (Swift was 2022’s top-selling artist in terms of CD albums, with 923,000 sold. She also profits from the collectability of her CDs. Her most recent album, 2022’s Midnights, was issued in a range of CD iterations — including autographed editions.)

Lana Del Rey collects her ninth top 10-charting album on the Billboard 200 as Did You Know That There’s a Tunnel Under Ocean Blvd debuts at No. 3. The set earned 115,000 equivalent album units in its opening week. Of that sum, album sales comprise 87,000, SEA units comprise 28,000 (equaling 36.14 million on-demand official streams of the set’s songs — Del Rey’s biggest streaming week yet) and TEA units comprise a negligible sum.

Of the set’s first-week sales, vinyl LPs comprise 67% (58,500 — the largest sales week for a vinyl album in 2023 and Del Rey’s best sales week on vinyl ever). Did You Know was issues in six vinyl variants: a standard black vinyl, a picture disc and four color vinyl editions (pink, green, red and white) all with different covers, exclusive to Amazon, independent retailers, Target and her webstore, respectively. Did You Know was also issued in nine CD iterations (a standard edition, four with alternative covers, and four deluxe boxed sets exclusive to her webstore containing either a T-shirt and a CD or a hoodie and a CD). Del Rey even dropped the album on cassette tape — in five different color variants (black, white, pink, green and red).

Did You Know was previewed by three charting tracks on the Hot Rock & Alternative Songs chart: the title track (peaking at No. 23 in December), “A&W” (No. 10 in March) and “The Grants” (No. 45 on the April 1 chart).

Luke Combs arrives at No. 4 on the Billboard 200 with Gettin’ Old. It follows his 2022 release Growin’ Up, which debuted and peaked at No. 2. The new 18-song set is Combs’ fifth top 10, all earned consecutively, on the chart.

Gettin’ Old starts with 101,000 equivalent album units earned in its first week — surpassing the 74,000-unit bow of Growin’ Up. Of the new set’s first-week sum, SEA units comprise 66,000 (equaling 85.4 million on-demand official streams of the set’s 18 songs — Combs’ biggest streaming week ever and the third-biggest overall streaming debut of 2023), album sales comprise 32,500 and TEA units comprise 2,500.

Gettin’ Old was supported by eight physical variants of the album — two CDs (a standard version and a signed edition exclusive to his webstore), five vinyl LPs (standard black, a deluxe black edition containing a slipmat [either signed or unsigned, exclusive to his webstore], an opaque white-colored edition exclusive to Amazon and a blue-colored edition exclusive to Walmart), and a red-colored cassette tape.

Gettin’ Old is the second country album of 2023 to score a 100,000-unit-plus week, following the opening frame of Wallen’s One Thing at a Time (501,000). No country albums in 2022 posted a 100,000-plus week. In 2021, Swift’s Fearless (Taylor’s Version) and Red (Taylor’s Version) and Wallen’s Dangerous all landed multiple 100,000-plus weeks.

Gettin’ Old was led by four charting tracks on the Hot Country Songs chart: “Growin’ Up and Gettin’ Old” (No. 20), “Love You Anyway” (No. 3), “Joe” (No. 22) and “5 Leaf Clover” (No. 15) — all through the most recently published list dated April 1.

With the Nos. 1-4 albums all exceeding 100,000 units earned on the latest chart, it’s the first time since the Aug. 8, 2020-dated list that four albums have cleared 100,000 units in a single week.

SZA’s former No. 1 SOS falls 2-5 on the new Billboard 200, earning 70,000 equivalent album units (down 3%).

Fall Out Boy’s So Much (for) Stardust debuts at No. 6 on the Billboard 200 with 64,000 equivalent album units earned, earning the band its seventh top 10-charting set. The new set is the group’s first new studio album since 2018’s chart-topping MANIA.

Of Stardust’s first-week units, album sales comprise 49,000, SEA units comprise 14,500 (equaling 18.65 million on-demand official streams of the set’s songs) and TEA units comprise 500. Stardust was supported by a hefty number of physical formats — one standard CD, two cassettes, nine stand-alone vinyl LPs in assorted colors, eight deluxe vinyl boxed sets (each containing a different color vinyl LP and branded merchandise) and 11 deluxe CD boxed sets (seven containing a CD edition of the album and branded merch — and four consisting of an autographed CD along with merch).

In February, Stardust’s lead single “Love From the Other Side” became Fall Out Boy’s first-ever No. 1 on the Alternative Airplay chart — nearly 18 years after the band’s debut on the tally in 2005. The band had previously gone as high as No. 2 with “Dance, Dance” in 2006.

Rounding out the top 10 of the new Billboard 200 are four former No. 1s: Midnights falls 3-7 (59,000 equivalent album units; down 4%), Metro Boomin’s Heroes & Villains is a non-mover at No. 8 (45,000; up 14%), Wallen’s Dangerous dips 7-9 (43,000; up 3%) and Karol G’s Mañana Será Bonito descends 6-10 (40,000; down 12%).

Source: billboard.com

“Flowers” logs an eighth week at No. 1, while “Players” jumps to No. 9 and “Rock and a Hard Place” rises to No. 10.

Miley Cyrus’ “Flowers” adds an eighth week at No. 1 on the Billboard Hot 100 songs chart.

Meanwhile, two acts notch their first Hot 100 top 10s: Coi Leray’s “Players” pushes 12-9 and Bailey Zimmerman’s “Rock and a Hard Place” rolls 11-10.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated April 1, 2023) will update on Billboard.com tomorrow (March 28). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.

“Flowers,” released on Smiley Miley/Columbia Records, drew 107.9 million radio airplay audience impressions (up 1%) and 24.7 million streams (down 12%) and sold 11,000 (down 26%) March 17-23, according to Luminate.

“Flowers” claims a sixth week at No. 1 on the Radio Songs chart and falls 2-4 on Streaming Songs and 2-7 on Digital Song Sales, after it ruled the rankings for four and five weeks, respectively.

The song, from Cyrus’ new album Endless Summer Vacation, debuted at No. 1 on the Hot 100 dated Jan. 28 and spent its first six weeks on the chart at the summit; it then ranked at No. 2 for two weeks and has since logged its latest two frames on top.

Morgan Wallen’s “Last Night” holds at No. 2 on the Hot 100, two weeks after it hit No. 1, as it tops Streaming Songs for a third week (35.9 million, down 8%). It leads the Hot Country Songs chart, which uses the same methodology as the Hot 100, for a seventh week, as parent album One Thing at a Time commands the Billboard 200 for a third frame.

SZA’s “Kill Bill” keeps at No. 3 on the Hot 100 after seven weeks at its No. 2 high. It tops the multi-metric Hot R&B/Hip-Hop Songs and Hot R&B Songs charts for a 14th frame each.

Metro Boomin, The Weeknd and 21 Savage’s “Creepin’ ” rises 5-4 on the Hot 100, after reaching No. 3; The Weeknd and Ariana Grande’s “Die for You” retreats 4-5, three weeks after it reigned; PinkPantheress and Ice Spice’s “Boy’s a Liar, Pt. 2” holds at No. 6, after hitting No. 3; and Taylor Swift’s “Anti-Hero” is steady at No. 7, following a personal-best eight weeks at No. 1 in November-January.

Rema and Selena Gomez’s “Calm Down” is stationary at its No. 8 Hot 100 high and ascends to the Radio Songs top 10 (11-9; 49.6 million, up 12%). Rema achieves his first Radio Songs top 10, while Gomez earns her ninth, following “Lose You to Love Me” (No. 5, December 2019); “Back to You” (No. 5, October 2018); “It Ain’t Me,” with Kygo (No. 4, May 2017); “Hands to Myself” (No. 7, April 2016); “Same Old Love” (No. 3, January 2016); “Good for You,” featuring A$AP Rocky (No. 4, September 2015); “The Heart Wants What It Wants” (No. 9, February 2015); and “Come & Get It” (No. 6, July 2013).

The track concurrently tops the Billboard U.S. Afrobeats Songs chart for a milestone 30th week – extending the longest reign since the survey began almost a year ago (in partnership with music festival and global brand Afro Nation).

Coi Leray’s “Players” surges 12-9 on the Hot 100, with 58.5 million in airplay audience (up 11% – good for top Airplay Gainer honors), 10.5 million streams (up 3%) and 4,000 sold (up 5%).

Leray, who was born in Boston and raised in Hackensack, N.J. – and presented SZA as the 2023 Woman of the Year at the Billboard Women in Music celebration March 1 – posts her first Hot 100 top 10, following two top 40 entries: “Blick Blick!,” with Nicki Minaj (No. 37, April 2022), and “No More Parties,” featuring Lil Durk (No. 26, March 2021).

“Players” samples Grandmaster Flash’s classic “The Message,” which hit No. 4 on Hot R&B/Hip-Hop Songs (and No. 62 on the Hot 100) in 1982. “I feel like this record was to connect the new with the old,” Leray recently told Billboard. “There’s a lot of older cats and OGs … and it just feels good to bring everybody together. Whether you’re 10, 2, 80 or 30, everyone’s bopping, and those are the moments I love.”

“Players” also tops the multi-metric Hot Rap Songs chart for a second week.

Rounding out the Hot 100’s top 10, Bailey Zimmerman’s “Rock and a Hard Place” lifts 11-10 – as with Leray, becoming his first top 10 among three top 40 hits – with 35.8 million in airplay audience (essentially even week-over-week), 15.3 million streams (up 3%) and 3,000 sold (up 9%).

The track hits the top 10 in its 41st week on the Hot 100 – rewriting the record for the longest climb to the top 10 for a song by a soloist in the chart’s history. Among all acts, only Glass Animals’ “Heat Waves” took longer, reaching the tier in its 42nd week in November 2021. Now in third place overall, Zach Bryan’s “Something in the Orange,” Nat King Cole’s “The Christmas Song (Merry Christmas to You)” (both this January) and Carrie Underwood’s “Before He Cheats” (2007) all completed 38-week trips to the top 10.

As previously reported, “Rock and a Hard Place” becomes the Louisville, Ind., native’s second No. 1 on the Country Airplay chart, after “Fall in Love” led for a week in December. Notably (and unlike the far steadier climb for “Rock” on the Hot 100, where it was first driven most heavily by streaming), his three-month, three-week span between his first two Country Airplay leaders is the quickest for any act’s first two in nearly a quarter-century – since The Chicks took three months between “There’s Your Trouble” and “Wide Open Spaces” in August-November 1998.

“In my wildest dreams, I never thought I’d see my name or any of my songs on the Billboard charts, so the fact that I’ve now had two reach the No. 1 spot is mind-blowing,” Zimmerman says. “Thanks to everyone who has supported me and my music. I owe everything to y’all.”

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated April 1), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (March 28).

Source: billboard.com

Plus: U2 collects its 13th top 10-charting album with “Songs of Surrender.”

Morgan Wallen’s One Thing at a Time notches a third straight week at No. 1 on the Billboard 200 albums chart (dated April 1). The set earned 209,500 equivalent album units in the United States in the week ending March 23 (down 19%), according to Luminate. It debuted at No. 1 with 501,000 units, then tallied 259,000 in its second frame.

In the last 12 months, only two albums have exceeded 200,000 units in each of their first three weeks: One Thing at a Time and Taylor Swift’s Midnights (which surpassed 200,000 in each of its first four weeks).

The last album by a male act to spend its first three weeks at No. 1 on the Billboard 200 was Drake’s Certified Lover Boy, which also spent its first three frames atop the list (Sept. 18-Oct. 2, 2021-dated charts).

Further, in the last 10 years, only two country albums have clocked at least three weeks at No. 1 on the Billboard 200 and both are by Wallen: One Thing at a Time, his last album, Dangerous: The Double Album (10 weeks at No. 1 in 2021). (Country albums are considered those that have hit or are eligible for Billboard’s Top Country Albums chart.)

Also in the top 10 of the new Billboard 200 chart, U2 collects its 13th top 10-charting effort, as Songs of Surrender debuts at No. 5. The retrospective sees U2 revisiting its own catalog, re-recording and re-interpreting familiar hit songs from the band’s career. Among the tracks including on the project: “Where the Streets Have No Name,” “One,” “Pride (In the Name of Love)” and “I Will Follow.”

Plus, U2 becomes only the fourth group with a newly-charting top 10 title on the Billboard 200 albums chart in the 1980s, ‘90s, 2000s, ‘10s and now the ‘20s.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new April 1, 2023-dated chart will be posted in full on Billboard‘s website on March 28. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of One Thing at a Time’s 209,500 equivalent album units earned in the week ending March 23, SEA units comprise 194,000 (down 17%, equaling 256.13 million on-demand official streams of the set’s 36 songs), album sales comprise 12,500 (down 41%) and TEA units comprise 3,000 (down 12%).

SZA’s chart-topping SOS climbs 4-2 on the Billboard 200 with 72,000 equivalent album units earned (though down 5%), while Swift’s former leader Midnights jumps 6-3 with 61,000 units (up 31%) following her Eras Tour launch on March 17. Miley Cyrus’ Endless Summer Vacation falls 3-4 in its second week with 49,000 units (down 59%).

U2’s Songs of Surrender debuts at No. 5 on the Billboard 200 with 46,500 equivalent album units earned. Of that sum, album sales comprise 42,000, SEA units comprise 4,000 equaling 4.99 million on-demand official streams of the set’s tracks) and TEA units comprise 500. The retrospective re-records project is available in multiple editions, including a standard 16-track edition, a 20-track deluxe and a 40-track super deluxe (with the latter divided into four 10-track chapters named after each band member: Bono, Adam Clayton, The Edge and Larry Mullen Jr.). Sales were also aided by a dozen vinyl variants of the album, including exclusive editions sold by Amazon, Target and independent retailers.

U2 is the fourth group to achieve a newly-charting top 10 album on the Billboard 200 chart in the 1980s, ‘90s, 2000s, ‘10s and now the ‘20s. The quartet joins AC/DC, Def Leppard and Metallica.

Rounding out the top 10 of the new Billboard 200 are five former No. 1s: Karol G’s Mañana Será Bonito (5-6 with 45,000 equivalent album units earned; down 15%); Dangerous: The Double Album (a non-mover at No. 7 with 42,000; down 2%); Metro Boomin’s Heroes & Villains (holding at No. 8 with 40,000; up 3%); Drake and 21 Savage’s Her Loss (10-9 with 38,000; up 12%); and Bad Bunny’s Un Verano Sin Ti (9-10 with 37,000; up 1%).

Source: billboard.com