Plus: Eminem and Dr. Dre return to the top 10 following Super Bowl halftime show.

The Encanto soundtrack stays firm at No. 1 on the Billboard 200 chart for a sixth nonconsecutive week on top. It is now tied with Adele’s 30 for the third-most weeks at No. 1 in the last five years. Only Morgan Wallen’s Dangerous: The Double Album (with 10) and Taylor Swift’s Folklore (eight) have tallied more weeks at No. 1 since January 2017.

Encanto earned 98,000 equivalent album units in the U.S. in the week ending Feb. 17 (down 11%), according to MRC Data.

Plus, Eminem’s Curtain Call: The Hits and Dr. Dre’s Dr. Dre – 2001 albums both return to the top 10, following the artists’ performance during the Super Bowl LVI halftime show on Feb. 13.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by MRC Data. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Feb. 26, 2022-dated chart will be posted in full on Billboard‘s website on Feb. 23 (one day later than usual, due to the Presidents’ Day holiday in the U.S. on Feb. 21). For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of Encanto’s 98,000 equivalent album units earned, SEA units comprise 83,000 (down 9%, equaling 123.44 million on-demand official streams of the set’s songs), album sales comprise 12,500 (down 25%) and TEA units comprise 2,500 (down 8%).

A trio of former No. 1s trail Encanto, as Gunna’s DS4Ever holds at No. 2 with 46,000 equivalent album units earned (down 3%), Wallen’s Dangerous: The Double Album rises 4-3 with 42,000 units (up 3%) and Drake’s Certified Lover Boy climbs 7-4 with 34,000 units (though down 3%).

The Weeknd’s compilation The Highlights bumps 8-5 with 33,000 equivalent album units earned (down 2%), Doja Cat’s Planet Her ascends 10-6 with 31,000 units (down 2%) and Adele’s 30 moves 9-7 with nearly 31,000 units (down 3%).

Eminem and Dr. Dre return to the top 10 on the Billboard 200, following their co-headlining performance during the Super Bowl halftime show on Feb. 13. Eminem’s former No. 1 Curtain Call: The Hits vaults from 126-8 with almost 31,000 equivalent album units earned (up 256%) while Dr. Dre’s Dr. Dre – 2001 zooms 108-9 with 30,500 units (up 220%). Eminem and Dr. Dre starred in the halftime show alongside Snoop Dogg, Mary J. Blige and Kendrick Lamar, with special guests 50 Cent and Anderson .Paak.

Curtain Call returns to the top 10 for the first time since the March 11, 2006 chart, when it ranked at No. 8. It debuted atop the Billboard 200 dated Dec. 24, 2005. Dr. Dre – 2001 debuted and peaked at No. 2 on the Dec. 4, 1999-dated chart and was last in the top 10 on the May 13, 2000, list (No. 9).

During the halftime show, Eminem performed “Lose Yourself,” which is featured on Curtain Call, while three tracks included on Dr. Dre – 2001 were also performed during halftime: “The Next Episode,” “Forgot About Dre” and “Still D.R.E.”

Of Curtain Call’s 31,000 equivalent album units earned, SEA units comprise 26,000 (up 227%, equaling 37.67 million on-demand official streams of the set’s songs), album sales comprise 1,500 (up 267%) and TEA units comprise 3,500 (up 1,015%). As for Dr. Dre – 2001’s 30,500-unit total, SEA units comprise 21,500 (up 168%, equaling 30.56 million on-demand official streams of the album’s songs), album sales comprise 4,000 (up 323%) and TEA units comprise 5,000 (up 860%).

Closing out the top 10 on the Billboard 200 is Olivia Rodrigo’s former No. 1, Sour, rising 12-10 with just over 30,000 equivalent album units earned (up 1%).

Source: billboard.com

Plus, Nicki Minaj and Lil Baby’s “Do We Have a Problem?” launches at No. 2 and Justin Bieber’s “Ghost” hits the top 10, rising to No. 9.

“We Don’t Talk About Bruno,” from Disney’s hit animated film Encanto, tops the Billboard Hot 100 songs chart for a third week.

The ensemble song – by Carolina Gaitán, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz and the Encanto Cast (all singing as the characters that they voice in the movie) – ties for the most weeks at No. 1 on the Hot 100 ever for a hit from a Disney movie, animated or live-action, matching the three-week reign of “All for Love,” by Bryan Adams, Rod Stewart and Sting, from The Three Musketeers, in 1994.

Plus, Nicki Minaj and Lil Baby’s “Do We Have a Problem?” soars onto the Hot 100 at No. 2 and Justin Bieber’s “Ghost” reaches the top 10, ascending to No. 9.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated Feb. 19, 2022) will update on Billboard.com tomorrow (Feb. 15). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.

In the Feb. 4-10 tracking week, “Bruno,” according to MRC Data, tallied 35.6 million U.S. streams (down 5%), 5.5 million radio airplay audience impressions (up 53%) and 8,400 downloads sold (down 38%; it was aided by 69-cent discount pricing in the iTunes Store the prior two weeks).

The track tops the Streaming Songs chart for a sixth week and holds at No. 2 on Digital Song Sales, three weeks after it topped the latter list.

Record-tying domination for a Disney movie song:  Two weeks ago, among other achievements, “Bruno” became the first Hot 100 No. 1 released on Walt Disney Records; the first leader for its sole writer, Lin-Manuel Miranda; and the second No. 1 from a Disney animated film, after Peabo Bryson and Regina Belle’s “A Whole New World,” from Aladdin, led for a week (March 6, 1993).

As “Bruno” reigns for a third frame, it adds more history, tying for the longest Hot 100 command for a song from any Disney movie, animated or live-action, equaling the three-week reign of “All for Love,” by Bryan Adams, Rod Stewart and Sting, from the live-action The Three Musketeers, in January-February 1994.

Here’s a recap of the highest-charting Hot 100 hits from Disney movies, animated and live-action combined:

Peak position, Year Title, Artist, Disney production (* denotes live-action film) (Label)
No. 1 (three weeks to-date), 2022, “We Don’t Talk About Bruno,” Carolina Gaitán, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz & Encanto Cast, Encanto (Walt Disney)
No. 1 (three weeks), 1994, “All for Love,” Bryan Adams/Rod Stewart/Sting, The Three Musketeers* (A&M)
No. 1 (one), 1993, “A Whole New World,” Peabo Bryson & Regina Belle, Aladdin (Columbia)
No. 4, 2009, “The Climb,” Miley Cyrus, Hannah Montana: The Movie* (Walt Disney/Hollywood)
No. 4, 2006, “Breaking Free,” Zac Efron, Andrew Seeley & Vanessa Anne Hudgens, High School Musical* (Walt Disney)
No. 4, 1995, “Colors of the Wind,” Vanessa Williams, Pocahontas (Hollywood)
No. 4, 1994, “Can You Feel the Love Tonight,” Elton John, The Lion King (Hollywood)
No. 5, 2014, “Let It Go,” Idina Menzel, Frozen (Walt Disney)

Most weeks at No. 1 for Disney Music Group: While “Bruno” is the first Hot 100 No. 1 for Walt Disney Records, it’s the second for the Disney Music Group, which includes the Walt Disney Records and Hollywood Records labels. “Bruno” now claims the longest reign outright for a Disney Music Group hit, passing its sole other leader to-date: Hollywood release “Hey There Delilah” by Plain White T’s led for two weeks in July-August 2007.

Soundtrack & song No. 1 for third week simultaneously: As “Bruno” tops the Hot 100 for a third week, its parent album, the Encanto soundtrack, crowns the Billboard 200 albums chart for a fifth week (and fourth in a row), with 110,000 equivalent album units (down 2%).

Encanto and “Bruno” mark the first soundtrack and corresponding song to have led the Billboard 200 and Hot 100 simultaneously for at least three weeks in over 26 years, since Dangerous Minds and Coolio’s “Gangsta’s Paradise,” featuring L.V., aligned atop the respective rankings dated Sept. 9, 16 and 23, 1995.

Nicki Minaj and Lil Baby’s “Do We Have a Problem?” bounds onto the Hot 100 at No. 2, with 24.4 million streams, 3.7 million in radio reach and 48,000 sold in its first week, following its Feb. 4 release.

Minaj adds her 20th Hot 100 top 10. She’s the 22nd artist to reach the milestone over the chart’s history (which dates to 1958), and the seventh woman, after Madonna (38), Rihanna (31), Taylor Swift (30), Mariah Carey (28), Janet Jackson (27) and Whitney Houston (23). Drake leads all acts with 54 top 10s.

In Minaj’s two most recent trips to the Hot 100’s top 10 before “Problem,” she earned her first two No. 1s: as featured on Doja Cat’s “Say So,” which topped the May 16, 2020-dated chart, and with 6ix9ine on “Trollz,” which bowed atop the June 27, 2020, chart.

Lil Baby notches his ninth Hot 100 top 10 and ties his best rank and debut: he previously began at No. 2 as featured on two Drake tracks: “Wants and Needs” (March 2021) and “Girls Want Girls” (September 2021).

“Problem” concurrently starts atop Digital Song Sales (via three versions: its original mix, a clean edit and its instrumental track), where it’s Minaj’s ninth No. 1 and Lil Baby’s first, and No. 2 on Streaming Songs. It also premieres at No. 1 on the Hot R&B/Hip-Hop Songs and Hot Rap Songs charts, both of which use the same multi-metric methodology as the Hot 100; Minaj posts her seventh leader on each genre list and Lil Baby lands his first.

Adele’s “Easy on Me” descends 2-3 on the Hot 100, after 10 weeks on top, as it tied “Hello” in 2015-16 for her personal-best reign, among her five No. 1s. “Easy” leads the Radio Songs chart for a 12th week (85.3 million, down 4%), passing “Hello” for her longest stay atop the airplay tally, also among her five No. 1s.

Glass Animals’ “Heat Waves” drops to No. 4 on the Hot 100 from its No. 3 high. The track also tops the multi-metric Hot Rock & Alternative Songs and Hot Alternative Songs charts for a 21st week each and hits No. 1 on Adult Pop Airplay; it previously led Alternative Airplay for three weeks and Pop Airplay for two frames.

The Kid LAROI and Justin Bieber’s “Stay” slips 4-5 on the Hot 100, after seven weeks at No. 1; Kodak Black’s “Super Gremlin” falls to No. 6 from its No. 5 high; GAYLE’s “abcdefu” backtracks to No. 7 from its No. 6 best, as it wins the chart’s top Airplay Gainer award for a third week (52.9 million, up 15%); and Ed Sheeran’s “Shivers” slides 7-8, after hitting No. 4.

Justin Bieber’s “Ghost” reaches the Hot 100’s top 10, rising 12-9. The song drew 62 million airplay impressions (up 6%) and 7.9 million streams (up 8%) and sold 3,400 (up 20%) in the tracking week. It lifts 5-4 on Radio Songs, 24-17 on Digital Song Sales and 40-36 on Streaming Songs.

Bieber banks his 26th Hot 100 top 10, pushing him into a solo share of the 11th-most top 10s in the chart’s history.

“Ghost” was released on Bieber’s album Justice, which in April 2021 debuted as his eighth Billboard 200 No. 1. As it enters the Hot 100’s top 10 in its 20th week on the chart, it completes his longest trek to the tier, surpassing the 18-week journey of Skrillex and Diplo’s No. 8-peaking “Where Are Ü Now,” featuring Bieber, in 2015. (Of Bieber’s 26 top 10s, 17 have debuted in the top 10.)

Rounding out the Hot 100’s top 10, Jessica Darrow’s “Surface Pressure,” from Encanto, retreats to No. 10 from its No. 8 high.

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated Feb. 19), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (Feb. 15).

Source: billboard.com

Plus: Yo Gotti and Mitski score their highest charting albums ever on the Billboard 200 with their latest releases.

Walt Disney Records’ Encanto soundtrack spends its fifth nonconsecutive week at No. 1 on the Billboard 200 albums chart, becoming the soundtrack with the most weeks atop the chart since Disney’s own Frozen ruled for 13 nonconsecutive weeks in 2014.

With their totals at No. 1 (so far), Frozen and Encanto boast the most, and second-most, weeks at No. 1, respectively, among soundtracks in the 21st century.

Encanto earned 110,000 equivalent album units in the U.S. in the week ending Feb. 10 (down 2%), according to MRC Data.

Also in the top 10, both Yo Gotti and Mitski land their highest-charting albums ever on the Billboard 200, as the former’s CM10: Free Game debuts at No. 3 and the latter’s Laurel Hell arrives at No. 5.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by MRC Data. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Feb. 19, 2022-dated chart will be posted in full on Billboard‘s website on Feb. 15. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of Encanto’s 110,000 equivalent album units earned, SEA units comprise 91,000 (down 3%, equaling 134.82 million on-demand official streams of the set’s songs), album sales comprise 17,000 (up 5%) and TEA units comprise 2,000 (down 28%).

Encanto continues to be powered largely by streaming activity for its songs, including its five top 40-charting hits on the Billboard Hot 100: “We Don’t Talk About Bruno” (which spent its second week atop the most recently published list, dated Feb. 12), “Surface Pressure,” “The Family Madrigal,” “What Else Can I Do?” and the Academy Award-nominated “Dos Oruguitas.”

Notably, Encanto is one of only six soundtracks to spend at least five weeks at No. 1 on the Billboard 200 in the last 30 years. Before Encanto, there was Frozen (13 weeks, 2014), Titanic (16, 1998), Waiting to Exhale (five, 1996), The Lion King (10, 1994-95) and the Whitney Houston-led The Bodyguard (20, 1992-93). (Before that, the last soundtrack with at least five weeks at No. 1 was Prince’s Batman in 1989, with six weeks at No. 1.) The soundtrack — and overall album — with the most weeks at No. 1 is West Side Story, with 54 weeks atop the list in 1962-63.

Back on the new Billboard 200, Gunna’s former No. 1 DS4Ever rises 3-2 with 47,000 equivalent album units earned (though down 13%).

Yo Gotti achieves his highest charting album ever on the Billboard 200, as CM10: Free Game debuts at No. 3 with 46,000 equivalent album units earned. It’s the rapper’s fifth top 10 on the chart and surpasses his previous high of No. 4 with The Art of the Hustle in 2016.

Of CM10: Free Game’s 46,000 units earned, SEA units comprise 30,000 (equaling 43.06 million on-demand official streams of the set’s songs), album sales comprise 15,000 and TEA units comprise a negligible sum. On Feb. 4, CM10: Free Game was initially released in two versions: an 11-song edition and a 22-song version (both containing the same core 11 songs). On Feb. 7, a 25-song deluxe edition of the album was released with three bonus tracks.

Morgan Wallen’s chart-topping Dangerous: The Double Album is a non-mover at No. 4 on the Billboard 200 with 41,000 equivalent album units earned (up 1%).

Mitski’s Laurel Hell arrives at No. 5 on the Billboard 200, marking the highest-charting album ever for the singer-songwriter, and first to reach the top 40. The new album is Mitski’s sixth full-length studio set and first since she became wildly popular on TikTok. (Mitski’s last album was released in 2018.)

Laurel Hell was released on Feb. 4 via the record label Dead Oceans, and launches with 36,000 equivalent album units earned. Of that sum, album sales comprise 24,000 (making it the top-selling album of the week), SEA units comprise 12,000 (equaling 15.63 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum. Laurel Hell also captures career-high weeks for Mitski, both in terms of units earned and album sales.

Notably, Laurel Hell sold nearly 17,000 copies on vinyl LP — the largest vinyl sales week for any album released in 2022, and largest vinyl debut for an album by a female artist since Adele’s 30 launched with 35,000 (Dec. 4, 2021-dated chart).

Mitski previously charted just one album on the Billboard 200, with Be the Cowboy spending one week at No. 52 in 2018. (It also peaked at No. 6 on Top Alternative Albums and No. 7 on Top Rock Albums.) Mitski made her Billboard album chart debut in 2016 with Puberty 2 on a range of charts, including Top Alternative Albums and Top Rock Albums (peaking at Nos. 19 and 32, respectively).

Mitski also recently snared her first top 10 any Billboard song chart, as the new album’s “The Only Heartbreaker” has hit No. 8 on the Adult Alternative Airplay chart (on the lists dated Feb. 5 and 12).

Laurel Hell is also the first top 10 album on the Billboard 200 for Dead Oceans, and the fourth to reach the top 40. The label’s previous high came in 2020 with Khruangbin’s No. 31-peaking Mordechai (released via Night Time Stories/Dead Oceans).

Rounding out the new top 10 on the Billboard 200 are The Weeknd’s Dawn FM (falling 2-6 with 35,000 equivalent album units; down 49%), Drake’s chart-topping Certified Lover Boy (holding at No. 7 with nearly 35,000; up 1%), The Weeknd’s compilation The Highlights (steady at No. 8 with 34,000; up 2%), Adele’s former leader 30 (6-9 with 32,000; down 7%) and Doja Cat’s Planet Her (9-10 with 32,000; down 2%).

The Weeknd has now gone five straight weeks with two albums concurrently in the top 10. He’s the first to do so since early 2017, when Pentatonix strung together five weeks in a row with a pair of albums in the top 10 (Dec. 17, 2016 — Jan. 14, 2017; with two holiday efforts — That’s Christmas To Me and A Pentatonix Christmas). Excluding Christmas/holiday albums, Justin Bieber was the last to manage the feat, with five straight weeks in the top 10 from April 10-May 8, 2010, with My World and My World 2.0. (In 2010, the Billboard 200 was ranked solely by traditional album sales. It did not transition to become an equivalent album units ranked chart until Dec. 2014.)

Source: billboard.com

The song is the first multi-weekly leader for an animated Disney hit; reaches new highs in streaming, sales and radio airplay; and enters its first airplay charts.

“We Don’t Talk About Bruno,” from Disney’s Encanto, casts its spell atop the Billboard Hot 100 songs chart for a second week.

The ensemble song – by Carolina Gaitán, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz and the Encanto Cast (all singing as the characters that they voice in the movie) – becomes the first song from a Disney animated film to lead the Hot 100 for multiple weeks. It one-ups the only other such song to have reigned: Peabo Bryson and Regina Belle’s Aladdin theme “A Whole New World,” which spent a week at No. 1 in 1993.

Meanwhile, “Bruno” logs its highest weekly totals yet in streaming, sales and radio airplay, as it reaches its first airplay charts: Pop Airplay and Adult Pop Airplay.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated Feb. 12, 2022) will update on Billboard.com tomorrow (Feb. 8). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.

New highs in streams, airplay & sales: “Bruno” drew new weekly bests of 37.6 million U.S. streams (up 8%), 3.6 million radio airplay audience impressions (up 132%) and 13,600 downloads sold (up 10%, aided by 69-cent discount pricing in the iTunes Store, and good for the Hot 100’s top Sales Gainer trophy for a second straight week) in the Jan. 28-Feb. 3 tracking week, according to MRC Data.

The track tops the Streaming Songs chart for a fifth week and rises 3-2 on Digital Song Sales, two weeks after it led the latter list.

Record domination for a Disney animated movie song: A week ago, among other feats, “Bruno” became the first Hot 100 No. 1 released on Walt Disney Records; the first leader for its sole writer, Lin-Manuel Miranda; and the second No. 1 from a Disney animated film, after Peabo Bryson and Regina Belle’s “A Whole New World,” from Aladdin, ruled for a week (March 6, 1993).

As “Bruno” reigns for a second frame, it becomes the first song from a Disney animated movie to have led the Hot 100 for multiple weeks.

(While “Bruno” is the first Hot 100 No. 1 for Walt Disney Records, it’s the second for the Disney Music Group, which includes the Walt Disney Records and Hollywood Records labels. “Bruno” now equals the reign of Disney Music Group’s sole other leader to-date: Hollywood release “Hey There Delilah” by Plain White T’s led for two weeks in 2007.)

‘Bruno’ bows on airplay charts: As all-format radio audience for “Bruno” bounds by 132% to 3.6 million, the song appears on its first radio-based rankings, as it debuts at No. 33 on Adult Pop Airplay and No. 38 on Pop Airplay.

(The Adult Pop Airplay chart reflects total weekly plays among its reporting panel of 80 adult top 40 stations. Pop Airplay reflects plays among over 150 mainstream top 40 stations.)

WGER Saginaw, Mich., led all Adult Pop Airplay reporters with 41 plays for “Bruno” in the tracking week, followed by KIOI San Francisco (36); KEZR San Jose, Calif. (30); and WNEW New York (24). Among Pop Airplay panelists, KYLD San Francisco and WARQ Columbia, S.C., led with 37 plays each for the song, followed by KCRZ Fresno, Calif. (22); WPYO Orlando, Fla. (19); and KJYO Oklahoma City, Okla. (18).

Soundtrack & song both No. 1 for second week: As “Bruno” crowns the Hot 100 for a second week, its parent album, the Encanto soundtrack, tops the Billboard 200 albums chart for a fourth week (and third in a row), with 113,000 equivalent album units (down 2%).

Encanto and “Bruno” mark the first soundtrack and corresponding song to have led the Billboard 200 and Hot 100 simultaneously for multiple weeks in over 19 years, since 8 Mile and Eminem’s “Lose Yourself” ruled the respective rankings dated Jan. 11 and 18, 2003. Before that, the last such multi-week double domination belonged to Titanic and Celine Dion’s “My Heart Will Go On,” on the charts dated Feb. 28 and March 7, 1998.

(Reel talk: Encanto includes an ode to Titanic, at the 1:44 mark of Jessica Darrow’s “Surface Pressure”; see below for more on the song, which hits a new high in the top 10.)

Among all instances of a soundtrack and one of its songs topping the Billboard 200 and Hot 100 simultaneously, Encanto and “Bruno” last week marked the first tandem to claim such a coronation for even a week since A Star Is Born and Lady Gaga and Bradley Cooper’s “Shallow” (March 9, 2019).

Meanwhile, “Bruno” is now the first soundtrack song to top the Hot 100 for multiple weeks since Wiz Khalifa’s “See You Again,” featuring Charlie Puth, from Furious 7, tallied 12 weeks at No. 1 in April-July 2015. In between, three soundtrack hits led for a week each: Justin Timberlake’s “Can’t Stop the Feeling!,” from Trolls (May 28, 2016); Post Malone and Swae Lee’s “Sunflower,” from Spider-Man: Into the Spider-Verse (Jan. 19, 2019); and “Shallow.”

‘Encanto’ debuts on Hot 100: Encanto music bookends the latest Hot 100, as Carlos Vives’ “Colombia, Mi Encanto” debuts at No. 100. The song by the venerable star – like Gaitán and Castillo, from Colombia – is the eighth from the Encanto soundtrack to hit the Hot 100.

Adele’s “Easy on Me” holds at No. 2 on the Hot 100, after 10 weeks at the summit, as it tied “Hello” in 2015-16 for her personal-best command, among her five No. 1s. “Easy” leads the Radio Songs chart for an 11th week (88.3 million, down 7%), likewise matching “Hello” for her longest reign on the airplay tally. “Easy” also drew 13.1 million streams (down 7%) and sold 4,300 downloads (down 19%) in the tracking week.

The songs at Nos. 3 through 5 on the Hot 100 also repeat their ranks from a week earlier, led by Glass Animals’ “Heat Waves.” The track, at its highest placement, concurrently tops the Hot Rock & Alternative Songs and Hot Alternative Songs charts, both of which use the same multi-metric methodology as the Hot 100, for a 20th week each.

The Kid LAROI and Justin Bieber’s “Stay” holds at No. 4 on the Hot 100, after seven weeks at No. 1. The collab has spent its first 30 weeks on the chart in the top 10, becoming just the fifth song to achieve the feat; Post Malone’s “Circles” set a record by logging its first 38 weeks on the Hot 100 in the top 10.

Kodak Black’s “Super Gremlin” keeps at its No. 5 Hot 100 high, as it tops the multi-metric Hot R&B/Hip-Hop Songs and Hot Rap Songs charts for a fourth week each.

GAYLE’s breakthrough hit “abcdefu” hits a new Hot 100 best, rising 8-6, as it wins the chart’s top Airplay Gainer award for a second week (45.7 million, up 23%). The track also reaches the Radio Songs top 10 for the first time (12-10).

Rounding out the Hot 100’s top 10, Ed Sheeran’s “Shivers” slips 6-7, after hitting No. 4; Jessica Darrow’s “Surface Pressure,” from Encanto, ascends to a new best, lifting 9-8; Gunna and Future’s “Pushin P,” featuring Young Thug, drops to No. 9 from its No. 7 high; and Doja Cat’s “Need to Know” returns to the region, rising 11-10 after reaching No. 8.

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated Feb. 12), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (Feb. 8).

Source: billboard.com

The soundtrack smash is the second Hot 100 leader ever from a Disney animated film, as well as the first for its writer and co-producer, Lin-Manuel Miranda.

“We Don’t Talk About Bruno,” from Disney’s Encanto, makes a magical move to No. 1 on the Billboard Hot 100 songs chart.

The ensemble song – by Carolina Gaitán, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz and the Encanto Cast – rises from the Hot 100’s runner-up spot and becomes just the second No. 1 ever from a Disney animated film.

“Bruno” also marks the first Hot 100 leader for the song’s sole writer, Lin-Manuel Miranda. He and Mike Elizondo co-produced it and earn their first and second trips to No. 1, respectively, in those roles.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated Feb. 5, 2022) will update on Billboard.com tomorrow (Feb. 1). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.

Let’s talk, a lot, about “Bruno,” which becomes the Hot 100’s 1,133rd No. 1 over the chart’s 63-year history.

Streams, airplay & sales: “Bruno” drew 34.9 million U.S. streams (up 8%) and 1.5 million radio airplay audience impressions (up 239%) and sold 12,300 downloads (up 32%, aided by 69-cent discount pricing in the iTunes Store, good for the Hot 100’s top Sales Gainer award) in the Jan. 21-27 tracking week, according to MRC Data.

The track tops the Streaming Songs chart for a fourth week and ranks at No. 3 on Digital Song Sales, a week after it reached the summit.

“Bruno” rules the Hot 100 in its fifth week on the chart, after it debuted at No. 50 on the Jan. 8 survey. Encanto arrived Dec. 24 on the Disney+ streaming service, after it premiered in U.S. theaters Nov. 24.

‘World’ Meets ‘Bruno’: “Bruno” becomes only the second Hot 100 No. 1 from a Disney animated film. It follows Peabo Bryson and Regina Belle’s Aladdin theme “A Whole New World,” which topped the March 6, 1993, chart.

“Bruno” was released on Walt Disney Records, while “World” was released on Columbia Records. That leads, in part, to …

Disney domination: “Bruno” marks the first Hot 100 No. 1 for Walt Disney Records. (The label formed in 1956, just before the Hot 100 began in 1958.)

Prior to “Bruno,” another collaborative song represented Walt Disney Records’ highest Hot 100 rank: “Breaking Free,” by Zac Efron, Andrew Seeley and Vanessa Anne Hudgens, from High School Musical, hit No. 4 on the Feb. 11, 2006, chart. The label has also reached the top five via Idina Menzel’s “Let It Go,” from Frozen (No. 5, 2014).

(The Disney Music Group, which includes the Walt Disney Records and Hollywood Records labels, notched one prior Hot 100 No. 1: the latter label’s “Hey There Delilah” by Plain White T’s led for two weeks in 2007.)

“The [Encanto] rollout began with a fantastic film, incredible music and a strong marketing campaign,” Disney Music Group president Ken Bunt recently told Billboard, adding that one reason he feels that “Bruno,” specifically, has connected is that it “includes the entire Family Madrigal, which reflects the dynamics of so many families.”

Soundtrack & song both No. 1: As “Bruno” crowns the Hot 100, its parent album, the Encanto soundtrack, tops the Billboard 200 albums chart for a third week, up 11% to 115,000 equivalent album units, its best weekly total so far.

Notably, the Aladdin soundtrack, from which “A Whole New World” was released, peaked at No. 6 on the Billboard 200, in February 1993. Thus, this week marks the first frame that a soundtrack to a Disney animated movie and one of its songs simultaneously lead the Billboard 200 and Hot 100, respectively.

Until this week, no soundtrack and corresponding song at all had led the charts simultaneously since A Star Is Born and Lady Gaga and Bradley Cooper’s “Shallow” ruled the respective rankings dated March 9, 2019.

Lin-Manel leads: “Bruno” was written by Lin-Manuel Miranda, who achieves his first No. 1 writing credit on the Hot 100. The Emmy, Grammy and Tony Award winner, among numerous other honors, previously reached a No. 20 best in October 2017 as both a recording artist and writer thanks to “Almost Like Praying,” his charity single featuring Artists for Puerto Rico.

“It’s been really amazing because ensemble numbers don’t usually get this kind of love,” Miranda mused of “Bruno” on Billboard‘s latest Pop Shop Podcast. “My job is to raise my hand and let this room of animators and incredibly creative people know what music can do.”

Single writer on a No. 1 single: As Miranda wrote “Bruno” solo, the song is the first Hot 100 No. 1 by only one writer in over four years, since Ed Sheeran’s self-penned “Perfect” wrapped its six-week reign in January 2018.

In a topic that received renewed attention last week, “Bruno,” thus, the first No. 1 of the 2020s by a single writer, follows four in the ’10s and nine in the ’00s (as such songs have plummeted in prominence atop the Hot 100 dating back even further).

Elizondo’s second No. 1: Miranda and Mike Elizondo co-produced “Bruno.” Miranda earns his first Hot 100 No. 1 as a producer, among two top 10s (joined by Encanto‘s “Surface Pressure”; see below), while Elizondo adds his second No. 1, nearly 19 years after his first: he and Dr. Dre co-produced 50 Cent’s “In Da Club,” which reigned for nine weeks beginning in March 2003.

Thanks to “Bruno” and “Surface Pressure,” Elizondo has upped his count to eight Hot 100 top 10s as a producer. Prior to Encanto, he had last ranked in the tier as a producer in 2016 via two No. 2 hits by twenty one pilots, “Stressed Out” and “Heathens.”

Most credited artists on a No. 1: While one person wrote “Bruno,” the song, conversely, sets the record for the most credited recording artists ever on a Hot 100 No. 1.

The billing of Carolina Gaitán, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz and the Encanto Cast outpaces the quintet of DJ Khaled featuring Justin Bieber, Quavo, Chance the Rapper and Lil Wayne, whose “I’m the One” topped the May 20, 2017, chart.

(Notably, the superstar-infused “We Are the World,” which topped the Hot 100 for four weeks in 1985, was billed as by USA for Africa.)

Gaitán, Castillo, Adassa, Feliz, Guerrero and Beatriz each lead the Hot 100 for the first time. They voice Encanto characters, and Madrigal family members, Pepa, Félix, Dolores, Camilo, Isabela and Mirabel, respectively.

As for Bruno …

‘Encanto’ enchants the top 40 & beyond: John Leguizamo voices Encanto‘s Bruno Madrigal. While his character is the subject of the Hot 100’s new No. 1 but he’s not one of its singers, the acclaimed (and socially-conscious) veteran actor is scaling the chart with his first entry thanks to another Encanto song, “All of You.”

Seven Encanto tracks, all written solely by Miranda and produced by Miranda and Elizondo, place on the Feb. 5 Hot 100, and all reach new highs:

No. 1, “We Don’t Talk About Bruno,” Carolina Gaitán, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz & Encanto Cast
No. 9, “Surface Pressure,” Jessica Darrow
No. 20, “The Family Madrigal,” Beatriz, Olga Merediz & Encanto Cast
No. 27, “What Else Can I Do?,” Guerrero & Beatriz
No. 36, “Dos Oruguitas,” Sebastián Yatra (up from No. 44, as the song, shortlisted for a best original song Oscar nomination, brings Yatra to the Hot 100’s top 40 in his first appearance on the chart)
No. 48, “Waiting On a Miracle,” Beatriz
No. 82, “All of You,” Beatriz, Merediz, John Leguizamo, Adassa, Maluma & Encanto Cast

Just as “A Whole New World” dethroned a long-leading ballad (Whitney Houston’s 14-week No. 1 “I Will Always Love You”) atop the Hot 100, “Bruno” succeeds Adele’s “Easy on Me,” which ranks at No. 2 after 10 weeks on top. Still, “Easy” tops the Radio Songs chart for a 10th week (94.6 million, down 1%) and drew 14.1 million streams (down 2%) and sold 5,200 downloads (up 1%) in the tracking week.

The songs at Nos. 3 through 8 on the Hot 100 all maintain their ranks from a week earlier, led by Glass Animals’ “Heat Waves.” The track, which holds at its best rank, also tops the Hot Rock & Alternative Songs and Hot Alternative Songs charts, both of which use the same multi-metric methodology as the Hot 100, for a 19th week each.

The Kid LAROI and Justin Bieber’s “Stay” keeps at No. 4 on the Hot 100 after seven weeks at No. 1 and Kodak Black’s “Super Gremlin” repeats at its No. 5 high, as it leads the multi-metric Hot R&B/Hip-Hop Songs and Hot Rap Songs charts for a third week each.

Ed Sheeran’s “Shivers” is steady at No. 6 on the Hot 100 after hitting No. 4; Gunna and Future’s “Pushin P,” featuring Young Thug, remains at its No. 7 best; and GAYLE’s “abcdefu” holds at its No. 8 high, as it claims the chart’s top Airplay Gainer nod (37.9 million, up 27%).

Encanto‘s “Surface Pressure” by Jessica Darrow, who voices the film’s Luisa Madrigal, rises 10-9 for a new Hot 100 highpoint, swapping spots with Elton John and Dua Lipa’s “Cold Heart (Pnau Remix)” (9-10), after the latter reached No. 7. Meanwhile, John expands his span of top 10s to 51 years and two weeks, dating to his first appearance in the top 10 with “Your Song” (Jan. 23, 1971), the longest such stretch among all acts not involving holiday songs. “Cold Heart” also tops the multi-metric Hot Dance/Electronic Songs chart for a 16th week.

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated Feb. 5), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (Feb. 1).

Source: billboard.com

Plus: YoungBoy Never Broke Again and Walker Hayes debut in top 10.

The Encanto soundtrack collects a third nonconsecutive week at No. 1 on the Billboard 200 albums chart (dated Feb. 5). The set earned a new weekly-best 115,000 equivalent album units in the U.S. in the week ending Jan. 27 — up 11%, according to MRC Data.

In the last 10 years, only four soundtracks have spent at least three weeks at No. 1 on the Billboard 200: Encanto (three), Lady Gaga and Bradley Cooper’s A Star Is Born (four in 2018-19), Black Panther: The Album (three, 2018) and Frozen (13, 2014).

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by MRC Data. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Feb. 5, 2022-dated chart (where Encanto holds at No. 1) will be posted in full on Billboard‘s website on Feb. 1. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of Encanto’s 115,000 equivalent album units earned, SEA units comprise 93,000 (up 11%, equaling 138.51 million on-demand official streams of the set’s songs), album sales comprise 19,000 (up 10%) and TEA units comprise 3,000 (up 17%).

YoungBoy Never Broke Again’s Colors debuts at No. 2 on the Billboard 200, marking the rapper’s eighth top 10 album, all earned in less than four years. (His first top 10 came in May of 2018 with Until Death Call My Name.)

The new album begins with 79,000 equivalent album units earned. Of that sum, SEA units comprise 77,000 (equaling 118.56 million on-demand official streams of the set’s songs), album sales comprise a little under 2,000 and TEA units comprise a negligible sum.

Gunna’s former No. 1 DS4Ever falls 2-3 in its third week with 69,000 equivalent album units earned (down 28%), and The Weeknd’s Dawn FM dips 3-4 with 43,000 units (down 30%).

Morgan Wallen’s former No. 1 Dangerous: The Double Album is a non-mover at No. 5 on the Billboard 200, collecting 41,000 equivalent album units (down less than 1%).

Dangerous: The Double Album has now accumulated 54 nonconsecutive weeks in the top 10 on the Billboard 200 — the second-most of any country album ever, surpassing the 53 weeks registered by Shania Twain’s Come On Over (in 1997-2000). Among country efforts, only Taylor Swift’s Fearless has more, with 58 (in 2008-10).

Among all genres, Dangerous now has the most weeks in the top 10 for an album released by a male artist since 2000, surpassing the 53 weeks Ed Sheeran’s ÷ (Divide) logged in the top 10 in 2017-18. Among all albums released since 2000, Dangerous has the fourth-most weeks in the top 10, trailing only Adele’s 21 (84 weeks), Swift’s 1989 (59) and Swift’s Fearless (58).

Dangerous continues to profit from streaming activity of its super-sized tracklist, as the effort was released in January of 2021 with 30 songs. Recent No. 1s, including Adele’s 30 and Gunna’s DS4Ever, had 12 and 18 songs, respectively, on their initially released streaming editions. (The latter’s track count was 19, including two versions of the same song, “Too Easy.”) The chart’s current No. 1, Encanto, has 44 tracks on its streaming album — however, most of those are score and instrumental tracks. The vast majority of the album’s weekly units are from the nine songs with vocals on the album, including the Billboard Hot 100 top 10s “We Don’t Talk About Bruno” and “Surface Pressure.”

Adele’s 30 falls 4-6 on the new Billboard 200 with 39,000 equivalent album units earned (down 10%), and Drake’s fellow former leader Certified Lover Boy climbs 8-7 with 35,000 units (up 2%). The Weeknd’s compilation The Highlights slips 7-8 with 34,000 units (down 1%).

Walker Hayes collects his first top 10 album on the Billboard 200, as Country Stuff: The Album, debuts at No. 9 with 33,000 equivalent album units earned. Of that sum, album sales comprise 16,000, SEA units comprise 14,000 (equaling 19.66 million on-demand official streams of songs on the album) and TEA units comprise 2,000.

The set, released via Monument Records, was led by the smash single “Fancy Like,” which has spent 24 weeks at No. 1 on the Hot Country Songs chart and climbed to No. 3 on the all-genre Billboard Hot 100.

Country Stuff is also the first top 10 album on the Billboard 200 for Monument since 2003, when The Chicks’ Home closed out a 26-week run in the top 10, including four nonconsecutive weeks at No. 1. (The Monument label was founded in 1958 and continued until 1987. It was revived from 1997 through 2010. Monument relaunched in 2017 with Hayes as one if its first signings.)

Doja Cat’s Planet Her closes out the new top 10 on the Billboard 200, holding at No. 10 with 32,000 equivalent album units earned (down 2%).

Source: billboard.com

Plus, “We Don’t Talk About Bruno” climbs to No. 2, and fellow ‘Encanto’ hit “Surface Pressure” reaches the top 10.

Adele‘s “Easy on Me” claims a 10th week at No. 1 on the Billboard Hot 100 songs chart. With her latest week at the summit, she equals her longest reign, previously established by the 10-week command of her 2015-16 smash “Hello.”

Meanwhile, “We Don’t Talk About Bruno,” from Encanto, pushes 4-2 on the Hot 100 as the week’s most-streamed and top-selling song. It becomes just the second song from a Disney animated film to have reached the chart’s top two positions.

Plus, fellow Encanto track “Surface Pressure” by Jessica Darrow hits the Hot 100’s top 10, jumping 14-10 and making the movie the first Disney animated film to have generated multiple top 10s on the chart.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated Jan. 29) will update on Billboard.com tomorrow (Jan. 25). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.

“Easy on Me,” released on Columbia Records and which first led the Hot 100 in late October, drew 99 million radio airplay audience impressions (down 1%) and 14.3 million U.S. streams (down 5%) and sold 5,200 downloads (down 14%) in the Jan. 14-20 tracking week, according to MRC Data.

The ballad spends a ninth week at No. 1 on the Radio Songs chart; drops 5-7 on Digital Song Sales, following two weeks on top; and rebounds 16-9 on Streaming Songs, after five weeks at No. 1.

“Easy on Me” becomes the 41st single in the Hot 100’s 63-year history to spend 10 or more weeks at No. 1. It’s the first since BTS’ “Butter” logged 10 weeks on top in June-September 2021.

“Easy on Me” also matches Adele’s longest Hot 100 domination, after “Hello” reigned for 10 weeks in 2015-16. She is the seventh artist with at least two No. 1s that have each ruled for double-digit weeks, joining Boyz II Men, Drake (each with three such leaders), The Black Eyed Peas, Mariah Carey, Santana and Pharrell Williams (two each).

Plus, Adele ties for the ninth-most cumulative weeks spent at No. 1 on the Hot 100, as she has totaled 34 frames on top among her five leaders; before “Easy on Me” and “Hello,” she reigned with “Rolling in the Deep” (seven weeks, 2011), “Someone Like You” (five, 2011) and “Set Fire to the Rain” (two, 2012).

Most Weeks Spent at No. 1 on the Billboard Hot 100
87, Mariah Carey
60, Rihanna
59, The Beatles
52, Drake
50, Boyz II Men
47, Usher
41, Beyoncé
37, Michael Jackson
34, Adele
34, Elton John
34, Bruno Mars

Also notably, Adele becomes the first artist with both two Hot 100 No. 1s and two Billboard 200 No. 1s that have led for 10 or more weeks each. While “Easy on Me” and “Hello” have topped the Hot 100 for 10 frames each, her LPs 21 and 25 commanded the Billboard 200 albums chart for 24 and 10 weeks, in 2011-12 and 2015-16, respectively. (“Easy on Me” parent album 30 has ruled the Billboard 200 for six weeks; it ranks at No. 4 on the latest, Jan. 29-dated list.)

“We Don’t Talk About Bruno,” by Carolina Gaitán, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz and the Encanto Cast, ascends 4-2 for a new Hot 100 high. It drew 32.4 million streams (up 12%) and sold 9,400 (up 17%), as it tops Streaming Songs for a third week and pushes 3-1 to take over atop Digital Song Sales.

“Bruno,” from the Encanto soundtrack, which returns for a second week at No. 1 on the Billboard 200 after becoming just the sixth animated film soundtrack to rule the ranking, now solely boasts the second-highest rank for a song from a Disney animated film, dating to the chart’s August 1958 start. It trails only Peabo Bryson and Regina Belle’s “A Whole New World,” from Aladdin, a No. 1 for one week in March 1993. (Be our guest: Check out the 25 greatest Hot 100 hits from Disney animated films.)

Notably, as “Bruno” dominates in streaming and sales, it drew a modest 457,000 in airplay audience among Radio Songs reporters, with over half its reach in the tracking week from adult pop KIOI San Francisco’s 34 plays (up from four the week before); the Walt Disney label is not actively promoting the song to radio.

Glass Animals’ “Heat Waves” holds at its No. 3 Hot 100 high, as it leads the Hot Rock & Alternative Songs and Hot Alternative Songs charts, both of which use the same multi-metric methodology as the Hot 100, for an 18th week each. As previously reported, it hits No. 1 on the Pop Airplay chart.

The Kid LAROI and Justin Bieber’s “Stay” slides 2-4 on the Hot 100, after seven weeks at No. 1 beginning in August 2021, and Kodak Black’s “Super Gremlin” rises 6-5 for a new best, as it tops the multi-metric Hot R&B/Hip-Hop Songs and Hot Rap Songs charts for a second week each.

Ed Sheeran’s “Shivers” dips 5-6 on the Hot 100, after hitting No. 4; Gunna and Future’s “Pushin P,” featuring Young Thug, repeats at No. 7 in its second week on the chart; and GAYLE’s “abcdefu” ascends 9-8 for a new best rank.

Elton John and Dua Lipa’s “Cold Heart (Pnau Remix)” rebounds 10-9 on the Hot 100, after reaching No. 7. John expands his span of top 10s to 52 years and a week, dating to his first week in the top 10 with “Your Song” (Jan. 23, 1971), the longest such stretch among all acts not involving holiday songs. Concurrently, “Cold Heart” tops the multi-metric Hot Dance/Electronic Songs chart for a 15th week.

Rounding out the Hot 100’s top 10, Encanto track “Surface Pressure” by Jessica Darrow darts 14-10. The song reaches the bracket with 22.5 million streams (up 2%) and 6,500 sold (down 6%). It holds at No. 4 on both Streaming Songs and Digital Song Sales.

Darrow, who voices Encanto character Luisa Madrigal, scores a Hot 100 top 10 in her first visit to the chart.

Meanwhile, thanks to “Bruno” and “Pressure” (both solo written by Lin-Manuel Miranda), Encanto becomes the first soundtrack from a Disney animated film to have yielded multiple Hot 100 top 10s. (The Lion King previously came closest to the achievement: Elton John’s “Can You Feel the Love Tonight” roared to No. 4 and follow-up “Circle of Life” reached No. 18 in 1994.)

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated Jan. 29), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (Jan. 25).

Source: billboard.com

Plus: The Lumineers’ “Brightside” debuts in top 10.

The Encanto soundtrack returns to No. 1 on the Billboard 200 albums chart for a second nonconsecutive week on top, as the set steps 3-1 on the list dated Jan. 29. The companion set to the Disney animated film earned 104,000 equivalent album units in the U.S. in the week ending Jan. 20 (up 9%), according to MRC Data. Encanto was released on Nov. 19, 2021, via Walt Disney Records and first topped the chart dated Jan. 15, 2022.

Encanto is the first soundtrack with more than one week at No. 1 since Lady Gaga and Bradley Cooper’s A Star Is Born spent four nonconsecutive weeks in the lead in 2018-19. And, Encanto is Walt Disney Records’ first No. 1 album to spend more than a week atop the list since Frozen ruled for 13 nonconsecutive weeks in 2014. (In between Frozen and Encanto, Walt Disney Records topped the chart with the soundtracks to Descendants, in 2015, and Frozen II, in 2019, each for one week.)

Encanto continues to profit from the popularity of its hit songs, all written by Lin-Manuel Miranda, including “We Don’t Talk About Bruno,” “Surface Pressure” and “What Else Can I Do?” — all of which were in the top 40 of the most recently published Billboard Hot 100 songs chart (dated Jan. 22). As reported last week, “Bruno” rose 5-4 on the chart, marking the highest-charting song from a Disney animated film since 1995.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by MRC Data. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Jan 29, 2022-dated chart (where Encanto returns to No. 1) will be posted in full on Billboard‘s website on Jan. 25. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of Encanto’s 104,000 equivalent album units earned, SEA units comprise 84,000 (up 10%, equaling 125.33 million on-demand official streams of the set’s songs), album sales comprise 17,000 (up 4%) and TEA units comprise 3,000 (down less than 1%).

Gunna’s DS4Ever falls to No. 2 in its second week (96,000 equivalent album units earned, down 36%), while The Weeknd’s Dawn FM also slips a spot in its second frame (2-3), with 61,000 units (down 59%). A pair of former No. 1s are next on the chart, as Adele’s 30 is a non-mover at No. 4 with 43,000 units (down 10%) and Morgan Wallen’s Dangerous: The Double Album is also stationary at No. 5 with 41,000 units (down 5%).

The Lumineers’ Brightside debuts at No. 6 on the Billboard 200, scoring the act its fourth consecutive, and total, top 10 album — the entirety of its charting efforts. The act’s fourth full-length studio album launches with 37,000 equivalent album units earned. Of that sum, album sales comprise 26,000 (making it the top-selling album of the week), SEA units comprise 11,000 (equaling 14.33 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum. The Lumineers previously visited the top 10 with III (No. 2 in 2019), Cleopatra (No. 1, 2016) and their self-titled full-length debut (No. 2, 2013).

The Weeknd places a second album in the top 10 for a second straight week, as his best-of compilation The Highlights slips one spot to No. 7 (34,000 equivalent album units earned, down 6%).

Drake’s former leader Certified Lover Boy is steady at No. 8 with nearly 34,000 equivalent album units earned (down 3%), Olivia Rodrigo’s chart-topping Sour falls 7-9 with 33,000 units (down 8%) and Doja Cat’s Planet Her dips 9-10 with 32,000 units (down 4%).

MRC Data, the independent data provider to the Billboard charts, completes an exhaustive and thorough review of all data submissions used in compiling the weekly chart rankings. MRC Data reviews and authenticates data, removing any suspicious or unverifiable activity using established criteria before final chart calculations are made and published. In partnership with Billboard, data deemed suspicious and unverifiable is disqualified prior to the final calculation.

Source: billboard.com

“Easy on Me” adds a ninth week at No. 1, while “Pushin P” and “abcdefu” ascend to the top tier.

Adele‘s “Easy on Me” notches a ninth week at No. 1 on the Billboard Hot 100 songs chart.

Meanwhile, “We Don’t Talk About Bruno,” from Encanto, rises 5-4 on the Hot 100, becoming the highest charting song from a Disney animated film in over 26 years.

Plus, two songs reach the Hot 100’s top 10: Gunna and Future‘s “Pushin P,” featuring Young Thug, a debut at No. 7 and from Gunna’s new LP DS4Ever, which launches at No. 1 on the Billboard 200, and GAYLE‘s breakthrough hit “abcdefu,” up 11-9.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated Jan. 22) will update on Billboard.com Wednesday (Jan. 19, a day later than usual due to the Martin Luther King Jr. Day holiday in the U.S. Jan. 17). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.

“Easy on Me,” released on Columbia Records and which first led the Hot 100 in late October, drew 101.2 million radio airplay audience impressions (up 2%) and 15.1 million U.S. streams (down 4%) and sold 6,000 downloads (down 24%) in the Jan. 7-13 tracking week, according to MRC Data.

The ballad spends an eighth week at No. 1 on the Radio Songs chart and drops 4-5 on Digital Song Sales, following two weeks on top, and 5-16 on Streaming Songs, after five weeks at No. 1.

Notably, the song is the first to surpass 100 million in radio reach in over a year-and-a-half, since The Weeknd’s “Blinding Lights” drew 115 million as reflected on the Radio Songs chart dated May 23, 2020 (on its way to a record 26-week Radio Songs command, and its status atop the Greatest of All Time Hot 100 Songs chart).

Among individual formats, “Easy on Me” continues atop Adult Pop Airplay (nine weeks at No. 1), Pop Airplay (seven) and Adult Contemporary (six). It also returns to its No. 6 best on Adult R&B Airplay and holds at No. 10 on Dance/Mix Show Airplay (sparked by remix rotation).

Further, “Easy on Me” moves to within a week of Adele’s longest Hot 100 domination: “Hello” reigned for 10 weeks in 2015-16.

The Kid LAROI and Justin Bieber’s “Stay” holds at No. 2 on the Hot 100, after seven weeks at No. 1 beginning in August, and Glass Animals’ “Heat Waves” keeps at its No. 3 high, as it leads the Hot Rock & Alternative Songs and Hot Alternative Songs charts, both of which use the same multi-metric methodology as the Hot 100, for a 17th week each.

“We Don’t Talk About Bruno,” by Carolina Gaitán, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz and the Encanto Cast, ascends 5-4 for a new Hot 100 highpoint. It drew 29 million streams (up 15%) and tops Streaming Songs for a second week and sold 8,000 (up 10%) and pushes 6-3 on Digital Song Sales.

“Bruno,” from the Encanto soundtrack, which ranks at No. 3 on the Billboard 200 a week after becoming just the sixth animated film soundtrack ever to top the ranking, is now tied for the second-highest rank for a song from a Disney animated film, dating to the list’s August 1958 start. It trails only Peabo Bryson and Regina Belle’s “A Whole New World,” from Aladdin (No. 1, one week, March 1993), and matches the No. 4 highs for Elton John’s “Can You Feel the Love Tonight,” from The Lion King (August 1994), and Vanessa Williams’ “Colors of the Wind,” from Pocahontas (August 1995). One other song from a Disney animated film has hit the top five: Idina Menzel’s “Let It Go,” from Frozen (No. 5, April 2014).

Closing out the Hot 100’s top five, Ed Sheeran’s “Shivers” dips to No. 5 from its No. 4 high.

Kodak Black’s “Super Gremlin” surges 10-6 for a new Hot 100 best. It concurrently takes over atop the multi-metric Hot R&B/Hip-Hop Songs and Hot Rap Songs charts, becoming his second No. 1 on each survey, after “ZEZE,” featuring Travis Scott and Offset, led each list for a week in October 2018.

Gunna and Future’s “Pushin P,” featuring Young Thug, bounds onto the Hot 100 at No. 7, powered by its No. 2 start on Streaming Songs (22.5 million streams). The track is from Gunna’s album DS4Ever, which soars in as his second Billboard 200 No. 1.

Gunna earns his third Hot 100 top 10, and first to debut in the region, following “Drip Too Hard,” with Lil Baby (No. 4 peak, October 2018), and “Lemonade,” with Internet Money and featuring Don Toliver and NAV (No. 6, November 2020).

Future and Young Thug add their fifth and sixth Hot 100 top 10s, respectively; it’s their second shared top 10, after Drake’s “Way 2 Sexy,” on which they’re both featured, roared in atop the Sept. 18, 2021, chart.

Doja Cat’s “Need to Know” rises 9-8 on the Hot 100, returning to its high first reached in November.

GAYLE’s “abcdefu” climbs 11-9 on the Hot 100, marking her first top 10 in her first visit to the chart. The song drew 25.4 million in radio airplay audience (up 22%) and 16.5 million U.S. streams (up 2%) and sold 10,200 in the tracking week.

The single becomes GAYLE’s first leader on Digital Song Sales (2-1); ranks at No. 9 on Streaming Songs, after reaching No. 4 a week earlier; and jumps 39-28 on Radio Songs.

The track by the Dallas-born, Nashville-based singer-songwriter has grown thanks to multiple versions, including “angrier,” “chill” and “nicer” (i.e., no expletives) mixes; a demo; a remix with Royal & the Serpent; and its “The Wild Mix.” The song has also been featured in over 2 million clips on TikTok.

Rounding out the Hot 100’s top 10, Elton John and Dua Lipa’s “Cold Heart (Pnau Remix)” ranks at No. 10, a week after it entered the tier at No. 7 (marking John’s 28th top 10; his first top 10 in nearly 24 years; and his latest update of his own writing to chart in the top 10 twice). The track tops the multi-metric Hot Dance/Electronic Songs chart for a 14th week.

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated Jan. 22), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (Jan. 19).

Source: billboard.com

Plus: The Weeknd’s ‘Dawn FM’ arrives at No. 2.

Gunna scores his second No. 1 on the Billboard 200 albums chart as DS4Ever debuts atop the tally (dated Jan. 22). The rapper previously led the list with his last release, Wunna, which bowed at No. 1 on the June 6, 2020-dated chart. In total, DS4Ever is his fifth charting album and fourth top 10.

The star-studded, 19-track DS4Ever album was released on Jan. 7 and boasts collaborations with and/or featured turns from 21 Savage, Chris Brown, Future, Lil Baby, Roddy Ricch and Young Thug, among others. The album and its release date were announced on Jan. 1, after months of speculation.

DS4Ever launches with 150,300 equivalent album units earned in the U.S. in the week ending Jan. 13, according to MRC Data, nearly all from streaming activity. The launch marks his best week yet in terms of units earned. His previous largest week, by units, was the opening frame of Drip Harder, a joint album with Lil Baby, and its 130,000 units in 2018.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Jan 22, 2022-dated chart (where DS4Ever bows No. 1) will be posted in full on Billboard‘s website on Jan. 19 – one day later than usual, owed to the Martin Luther King Jr. Day holiday on Jan. 17 in the U.S. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of DS4Ever’s 150,300 equivalent album units earned, SEA units comprise 144,600 (equaling 193.5 million on-demand official streams of the set’s songs in its first week, making it the most-streamed album of the week), album sales comprise 4,700 and TEA units comprise 1,000.

DS4Ever dropped on Jan. 7 as a 19-track standard album via streaming services and digital retail. On Jan. 11, a deluxe edition with four bonus tracks was briefly released to streamers and digital retail, but was pulled down that same day. A 20-track edition of the album, which added “P Power” featuring Drake, was released late in the day on Jan. 13, the final day of the tracking week.

DS4Ever sold for as low as $7.99 in the iTunes Store during its first week, while Gunna’s official webstore sold the digital album for $4.

A CD edition of DS4Ever will not become widely available until late February or early March. However, a standard edition of the album garnered a limited release during street week, including its availability at Rough Trade in New York in conjunction with Gunna’s in-store appearance at the location on Jan. 13.

DS4Ever is the fourth release in Gunna’s Drip Season mixtape series. The first to chart from the series was Drip Season 3, which debuted and peaked at No. 55 in 2018. Gunna then followed it up with Drip Harder, a collaborative album with Lil Baby, which hit No. 4 later that year. In 2019, he released Drip or Drown 2, which peaked at No. 3.

The Weeknd’s album Dawn FM arrives at No. 2 on the Billboard 200, securing the superstar his eighth top 10 album – the entirety of his charting releases. The 16-track Dawn FM was released on Jan. 7 and includes featured guest turns from Tyler, the Creator and Lil Wayne, and guest appearances by Quincy Jones and Jim Carrey.

Dawn FM tunes in with 148,000 equivalent album units earned in the U.S. in the week ending Jan. 13, according to MRC Data. Of that sum, SEA units comprise 131,300 (equaling 173.04 million on-demand official streams of the set’s songs), album sales comprise 14,800 and TEA units comprise 1,900.

Dawn FM is the follow-up to The Weeknd’s No. 1 2020 release After Hours, which launched a trio of No. 1 singles on the Billboard Hot 100 chart: “Heartless,” “Blinding Lights” and “Save Your Tears” (with Ariana Grande).

Dawn FM was led by the single “Take My Breath,” which debuted and peaked at No. 6 on the Hot 100 dated Aug. 21, 2021.

The album’s title and its release date were formally announced on Jan. 3 by The Weeknd after months of build-up. The set was initially teased in mid-2021, and the artist even noted on the May 23 Billboard Music Awards that “the After Hours are done and the dawn is coming.”

Dawn FM was only available via streamers and digital download during its release week. Its CD edition is slated to be released on Jan. 28, while its vinyl LP and cassette editions are scheduled to bow on April 29.

Dawn FM garnered a 19-track deluxe edition release in the midst of its first week, as on Jan. 12 an expanded version of the album, dubbed Dawn FM (Alternate World), hit streaming services and digital retailers. The deluxe set included three new tracks: the previously released stand-alone single “Moth to a Flame,” with Swedish House Mafia, and a pair of remixes (for the album’s lead single “Take My Breath” and the new cut “Sacrifice”).

On Jan. 13, the final day of the tracking week, The Weeknd released three “collector’s” digital album variants for the standard 16-track Dawn FM album via his webstore (each with alternative cover art, priced at $3.49), as well as a “digitally signed” Dawn FM (Alternate World) digital album (priced at $5). In addition, The Weeknd’s webstore sold the standard digital version of Dawn FM for as low as $3.49 during release week, while the iTunes Store sold the standard edition for $7.99.

At No. 3 on the new Billboard 200, the Encanto film soundtrack is pushed down from No. 1 to No. 3 – though with a 32% gain in equivalent album units earned, as the album continues to grow in popularity. The set tallied 95,700 units for the week – its highest single-week sum.

Adele’s former leader 30 falls 2-4 with 48,300 equivalent album units earned (down 15%) and Morgan Wallen’s chart-topping Dangerous: The Double Album dips 3-5 with 42,800 units (up 2%).

The Weeknd’s hits compilation The Highlights climbs 8-6 with 36,300 equivalent album units (up 8%), Olivia Rodrigo’s former No. 1 Sour falls 4-7 with 35,600 units (down 14%), Drake’s chart-topping Certified Lover Boy slips 6-8 with 35,100 units (down 4%) and Doja Cat’s Planet Her dips 7-9 with 33,600 units (down 2%). Rounding out the top 10 is Taylor Swift’s former leader Red (Taylor’s Version) descends 5-10 with 33,200 units (down 12%).

Source: billboard.com