Plus, Chappell Roan’s “The Subway” rumbles in at a career-best No. 3.

HUNTR/X’s “Golden” goes up, up, up a spot for its first week at No. 1 on the Billboard Hot 100 chart.

The aspirational song is from the soundtrack to the smash animated Netflix film KPop Demon Hunters and glows as the first Hot 100 leader for the act, whose music is voiced by EJAE, Audrey Nuna and REI AMI. The set rules Billboard’s Soundtracks chart for a seventh week.

Notably, “Golden” is the ninth song associated with Korean pop to conquer the Hot 100 — and the first by female lead vocalists. It joins “Seven” by Jung Kook (featuring Latto) and “Like Crazy” by Jimin, both of BTS, in 2023, and BTS’ six No. 1s in 2020-21: “Savage Love (Laxed – Siren Beat),” with Jawsh 685 and Jason Derulo; “Dynamite”; “Life Goes On”; “Butter”; “Permission To Dance”; and “My Universe,” with Coldplay. (HUNTR/X singers EJAE and REI AMI were born in Seoul, South Korea; Nuna is from New Jersey.)

“Golden” is also the first IRL Hot 100 No. 1 by any act with a fictional background since the ensemble No. 1 “We Don’t Talk About Bruno,” which reigned for five weeks in February-March 2022. It, too, was released from a hit animated film, Disney’s Encanto, and sung by multiple vocalists as their characters in the movie.

As for all-women collectives of three or more members, HUNTR/X is the first to top the Hot 100 in 24 years — since Destiny’s Child dominated with “Bootylicious” for two weeks in August 2001.

Plus, Chappell Roan’s “The Subway” pulls into the Hot 100 at No. 3, marking her highest debut and rank. The song starts as her fourth top 10.

Browse the full rundown of this week’s top 10 below.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Aug. 16, 2025) will update on Billboard.com Tuesday, Aug. 12. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Source: billboard.com

Alex Warren’s “Ordinary” holds at No. 1 on the Billboard Hot 100, while two adversarial acts from KPop Demon Hunters take their battle to the top 10.

“Ordinary” adds a ninth week atop the Hot 100, having become Warren’s first leader on the chart.

Meanwhile, “Golden,” by HUNTR/X — the trio of EJAE, Audrey Nuna and REI AMI — holds at its No. 2 Hot 100 high, as “Your Idol,” by Saja Boys — Andrew Choi, Neckwav, Danny Chung, Kevin Woo and samUIL Lee — reaches the top 10, bounding 12-9. The songs, each act’s first top 10, are from the hit Netflix animated film KPop Demon Hunters and its soundtrack, which notches a second week at its No. 2 best on the Billboard 200 albums chart. It rules the Soundtracks chart for a sixth week.

Browse the full rundown of this week’s top 10 below.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Aug. 9, 2025) will update on Billboard.com tomorrow, Aug. 5. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Source: billboard.com

Plus, Morgan Wallen adds a new chart achievement.

Alex Warren’s “Ordinary” adds an eighth week at No. 1 on the Billboard Hot 100. The song has spent all its weeks on top consecutively, having become his first leader on the chart.

Concurrently, Warren’s album You’ll Be Alright, Kid vaults 19-5 on the Billboard 200, becoming his first top 10 on the ranking, after it was expanded with 10 songs, including “Ordinary.”

Plus, Morgan Wallen’s former Hot 100 No. 1 “What I Want,” featuring Tate McRae, at No. 4, sparks history for the singer-songwriter on the Hot Country Songs chart, where it leads for a 10th week. It marks his record-breaking fourth song to reign for 10-plus weeks, surpassing Florida Georgia Line’s three.

Browse the full rundown of this week’s top 10 below.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Aug. 2, 2025) will update on Billboard.com tomorrow, July 29. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Source: billboard.com

Bieber’s “Daisies” debuts at No. 2 and Lenae’s “Love Me Not” leaps to No. 7.

Alex Warren’s “Ordinary” scores a seventh week atop the Billboard Hot 100. The song has spent all its weeks on top consecutively, having become his first No. 1 on the chart.

Plus, two songs are new to the Hot 100’s top 10, led by Justin Bieber’s “Daisies,” which debuts at No. 2. The track is from his new album, Swag, which likewise bounds onto the Billboard 200 at No. 2. Bieber earns his 27th career Hot 100 top 10 — tying Janet Jackson for the 10th-most in the chart’s history. It also opens as the week’s most-streamed song.

Meanwhile, Ravyn Lenae lands her first Hot 100 top 10 as “Love Me Not” surges five spots to No. 7. The song became her first entry on the chart in April.

Additionally in the Hot 100’s top 10, Teddy Swims’ former leader “Lose Control,” at No. 9, makes history, becoming the first song ever to spend 100 weeks on the chart.

Browse the full rundown of this week’s top 10 below.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated July 26, 2025) will update on Billboard.com tomorrow, July 22. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Source: billboard.com

Plus: Justin Bieber, Clipse, TWICE, ATEEZ and GIVĒON make waves in the top 10.

The JACKBOYS 2 project from Travis Scott and his JACKBOYS collective debuts at No. 1 on the Billboard 200 albums chart (dated July 26), earning 232,000 equivalent album units in the United States in the week ending July 17, according to Luminate.

The set was announced in March and is the follow-up to the first JACKBOYS set, which debuted at No. 1 on the Jan. 11, 2020-dated chart. A release date wasn’t shared for the new album until July 10, when Scott announced the set would drop on July 13. (Thus, JACKBOYS 2 debuts on the Billboard 200 with five days of activity in its first week on the chart. Most albums are released on Friday of each week; Luminate’s tracking week for the chart runs Friday through Sunday.)

JACKBOYS 2 (also the top-selling album of the week) leads a busy top 10 on the latest Billboard 200, where five albums debut in the region — the most in more than two years. Plus, a former No. 2-peaking album reenters the chart in the top 10.

Justin Bieber’s surprise album SWAG starts at No. 2 (with Bieber’s biggest streaming week ever, it debuts at No. 1 on Top Streaming Albums); Clipse’s first album in nearly 16 years, Let God Sort Em Out, debuts at No. 4; TWICE’s THIS IS FOR launches at No. 6; ATEEZ’s GOLDEN HOUR : Part.3 (which debuted and peaked at No. 2 in June) re-enters the chart at No. 7 following its deluxe reissue; and GIVĒON’s BELOVED starts at No. 8.

The last time the top 10 housed at least five debuts was on the July 17, 2023-dated chart, when six albums premiered in the region.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new July 26, 2025-dated chart will be posted in full on Billboard‘s website on July 22. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of JACKBOYS 2’s 232,000 equivalent album units earned in the week ending July 17, album sales comprise 160,000 (it debuts at No. 1 on the Top Album Sales chart), SEA units comprise 72,000 (equaling 94.86 million on-demand official streams of the set’s songs — it debuts at No. 4 on Top Streaming Albums) and TEA units comprise a negligible sum.

JACKBOYS 2 was released on July 13 as a seven-song album (as a digital download that was widely available, on five vinyl variants exclusively sold by the JACKBOYS’ webstore) and as an expanded 17-song album (available via streaming services, digital download stores and on a JACKBOYS’ store-exclusive CD across five variants). The JACKBOYS webstore also offered nine deluxe boxed sets containing branded clothing and a copy of a CD, as well as four webstore-exclusive download album variants (three contained one bonus track each, while one had alternative cover art). On July 17, the final day of the tracking week, a 20-song edition of the album became available to digital retailers and streamers — it contained all the songs on the 17-song edition, along with the three bonus tracks that had previously been only available on the webstore-exclusive download albums.

With 232,000 equivalent album units earned in its first week, the JACKBOYS 2 project collects the second-largest debut week for a rap album in 2025 (trailing only the opening frame of Playboi Carti’s MUSIC, with 298,000, in March). Plus, with 160,000 albums sold, JACKBOYS 2 logs the largest sales week for a rap album since Scott’s Days Before Rodeo rode in with 331,000 on the Sept. 7, 2024-dated chart.

Justin Bieber’s surprise album SWAG starts at No. 2 on the Billboard 200, earning 163,000 equivalent album units in its first week. The album was first teased on July 10, one day before it was released. The 21-track set is the 11th top 10-charted effort for Bieber.

Of SWAG’s opening-week units sum, SEA units comprise 155,000 equivalent album units (equaling 198.77 million on-demand official streams of the set’s songs — that’s Bieber’s best streaming week ever, and the album debuts at No. 1 on Top Streaming Albums), album sales comprise 6,000 (it debuts at No. 14 on Top Album Sales, it was only available in one standard widely available download album; physical versions aren’t expected until December) and TEA units comprise 1,000.

After spending its first eight weeks on the Billboard 200 at No. 1, Morgan Wallen’s I’m the Problem falls to No. 3 with 147,000 equivalent album units earned (down 3%).

Clipse’s first album in nearly 16 years, Let God Sort Em Out, opens at No. 4 on the Billboard 200 with 118,000 equivalent album units earned, marking the second top 10-charted effort for the brother duo (Pusha T and Malice). The set matches the peak of the pair’s debut project, and only other top 10, 2002’s Lord Willin’, which debuted and peaked at No. 4 on the Sept. 7, 2002-dated chart.

Let God Sort Em Out is Clipse’s first album since the July 2009 release Til the Casket Drops. The set was preceded by the top 40 hit “Ace Trumpets” on the Hot R&B/Hip-Hop Songs chart.

Of the new album’s 118,000 units earned, SEA units comprise 59,000 (equaling 77.49 million on-demand official streams of the set’s tracks — it’s Clipse’s biggest streaming week, and he project debuts at No. 5 on Top Streaming Albums), album sales comprise 58,000 (it debuts at No. 4 on Top Album Sales) and TEA units comprise 1,000.

The new album was issued on July 11 in a widely-available 12-track standard CD and vinyl LP, and as digital download and streaming set with one bonus track. The set’s first-week sales were bolstered by its availability across four vinyl variants (including a signed edition), three CD variants (including one signed), two cassette tapes, and more than a dozen deluxe boxed sets exclusive to Clipse’s webstore (each containing a piece of branded clothing on a copy of the CD album).

In its fourth week, the KPop Demon Hunters soundtrack is pushed down 2-5 on the latest Billboard 200, though it has the largest week-over-week unit gain on the chart. It increases by 10,000 equivalent album units (a 14% jump) to 85,000 in the latest tracking week.

KPop Demon Hunters is the only soundtrack to debut in the top 10 on the Billboard 200 and then see unit increases in its second, third and fourth weeks since the chart began ranking titles by equivalent album units in December 2014.

Of the KPop Demon Hunters soundtrack’s 85,000 units earned in its fourth week, SEA units comprise 79,000 (up 14%, equaling 109.53 million on-demand official streams of the set’s songs — it’s pushed down 2-3 on Top Streaming Albums), album sales comprise 5,000 (up 13% — though it’s down 9-17 on Top Album Sales) and TEA units comprise 1,000 (up 10%).

KPop Demon Hunters’ streaming sum of 109.53 million clicks is the biggest for a soundtrack since Encanto was in its seventh week at No. 1 on the Billboard 200 (March 5, 2022; with 114.67 million).

KPop Demon Hunters premiered on June 20 in a limited theatrical release in the U.S., and on Netflix, alongside its soundtrack. In the tracking week ending July 13, the animated film held at No. 2 in its fourth week on Netflix’s Top 10 Movies in United States chart.

TWICE (who also feature on the KPop Demon Hunters album) claims its seventh top 10-charted effort as THIS IS FOR launches at No. 6 with 80,000 equivalent album units earned. Of that sum, album sales comprise 68,000 (it debuts at No. 3 on Top Album Sales), SEA units comprise 12,000 (equaling 16.21 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum.

Released on July 11, THIS IS FOR was available as a standard widely available digital download and streaming album, across 15 CD and three vinyl variants (all containing collectible ephemera, some randomized). On July 14, a widely available deluxe edition of the album with two bonus tracks was released via digital stores and streamers.

ATEEZ’s GOLDEN HOUR : Part.3, which debuted and peaked at No. 2 on the June 28-dated chart, reenters the chart at No. 7 following its deluxe reissue on July 11. The album — with all versions, old and new, combined — earned 79,000 equivalent album units in the latest tracking week, a gain of 1,489%. Of that sum, album sales comprise 70,000 (up 1,750% — it jumps 12-2 on Top Album Sales), SEA units comprise 8,000 (up 595% — with that unit figure equaling 11.21 million on-demand official streams of the album’s tracks) and TEA units comprise nearly 1,000.

The deluxe set, dubbed GOLDEN HOUR : Part.3 ‘In Your Fantasy Edition,’ includes 10 bonus tracks and was issued across six CD variants (all with collectible ephemera, some randomized, inside its packaging). All versions of the album, old and new, are combined for tracking and charting purposes.

GIVĒON’s BELOVED bows at No. 8 on the Billboard 200, marking the second top 10-charted set for the artist. It begins with 44,000 equivalent album units earned (his best week ever by units), of which SEA units comprise 36,000 (equaling 47.78 million on-demand official streams of the set’s tracks — it debuts at No. 7 on Top Streaming Albums), album sales comprise 8,000 (his best sales week ever, it debuts at No. 10 on Top Album Sales) and TEA units comprise a negligible sum.

The new album was preceded by a pair of top 30 hits on the Hot R&B/Hip-Hop Songs chart: “Twenties” (No. 19 in February) and “Rather Be” (No. 30 in May).

BELOVED was available as a standard widely available download and streaming set, as well as across five vinyl variants (including one signed) and two CD variants (one signed).

Rounding out the top 10 of the latest Billboard 200 chart are two former No. 1s: Wallen’s One Thing at a Time falls 3-9 (39,000 equivalent album units; down 1%) and SZA’s SOS is pushed down 4-10 (though it gains by 3% to 37,000 units).

Source: billboard.com

Also in the top 10: The KPop Demon Hunters soundtrack gains & Toby Keith’s 35 Biggest Hits gets a boost after Independence Day.

Morgan Wallen’s I’m the Problem has spent its first two months on the Billboard 200 at No. 1 as the set holds atop the chart dated July 19, earning 151,000 equivalent album units in the United States in the week ending July 10 (down 12%). The album opened at No. 1 on the May 31 chart.

Cumulatively, Wallen’s three No. 1 albums (I’m the Problem, One Thing at a Time and Dangerous: The Double Album) have spent a total of 37 weeks at No. 1 on the Billboard 200. That sum ties him with Harry Belafonte and Drake for the fifth-most weeks at No. 1 among male artists in the history of the Billboard 200 (since it began publishing on a regular, weekly basis in March 1956). Among the gents, the leaders are: Elvis Presley (67 weeks), Garth Brooks (52), Michael Jackson (51), Elton John (39), Belafonte, Drake and Wallen (37 each). Among all artists, The Beatles have the most weeks at No. 1, with 132 across 19 No. 1 albums.

Also in the top 10 of the latest Billboard 200, the KPop Demon Hunters soundtrack hits a new peak, climbing 3-2 in its third week on the chart. Meanwhile, Toby Keith’s chart-topping 35 Biggest Hits surges 43-9 in the wake of streaming gains generated by Independence Day festivities.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new July 19, 2025-dated chart will be posted in full on Billboard‘s website on July 15. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of I’m the Problem’s 151,000 equivalent album units earned in the week ending July 10, SEA units comprise 143,500 (down 12%, equaling 188.69 million on-demand official streams of the set’s songs — it leads Top Streaming Albums for an eighth week), album sales comprise 6,500 (down 12% — it rises 11-5 on Top Album Sales) and TEA units comprise 1,000 (down 23%).

The KPop Demon Hunters soundtrack climbs 3-2 — a new peak — in its third week, earning 75,000 equivalent album units (up 21%). It’s the first soundtrack to debut in the top 10 on the Billboard 200 and then see unit increases in its second and third weeks since the Guardians of the Galaxy, Vol. 2: Awesome Mix Vol. 2 album in 2017.

In the 2020s, only four soundtracks have reached the top two on the Billboard 200: KPop Demon Hunters, Wicked (which debuted and peaked at No. 2 in 2024), Barbie (also No. 2 debut and peak, in 2023) and Encanto (nine weeks at No. 1 in 2022).

Of the KPop Demon Hunters soundtrack’s 75,000 units earned in its third week, SEA units comprise 70,000 (up 24%, equaling 96.33 million on-demand official streams of the set’s songs — it holds at No. 2 on Top Streaming Albums), album sales comprise 4,000 (down 6% — it rises 21-9 on Top Album Sales) and TEA units comprise 1,000 (up 6%).

As the KPop Demon Hunters soundtrack racked up 96.33 million streams for its songs in its third week, it scores the biggest streaming week for a soundtrack in more three years. The last soundtrack to post a bigger streaming figure was Encanto, on the March 12, 2022-dated chart, when it rang up 101.16 million streams for its songs in its eighth week at No. 1 on the Billboard 200.

KPop Demon Hunters premiered on June 20 in a limited theatrical release in the U.S., and on Netflix, alongside its soundtrack. In the tracking week ending July 6, KPop Demon Hunters held at No. 2 in its third week on Netflix’s Top 10 Movies in United States chart.

Wallen’s former leader One Thing at a Time climbs 6-3 on the latest Billboard 200 (with 39,000 equivalent album units earned; down 2%); SZA’s chart-topping SOS rises 7-4 (36,000; down 7%); Sabrina Carpenter’s former No. 1 Short n’ Sweet bumps 9-5 (35,000; up 6%); Wallen’s chart-topping Dangerous: The Double Album ascends 11-6 (29,000; down 4%); Bad Bunny’s former No. 1 Debí Tirar Más Fotos jumps 16-7 (nearly 29,000; up 3%); and Karol G’s Tropicoqueta falls 5-8 (just under 29,000; down 29%).

Toby Keith’s 35 Biggest Hits returns to the top 10, rallying 43-9 with 26,000 equivalent album units earned (up 56%) following streaming gains generated by Independence Day celebrations. The album, released in 2008, hit No. 1 on the Feb. 17, 2024-dated chart in the wake of Keith’s death that Feb. 5.

Of 35 Biggest Hits’ 26,000 units earned, SEA units comprise 24,000 (up 59%, equaling 32.93 million on-demand official streams of the set’s songs — it jumps 43-11 on Top Streaming Albums). The rest of the album’s 2,000 units were generated by album sales and TEA units. About one-third of the album’s streams for the week were generated by Keith’s 2002 No. 1 Hot Country Songs hit “Courtesy of the Red, White and Blue (The Angry American),” which was also his most-streamed song of the week.

Closing out the top 10 of the latest Billboard 200 is PARTYNEXTDOOR and Drake’s former No. 1 $ome $exy $ongs 4 U, rising 17-10 with 26,000 equivalent album units earned (down 5%).

Source: billboard.com

Plus, Morgan Wallen ties Kendrick Lamar and nears the Beatles for a record.

Alex Warren’s “Ordinary” rolls on atop the Billboard Hot 100, as his first leader on the chart notches a fifth week at No. 1.

Meanwhile, Morgan Wallen logs his fifth week in 2025 with at least three songs in the Hot 100’s top five simultaneously, as “What I Want,” featuring Tate McRae, holds at No. 2, “Just in Case” rises 4-3 and “I’m the Problem” keeps at No. 5. Wallen ties Kendrick Lamar for the most weeks with three or more concurrent top five hits in a single year among soloists, with Lamar also having posted three such weeks this year. Among all acts, only the Beatles in their historic 1964 breakthrough boasted more such frames (eight).

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated July 12, 2025) will update on Billboard.com tomorrow, July 8. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Source: billboard.com

Plus: Lorde, KATSEYE and Russ debut in the top 10, while KPop Demon Hunters and Playboi Carti surge.

Morgan Wallen’s I’m the Problem rules the Billboard 200 albums chart (dated July 12) for a seventh consecutive, and total, week. The set earned 173,000 equivalent album units in the United States in the week ending July 3 — down a scant 3% compared to the previous week. The album opened at No. 1 on the May 31 chart.

With 173,000 units earned, Problem lands the largest total for an album in its seventh week on the chart since Adele’s 25 earned 194,000 in its seventh week nearly a decade ago (on the Jan. 23, 2016-dated chart).

Also in the top 10 of the latest Billboard 200, Lorde’s Virgin debuts at No. 2, the KPop Demon Hunters soundtrack surges 8-3, KATSEYE’s BEAUTIFUL CHAOS bows at No. 4, Playboi Carti’s chart-topping MUSIC vaults 28-8 after its vinyl release and Russ’ W!LD starts at No. 10.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new July 12, 2025-dated chart will be posted in full on Billboard‘s website on July 8. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of I’m the Problem’s 173,000 equivalent album units earned in the week ending July 3, SEA units comprise 164,000 (down 3%, equaling 215 million on-demand official streams of the set’s songs — it leads Top Streaming Albums for a seventh week), album sales comprise 7,500 (up 2% — it falls 7-11 on Top Album Sales) and TEA units comprise 1,500 (up 6%).

Lorde achieves her fourth top 10 album on the Billboard 200 as her latest studio project, Virgin, debuts at No. 2. All four of her top 10s have also debuted inside the top five (as Virgin follows Solar Power, with a No. 5 debut and peak, 2021; Melodrama, No. 1, 2017, and Pure Heroine, No. 3, 2013). Virgin bows with 71,000 equivalent album units earned. Of that sum, album sales comprise 42,000 (it debuts at No. 1 on Top Album Sales), SEA units comprise 29,000 (equaling 37.07 million on-demand official streams of the set’s songs — it debuts at No. 6 on Top Streaming Albums) and TEA units comprise a negligible sum.

Virgin’s first-week sales were aided by its availability across eight vinyl variants (including two signed editions), a standard CD and a digital download. All versions contained the same tracklist. Lorde’s vinyl sales added up to 31,000 — her best week ever on vinyl.

The album was announced on April 30 and preceded by the Billboard Hot 100-charting track “What Was That,” which debuted and peaked at No. 36 on the May 10-dated chart (her highest charting song since 2017’s “Green Light” hit No. 19). Lorde’s Ultrasound Tour of North America and Europe launches on Sept. 17 in Austin, Texas.

The KPop Demon Hunters soundtrack surges 8-3 on the Billboard 200 in its second week on the chart — earning 62,000 equivalent album units (up 97%). Of that sum, SEA units comprise 56,000 (up 108%, equaling 77.42 million on-demand official streams of the set’s songs — it jumps 10-2 on Top Streaming Albums), album sales comprise 4,500 (up 31%, it’s pushed down 18-22 on Top Album Sales) and TEA units comprise 1,500 (up 24%).

The set’s haul of 77.42 million streams for its songs is the largest streaming week for a soundtrack in  nearly two years, since the Barbie soundtrack claimed 79.32 million on the Aug. 19, 2023-dated chart (its third week on the chart).

With KPop Demon Hunters’ 8-3 climb on the Billboard 200, it becomes the highest-charting soundtrack of 2025, and the highest-charting soundtrack to an animated film since Encanto spent nine weeks at No. 1 in 2022. (Previously among soundtracks in 2025, Wicked reached a No. 4 high in January, after debuting and peaking at No. 2 in December 2024.)

KPop Demon Hunters premiered on June 20 on Netflix alongside its soundtrack. In the tracking week ending June 29, KPop Demon Hunters jumped 6-2 in its second week on Netflix’s Top 10 Movies in United States chart.

KATSEYE claims its first top 10 album on the Billboard 200 with the No. 4 debut of its second project, BEAUTIFUL CHAOS. The pop group’s five-song set opens with 44,000 equivalent album units earned. Of that sum, album sales comprise 30,000 (it debuts at No. 2 on Top Album Sales), SEA units comprise 14,000 (equaling 21.36 million on-demand official streams of the set’s songs; it bows at No. 47 on Top Streaming Albums) and TEA units comprise a negligible sum.

The album’s first-week sales were bolstered by its availability across nine CD variants and four vinyl variants (one signed), all with the same audio but with packaging variations. All contained collectible paper ephemera, some randomized. It was also issued as a standard digital download album for purchase.

BEAUTIFUL CHAOS was announced on May 7 and the album’s release was preceded by a pair of charting entries on the Hot 100: “Gnarly” (No. 90) and “Gabriela” (No. 94).

Karol G’s Tropicoqueta falls 3-5 on the Billboard 200 in its second week (40,000 equivalent album units earned; down 29%), Wallen’s chart-topping One Thing at a Time is pushed down 5-6 (nearly 40,000; up 7%) and SZA’s former No. 1 SOS descends 4-7 (39,000; down 17%). Playboi Carti’s former leader MUSIC jumps 28-8 with 35,000 (up 83%), following its release on vinyl (pressed on two variants). The album sold 16,500 copies in the tracking week (up 12,593%), largely from vinyl purchases.

Sabrina Carpenter’s chart-topping Short n’ Sweet slides 6-9 on the Billboard 200 with 33,000 equivalent album units earned (down 5%).

Russ closes out the top 10 with the No. 10 debut of his latest album, W!LD, entering at No. 10 with 32,000 equivalent album units earned. The set marks his fourth top 10-charted effort. Of the new album’s 32,000 units, album sales comprise 25,000 (it debuts at No. 3 on Top Album Sales), SEA units comprise 7,000 (equaling 9.15 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum.

W!LD was announced on March 18 and preceded by the radio-promoted track “Crazy,” which has reached the top 30 on the Rhythmic Airplay chart. The album’s first-week sales were aided by its availability across three vinyl variants, three CD variants and three cassette variants (some signed), as well as a standard digital download. All contained the same tracklist, and all of the physical editions were exclusively sold via Russ’ official webstore. There was also an expanded edition of the download album, sold via the webstore, that includes narration from the artist.

Source: billboard.com

Plus, Cardi B’s “Outside” debuts at No. 10.

Alex Warren’s “Ordinary” continues atop the Billboard Hot 100, as his first leader on the list adds a fourth week at No. 1.

Plus, Cardi B’s new single “Outside” launches at No. 10 on the Hot 100, becoming her 13th career top 10.

Meanwhile, Morgan Wallen logs his sixth week with at least three simultaneous Hot 100 top 10s this year — surpassing Kendrick Lamar for the most such weeks in 2025.

Browse the full rundown of this week’s top 10 below.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated July 5, 2025) will update on Billboard.com tomorrow, July 1. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

(Effective this week, SiriusXM streaming data is now included in the Hot 100, as well as Billboard’s streaming and genre-specific multimetric charts. Such activity is classified as programmed streams and represents listens of select current-based live music channels via SiriusXM’s app or website.)

Source: billboard.com

Plus: ATEEZ, Lil Tecca and Brandon Lake debut in the top 10.

Morgan Wallen’s I’m the Problem rules the Billboard 200 albums chart for a fifth consecutive, and total, week, as the set holds atop the chart dated June 28. The album earned 186,000 equivalent album units in the United States in the tracking week ending June 19 (down 11%), according to Luminate. The album debuted at No. 1 on the chart dated May 31.

With 186,000 units earned, Problem lands the largest fifth week for an album since Taylor Swift’s The Tortured Poets Department earned 378,000 in its fifth week (June 1, 2024-dated chart).

Problem is also the first album to spend its first five weeks at No. 1 since Poets perched in the top slot for its first 12 weeks at No. 1 (in May-July of 2024), of its total 17 weeks at No. 1. Problem is the first album by a man to spend five weeks at No. 1 (in total, or, from its debut) since Wallen’s last album, One Thing at a Time, spent its first 12 weeks at No. 1 (in March-June of 2023), of its total 19 weeks at No. 1.

Also in the top 10 of the latest Billboard 200, ATEEZ notch their seventh top 10 with the No. 2 debut of GOLDEN HOUR : Part.3, Lil Tecca scores his highest charting album yet with the No. 3 launch of DOPAMINE, and Brandon Lake earns his first top 10 with the No. 7 bow of King of Hearts.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new June 28, 2025-dated chart will be posted in full on Billboard‘s website on June 25. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of I’m the Problem’s 186,000 equivalent album units earned in the week ending June 19, SEA units comprise 176,000 (down 11%, equaling 229.99 million on-demand official streams of the set’s songs — it leads Top Streaming Albums for a fifth week), album sales comprise 9,000 (down 12% — it rises 9-7 on Top Album Sales) and TEA units comprise 1,000 (down 6%).

ATEEZ achieve their seventh top 10 album on the Billboard 200, as GOLDEN HOUR : Part.3 debuts at No. 2 with 105,000 equivalent album units earned. Of that sum, album sales comprise 101,500 (it debuts at No. 1 on Top Album Sales), SEA units comprise 3,000 (equaling 4.07 million on-demand official streams of the set’s five songs) and TEA units comprise 500 units.

GOLDEN HOUR : Part.3 was available in its first week across 12 CD editions, all with the same audio but with packaging variations. Some editions were signed, and all contained collectible paper ephemera, some randomized.

At No. 3 on the Billboard 200, Lil Tecca scores his highest-charting album ever, and fifth top 10, as DOPAMINE debuts with 48,000 equivalent album units earned. Of that sum, SEA units comprise 45,000 (equaling 65.31 million on-demand official streams of the set’s songs — it debuts at No. 2 on Top Streaming Albums), album sales comprise 3,000 and TEA units comprise a negligible sum.

Lil Tecca had previously gone as high as No. 4 with We Love You Tecca in 2019.

DOPAMINE was issued as a standard 17-song album via streaming services, and was available to buy as a download, CD and in five deluxe CD boxed sets (each containing a branded T-shirt and a copy of the album on CD). All of the CD iterations were exclusively sold via the artist’s official webstore. In the midst of its first week, the album was reissued with four bonus tracks, and that iteration was exclusively sold as a download in his webstore.

DOPAMINE was preceded by two Billboard Hot 100-charting songs: “Dark Thoughts” (which hit No. 28 in April) and “Owa Owa” (No. 50 earlier this month). The former marked the second top 40-charting song for the rapper, and first since “Ran$om” hit No. 4 in 2019.

A trio of former No. 1s is next on the Billboard 200, as SZA’s SOS rises 5-4 (nearly 48,000 equivalent album units; up 9%), Wallen’s One Thing at a Time climbs 8-5 (40,000; up 3%), and Sabrina Carpenter’s Short n’ Sweet steps 7-6 (39,000; down 3%).

Brandon Lake notches his first top 10 album on the Billboard 200 — and first top 40-charting set — as his new project, King of Hearts, bows at No. 7 with 37,500 equivalent album units earned. He charted just one album previously, with the No. 135-peaking Coat of Many Colors in 2023. The new album boasts his first Hot 100 hit, “Hard Fought Hallelujah,” which reached No. 40 on the May 3, 2025, chart. The track has also logged 22 weeks atop the Hot Christian Songs chart, through the most recently published chart, dated June 21. Lake has placed a total of 43 entries on that chart since his debut on the list in 2019, including six No. 1s.

King of Hearts earned 37,500 units in its first week (Lake’s best week by units earned). Of that sum, album sales comprise 20,000 (his best sales week ever — it debuts at No. 3 on Top Album Sales), SEA units comprise 16,500 (equaling 22.06 million on-demand official streams of the set’s songs — it debuts at No. 30 on Top Streaming Albums) and TEA units comprise 1,000.

King of Hearts additionally logs the largest week, by units, for a Christian music-genre album in three-and-a-half years, since Ye’s Donda earned 38,000 units on the Oct. 16, 2021-dated chart. King of Hearts is the highest-charting Christian music album — and first top 10 — since for KING + COUNTRY’s What Are We Waiting For? debuted and peaked at No. 7 on the March 26, 2022-dated chart. (Christian music albums are defined as those that are eligible for, or have charted on, Billboard’s Top Christian Albums chart.)

King of Hearts was issued as a standard 16-song album (via streamers, as a widely available digital download album and on CD and vinyl). He also sold a signed CD via his webstore and Walmart carried a version of the album on CD with a bonus track. During the album’s first week, it was issued in a deluxe edition, widely via streamers and digital download services, which added eight bonus tracks.

Closing out the top 10 of the latest Billboard 200 are Kendrick Lamar’s chart-topping GNX (rising 10-8 with 34,000 equivalent album units earned; down 6%), Wallen’s former leader Dangerous: The Double Album (bumping 13-9 with 32,000; up 6%) and PARTYNEXTDOOR and Drake’s $ome $exy $ongs 4 U (11-10 with 30,500; down 7%).

Source: billboard.com