The smash becomes the sole longest-leading country song by a woman.

Ella Langley’s “Choosin’ Texas” rebounds a spot for another history-making week atop the Billboard Hot 100.

With an 11th week in command, the song becomes the sole longest-leading Hot 100 No. 1 by a woman with a country hit, defined as those that have hit Billboard’s multimetric Hot Country Songs chart. It breaks out of a tie with Debby Boone’s “You Light Up My Life,” which dominated the Hot 100 for 10 weeks (becoming the first song to reign for double-digit weeks) and reached No. 4 on Hot Country Songs in 1977.

(Also of note, Dolly Parton wrote “ I Will Always Love You,” which Whitney Houston took to No. 1 on the Hot 100 for 14 weeks in 1992-93. Parton sent two versions of the revered ballad to the top of Hot Country Songs, in 1974 and 1982.)

“Choosin’ Texas” tops Hot Country Songs for a 29th week.

The hit adds another unprecedented feat: Langley’s first Hot 100 leader stakes its sixth distinct stay at No. 1, previously leading on charts dated Feb. 14; March 7 and 21-28; April 11-25; and May 9-23. It solely claims the most separate No. 1 stays over a single release cycle, one-upping the five flights for Morgan Wallen’s “Last Night” in 2023 and Harry Styles’ “As It Was” in 2022. (Overall, Mariah Carey’s “All I Want for Christmas Is You” leads with eight ascents to No. 1 over 2019-25.)

Amid the No. 1 run on the Hot 100 for the resilient “Choosin’ Texas,” eight other songs have taken turns at the top: Bad Bunny’s “DtMF”; Taylor Swift’s “Opalite;” Bruno Mars’ “I Just Might”; BTS’ “Swim”; Olivia Rodrigo’s “Drop Dead”; Drake’s “Janice STFU”; Ariana Grande’s “Hate That I Made You Love Me”; and Swift’s “I Knew It, I Knew You.” (The reigns of “Last Night” and “As It Was” were interrupted by six No. 1s each.)

Read on for details of the entire top 10 on this week’s Hot 100.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts dated July 4, 2026, will update on Billboard.com tomorrow, June 30. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram. Plus, for all chart rules and explanations, click here.

Source: billboard.com

Plus, Olivia Rodrigo boasts four songs in the top 10.

Taylor Swift’s “I Knew It, I Knew You” lassos a second week at No. 1 on the Billboard Hot 100. The single from Toy Story 5, inspired by the film’s cowgirl star Jessie, launched a week earlier as Swift’s 15th career leader. She has the third-most No. 1s in the chart’s history, after only The Beatles (20) and Mariah Carey (19).

The movie and its official soundtrack arrived Friday (June 19). The film began with $160 million in domestic ticket sales, according to studio estimates (June 21), marking a new record for the franchise, which began in 1995, and the biggest opening weekend of 2026.

Meanwhile, Olivia Rodrigo claims four songs in the Hot 100’s top 10, all from her new album, you seem pretty sad for a girl so in love, which bounds in as her third No. 1 on the Billboard 200.

Read on for details of the top 10 on this week’s Hot 100.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts dated June 27, 2026, will update on Billboard.com tomorrow, June 23. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram. Plus, for all chart rules and explanations, click here.

Source: billboard.com

 The set launches with year’s biggest week by units for a soloist.

Olivia Rodrigo achieves her third No. 1 album on the Billboard 200 chart as her third studio release, you seem pretty sad for a girl so in love, launches atop the list dated June 27. The set bows with 485,000 equivalent album units earned in the United States in the week ending June 18, according to Luminate — marking Rodrigo’s biggest week ever by units, and the largest week of 2026 for any album by a soloist.

Rodrigo also topped the Billboard 200 with her two previous studio albums, GUTS (in 2023) and SOUR (2021).

The new album was preceded by a pair of top five-charted singles on the Billboard Hot 100: its lead-off track “drop dead” (No. 1 in May) and “the cure” (No. 5 in June).

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 2,500 ad-supported or 1,000 paid/subscription on-demand official audio and video streams generated by songs from an album. The new June 27, 2026-dated chart will be posted in full on Billboard‘s website on June 23. For all chart news, follow @billboard and @billboardcharts on both X and Instagram.

Of you seem pretty sad for a girl so in love’s 485,000 equivalent album units earned in the latest tracking week, album sales comprise 273,000 (Rodrigo’s best sales week and the largest sales week for a woman in 2026; it debuts at No. 1 on Top Album Sales), SEA units comprise 211,000 (equaling 218.41 million on-demand official streams of the set’s tracks, the largest streaming week of 2026 by a woman; it debuts at No. 1 on Top Streaming Albums) and TEA units comprise 1,000.

The album’s first-week sales were bolstered by its availability across more than 15 physical variants (including two signed editions). Of the album’s opening-week sales, vinyl purchases comprised 164,000 — Rodrigo’s biggest week on vinyl and the largest week of 2026 by a woman.

Rodrigo will embark on The Unraveled Tour beginning on Sept. 25 in Hartford, Conn., and continuing through at least May 10, 2027, in London.

Rodrigo’s new album is the only debut in the top 10 of the latest Billboard 200. Drake’s ICEMAN cedes the No. 1 slot after spending its first four weeks atop the Billboard 200, as the set dips 1-2 in its fifth week on the list (105,000 equivalent album units earned, down 21%). Four former No. 1s follow ICEMAN, as Ella Langley’s Dandelion falls 2-3 (84,000, down 4%), Morgan Wallen’s I’m the Problem is down 3-4 (78,000, down 2%), Noah Kahan’s The Great Divide slips 4-5 (71,000, up 5%) and Michael Jackson’s Thriller is a non-mover at No. 6 (53,000, down 4%).

Jackson’s Number Ones rises a spot to No. 7 on the Billboard 200 (49,000 equivalent album units earned, down 4%), Wallen’s former leader One Thing at a Time climbs 9-8 (39,000, down 4%), Olivia Dean’s The Art of Loving is up a spot to No. 9 (35,000, down 1%) and BTS’ chart-topping ARIRANG ascends 11-10 (34,000, down less than 1%).

Source: billboard.com

The superstar scores her 15th Hot 100 No. 1 with her new Toy Story 5 single.

Taylor Swift’s “I Knew It, I Knew You” gallops in at No. 1 on the Billboard Hot 100. The single from Toy Story 5, inspired by the film’s cowgirl heroine Jessie, is Swift’s 15th career leader.

Among highlights of the song’s instant coronation, Swift breaks out of a tie with Drake and Rihanna to claim sole possession of the third-most No. 1s in the Hot 100’s history, after only The Beatles (20) and Mariah Carey (19).

The track is also Swift’s ninth No. 1 Hot 100 debut, as she passes Ariana Grande for the most among women, and her 70th top 10, extending her record for the most by a woman artist.

Plus, the song is just the third Hot 100 No. 1 ever from an animated Disney movie, and the first from its Pixar studio, following the ensemble “We Don’t Talk About Bruno,” from Encanto, in 2022 and Peabo Bryson and Regina Belle’s “A Whole New World,” from Aladdin, in 1993.

“I Knew It, I Knew You” concurrently launches at No. 1 on the Hot Country Songs chart, marking Swift’s milestone 10th leader.

Read on for details of No. 1 and beyond (the top 10, if not infinity) on this week’s Hot 100.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts dated June 20, 2026, will update on Billboard.com Tuesday, June 16. For all chart news, you can follow @billboard and @billboardcharts on both X and Instagram. Plus, for all chart rules and explanations, click here.

Source: billboard.com

Grande achieves her milestone 10th Hot 100 No. 1.

Ariana Grande’s “Hate That I Made You Love Me” bounds in at No. 1 on the Billboard Hot 100, becoming the pop superstar’s milestone 10th career leader on the chart. She ties for the 10th-most No. 1s over the survey’s history.

The song previews Grande’s eighth studio album, Petal, due July 31.

Plus, as Grande wrote and produced “Hate That I Made You Love Me” with Max Martin and ILYA, Martin extends his record for the most Hot 100 No. 1s among producers — 28 — in the chart’s archives. He continues to boast the second-most leaders among writers — 30 — after only Paul McCartney’s 32.

Read on for details of the entire top 10 on this week’s Hot 100.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts dated June 13, 2026, will update on Billboard.com Tuesday, June 9. For all chart news, you can follow @billboard and @billboardcharts on both X and Instagram. Plus, for all chart rules and explanations, click here.

Source: billboard.com

Plus, LE SSERAFIM debuts in the top 10.

Drake’s ICEMAN holds atop the Billboard 200 albums chart (dated June 6) for a second week, earning 225,000 equivalent album units in the United States in the week ending May 28 (down 52%), according to Luminate.

The set bowed at No. 1 a week ago, alongside two more Drake projects, HABIBTI and MAID OF HONOUR, as he became the first artist ever to rank at Nos. 1, 2 and 3 simultaneously in the chart’s 70-year history. They fall 2-7 (53,000 units, down 53%) and 3-8 (42,000, down 62%), respectively, in their second week.

Also in the top 10 of the latest Billboard 200, LE SSERAFIM notches its fifth top 10 as PUREFLOW debuts at No. 10.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 2,500 ad-supported or 1,000 paid/subscription on-demand official audio and video streams generated by songs from an album. The new June 6, 2026-dated chart will be posted in full on Billboard‘s website on June 2. For all chart news, follow @billboard and @billboardcharts on both X and Instagram.

Of ICEMAN’s 225,000 equivalent album units earned in the latest tracking week, SEA units comprise 223,000 (down 50%, equaling 228.45 million on-demand official streams of the set’s tracks; it spends a second week at No. 1 on Top Streaming Albums), album sales comprise 1,000 (down 90%) and TEA units comprise 1,000 (down 59%).

Of Drake’s 15 Billboard 200 No. 1s — tied for the most among soloists with Taylor Swift — ICEMAN is his sixth to lead for multiple weeks.

The rest of the top five on the new Billboard 200 are all former No. 1s. Ella Langley’s Dandelion rises 5-2 (93,000 equivalent album units, down 5%); Noah Kahan’s The Great Divide climbs 4-3 (85,000, down 16%); Morgan Wallen’s I’m the Problem ascends 6-4 (80,000, down 6%); and Michael Jackson’s Thriller is up 7-5 (64,000, up 3%).

Jackson’s Number Ones bumps 8-6 (60,000 equivalent album units earned, down less than 1%), while BTS’ former No. 1 ARIRANG steps 10-9 with just more than 41,000 (down 1%).

LE SSERAFIM rounds out the top 10, notching its fifth top 10-charted project as PUREFLOW debuts at No. 10 with 41,000 equivalent album units earned. Of that sum, album sales comprise 34,000 (it debuts at No. 1 on Top Album Sales), SEA units comprise 7,000 (equaling 7.1 million on-demand official streams of the set’s tracks) and TEA units comprise the remainder. The album’s first-week sales were boosted by its availability across more than 30 CD variants, many containing collectible items such as photocards, stickers and posters, with some items randomized.

Source: billboard.com

He’s the first artist to hold the top three album on the Billboard 200 in the same week.

Drake takes over the top of the Billboard 200 albums chart as his three new albums, ICEMAN, HABIBTI and MAID OF HONOUR, debut at Nos. 1, 2 and 3, respectively, on the chart dated May 30.

All three albums were released on Friday, May 15. It’s the first time that an artist has held the top three on the Billboard 200 concurrently since it began publishing on a regular, weekly basis in March 1956.

ICEMAN also yields Drake his 15th No. 1 album, pushing him ahead of Jay-Z for the most No. 1s among solo men and R&B/hip-hop artists, and tying him with Taylor Swift for the most No. 1s among soloists. Only one act is ahead of Drake and Swift: The Beatles, with a record 19 No. 1 albums.

While ICEMAN had been teased for months before it dropped, the existence of the other two albums was only announced during a livestream on May 14, shortly before the trio of titles was released.

ICEMAN enters with 463,000 equivalent album units earned in the United States in the week ending May 21, marking the second-largest week of 2026 for an album and the biggest week of the year for an R&B/hip-hop set. HABIBTI and MAID OF HONOUR launch with 114,000 and 110,000 units, respectively.

Also in the top 10 of the latest Billboard 200, rapper LUCKI lands his first top 10 as Dr*gs R Bad debuts at No. 9.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 2,500 ad-supported or 1,000 paid/subscription on-demand official audio and video streams generated by songs from an album. The new May 30, 2026-dated chart will be posted in full on Billboard‘s website on May 27 (a day later than usual due to the Memorial Day holiday in the U.S. on May 25). For all chart news, follow @billboard and @billboardcharts on both X and Instagram.

Of ICEMAN’s 463,000 equivalent album units earned in the latest tracking week, SEA units comprise 449,000 (equaling 462.2 million on-demand official streams of the set’s 18 tracks; it debuts at No. 1 on Top Streaming Albums), album sales comprise 13,000 (only available as a digital download, it debuts at No. 5 on Top Album Sales) and TEA units comprise 1,000.

Of HABIBTI’s starting sum of 114,000, SEA units comprise 108,000 (equaling 110.63 million on-demand official streams of the set’s 11 tracks; it debuts at No. 2 on Top Streaming Albums), album sales comprise nearly 6,000 (it debuts at No. 12 on Top Album Sales) and TEA units comprise a negligible sum.

As for MAID OF HONOUR, of its first-week total of 110,000, SEA units comprise 104,000 (equaling 105.48 million on-demand official streams of the set’s 14 tracks; it debuts at No. 3 on Top Streaming Albums), album sales comprise 6,000 (it debuts at No. 11 on Top Album Sales) and TEA units comprise a negligible sum.

Both HABIBTI and MAID OF HONOUR, like ICEMAN, were available to purchase only as digital download albums.

As Drake debuts at Nos. 1, 2 and 3 on the Billboard 200, it marks the first time that one act has had the top three albums at the same time since the chart began publishing on a regular, weekly basis in March 1956.

Drake thus becomes the first act to debut at Nos. 1, 2 and 3 at the same time. He’s also only the third act to debut at Nos. 1 and 2 simultaneously.

Guns N’ Roses was the first act to debut at Nos. 1 and 2 concurrently, with Use Your Illusion II and Use Your Illusion I, respectively, on the Oct. 5, 1991-dated chart. Nelly was the second act to start at Nos. 1 and 2 at the same time, with Suit and Sweat, on the Oct. 2, 2004-dated chart. Beyond debuts, multiple acts have ranked at Nos. 1 and 2 simultaneously, most recently Future in March 2017. The Beatles lead with 20 such weeks, all in 1964.

Notably, in the pre-streaming era, one other act earned comparable dominance, although it was not on the Billboard 200. Before December 2014, the Billboard 200 ranked titles by pure album sales and in the week ending June 28, 2009, Michael Jackson had the top three-selling albums of the week, following his death on June 25 — all with catalog (older) albums (Number Ones, The Essential Michael Jackson and Thriller). However, at the time, catalog albums were excluded from charting on the Billboard 200, and Jackson ranked at Nos. 1, 2 and 3 on the now-defunct Top Comprehensive Albums chart, which, during its existence, included both current and catalog albums.

ICEMAN marks Drake’s 15th No. 1 on the Billboard 200 albums chart, surpassing Jay-Z for the most No. 1s among men. Drake ties Taylor Swift for the most No. 1s among soloists. Drake and Swift trail just one act, The Beatles, who have the most No. 1s among all acts, with 19. Jay-Z now follows Drake and Swift, with 14 leaders.

ICEMAN also tallies an 18th top 10-charted album for Drake on the Billboard 200, tying him with Future for the most top 10s among R&B/hip-hop acts.

Here’s a rundown of Drake’s 15 No. 1 albums on the Billboard 200:

Title, Year, Weeks at No. 1
ICEMAN, 2026, one (to date)
$ome $exy $ongs 4 U, with PARTYNEXTDOOR, 2025, one
For All the Dogs, 2023, two
Her Loss, with 21 Savage, 2022, one
Honestly, Nevermind, 2022, one
Certified Lover Boy, 2012, five
Care Package, 2019, one
Scorpion, 2018, five
More Life, 2017, three
Views, 2016, 13
What a Time To Be Alive, with Future, 2015, one
If You’re Reading This It’s Too Late, 2015, one
Nothing Was the Same, 2012, one
Take Care, 2011, one
Thank Me Later, 2010, one

Here’s a recap of the acts with at least 10 No. 1s on the Billboard 200:
The Beatles, 19
Drake, 15
Taylor Swift, 15
Jay-Z, 14
Eminem, 11
Future, 11
Bruce Springsteen, 11
Barbra Streisand, 11
Ye (formerly Kanye West), 11
Elvis Presley, 10

With 463,000 equivalent album units earned in its first week, ICEMAN collects the largest week, by units, of 2026 for an R&B/hip-hop album. ICEMAN also logs the second-largest week, by units, of 2026 among all albums — second only to the debut week of BTS’ ARIRANG with 641,000 (April 4 chart).

The last R&B/hip-hop title to score a bigger week than ICEMAN was the opening frame of The Weeknd’s Hurry Up Tomorrow, with its start of 490,000 on the Feb. 15, 2025-dated chart. The last rap title to log a larger week was Travis Scott’s Utopia, with a 496,000-unit debut on the Aug. 12, 2023, chart.

ICEMAN arrives with 463,000 equivalent album units earned, of which 449,000 are derived from SEA units. The latter figure equals 462.2 million on-demand official streams of the album’s tracks during its first week. That 462.2 million-mark is the largest streaming total for an album in 2026, and the biggest for an R&B/hip-hop album since Drake’s own For All the Dogs debuted with 514.01 million streams for its songs (Oct. 21, 2023-dated chart).

For the first time in nearly a year, the top four titles on the Billboard 200 each exceed 100,000 equivalent album units earned for the week. Following Drake’s trio of albums is Noah Kahan’s The Great Divide, which falls to No. 4 after three weeks atop the list. In its latest tracking week, The Great Divide earned 101,000 equivalent album units (down 24%).

The Billboard 200 last saw the top four titles each surpass 100,000 units on the July 26, 2025-dated chart. That week, JACKBOYS and Travis Scott’s JACKBOYS 2 debuted at No. 1 with 232,000, Justin Bieber’s SWAG debuted at No. 2 with 163,000, Morgan Wallen’s I’m the Problem fell 1-3 with 147,000 and Clipse’s Let God Sort Em Out debuted at No. 4 with 118,000.

Following Kahan on the latest Billboard 200 is a trio of former No. 1s. Ella Langley’s Dandelion dips 2-5 (98,000 equivalent album units earned, down 2%), Wallen’s I’m the Problem falls 4-6 (84,000, down less than 1%) and Michael Jackson’s Thriller slips 5-7 (63,000, down 5%). Jackson’s best-of collection Number Ones is next, as it drops 6-8 (60,000, down 8%).

LUCKI lands his first top 10-charted album as Dr*Gs R Bad bows at No. 9 with 51,000 equivalent album units earned. Of that sum, SEA units comprise 45,000 (equaling 48.39 million on-demand official streams of the set’s tracks, his best streaming week; it debuts at No. 9 on Top Streaming Albums), album sales comprise 6,000 (his best sales week; it debuts at No. 13 on Top Album Sales) and TEA units comprise a negligible sum. First-week sales of the album got a boost from multiple physical variants, including signed editions.

Rounding out the top 10 on the latest Billboard 200 is BTS’s former leader ARIRANG, falling 8-10 with 42,000 equivalent album units earned (down 4%).

Source: billboard.com

Plus, feats for Olivia Dean and Bruno Mars.

Ella Langley adds her latest week of chart history as “Choosin’ Texas” tallies a 10th week at No. 1 on the Billboard Hot 100. Only 4% of all leaders over the survey’s 67-year archives have reached the milestone — and the achievement is even rarer among country hits.

The song, which tops multimetric Hot Country Songs chart for a 25th week, is one of just four songs to have ruled the Hot 100 for 10 or more weeks and made the Hot Country Songs top five; notably, three have done so in the last three-plus years. Shaboozey’s “A Bar Song (Tipsy)” led the lists for 19 and 45 weeks, respectively, in 2024-25, following Morgan Wallen’s “Last Night” (16 and 25 weeks in 2023). Debby Boone’s “You Light Up My Life” became the first song ever to dominate the Hot 100 for double-digit weeks (10) and hit No. 4 on Hot Country Songs in 1977.

(Honorable mention: Dolly Parton wrote “ I Will Always Love You,” which Whitney Houston took to No. 1 on the Hot 100 for 14 weeks in 1992-93. Parton sent two versions of the beloved ballad to the top of Hot Country Songs, in 1974 and 1982.)

Langley sets another mark on the latest Hot 100: “Be Her” holds at its No. 2 high, making her the first artist known for primarily recording country music ever to claim chart’s the top two spots simultaneously for multiple weeks. Among all core-country acts, she passes Wallen, who doubled up for a week last year.

Among other highlights in the Hot 100’s top 10, Bruno Mars hits a new career radio high with “I Just Might” and Olivia Dean becomes the first British woman ever to chart her first two top five hits in the region together — a feat that among all artists was first earned by The Beatles.

Read on for details of the entire top 10 on this week’s Hot 100.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts dated May 23, 2026, will update on Billboard.com tomorrow, May 19. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram. Plus, for all chart rules and explanations, click here.

Source: billboard.com

Plus, CORTIS and Chris Brown debut in the top 10.

Noah Kahan’s The Great Divide scores a third week atop the Billboard 200 (dated May 23), making it the first rock album with three weeks at No. 1 in more than a decade. The last rock set with as many weeks at No. 1 was Mumford & Sons’ Babel, with five, nonconsecutively, in 2012-13.

The last rock set by a soloist to spend at least three weeks at No. 1 was Jack Johnson’s Sleep Through the Static, with three total in 2008. Rock albums are defined as those that are eligible for, or have charted on, Billboard’s Top Rock Albums chart.

The Great Divide earned 132,000 equivalent album units in the United States in the week ending May 14 (down 19%), according to Luminate.

Also in the top 10 of the latest Billboard 200, CORTIS clocks its first top 10 as GREENGREEN debuts at No. 3, while Chris Brown lands his 13th top 10 as BROWN bows at No. 7.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 2,500 ad-supported or 1,000 paid/subscription on-demand official audio and video streams generated by songs from an album. The new May 23, 2026-dated chart will be posted in full on Billboard‘s website on May 19. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of The Great Divide’s 132,000 equivalent album units earned in the latest tracking week, SEA units comprise 109,000 (down 20%, equaling 111.46 million on-demand official streams of the set’s tracks; it spends a third week at No. 1 on Top Streaming Albums), album sales comprise 22,000 (down 85%; it holds at No. 2 on Top Album Sales) and TEA units comprise the remainder (up 18%).

Ella Langley’s former leader Dandelion is a non-mover at No. 2 on the Billboard 200 with 100,000 equivalent album units earned (down 3%).

CORTIS earns its first top 10 with the No. 3 debut of GREENGREEN, starting with 87,000 equivalent album units, the group’s best week by units. Of that sum, album sales comprise 81,500 (the quintet’s best sales week; it debuts at No. 1 on Top Album Sales), SEA units comprise 5,500 (equaling 5.91 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum. First-week album sales were bolstered by the set’s availability across more than 20 physical variants on CD and vinyl, all containing collectible items such as photocards and stickers, with some items randomized.

GREENGREEN was preceded by the act’s first Pop Airplay hit, “REDRED,” which climbed 31-30 (a new peak) on the latest chart (dated May 23).

CORTIS charted one earlier album on the Billboard 200, COLOR OUTSIDE THE LINES, which peaked at No. 15 last year.

Morgan Wallen’s chart-topping I’m the Problem is steady at No. 4 on the latest Billboard 200 with 85,000 equivalent album units earned (up 2%).

Michael Jackson has the Nos. 5 and 6 albums, as his former No. 1 Thriller is steady at No. 5 (66,000 equivalent album units, up 6%) and Number Ones is also stationary at No. 6 (just more than 65,000, up 6%). Both titles continue to bask in the glow of the success of the Michael biopic film.

Chris Brown’s new studio effort, BROWN, bows at No. 7 on the Billboard 200, earning the singer-songwriter his 13th top 10-charted project. The new set launches with 65,000 equivalent album units earned. Of that sum, SEA units comprise 60,000 (equaling 60.31 million on-demand official streams of the sets tracks; it debuts at No. 4 on Top Streaming Albums), album sales comprise 5,000 (it debuts at No. 19 on Top Album Sales, and was only available to purchase as a digital download) and TEA units comprise the remainder.

The BROWN album was preceded by four hits on the Hot R&B Songs chart: “Holy Blindfold” (No. 8), “It Depends,” featuring Bryson Tiller (No. 3), “Obvious” (No. 5) and “Fallin’,” featuring Leon Thomas (No. 12). All four also reached the all-genre Billboard Hot 100.

Brown’s co-headlining stadium tour with Usher launches June 26 at Denver’s Empower Field at Mile High and continues through Dec. 12 at Tampa’s Raymond James Stadium.

Rounding out the rest of the top 10 on the latest Billboard 200: BTS’s former leader ARIRANG (falling 7-8 with 44,000 equivalent album units, down 10%), Wallen’s chart-topping One Thing at a Time (holding at No. 9 with 41,000, up 3%) and Olivia Dean’s The Art of Loving (8-10 with nearly 41,000, down 3%).

Source: billboard.com

The former reigns for a ninth week. Plus, Tame Impala & JENNIE’s “Dracula” hits the top 10.

Ella Langley makes more chart history as “Choosin’ Texas” continues for a ninth week at No. 1 on the Billboard Hot 100 and “Be Her” ascends to a new No. 2 high.

Langley becomes the first woman known for primarily recording country music to claim the Hot 100’s top two spots simultaneously over the chart’s 67-year history. Among all core-country acts, only Morgan Wallen has also achieved the feat, for a week last May.

Elsewhere in the Hot 100’s top 10, Tame Impala and JENNIE’s “Dracula” blasts to No. 10 — becoming the first top 10 for each act — and women hold eight spots in the region, marking a run of prominence last linked nearly a dozen years ago.

Read on for details of this week’s entire top 10 on the Hot 100.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts dated May 16, 2026, will update on Billboard.com tomorrow, May 12. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram. Plus, for all chart rules and explanations, click here.

Source: billboard.com