Wallen’s “Last Night” leads for a 12th week, while Combs’ “Fast Car” pulls into the runner-up spot.

Morgan Wallen’s “Last Night” logs a 12th week at No. 1 on the Billboard Hot 100 songs chart.

Plus, Luke Combs’ cover of Tracy Chapman’s “Fast Car” rides to No. 2, up from No. 3, on the Hot 100. Thanks to “Last Night” and “Fast Car,” country hits infuse the chart’s top two positions simultaneously for the first time in over 42 years.

Elsewhere, Rema and Selena Gomez’s “Calm Down,” at No. 3 on the Hot 100, hits No. 1 on the Radio Songs chart, marking each artist’s first leader on the all-format airplay list and dethroning Miley Cyrus’ “Flowers” after 18 weeks on top, a run tied for the second-longest in the chart’s history.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated July 1, 2023) will update on Billboard.com tomorrow (June 27). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.

Wallen’s “Last Night,” released on Big Loud/Mercury/Republic Records, drew 72.2 million radio airplay audience impressions (up 4%) and 29.8 million streams (up 1%) and sold 7,000 downloads (down 3%) in the June 16-22 tracking week, according to Luminate.

The song, which first led the Hot 100 in March, becoming Wallen’s initial leader on the ranking, posts a 14th week at No. 1 on the Streaming Songs chart; rises 3-2 on Digital Song Sales, following a week on top; and holds at its No. 4 high on Radio Songs.

Additionally, “Last Night” tops Billboard’s Hot Country Songs chart, which employs the same multi-metric methodology as the Hot 100, for a milestone 20th week – surpassing “You Proof” (May-December 2022) for Wallen’s longest rule among his seven Hot Country Songs No. 1s. “Last Night” is now one of only seven titles to have led Hot Country Songs for 20 or more weeks since the chart became an all-encompassing genre reflection in 1958; Bebe Rexha and Florida Georgia Line’s “Meant To Be” spent a record 50 frames at No. 1 in 2017-18.

“Last Night” concurrently leads Country Airplay for an eighth week – tying for the chart’s second-longest command ever, below “You Proof” (10 weeks) – and bullets at its No. 8 high on both Pop Airplay and Adult Pop Airplay, having become Wallen’s ninth No. 1 on Country Airplay and his first top 10 on the two pop lists.

Plus, “Last Night” posts a fourth week atop Billboard’s Songs of the Summer chart, having ranked at No. 1 each week since the survey returned.

“Last Night” is from Wallen’s album One Thing at a Time, which adds a 14th week at No. 1 on the Billboard 200. The album and song have, respectively, led the Billboard 200 and Hot 100 simultaneously for 10 weeks – making the set just the fourth ever to have topped the Billboard 200 for at least that long while one or more of its songs have ruled the Hot 100. It’s the first LP to achieve the feat in over 30 years.

Most Weeks for Albums & Their Songs Topping the Billboard 200 & Hot 100 Simultaneously:

• 13: Soundtrack, Saturday Night Fever; “Stayin’ Alive” (4; Bee Gees), “Night Fever” (8; Bee Gees), “If I Can’t Have You” (1; Yvonne Elliman), 1978
• 12: Whitney Houston, The Bodyguard soundtrack; “I Will Always Love You,” 1992-93
• 10: Morgan Wallen, One Thing at a Time; “Last Night,” 2023
• 10: Michael Jackson, Thriller; “Billie Jean” (7), “Beat It” (3), 1983

Luke Combs’ version of Tracy Chapman’s “Fast Car” (which hit No. 6 on the Hot 100 in August 1988) ascends to a new No. 2 Hot 100 high, from No. 3, with 51.3 million in radio reach (up 21%), 21.2 million streams (up 4%) and 10,000 sold (down 3%) – as it rises 2-1 on Digital Song Sales, marking Combs’ third leader on the list.

With Wallen’s “Last Night” at No. 1 on the Hot 100 and Combs’ “Fast Car” at No. 2, country hits (as defined by titles that have reached Billboard’s Hot Country Songs chart, where they also currently place at Nos. 1 and 2, respectively) rank in the Hot 100’s top two simultaneously for the first time in over 42 years – since the chart dated March 7, 1981, when Eddie Rabbitt’s “I Love a Rainy Night” and Dolly Parton’s “9 to 5” placed at Nos. 1 and 2, respectively. (The latter two songs also teamed up in the top two on the charts dated Feb. 21 and 28, 1981.)

A pair of country songs appearing in the Hot 100’s top five for the first time in nearly a quarter-century continues the genre’s surge this year; as analyzed by Hit Songs Deconstructed, country tied pop as the most prominent primary genres in the chart’s top 10 in Q1 2023, marking country’s best such showing in over a decade.

Also notably, with “Last Night” at No. 1 and “Fast Car” No. 2 on Streaming Songs, this week marks the first in which the two most-streamed songs in the U.S. are country titles.

Similarly, “Last Night” and “Fast Car” rank at Nos. 1 and 2, respectively, on Country Airplay – as the Hot 100 and Country Airplay boast the same top two for the first time (dating to the Country Airplay chart’s inception in 1990; the Hot 100 began in 1958). “Fast Car” also bullets in the top 25 of Adult Contemporary, Adult Pop Airplay and Pop Airplay.

Meanwhile, Chapman, who solely wrote “Fast Car,” achieves a new highest Hot 100 rank as a songwriter: “Give Me One Reason,” which she also penned solo, and which became her other top 10 as a recording artist, hit No. 3 in June 1996.

Rema and Selena Gomez’s “Calm Down” rebounds to its No. 3 Hot 100 high, from No. 4. It concurrently climbs to No. 1 on Radio Songs (87.3 million, up 1%), marking each artist’s first leader on the airplay survey; it’s Rema’s first entry and Gomez’s first No. 1 among nine top 10s. “Calm Down” unseats Miley Cyrus’ “Flowers” after 18 weeks atop Radio Songs, a dominance tied for the second-longest in the chart’s archives (which date to 1990). The Weeknd’s “Blinding Lights” notched a record 26 weeks at No. 1 in 2020, while “Flowers” equaled the 18-week reign of Goo Goo Dolls’ “Iris” in 1998.

Rema released the original version of “Calm Down” in February 2022 as a single from his debut solo LP, Rave & Roses. Its remix with Gomez arrived last August, and that version’s official video premiered in September. The song concurrently tops the Billboard U.S. Afrobeats Songs chart for a 43rd week, extending the longest reign since the ranking began over a year ago (in partnership with music festival and global brand Afro Nation).

Cyrus’ “Flowers” dips 2-4 on the Hot 100, after eight weeks at No. 1 beginning upon its debut in January.

Lil Durk’s “All My Life,” featuring J. Cole, keeps at No. 5 on the Hot 100, after it launched at its No. 2 best. It tops the multi-metric Hot R&B/Hip-Hop Songs and Hot Rap Songs charts for a fifth week each.

Toosii’s “Favorite Song” holds at No. 6 on the Hot 100, after hitting No. 5; Taylor Swift’s “Karma,” featuring Ice Spice, rises 9-7, three weeks after it vaulted to its No. 2 high following the release of its remix with Ice Spice; and SZA’s “Kill Bill” slips 7-8, after it became her first No. 1, for a week in April, as it tallies a 27th week atop the multi-metric Hot R&B Songs chart.

Rounding out the Hot 100’s top 10, Metro Boomin, The Weeknd and 21 Savage’s “Creepin’ ” drops 8-9, after reaching No. 3, and Eslabon Armado and Peso Pluma’s “Ella Baila Sola” repeats at No. 10 after reaching No. 4 – the best rank ever for a regional Mexican song – as it logs a 12th week at No. 1 on the multi-metric Hot Latin Songs chart.

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated July 1), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (June 27).

Source: billboard.com

Plus: ATEEZ, Gunna and Queens of the Stone Age debut in top 10.

Morgan Wallen’s One Thing at a Time clocks a 14th nonconsecutive and total week atop the Billboard 200 albums chart (dated July 1), marking the most weeks at No. 1 for any album since Adele’s 21 logged 24 nonconsecutive weeks in charge in 2011-12.

One Thing at a Time earned 110,000 equivalent album units in the U.S. in the week ending June 22 (down 1%), according to Luminate. One Thing at a Time is now Republic Records’ album with the most weeks at No. 1 ever on the Billboard 200, surpassing the 13 weeks of Drake’s Views in 2016. One Thing at a Time was released via Big Loud/Mercury/Republic, while Views was issued via Young Money/Cash Money/Republic.

One Thing at a Time debuted at No. 1 on the Billboard 200 chart dated March 18 and spent it first 12 weeks at No. 1. It then stepped aside for two weeks, and then returned to the top for the last two consecutive frames (June 24 and July 1-dated charts).

Also in the top 10 of the new Billboard 200 albums chart, ATEEZ scores its highest-charting set yet as The World EP.2: Outlaw bows at No. 2, Gunna lands his fifth top 10-charting effort as A Gift & A Curse debuts at No. 3 and Queens of the Stone Age log their fourth top 10 as In Times New Roman… launches at No. 9.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new July 1, 2023-dated chart will be posted in full on Billboard‘s website on June 27. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of One Thing at a Time’s 110,000 equivalent album units earned in the week ending June 22, SEA units comprise 103,500 (down 1%, equaling 139.04 million on-demand official streams of the set’s 36 songs), album sales comprise 4,500 (down less than 1%) and TEA units comprise 2,000 (down 2%).

One Thing at a Time has earned in excess of 100,000 equivalent album units in all 16 of its chart weeks. Since the Billboard 200 began ranking titles by equivalent album units in December of 2014. The set ties Bad Bunny’s Un Verano Sin Ti in 2022 for the most weeks north of 100,000 (since Dec. 2014).

ATEEZ scores its highest-charting album on the Billboard 200 as The World EP.2: Outlaw bows at No. 2 with 105,500 equivalent album units earned — the Korean pop act’s best week by units. Album sales comprise nearly all of that sum — 101,000, which marks the group’s biggest sales week (and the top-selling album of the week). SEA units comprise 4,5000 — equaling 6.32 million on-demand official streams of the set’s six songs, while TEA units comprise a minimal sum.

The World EP.2: Outlaw is the third top 10-charting effort for the eight-member group, which previously hit the top 10 with Spin Off: From the Witness (No. 7 in January) and The World EP.1: Movement (No. 3 in 2022).

Like many K-pop releases, the CD edition of The World EP.2: Outlaw was issued in collectible CD packages (21 total, including exclusive editions for Barnes & Noble, Target and Walmart, as well as some signed editions), each containing a standard set of branded merchandise items and randomized branded elements (action cards, partner cards, photo cards). Of the album’s sales, 97.5% were on the CD format, with the remainder generated by digital download album purchases. The set was not released on any other retail format (cassette, vinyl, etc.).

The World EP.2: Outlaw is the 10th album to sell at least 100,000 copies in a single week in 2023. Of those 10, seven of them are K-pop titles, with sales largely driven by collectible CD variants.

Gunna earns his fifth top 10-charting set on the Billboard 200 as A Gift & A Curse debuts at No. 3. The title launches with 85,000 equivalent album units earned. Of that sum, SEA units comprise 84,000 (equaling 112.65 million on-demand official streams of the set’s 15 songs) while album sales comprise 1,000 and TEA units comprise a negligible sum.

A trio of former No. 1s is next on the Billboard 200 as Taylor Swift’s Midnights is a non-mover at No. 4 (60,000; down 13%); SZA’s SOS rises 8-5 (48,000; down 3%); and Morgan Wallen’s Dangerous: The Double Album climbs 9-6 (46,000; up 1%). Metro Boomin’s Spider-Man: Across the Spider-Verse soundtrack dips 5-7 (42,000; down 22%) and Lil Durk’s Almost Healed falls 7-8 (41,000; down 17%).

Queens of the Stone Age land their fourth top 10-charting effort on the Billboard 200 as In Times New Roman… debuts at No. 9 with 40,000 equivalent album units earned. Of that sum, album sales comprise 36,000, SEA units comprise 4,000 (equaling 5.68 million on-demand official streams of the set’s 10 songs) and TEA units comprise a negligible sum. Sales of the album were bolstered by its availability across seven vinyl variants, and combined, the set sold nearly 21,000 vinyl copies.

Rounding out the new Billboard 200’s top 10 is Swift’s chart-topping Lover, which is steady at No. 10 with 40,000 (up 6%).

Source: billboard.com

Plus, Luke Combs “Fast Car” rides to No. 3, making for two simultaneous top three country hits for the first time since 2000.

Morgan Wallen’s “Last Night” adds an 11th week at No. 1 on the Billboard Hot 100 songs chart.

Plus, Luke Combs’ cover of Tracy Chapman’s classic “Fast Car” accelerates to No. 3, from No. 4, on the Hot 100. Thanks to “Last Night” and “Fast Car,” two country hits share space in the chart’s top three for the first time since March 2000, and for only the second time in over 42 years.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated June 24, 2023) will update on Billboard.com tomorrow (June 21), a day later than usual due to the Juneteenth holiday in the United States yesterday (June 19). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.

Wallen’s “Last Night,” released on Big Loud/Mercury/Republic Records, drew 69.5 million radio airplay audience impressions (up 1%) and 29.6 million streams (down 4%) and sold 7,000 downloads (down 6%) in the June 9-15 tracking week, according to Luminate.

The song, which initially led the Hot 100 in March, becoming Wallen’s first leader on the survey, posts a 13th week at No. 1 on the Streaming Songs chart; rises 4-3 on Digital Song Sales, following a week on top; and keeps at its No. 4 high on Radio Songs.

Additionally, “Last Night” tops Billboard’s Hot Country Songs chart, which employs the same multi-metric methodology as the Hot 100, for a 19th week – tying “You Proof” (May-December 2022) for Wallen’s longest command among his seven Hot Country Songs No. 1s.

“Last Night” concurrently leads the Country Airplay chart for a seventh week, enters the top 10 on Adult Pop Airplay (11-8) and pushes to No. 9 on Pop Airplay. It’s Wallen’s ninth No. 1 on Country Airplay and his first top 10 on the latter two lists.

“Last Night” also notches a third week atop Billboard’s Songs of the Summer chart, which returned two weeks earlier.

Miley Cyrus’ “Flowers” holds at No. 2 on the Hot 100, after eight weeks at No. 1 beginning upon its debut in January. It tacks on an 18th week atop Radio Songs (85.9 million in audience, down 1%) – matching the second-longest reign since the chart began in December 1990.

Here’s a recap of the chart’s longest-leading hits:

Most Weeks at No. 1 on Radio Songs:

• 26, “Blinding Lights,” The Weeknd, 2020
• 18, “Flowers,” Miley Cyrus, 2023
• 18, “Iris,” Goo Goo Dolls, 1998
• 16, “Girls Like You,” Maroon 5 feat. Cardi B, 2018
• 16, “We Belong Together,” Mariah Carey, 2005
• 16, “Don’t Speak,” No Doubt, 1996-97
• 15, “Easy On Me,” Adele, 2021-22

Luke Combs’ cover of Tracy Chapman’s “Fast Car” (which hit No. 6 on the Hot 100 in August 1988) drives to a new No. 3 Hot 100 high, from No. 4. It wins the Hot 100’s top Airplay Gainer award for a fourth consecutive week (42.5 million, up 24%), as it advances 14-10 on Radio Songs, becoming Combs’ second top 10, after “Forever After All” (No. 10, June 2021). The remake hits the Country Airplay top five (No. 5) and continues scaling the top 25 on Adult Contemporary, Adult Pop Airplay and Pop Airplay. The song is also up 1% to 20.4 million streams and 14% to 10,000 sold.

Notably, Chapman, who solely wrote “Fast Car,” ties her highest Hot 100 rank as a songwriter: “Give Me One Reason,” which she also penned solo, and which became her other top 10 as a recording artist, hit No. 3 in June 1996.

Meanwhile, with Wallen’s “Last Night” at No. 1 on the Hot 100 and Combs’ “Fast Car” at No. 3, two country hits (as defined by titles that have hit Billboard’s Hot Country Songs chart, where they currently place at Nos. 1 and 2, respectively) rank in the Hot 100’s top three simultaneously for the first time since the chart dated March 11, 2000, when Lonestar’s “Amazed” held at No. 1 and Faith Hill’s “Breathe” took the No. 3 spot. (Before that, such a double-up had not occurred since March 7, 1981, when Eddie Rabbitt’s “I Love a Rainy Night” and Dolly Parton’s “9 to 5” ranked at Nos. 1 and 2, respectively.)

A pair of country songs appearing in the Hot 100’s top five for the first time in nearly a quarter-century continues the genre’s surge this year; as analyzed by Hit Songs Deconstructed, country tied pop as the most prominent primary genres in the chart’s top 10 in Q1 2023, marking country’s best such showing in over a decade.

Rema and Selena Gomez’s “Calm Down” dips to No. 4 from its No. 3 Hot 100 high. It tops the Billboard U.S. Afrobeats Songs chart for a 42nd week, extending the longest reign since the ranking began over a year ago (in partnership with music festival and global brand Afro Nation).

Lil Durk’s “All My Life,” featuring J. Cole, holds at No. 5 on the Hot 100, after it launched at its No. 2 peak. It tops the multi-metric Hot R&B/Hip-Hop Songs and Hot Rap Songs charts for a fourth week each.

Toosii’s “Favorite Song” ascends 7-6 on the Hot 100, after hitting No. 5, and SZA’s “Kill Bill” drops 6-7, after it became her first No. 1, for a week in April. The latter leads the multi-metric Hot R&B Songs chart for a 26th week.

Metro Boomin, The Weeknd and 21 Savage’s “Creepin’ ” rises 9-8 on the Hot 100, after hitting No. 3; Taylor Swift’s “Karma,” featuring Ice Spice, rebounds 10-9, two weeks after it vaulted to its No. 2 high following the release of its remix with Ice Spice; and Eslabon Armado and Peso Pluma’s “Ella Baila Sola” recedes 8-10 after reaching No. 4 – the best rank ever for a regional Mexican song – as it logs an 11th week at No. 1 on the multi-metric Hot Latin Songs chart.

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated June 24), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (June 21).

Source: billboard.com

Plus: Niall Horan’s “The Show” starts at No. 2 while Noah Kahan’s “Stick Season” surges into top 10 after deluxe reissue.

A familiar face is back at No. 1 on the Billboard 200 albums chart (dated June 24), as Morgan Wallen’s One Thing at a Time climbs 2-1 to collect its 13th nonconsecutive week atop the list. The set earned 111,500 equivalent album units in the United States in the week ending June 15 (down 4%), according to Luminate.

One Thing at a Time ties with three other albums for the most weeks at No. 1 on the Billboard 200 in the last 10 years. It matches the total weeks at No. 1 of Bad Bunny’s Un Verano Sin Ti (in 2022), Drake’s Views (2016), and the Frozen soundtrack (2014). The last album to have more than 13 weeks at No. 1 was Adele’s 21, with 24 nonconsecutive weeks in 2011-12.

One Thing at a Time also ties Views to become Republic Records’ album with the most weeks at No. 1 ever on the Billboard 200. One Thing was released via Big Loud/Mercury/Republic, while Views was issued through Young Money/Cash Money/Republic.

Also in the top 10 of the new Billboard 200 albums chart, Niall Horan claims his highest-charting album since 2017 as The Show starts at No. 2, while Noah Kahan’s Stick Season surges into the top 10 for the first time (jumping 100-3) after its deluxe reissue and debut on vinyl.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new June 24, 2023-dated chart will be posted in full on Billboard‘s website on Wednesday (June 21), one day later than usual, owed to the Juneteenth holiday in the U.S. on June 19. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of One Thing at a Time’s 111,500 equivalent album units earned in the week ending June 15, SEA units comprise 105,000 (down 3%, equaling 140.74 million on-demand official streams of the set’s 36 songs), album sales comprise 4,500 (down 1%) and TEA units comprise 2,000 (down 4%). One Thing debuted at No. 1 on the Billboard 200 chart dated March 18 and spent it first 12 weeks at No. 1. It stepped aside for the last two weeks, when Stray Kids’ 5-STAR debuted atop the tally (June 17 chart) and Taylor Swift’s Midnights returned to No. 1 (June 10).

Horan’s The Show starts at No. 2 on the Billboard 200, marking his third consecutive top five-charting effort (comprising all three of his solo releases). The set launches with 80,500 equivalent album units. Of that sum, album sales comprise 68,000 (making it the top-selling album of the week), SEA units comprise 12,000 (equaling 15.42 million on-demand official streams of the set’s tracks) and TEA units comprise 500. Horan previously hit the top five with Heartbreak Weather (No. 4 in 2020) and Flicker (No. 1, 2017).

The new album was preceded by the single “Heaven,” which peaked in the top 25 on both the Pop Airplay and Adult Pop Airplay charts in April. It hit No. 62 on the Billboard Hot 100 in March.

The Show’s sturdy sales start was bolstered by an array of available physical editions: eight deluxe boxed sets containing a CD and branded merch, a signed CD sold through Horan’s webstore, a Target-exclusive CD with an alternative cover and a poster packaged inside, a zine CD package sold through his webstore, six vinyl variants (including color variants for Target, Spotify, Urban Outfitters and his webstore) and a cassette.

Kahan’s Stick Season, which was released in October of 2022, jumps into the top 10 for the first time, as it bolts 100-3 after its deluxe reissue and vinyl debut on June 9. The set earned 71,000 equivalent album units (up 574%) in the week ending June 15. Of that sum, SEA units comprise 48,000 (equaling 60.91 million on-demand official streams of its collected tracks, up 388%), album sales comprise 22,500 (up 3,080%) and TEA units comprise 500 (up 1,036%).

Stick Season, Kahan’s third studio album, was reissued on June 9 with seven additional tracks. It also garnered its first pressing on vinyl. The album originally debuted and peaked at No. 14 on the Oct. 29, 2022-dated list, and logged 28 nonconsecutive weeks on the tally before its deluxe reissue and vault into the top 10.

Swift’s Midnights rises 5-4 on the Billboard 200 with 69,000 equivalent album units (down 17%); Metro Boomin’s Spider-Man: Across the Spider-Verse soundtrack rises 7-5 in its second week (54,000; down 18%); Stray Kids’ 5-STAR falls 1-6 in its second week (53,000; down 79%); and Lil Durk’s Almost Healed dips 6-7 (50,000; down 26%).

A trio of former No. 1s rounds out the top 10, as SZA’s SOS climbs 9-8 (49,000 equivalent album units earned; down 3%); Wallen’s Dangerous: The Double Album bounces back into the top 10 with an 11-9 rise (45,000; down 1%); and Swift’s Lover bumps 12-10 (37,000; down 2%).

Source: billboard.com

“Fast Car” speeds 8-4 – surpassing the No. 6 peak of Tracy Chapman’s original. Plus, it and “Last Night” make for two simultaneous top five country hits for the first time since 2000.

Morgan Wallen’s “Last Night” achieves a 10th week at No. 1 on the Billboard Hot 100 songs chart. It becomes the 44th song since the Hot 100 began in August 1958 to reign for 10 or more weeks, out of 1,149 total No. 1s – an achievement that only 4% of all leaders have attained.

Plus, Luke Combs’ cover of Tracy Chapman’s classic “Fast Car” keeps on driving, advancing from No. 8 to No. 4 on the Hot 100. The song surpasses the No. 6 peak in 1988 of Chapman’s original – and, combined with Wallen’s “Last Night,” makes for two simultaneous top five country hits for the first time since 2000.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated June 17, 2023) will update on Billboard.com tomorrow (June 13). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.

Wallen’s “Last Night,” released on Big Loud/Mercury/Republic Records, drew 68.8 million radio airplay audience impressions (up 4%) and 31 million streams (down 6%) and sold 8,000 downloads (down 6%) in the June 2-8 tracking week, according to Luminate.

The song, which initially led the Hot 100 in March, becoming Wallen’s first leader on the list, adds a 12th week at No. 1 on the Streaming Songs chart; holds at its No. 4 high on Radio Songs; and rebounds 6-4 on Digital Song Sales, following a week on top.

Additionally, “Last Night” tops Billboard’s Hot Country Songs chart, which employs the same multi-metric methodology as the Hot 100, for an 18th week – tying for the 10th-longest command since the chart became an all-encompassing genre survey in October 1958. Wallen is the only soloist with two of the 10 longest-leading Hot Country Songs hits in that span, as his “You Proof” amassed 19 weeks on top in 2022.

“Last Night” concurrently leads the Country Airplay chart for a sixth week and holds at its No. 10 best on the Pop Airplay chart. It became Wallen’s ninth No. 1 on the former and his first top 10 on the latter list.

“Last Night” is also the hottest hit on Billboard’s Songs of the Summer chart, which returned a week earlier.

Miley Cyrus’ “Flowers” lifts 3-2 on the Hot 100, after eight weeks at No. 1 beginning upon its debut in January. It posts a 17th week atop Radio Songs (87 million in audience, essentially even week-over-week). The track now solely boasts the third-longest reign since Radio Songs began in December 1990 – and claims outright the longest domination for a song by a woman.

Most Weeks at No. 1 on Radio Songs:

• 26, “Blinding Lights,” The Weeknd, 2020
• 18, “Iris,” Goo Goo Dolls, 1998
• 17, “Flowers,” Miley Cyrus, 2023
• 16, “Girls Like You,” Maroon 5 feat. Cardi B, 2018
• 16, “We Belong Together,” Mariah Carey, 2005
• 16, “Don’t Speak,” No Doubt, 1996-97
• 15, “Easy On Me,” Adele, 2021-22

Rema and Selena Gomez’s “Calm Down” rises to a new No. 3 Hot 100 high, from No. 5. (It reaches the top three in its 40th week on the chart, the fifth-longest ascent to the region; Glass Animals’ “Heat Waves” took a record 51 weeks to the top three in 2021-22.) “Calm Down” also tops the Billboard U.S. Afrobeats Songs chart for a 41st week, extending the longest reign since the ranking began over a year ago (in partnership with music festival and global brand Afro Nation).

Luke Combs’ cover of Tracy Chapman’s “Fast Car” accelerates to a new No. 4 Hot 100 high. The song bests the No. 6 peak, in August 1988, of Chapman’s original. Three weeks ago, Combs’ version became the 16th remake of an ‘80s Hot 100 top 10 to also reach the tier. As his has now charted higher than Chapman’s, of those 16 such double-ups, covers have peaked higher than originals in only five cases.

Notably, Chapman, who solely wrote “Fast Car,” appears in the Hot 100’s top five with a second hit as a songwriter: “Give Me One Reason,” which she also penned solo, and which became her other top 10 as a recording artist, hit No. 3 in June 1996.

Combs adds his second top five Hot 100 hit, after “Forever After All” debuted at its No. 2 peak in November 2020.

“Fast Car” wins the Hot 100’s top Airplay Gainer award for a third consecutive week (34.2 million, up 30%). As previously reported, it hits the Country Airplay top 10 and ranks in the top 25 on Adult Contemporary, Adult Pop Airplay and Pop Airplay. The song is also up 1% to 20.2 million streams and 4% to 9,000 sold.

Meanwhile, with Wallen’s “Last Night” at No. 1 and Combs’ “Fast Car” parked at No. 4, two country hits (as defined by titles that have hit Billboard’s Hot Country Songs chart, where they currently place at Nos. 1 and 2, respectively) rank in the Hot 100’s top five simultaneously for the first time in over 23 years: for eight weeks in February-April 2000, Lonestar’s “Amazed” and Faith Hill’s “Breathe” shared space in the top five. (Before that, such tandems had not occurred since September 1981, when Juice Newton’s “Queen of Hearts” and Ronnie Milsap’s “[There’s] No Gettin’ Over Me” ranked in the top five together.)

A pair of country songs appearing in the Hot 100’s top five for the first time in nearly a quarter-century continues the genre’s surge this year; as analyzed by Hit Songs Deconstructed, country tied pop as the most prominent primary genres in the chart’s top 10 in Q1 2023, marking country’s best such showing in over a decade.

Lil Durk’s “All My Life,” featuring J. Cole, dips 4-5 on the Hot 100, three weeks after it launched at its No. 2 high. It tops the multi-metric Hot R&B/Hip-Hop Songs and Hot Rap Songs for a third week each. SZA’s “Kill Bill” keeps at No. 6 on the Hot 100, after it became her first No. 1, for a week in April. It leads the multi-metric Hot R&B Songs chart for a 25th week.

Toosii’s “Favorite Song” rebounds 9-7 on the Hot 100, after hitting No. 5. Eslabon Armado and Peso Pluma’s “Ella Baila Sola” retreats 7-8 on the Hot 100, after reaching No. 4 – the best rank ever for a regional Mexican song. It posts a 10th week at No. 1 on the multi-metric Hot Latin Songs chart.

Metro Boomin, The Weeknd and 21 Savage’s “Creepin’ ” repeats at No. 9 on the Hot 100, after hitting No. 3, and, rounding out the top 10, Taylor Swift’s “Karma,” featuring Ice Spice, falls to No. 10 from its No. 2 high, a week after it vaulted (from No. 27) following the first week of tracking after the release of its remix with Ice Spice. Still, “Karma” hits the Radio Songs top 10 (12-7; 45.6 million, up 19%), becoming Swift’s 18th top 10, as she ties for the seventh-best sum (Rihanna leads with 30), and Ice Spice’s second.

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated June 17), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (June 13).

Source: billboard.com

Plus: Jelly Roll, ENHYPEN, Metro Boomin’s “Spider-Verse” soundtrack, Foo Fighters and Moneybagg Yo all bow in top 10.

Stray Kids lead a busy week in the top 10 on the Billboard 200 albums chart (dated June 17), as the pop group debuts at No. 1 with 5-STAR. It’s the Korean act’s third chart entry, and third to debut at No. 1, following MAXIDENT and ODDINARY, both in 2022.

The new album launches with 249,500 equivalent album units earned in the United States in the week ending June 8, according to Luminate. That marks the fourth-largest week, by units earned, for any album in 2023. Further, of its starting unit sum, album sales comprise 235,000 — the largest sales week for an album this year, and the biggest for any title since Taylor Swift’s Midnights sold 1.14 million in its first week (Nov. 5, 2022-dated chart).

Also in the top 10 of the new Billboard 200 albums chart, five other titles arrive in the region: Jelly Roll’s Whitsitt Chapel starts at No. 3; ENHYPEN’s Dark Blood bows at No. 4 after its CD release on June 2 (it was issued via streamers and digital download on May 22); Metro Boomin’s Spider-Man: Across the Spider-Verse soundtrack flies in at No. 7; Foo Fighters’ But Here We Are starts at No. 8; and Moneybagg Yo’s Hard to Love enters at No. 10.

With six debuts in the top 10, the region hosts the most new arrivals in over two and a half years, since the Oct. 10, 2020-dated chart, when six albums also began in the top 10.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new June 17, 2023-dated chart will be posted in full on Billboard‘s website on Tuesday (June 13). For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of 5-STAR’s 249,500 equivalent album units earned, album sales comprise 235,000, SEA units comprise 14,000 (equaling 19.55 million on-demand official streams of the set’s tracks) and TEA units comprise 500.

As Stray Kids have seen their first three entries on the Billboard 200 all debut at No. 1, the last act also to have its first three chart entries all debut atop the list was Harry Styles, with his first three solo albums: Harry Styles (2017), Fine Line (2019) and Harry’s House (2022).

Like many K-pop releases, the CD edition of 5-STAR was issued in collectible CD packages (18 total, including exclusives for Barnes & Noble, Target, Walmart and a signed edition in the group’s webstore), each containing a standard set of bonus items and randomized elements (photo cards, mini posters, sticker sets, photo books). There were also four alternative digital versions of the album, sold only in the act’s webstore, each containing the base song tracklist, but with alternative covers and bonus voice memos from individual members of the eight-member group, each selling for $6.99.

Effectively all of 5-STAR’s first-week album sales were CDs (98%; 231,000), with about 2% from digital album sales (about 4,000). The set was not available in any other retail format (such as vinyl or cassette).

5-STAR is mostly in the Korean language, but includes some English lyrics. It is the 19th mostly non-English language album to hit No. 1, and the third of 2023, following Karol G’s Mañana Será Bonito (one week, March 11 chart) and TOMORROW X TOGETHER’s The Name Chapter: Temptation (one week, Feb. 11).

Stray Kids have yet to chart a song on the U.S.-based Billboard Hot 100 songs chart (through the most recently published list, dated June 10). The act has notched four entries on the Billboard Global 200, and seven titles on the Billboard Global 200 Excl. U.S. chart, which rank the most popular songs globally, and globally excluding the U.S., respectively.

Morgan Wallen’s former leader One Thing at a Time is a non-mover at No. 2 on the Billboard 200 with 117,000 equivalent album units earned (down 7%).

Jelly Roll rocks in at No. 3 on the Billboard 200 with Whitsitt Chapel, starting with 90,000 equivalent album units earned — his biggest week yet and first top 40-charting release. (He previously logged three albums, none going higher than No. 97.) Of the new set’s first-week units, album sales comprise 63,000, SEA units comprise 25,000 (equaling 33.09 million on-demand official streams of the set’s songs) and TEA units comprise 2,000.

Whitsitt’s album sales were aided by three vinyl LPs (including a color variant exclusive for Walmart), a standard CD, a signed CD sold through Jelly Roll’s webstore, a deeply-discounted digital album (only $4.20 for a limited time during the tracking week in his webstore), nine deluxe CD boxed sets that included branded merch and a copy of the CD and a “hymnal” Zine/CD package.

ENHYPEN notches its second top 10 on the Billboard 200, and the Korean pop group’s highest charting effort yet, as Dark Blood bows at No. 4 with 88,000 equivalent album units earned (also the act’s best week yet by units). Of its first-week units, album sales comprise 85,000, SEA units comprise 3,000 (equaling 3.79 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum.

Like many K-pop releases, the CD edition of Dark Blood was issued in collectible CD packages (17 total, including a number of retailer-exclusives), each containing a standard set of bonus items and randomized elements. Dark Blood’s debut on the Billboard 200 comes only after its CD was released, as its digital album and streaming album both dropped on May 22.

Swift’s chart-topping Midnights falls 1-5 on the Billboard 200 with 83,000 equivalent album units earned (down 70%) and Lil Durk’s Almost Healed dips 3-6 in its second week (67,000; down 46%).

Metro Boomin’s star-studded soundtrack to Spider-Man: Across the Spider-Verse swings in, debuting at No. 7 with 66,000 equivalent album units earned. Of that sum, streaming equivalent album units comprise 62,000 (equaling 83.57 million on-demand official streams of the set’s songs), album sales comprise 3,000 and TEA units comprise 1,000. It’s the sixth top 10-charting set for Metro Boomin. The album features guests such as Future, Lil Wayne and Nas.

Foo Fighters’ But Here We Are — the band’s first album since the death of drummer Taylor Hawkins in early 2022 — starts at No. 8 with 62,000 equivalent album units earned. It’s the 10th top 10 album for the group. The album was led by the single “Rescued,” which topped both the Alternative Airplay chart (the act’s 11th leader there) and the Mainstream Rock Airplay chart (its 12th No. 1).

SZA’s chart-topping SOS drops 4-9 with 51,000 equivalent album units (down 8%).

Moneybagg Yo’s Hard to Love is the sixth and final debut in the top 10, as it bows at No. 10 with 51,000 equivalent album units earned. Of that sum, SEA units comprise 48,500 (equaling 66.56 million on-demand official streams of the set’s songs), album sales comprise 2,500 and TEA units comprise a negligible sum. It’s the sixth top 10-charting set for the rapper.

Source: billboard.com

Swift scores her 25th top five Hot 100 hit.

Morgan Wallen’s “Last Night” leads the Billboard Hot 100 songs chart for a ninth week.

Plus, Taylor Swift’s “Karma” vaults from No. 27 to No. 2 on the Hot 100. After it originally spent a week in the top 10, at No. 9, upon its debut last November (concurrent with the chart start of parent album Midnights), the song hits a new high following the May 26 release of its remix with Ice Spice, and the wide premiere of its official video May 27.

Swift achieves her milestone 25th top five Hot 100 hit. Ice Spice, now credited on “Karma” on the chart (as the remix accounts for over half the song’s consumption in the May 26-June 1 tracking week), adds both her third top 10 and top five track – and earns her highest career rank.

As previously reported, Midnights surges back to No. 1 on the Billboard 200 albums chart.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated June 10, 2023) will update on Billboard.com tomorrow (June 6). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.

Wallen’s “Last Night,” released on Big Loud/Mercury/Republic Records, drew 66.3 million radio airplay audience impressions (up 1%) and 32.8 million streams (essentially even week-over-week) and sold 8,000 downloads (down 4%) in the May 26-June 1 tracking week, according to Luminate.

The song, which initially led the Hot 100 in March, becoming Wallen’s first leader on the list, notches an 11th week at No. 1 on the Streaming Songs chart; rises 5-4 for a new best on Radio Songs; and dips 5-6 on Digital Song Sales, following a week on top.

“Last Night” commands the Country Airplay chart for a fifth week, having become the first song to top the Hot 100 and Country Airplay simultaneously, and becomes Wallen’s first top 10 on the Pop Airplay chart. It leads the Hot Country Songs chart, which uses the same methodology as the Hot 100, for a 17th week.

Swift’s “Karma” soars 27-2 on the Hot 100. After it first logged a week in the top 10, at No. 9, in its debut frame last November (concurrent with the No. 1 Billboard 200 debut of parent album Midnights), the song hits a new Hot 100 best following the May 26 release of its remix with Ice Spice, and the wide premiere of its official video May 27 (at midnight each day). Attendees at Swift’s May 26 concert — as part of her The Eras Tour at MetLife Stadium in East Rutherford, N.J. — saw the clip even earlier at the show, while Ice Spice joined Swift on-stage for a live debut of the remix.

The song drew 38.4 million in airplay audience (up 15%) and 22.5 million streams (up 175%) and sold 17,000 (up 744%) May 26-June 1, as it wins top Streaming and Sales Gainer honors on the Hot 100. It bounds 50-4 on Streaming Songs; returns to Digital Song Sales at No. 2; and jumps 18-12 on Radio Songs, hitting new highs on each survey.

Swift achieves her 25th top five Hot 100 entry, solely claiming the fifth-most such hits since the chart began in August 1958.

Most Top Five Hot 100 Hits:

• 35, Drake
• 29, The Beatles
• 28, Madonna
• 27, Mariah Carey
• 25, Taylor Swift
• 24, Janet Jackson
• 24, Rihanna
• 21, Elvis Presley (whose career began before the chart originated)
• 20, Justin Bieber
• 20, Michael Jackson
• 20, Stevie Wonder

Meanwhile, Swift boasts the sixth-most top two Hot 100 hits: 17, with nine having hit No. 1 and eight having reached No. 2. She follows The Beatles (23; 20 No. 1s, three No. 2 hits); Mariah Carey (23; 19 No. 1s, four No. 2 hits); Drake (20; 11 No. 1s, nine No. 2 hits); Rihanna (18; 14 No. 1s, four No. 2 hits); and Madonna (18; 12 No. 1s, six No. 2 hits).

Plus, Midnights has now generated three top two Hot 100 songs: “Anti-Hero” became Swift’s longest-leading No. 1, for eight weeks in November-January, and “Lavender Haze” debuted at its No. 2 peak in November, as 10 tracks from the album blanketed the top 10 in the set’s starting frame and Swift made history as the first artist to rank at each spot in the top 10 in a single week.

The album is Swift’s second to produce a trio of top two Hot 100 hits, after 1989 yielded three No. 1s in 2014-15: “Shake It Off,” “Blank Space” and “Bad Blood” (featuring Kendrick Lamar).

Midnights is the first album by any act with three top two Hot 100 hits since The Weeknd’s After Hours spun off three No. 1s in 2019-21: “Heartless,” “Blinding Lights” and “Save Your Tears,” the lattermost remixed with Ariana Grande – who, prior to that LP, posted three top two hits, including two No. 1s, from Thank U Next in 2018-19. Earlier in 2018, Drake rung up four, including three No. 1s, from his album Scorpion.

Ice Spice is now credited on “Karma” on the Hot 100, as the remix accounts for over half the song’s consumption in the tracking week. She notches her third top 10 – and highest-charting hit – following “Boy’s a Liar, Pt. 2,” with PinkPantheress (No. 3, March), and “Princess Diana,” with Nicki Minaj (No. 4, April).

Miley Cyrus’ “Flowers” descends 2-3 on the Hot 100, after eight weeks at No. 1, beginning upon its debut in January. It posts a 16th week atop Radio Songs (86.8 million in audience, down 3%).

Notably, “Flowers” ties for the third-longest reign since Radio Songs began in December 1990 – and passes Adele’s “Easy On Me” for the longest rule for a Columbia Records single.

Most Weeks at No. 1 on Radio Songs:

• 26, “Blinding Lights,” The Weeknd, 2020
• 18, “Iris,” Goo Goo Dolls, 1998
• 16, “Flowers,” Miley Cyrus, 2023
• 16, “Girls Like You,” Maroon 5 feat. Cardi B, 2018
• 16, “We Belong Together,” Mariah Carey, 2005
• 16, “Don’t Speak,” No Doubt, 1996-97
• 15, “Easy On Me,” Adele, 2021-22

Lil Durk’s “All My Life,” featuring J. Cole, rebounds 7-4 on the Hot 100, two weeks after it launched at No. 2. It also returns to No. 1 on Hot R&B/Hip-Hop Songs and Hot Rap Songs, leading each multi-metric list for a second week, as parent album Almost Healed debuts at No. 3 on the Billboard 200.

Rema and Selena Gomez’s “Calm Down” retreats to No. 5 on the Hot 100, from its No. 4 high. It tops the Billboard U.S. Afrobeats Songs chart for a 40th week, extending the longest reign since the ranking began over a year ago (in partnership with music festival and global brand Afro Nation).

(‘00s and aahs: despite Swift, Cyrus and Gomez having all first hit the Hot 100 in the second half of the 2000s – Cyrus in August 2006 [via her former Hannah Montana alter ego]; Swift that September; and Gomez in January 2009 – the three artists appear in the top five together for the first time this week.)

SZA’s “Kill Bill” drops 3-6 on the Hot 100, after it became her first No. 1, for a week in April. It rules the multi-metric Hot R&B Songs chart for a 24th week.

Eslabon Armado and Peso Pluma’s “Ella Baila Sola” slides 6-7 on the Hot 100, after hitting No. 4 – the best rank ever for a regional Mexican song. It adds a ninth week at No. 1 on the multi-metric Hot Latin Songs chart.

Luke Combs’ cover of Tracy Chapman’s “Fast Car” revs to a new No. 8 Hot 100 best, from No. 10, as it claims the chart’s top Airplay Gainer award for a second consecutive week (26.3 million, up 33%). (Chapman’s original version hit No. 6 in 1988.)

Rounding out the Hot 100’s top 10, Toosii’s “Favorite Song” falls to No. 9 from its No. 5 high and Metro Boomin, The Weeknd and 21 Savage’s “Creepin’ ” backtracks 9-10, after hitting No. 3.

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated June 10), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (June 6).

Source: billboard.com

Plus: Lil Durk’s ‘Almost Healed’ debuts at No. 3.

Taylor Swift’s Midnights jumps back to No. 1 on the Billboard 200 albums chart (dated June 10), for a sixth nonconsecutive week atop the list. The set bumps 3-1 after the May 26 release of two deluxe editions of the album, along with a new color vinyl variant of the original standard album.

Midnights earned 282,000 equivalent album units in the United States in the week ending June 1 (up 389%), according to Luminate – the second-largest week of 2023 for any album. Only the debut frame of Morgan Wallen’s One Thing at a Time posted a bigger week this year, when it launched at No. 1 with 501,000 (chart dated March 18).

Midnights debuted at No. 1 on the Billboard 200 dated Nov. 5, 2022, and spent its first two weeks at No. 1. It then notched three further weeks at No. 1 on the charts dated Nov. 26-Dec. 10, 2022. The album has never left the top 10 in its 32 weeks on the chart.

Midnights’ return to No. 1 halts the chart-topping run of Morgan Wallen’s One Thing at a Time, which falls to No. 2 after spending its first 12 weeks at No. 1 – the most weeks atop the chart for a country album in over 30 years. (Country albums are those that have charted on, or are eligible for, Billboard’s Top Country Albums chart.)

Also in the top 10 of the new Billboard 200 chart, rapper Lil Durk score his sixth top 10, as Almost Healed starts at No. 3.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new June 10, 2023-dated chart will be posted in full on Billboard‘s website on June 6. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of Midnights’ 282,000 equivalent album units earned in the week ending June 1, album sales comprise 196,000 (up 1,529% — the largest sales week for any album in 2023 and the biggest since Midnights itself debuted with 1.114 million sold on the Nov. 5-dated chart), SEA units comprise 80,000 (up 79%, equaling 107.6 million on-demand official streams of the set’s songs), album sales comprise 6,000 (down 30%) and TEA units comprise 6,000 (up 618%).

Midnights had an array of drivers assisting its return to No. 1 on the Billboard 200. On May 26, Swift released a new deluxe edition of Midnights, dubbed The Til Dawn Edition, through digital retailers, Swift’s webstore and streaming services. The 23-track set includes the original standard album’s 13 tracks, plus the seven bonus tracks from the earlier-released Midnights (The 3am Edition, originally released on Oct. 21, 2022, shortly after the standard album), and three bonus tracks: “Hits Different,” which was previously only on the Target-exclusive CD edition of the standard edition of Midnights; a new version of the standard album’s “Snow on the Beach,” featuring more Lana Del Rey, and a remix of the standard set’s “Karma,” adding Ice Spice as a featured artist.

The “Karma” remix, alongside its official music video, also premiered across streamers and digital retailers as a single on May 26. Swift and Ice Spice gave the first live performance of the track at Swift’s May 26 The Eras Tour concert at MetLife Stadium in East Rutherford, N.J.

In addition to the Midnights (The Til Dawn Edition), on May 26 Swift introduced a further iteration of the album, named Midnights (The Late Night Edition). The 21-track set contains the original standard album’s 13 tracks, plus five of the seven bonus tracks from The 3am Edition and three bonus tracks: the previously noted new versions of “Snow on the Beach” and “Karma,” along with a previously unreleased track titled “You’re Losing Me (From the Vault).” The Late Night Edition version of the album is available only as a CD sold at merch stands at Swift’s The Eras Tour stops (having started on May 26) for $10 and was briefly sold through Swift’s webstore (for 24 hours only) as a digital download album for $5.99 (from 8 p.m. ET on May 26 to 8 p.m. ET on May 27). “You’re Losing Me” is exclusive to The Late Night edition of the album and is not available to stream anywhere officially, nor sold as a stand-alone track.

There is no word on when, or if, The Late Night Edition will be widely released, nor if “You’re Losing Me” will be released a la carte.

Beyond the above drivers, the standard Midnights vinyl album was reissued in a color variant on May 26. The day, the Love Potion purple marble color variant of Midnights was available in select independent record stores, after being previously sold in a short pre-order window through Swift’s webstore (with orders shipping out starting May 26).

Wallen’s One Thing at a Time surrenders the No. 1 slot after spending its first 12 weeks at No. 1, as the album dips to No. 2 with 126,000 equivalent album units earned (down 2%).

Lil Durk notches his sixth top 10-charting effort on the Billboard 200 as Almost Healed debuts at No. 3 with 125,000 equivalent album units earned. Of that sum, SEA units comprise 122,000 (equaling 167.82 million on-demand official streams of the set’s tracks), album sales comprise 2,000 and TEA units comprise 1,000. Notably, the 125,000-unit start marks Durk’s best week, outside of his collaborative set with Lil Baby, which bowed at No. 1 with 150,000 (June 19, 2021, chart).

A trio of former No. 1s is next on the Billboard 200, as SZA’s SOS dips 2-4 (55,000 equivalent album units earned; down 29%), Wallen’s Dangerous: The Double Album falls 4-5 (48,000; up 2%) and Swift’s Lover is a non-mover at No. 6 (38,000; down 1%). Luke Combs’ Gettin’ Old rises one rung to No. 7 with 33,000 (down 4%).

Bad Bunny’s chart-topping Un Verano Sin Ti climbs one spot to No. 8 (nearly 33,000 equivalent album units; down 3%), Zach Bryan’s American Heartbreak bumps 10-9 (31,000; down 1%) and Bailey Zimmerman’s Religiously. The Album. climbs back to the top 10, up 11-10 (30,000; down 4%).

As the top 10 contains Wallen’s two albums (One Thing at a Time and Dangerous at Nos. 2 and 5), Combs’ Gettin’ Old (No. 7), Bryan’s American Heartbreak (No. 9) and Zimmerman’s Religiously. The Album. (No. 10), there are five country albums in the top 10 for the first time in nearly a decade. The chart last had at least five country sets in the top 10 on the Oct. 5, 2013-dated list. That week, Justin Moore’s Off the Beaten Path debuted at No. 2, Chris Young’s A.M. launched at No. 3, Luke Bryan’s former leader Crash My Party fell 4-6, Keith Urban’s Fuse fell 1-8 and Billy Currington’s We Are Tonight debuted at No. 10.

Source: billboard.com

Plus, Toosii’s “Favorite Song” hit the Hot 100’s top five.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated June 3, 2023) will update on Billboard.com tomorrow (May 31, a day later than usual due to the Memorial Day holiday in the United States May 29). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.

Wallen’s “Last Night,” released on Big Loud/Mercury/Republic Records, drew 65.4 million radio airplay audience impressions (up 3%) and 32.7 million streams (down 1%) and sold 9,000 downloads (up 1%) in the May 19-25 tracking week, according to Luminate.

The song, which first led the Hot 100 in March, becoming Wallen’s initial leader on the list, notches a 10th week at No. 1 on the Streaming Songs chart; drops 2-5 on Digital Song Sales, following a week on top; and keeps at its No. 5 best on Radio Songs.

“Last Night” also tops the Country Airplay chart for a fourth week, having become the first track to rule the Hot 100 and Country Airplay simultaneously, and continues in the top 20 on Pop Airplay, Adult Pop Airplay and Adult Contemporary. It leads the Hot Country Songs chart, which uses the same methodology as the Hot 100, for a 16th week.

As previously reported, “Last Night” parent album One Thing at a Time dominates the Billboard 200 for a 12th week, encompassing its entire stay on the chart so far. It boasts the most weeks in a row at No. 1 since the Titanic soundtrack linked 16 in 1998. Meanwhile, One Thing at a Time is just the second album to spend its first 12 weeks on the chart on top, after Stevie Wonder’s classic Songs in the Key of Life led in its first 13 weeks in 1976-77. Plus, the dozen weeks atop the Billboard 200 for One Thing at a Time mark the most for a country album since Billy Ray Cyrus’ Some Gave All, sparked by its own crossover smash, “Achy Breaky Heart,” ruled for 17 weeks in 1992.

Miley Cyrus’ “Flowers” rebounds 3-2 on the Hot 100, after eight weeks at No. 1 beginning upon its debut in January. It posts a 15th week atop Radio Songs (89.7 million in audience, down 2%).

“Flowers” ties for the sixth-longest reign since Radio Songs began in December 1990 – and matches Adele’s “Easy On Me” for the longest rule for a Columbia Records single.

Most Weeks at No. 1 on Radio Songs:

• 26, “Blinding Lights,” The Weeknd, 2020
• 18, “Iris,” Goo Goo Dolls, 1998
• 16, “Girls Like You,” Maroon 5 feat. Cardi B, 2018
• 16, “We Belong Together,” Mariah Carey, 2005
• 16, “Don’t Speak,” No Doubt, 1996-97
• 15, “Flowers,” Miley Cyrus, 2023
• 15, “Easy On Me,” Adele, 2021-22

SZA’s “Kill Bill” lifts 4-3 on the Hot 100, after it became her first No. 1, for a week in April. It rules the multi-metric Hot R&B/Hip-Hop Songs and Hot R&B Songs charts for a 21st and 23rd week, respectively.

On Hot R&B/Hip-Hop Songs, the No. 1 run of “Kill Bill” is historic, as the song passes Lil Nas X’s “Old Town Road,” featuring the aforementioned Billy Ray Cyrus, for the longest command since the chart became an all-encompassing genre survey in 1958.

Most Weeks at No. 1 on Hot R&B/Hip-Hop Songs:

• 21, “Kill Bill,” SZA, 2022-23
• 20, “Old Town Road,” Lil Nas X feat. Billy Ray Cyrus, 2019
• 18, “Industry Baby,” Lil Nas X & Jack Harlow, 2021-22
• 18, “One Dance,” Drake feat. WizKid & Kyla, 2016
• 16, “Blurred Lines,” Robin Thicke feat. T.I. + Pharrell, 2013
• 15, “Be Without You,” Mary J. Blige, 2006

Rema and Selena Gomez’s “Calm Down” reaches a new Hot 100 high, rising 6-4. It leads the Billboard U.S. Afrobeats Songs chart for a 39th week, extending the longest rule since the ranking began over a year ago (in partnership with music festival and global brand Afro Nation).

Toosii’s “Favorite Song” pushes 8-5 to hit the Hot 100’s top five for the first time. Aided by a new remix with Future, released May 19, to go along with a previously-available version with Khalid and sped-up and instrumental options, plus a “Midnight Session” mix, the track surges 17-1 on Digital Song Sales (17,000 sold, up 471%), as Toosii reigns in his initial appearance on the chart.

The track also climbs 8-5 on Streaming Songs (22.4 million, up 12%) – as it wins the Hot 100’s top Sales and Streaming Gainer awards – and 17-14 on Radio Airplay (36.4 million, up 15%). Plus, it rebounds for a third week at No. 1 on the multi-metric Hot Rap Songs chart.

Eslabon Armado and Peso Pluma’s “Ella Baila Sola” recedes 5-6 on the Hot 100, after hitting No. 4 – the best rank ever for a regional Mexican song. The collaboration claims an eighth week at No. 1 on the multi-metric Hot Latin Songs chart.

Lil Durk’s “All My Life,” featuring J. Cole, falls to No. 7 on the Hot 100, a week after it soared in at No. 2.

Bad Bunny’s “Where She Goes” bounds onto the Hot 100 at No. 8, with 23.4 million streams, 2.9 million in radio reach and 2,000 sold in its first full week (May 19-25), following its May 18 release. The Spanish-language song arrives as the star’s 10th top 10, and second this year, after “Un x100to,” with Grupo Frontera, hit No. 5 earlier in May.

“Where She Goes” marks Bad Bunny’s first Hot 100 entry with no accompanying artists since he released his LP Un Verano Sin Ti, which controlled the Billboard 200 for 13 weeks in May-October 2022 and generated four Hot 100 top 10s.

Rounding out the Hot 100’s top 10, Metro Boomin, The Weeknd and 21 Savage’s “Creepin’ ” slides 7-9, after hitting No. 3, and Luke Combs’ cover of Tracy Chapman’s “Fast Car” backs up from No. 9 to No. 10 a week after it reached the region, although it takes top Airplay Gainer honors (19.8 million, up 52%).

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated June 3), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (May 31).

Source: billboard.com

Plus: Dave Matthews Band and Ghost debut in top 10.

Morgan Wallen’s One Thing at a Time spends a 12th week in a row, and in total, atop the Billboard 200 albums chart (dated June 3) – the most weeks at No. 1 for a country album in over 30 years. As the album surpasses the 11-week reign of Taylor Swift’s Fearless in 2008-09, Wallen’s set has the most weeks at No. 1 for a country album since Billy Ray Cyrus’ Some Gave All, which notched 17 weeks, all consecutively, atop the list (June 13-Oct. 3, 1992-dated charts). (Country albums are those that have charted on, or are eligible for, Billboard’s Top Country Albums chart.)

One Thing at a Time earned 129,000 equivalent album units in the United States in the week ending May 25 (down 4%), according to Luminate.

One Thing at a Time continues to have the most weeks in a row at No. 1 since the Titanic soundtrack ruled at No. 1 for 16 consecutive weeks in 1998 (its entire run at No. 1, Jan. 24-May 9 of that year). The last album to spend at least 12 weeks in total at No. 1 was Bad Bunny’s Un Verano Sin Ti, which notched 13 nonconsecutive weeks atop the list in May-October 2022.

One Thing at a Time debuted at No. 1 on the Billboard 200 chart dated March 18 and has yet to yield the top slot. As it has now spent its first 12 weeks at No. 1, One Thing at a Time is just the second album to rule for its first 12 weeks on the chart, after Stevie Wonder’s Songs in the Key of Life logged its first 13 weeks at No. 1 (of a total of 14 weeks in the top slot) in late 1976 and early 1977. (For context, today, it’s common for albums to debut at No. 1. However, before 1991, when the Billboard 200 began utilizing Luminate’s electronically monitored tracking information, only six albums debuted at No. 1, including Songs In the Key of Life.)

Wallen has now spent a total of 22 weeks at No. 1 across his two chart-topping albums (One Thing at a Time, with 12 weeks, and his last album, Dangerous: The Double Album, with 10). Among acts with the most weeks at No. 1 this decade (2020-onwards), Wallen pulls further ahead of the act with the second-most weeks at No. 1 in that span of time – Taylor Swift, with 20.

Notably, Swift’s most recent No. 1, Midnights (which spent five weeks atop the list in late 2022), was reissued in multiple formats on May 26 (on vinyl, CD, digital download and via streaming services), with some iterations containing additional bonus tracks. The sales and streaming impact of those new variations will be reflected on next week’s Billboard 200 chart, dated June 10.

Also in the top 10 of the new Billboard 200 albums chart, Dave Matthews Band earns its 14th top 10-charting effort with the debut of Walk Around the Moon at No. 5. Plus, Ghost logs it fourth top 10, and second in a little over a year, as its new five-song covers set Phantomime bows at No. 7.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new June 3, 2023-dated chart will be posted in full on Billboard‘s website on May 31 (a day later than usual due to the Memorial Day holiday in the U.S. on May 29). For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of One Thing at a Time’s 129,000 equivalent album units earned in the week ending May 25, SEA units comprise 121,000 (down 3%, equaling 162.52 million on-demand official streams of the set’s 36 songs), album sales comprise 6,000 (down 30%) and TEA units comprise 2,000 (up less than 1%).

SZA’s chart-topping SOS jumps 5-2 with 77,000 equivalent album units earned (up 52%) following the album’s release on CD and vinyl on May 19. The set sold 29,000 copies across all formats (physical and digital) – up 22,963% from a negligible sum the previous week. SOS was released on Dec. 9, 2022, via streaming services and to purchase as a digital download album.

Swift’s Midnights falls 2-3 with 58,000 equivalent album units (down 4%), while Wallen’s Dangerous climbs 6-4 with 47,000 units (down 2%).

Dave Matthews Band achieves its 14th top 10-charting album on the Billboard 200 as its new studio effort Walk Around the Moon debuts at No. 5. It’s the act’s first new studio set since 2018. The new album earned 44,000 equivalent album units in its first week. Of that sum, album sales comprise 40,000 (making it the top-selling album of the week), SEA units comprise 4,000 (equaling 5.45 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum. The album’s first-week sales were supported by multiple vinyl editions, including exclusive color variants for the band’s fan club and webstore, Barnes & Noble, independent record stores and Target.

Dave Matthews Band notched its first top 10 with Crash (No. 2 in 1996) and has earned at least one new top 10 album in every decade since (three total in the 1990s, eight in the 2000s, two in the ‘10s and one so far in the ‘20s). In addition, Matthews himself has three solo top 10s.

Dave Matthews Band is the 11th group to have tallied a new top 10 in each of those four decades, joining AC/DC, Def Leppard, Foo Fighters, Green Day, Marilyn Manson, Megadeth, Metallica, Pearl Jam, Red Hot Chili Peppers and U2.

Swift’s former No. 1 Lover jumps 10-6 with 38,000 equivalent album units earned (up 1%). That’s the highest rank for the 2019 set since that December, sparked by Swift performing songs from it live for the first time on her ongoing juggernaut The Eras Tour.

Ghost’s five-song covers project Phantomime debuts at No. 7 on the Billboard 200 with 36,000 equivalent album units earned. It’s the fourth top 10 for the band, and second in a little over a year, following Impera, which debuted and peaked at No. 2 (March 26, 2022-dated chart).

Of Phantomime’s 36,000 units earned, album sales comprise 34,000, SEA units comprise 2,000 (equaling 2.67 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum. The set’s first-week sales were bolstered by its availability across a variety of physical formats, including multiple vinyl LPs (including exclusives color variants for independent record stores, Target and Urban Outfitters) and even a cassette tape.

Phantomime boasts covers of Genesis (“Jesus He Knows Me”), Iron Maiden (“Phantom of the Opera”) and the late Tina Turner (“We Don’t Need Another Hero [Thunderdome]”).

Luke Combs’ Gettin’ Old rises 12-8 on the Billboard 200 with 34,000 equivalent album units earned (down 3%), Bad Bunny’s former No. 1, Un Verano Sin Ti, ascends 11-9 with nearly 34,000 (down 4%) and Zach Bryan’s American Heartbreak bumps 15-10 with 32,000 (up 5%).

Source: billboard.com