Plus: ATEEZ, Lil Tecca and Brandon Lake debut in the top 10.

Morgan Wallen’s I’m the Problem rules the Billboard 200 albums chart for a fifth consecutive, and total, week, as the set holds atop the chart dated June 28. The album earned 186,000 equivalent album units in the United States in the tracking week ending June 19 (down 11%), according to Luminate. The album debuted at No. 1 on the chart dated May 31.

With 186,000 units earned, Problem lands the largest fifth week for an album since Taylor Swift’s The Tortured Poets Department earned 378,000 in its fifth week (June 1, 2024-dated chart).

Problem is also the first album to spend its first five weeks at No. 1 since Poets perched in the top slot for its first 12 weeks at No. 1 (in May-July of 2024), of its total 17 weeks at No. 1. Problem is the first album by a man to spend five weeks at No. 1 (in total, or, from its debut) since Wallen’s last album, One Thing at a Time, spent its first 12 weeks at No. 1 (in March-June of 2023), of its total 19 weeks at No. 1.

Also in the top 10 of the latest Billboard 200, ATEEZ notch their seventh top 10 with the No. 2 debut of GOLDEN HOUR : Part.3, Lil Tecca scores his highest charting album yet with the No. 3 launch of DOPAMINE, and Brandon Lake earns his first top 10 with the No. 7 bow of King of Hearts.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new June 28, 2025-dated chart will be posted in full on Billboard‘s website on June 25. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of I’m the Problem’s 186,000 equivalent album units earned in the week ending June 19, SEA units comprise 176,000 (down 11%, equaling 229.99 million on-demand official streams of the set’s songs — it leads Top Streaming Albums for a fifth week), album sales comprise 9,000 (down 12% — it rises 9-7 on Top Album Sales) and TEA units comprise 1,000 (down 6%).

ATEEZ achieve their seventh top 10 album on the Billboard 200, as GOLDEN HOUR : Part.3 debuts at No. 2 with 105,000 equivalent album units earned. Of that sum, album sales comprise 101,500 (it debuts at No. 1 on Top Album Sales), SEA units comprise 3,000 (equaling 4.07 million on-demand official streams of the set’s five songs) and TEA units comprise 500 units.

GOLDEN HOUR : Part.3 was available in its first week across 12 CD editions, all with the same audio but with packaging variations. Some editions were signed, and all contained collectible paper ephemera, some randomized.

At No. 3 on the Billboard 200, Lil Tecca scores his highest-charting album ever, and fifth top 10, as DOPAMINE debuts with 48,000 equivalent album units earned. Of that sum, SEA units comprise 45,000 (equaling 65.31 million on-demand official streams of the set’s songs — it debuts at No. 2 on Top Streaming Albums), album sales comprise 3,000 and TEA units comprise a negligible sum.

Lil Tecca had previously gone as high as No. 4 with We Love You Tecca in 2019.

DOPAMINE was issued as a standard 17-song album via streaming services, and was available to buy as a download, CD and in five deluxe CD boxed sets (each containing a branded T-shirt and a copy of the album on CD). All of the CD iterations were exclusively sold via the artist’s official webstore. In the midst of its first week, the album was reissued with four bonus tracks, and that iteration was exclusively sold as a download in his webstore.

DOPAMINE was preceded by two Billboard Hot 100-charting songs: “Dark Thoughts” (which hit No. 28 in April) and “Owa Owa” (No. 50 earlier this month). The former marked the second top 40-charting song for the rapper, and first since “Ran$om” hit No. 4 in 2019.

A trio of former No. 1s is next on the Billboard 200, as SZA’s SOS rises 5-4 (nearly 48,000 equivalent album units; up 9%), Wallen’s One Thing at a Time climbs 8-5 (40,000; up 3%), and Sabrina Carpenter’s Short n’ Sweet steps 7-6 (39,000; down 3%).

Brandon Lake notches his first top 10 album on the Billboard 200 — and first top 40-charting set — as his new project, King of Hearts, bows at No. 7 with 37,500 equivalent album units earned. He charted just one album previously, with the No. 135-peaking Coat of Many Colors in 2023. The new album boasts his first Hot 100 hit, “Hard Fought Hallelujah,” which reached No. 40 on the May 3, 2025, chart. The track has also logged 22 weeks atop the Hot Christian Songs chart, through the most recently published chart, dated June 21. Lake has placed a total of 43 entries on that chart since his debut on the list in 2019, including six No. 1s.

King of Hearts earned 37,500 units in its first week (Lake’s best week by units earned). Of that sum, album sales comprise 20,000 (his best sales week ever — it debuts at No. 3 on Top Album Sales), SEA units comprise 16,500 (equaling 22.06 million on-demand official streams of the set’s songs — it debuts at No. 30 on Top Streaming Albums) and TEA units comprise 1,000.

King of Hearts additionally logs the largest week, by units, for a Christian music-genre album in three-and-a-half years, since Ye’s Donda earned 38,000 units on the Oct. 16, 2021-dated chart. King of Hearts is the highest-charting Christian music album — and first top 10 — since for KING + COUNTRY’s What Are We Waiting For? debuted and peaked at No. 7 on the March 26, 2022-dated chart. (Christian music albums are defined as those that are eligible for, or have charted on, Billboard’s Top Christian Albums chart.)

King of Hearts was issued as a standard 16-song album (via streamers, as a widely available digital download album and on CD and vinyl). He also sold a signed CD via his webstore and Walmart carried a version of the album on CD with a bonus track. During the album’s first week, it was issued in a deluxe edition, widely via streamers and digital download services, which added eight bonus tracks.

Closing out the top 10 of the latest Billboard 200 are Kendrick Lamar’s chart-topping GNX (rising 10-8 with 34,000 equivalent album units earned; down 6%), Wallen’s former leader Dangerous: The Double Album (bumping 13-9 with 32,000; up 6%) and PARTYNEXTDOOR and Drake’s $ome $exy $ongs 4 U (11-10 with 30,500; down 7%).

Source: billboard.com

The song is her second leader, and first to enter at the summit.

Sabrina Carpenter’s “Manchild” soars onto the Billboard Hot 100 at No. 1. The song is her second leader, and first to debut on top. Her “Please Please Please” spent a week atop the ranking in June 2024, rising from the runner-up spot in its second week on the chart.

“Manchild,” also Carpenter’s fourth Hot 100 top 10, introduces her next album, Man’s Best Friend, due Aug. 29. “i can’t wait for it to be yours x,” she wrote of the set on Instagram on June 11; it is scheduled to arrive just more than year since her prior LP, Short n’ Sweet, which was released Aug. 23, 2024.

Carpenter notched her first three Hot 100 top 10s from Short n’ Sweet, with “Please Please Please” preceded by the No. 3-peaking “Espresso” and followed by “Taste,” which hit No. 2. As those three songs charted in the top five together upon the debut of “Taste,” she became the second act ever to chart her first three top five hits in the region simultaneously – joining only The Beatles for the feat.

Meanwhile, Carpenter is the only woman artist with multiple Hot 100 No. 1s dating to the coronation of “Please Please Please.” She is also the only woman to reign with a nonseasonal song and with no billed collaborators in that span.

“Manchild,” on Island Records and being promoted to radio by Republic, is the 1,182nd No. 1 in the Hot 100’s 66-year history, and the 85th to debut at the summit – and the first No. 1 entrance for Island. Carpenter co-produced the song with Jack Antonoff and co-wrote it with Antonoff and Amy Allen. (The trio also co-wrote “Please Please Please,” which Antonoff produced.)

Browse the full rundown of this week’s top 10 below.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated June 21, 2025) will update on Billboard.com tomorrow, June 17. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Source: billboard.com

Plus: Lil Wayne, ENHYPEN, Addison Rae, My Chemical Romance and Turnstile shake up the top 10.

Morgan Wallen’s I’m the Problem spends a month at No. 1 on the Billboard 200 albums chart (dated June 21), as the set earned 209,000 equivalent album units in the United States in the tracking week, ending June 12 (down 15%), according to Luminate. The album debuted at No. 1 on the chart dated May 31.

With 209,000 units earned, Problem lands the largest fourth week for an album since Taylor Swift’s The Tortured Poets Department earned 260,000 in its fourth week (May 25, 2024-dated chart).

Problem is also the first album to spend its first four weeks at No. 1 since Poets perched in the top slot for its first 12 weeks, of its total 17 weeks at No. 1.

Also in the top 10 of the latest Billboard 200, Lil Wayne scores his 13 th top 10-charting set with the No. 2 debut of Tha Carter VI, while ENHYPEN logs its fifth top 10 with DESIRE: UNLEASH at No. 3. Addison Rae’s debut full-length album, Addison, arrives at No. 4, while My Chemical Romance’s Three Cheers for Sweet Revenge, released in 2004, hits the top 10 for the first time (reentering at No. 6) after a deluxe reissue. And, rock band Turnstile notches its first top 10 with its fourth full-length studio set, NEVER ENOUGH, debuting at No. 9.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new June 21, 2025-dated chart will be posted in full on Billboard‘s website on June 17. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of I’m the Problem’s 209,000 equivalent album units earned in the week ending June 12, SEA units comprise 197,000 (down 14%, equaling 257.9 million on-demand official streams of the set’s songs — it leads Top Streaming Albums for a fourth week), album sales comprise 10,500 (down 34% — it falls 3-9 on Top Album Sales) and TEA units comprise 1,500 (down 15%).

Lil Wayne notches his 13th top 10-charting effort on the Billboard 200 as Tha Carter VI debuts at No. 2 with 108,000 equivalent album units earned. Of that sum, SEA units comprise 73,000 (equaling 97.06 million on-demand official streams of the set’s songs — it debuts at No. 2 on Top Streaming Albums), album sales comprise 34,000 (it debuts at No. 3 on Top Album Sales) and TEA units comprise 1,000.

Lil Wayne’s long-running Tha Carter series began in 2004 with the release of Tha Carter, which debuted and peaked at No. 5 on the July 17, 2004-dated Billboard 200. He followed it with Tha Carter II (No. 2, 2005), Tha Carter III (No. 1 for three weeks, 2008), Tha Carter IV (No. 1 for two weeks, 2011), Tha Carter V (No. 1 for one week, 2018) and now Tha Carter VI.

Tha Carter VI was issued in a variety of configurations, including a standard digital download edition, a physical set with bonus tracks (on two CD variants [one signed] and three vinyl variants [one signed], and a deluxe CD boxed set with a T-shirt), an expanded digital download album and a streaming edition. During the set’s first week of release, two further iterations of the album were issued as download and streaming editions — one with a remix of “Banned from NO,” with Nicki Minaj, and another with that Minaj remix along with “Momma Don’t Worry,” with Future and Lil Baby.

ENHYPEN collects its fifth consecutive, and total, top 10-charting set on the Billboard 200 as DESIRE: UNLEASH arrives at No. 3 with 100,000 equivalent album units earned. Of that sum, album sales comprise 95,000 (it debuts at No. 1 on Top Album Sales), SEA units comprise 5,000 (equaling 7.29 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum.

DESIRE: UNLEASH was available in its first week across 19 CD editions, all with the same audio but with packaging variations. Some editions were signed, and all contained collectible paper ephemera, some randomized.

Addison Rae sees her debut full-length album, Addison, launch at No. 4 on the Billboard 200 with 48,500 equivalent album units earned. Of that sum, SEA units comprise 25,500 (equaling 32.84 million on-demand official streams of its songs, it debuts at No. 13 on Top Streaming Albums), album sales comprise 23,000 (it debuts at No. 5 on Top Album Sales) and TEA units comprise a negligible sum. The 24-year-old singer-actor got her start on TikTok in 2019 and made her Billboard Hot 100 chart debut with “Diet Pepsi” in September 2024; the song buzzed to No. 9 on the Pop Airplay chart in February. She also got a high-profile collab in 2024 thanks to her guest turn on the remix of Charli xcx’s Brat track “Von Dutch.”

The Addison album was available across four vinyl variants, a standard and signed CD, and a deluxe CD boxed set with a T-shirt, and a standard download and streaming edition — all containing the same tracklist. Addison includes Rae’s three previous Hot 100-charting songs: “Diet Pepsi,” “Headphones On” and “Fame Is a Gun.”

SZA’s former No. 1 SOS falls 3-5 on the Billboard 200 with 44,000 equivalent album units earned (down 5%).

My Chemical Romance’s Three Cheers for Sweet Revenge, released in 2004, reaches the top 10 of the Billboard 200 for the first time, as the set reenters at No. 6 following a deluxe reissue. It previously peaked at No. 28 in 2005. In total, Three Cheers marks the fourth top 10-charting effort for the band, and its second-highest-charting set — second only to the No. 2-peaking The Black Parade in 2006. Three Cheers also marks the band’s first top 10 since April 2014, when the compilation May Death Never Stop You: The Greatest Hits 2001-2013 reached No. 9.

In the tracking week ending June 12, Three Cheers earned nearly 44,000 equivalent album units (up 809%), with album sales comprising 37,000 (up 2,987% — it reenters at a new peak of No. 2 on Top Album Sales; it’s the group’s best sales week since Danger Days: The True Lives of the Fabulous Killjoys debuted with 112,000 in 2010), SEA units comprise 7,000 (equaling 8.88 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum. The album’s 44,000 units earned mark the band’s best week by that metric  since the Billboard 200 began ranking titles by units in December 2014.

For its new deluxe edition, Three Cheers for Sweet Revenge was issued across nine vinyl variants, and a CD, digital download and streaming edition — all with refreshed audio and bonus tracks. All versions of the album, old and new, are combined for tracking and charting purposes.

A sweet album of a different kind, Sabrina Carpenter’s chart-topping Short n’ Sweet, rises one spot to No. 7 on the latest Billboard 200. It earned 41,000 equivalent album units in the latest tracking week (up 11%). Morgan Wallen’s former leader One Thing at a Time dips 6-8 with 39,000 (down 4%).

Rock band Turnstile nets its second chart entry, and first top 10, with the No. 9 debut of NEVER ENOUGH. It earned 38,000 equivalent album units — of which album sales comprise 27,500 (it debuts at No. 4 on Top Album Sales), SEA units comprise a little more than 10,000 (equaling 12.8 million on-demand streams of the set’s songs) and TEA units comprise less than 500. The set’s first-week units and album sales mark career-high frames for the group.

NEVER ENOUGH — Turnstile’s fourth full-length studio album — was preceded by its title track, which reached No. 11 on the Alternative Airplay chart in June. The group made its Billboard chart debut 10 years ago, when the album Nonstop Feeling reached No. 22 on the now-discontinued Heatseekers Albums chart in January 2015.

NEVER ENOUGH was issued across more than a dozen vinyl variants and as a standard CD, cassette, digital download and streaming album, all containing the same tracklist.

Rounding out the top 10 on the latest Billboard 200 is Kendrick Lamar’s chart-topping GNX, which falls 7-10 with 36,000 equivalent album units earned (down 7%).

Source: billboard.com

Plus: SEVENTEEN and Miley Cyrus debut in top five, while Taylor Swift’s reputation returns to top 10.

Morgan Wallen’s I’m the Problem is No. 1 on the Billboard 200 albums chart (dated June 14) for a third consecutive week, following its debut atop the list dated May 31. It earned 246,000 equivalent album units in the United States in the week ending June 5 (down 14%), according to Luminate. It’s the largest third week for an album in over a year, since Taylor Swift’s The Tortured Poets Department earned 282,000 in its third frame (May 18, 2024-dated chart).

Also in the top 10 of the latest Billboard 200, new albums from SEVENTEEN and Miley Cyrus debut, while Swift’s chart-topping reputation, released in 2017, returns, zooming 78-5. The latter benefits from an outpouring of fan support following the news that Swift had acquired her Big Machine Records catalog, inclusive of reputation.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new June 14, 2025-dated chart will be posted in full on Billboard‘s website on June 10. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of I’m the Problem’s 246,000 equivalent album units earned in the week ending June 5, SEA units comprise 229,000 (down 11%, equaling 298.41 million on-demand official streams of the set’s songs — it leads Top Streaming Albums for a third week), album sales comprise 15,500 (down 45% — it falls from No. 1 to No. 3 on Top Album Sales) and TEA units comprise 1,500 (down 17%).

At No. 2 on the Billboard 200, SEVENTEEN scores their seventh top 10-charting album, as SEVENTEEN 5th Album HAPPY BURSTDAY debuts. The set launches with 48,500 equivalent album units earned. Of that sum, album sales comprise 46,000 (it debuts at No. 1 on Top Album Sales), SEA units comprise 2,500 (equaling 3.26 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum. The set’s album sales were aided by its availability across 14 CD variants, all containing collectible paper ephemera, some randomized.

SZA’s chart-topping SOS falls 2-3 on the Billboard 200 with 46,000 equivalent album units earned (down 3%).

Miley Cyrus achieves her 15th top 10-charting set on the Billboard 200 as Something Beautiful bows at No. 4. It starts with 44,000 equivalent album units earned. Of that sum, album sales comprise 27,000 (it debuts at No. 2 on Top Album Sales), SEA units comprise 17,000 (equaling 22.18 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum. (Cyrus’ tally of 15 top 10s is inclusive of her albums billed to her Disney Channel character Hannah Montana.)

Something Beautiful’s first-week sales were bolstered by its availability across six vinyl variants (including one signed, sold in Cyrus’ webstore), a standard CD, a signed CD (exclusive to Cyrus’ webstore) and two deluxe CD boxed sets (sold via her webstore, each containing branded merch and a copy of the album).

The album was preceded by the Billboard Hot 100-charting song “End of the World,” which debuted and peaked at No. 52 in April. It also became a top 20 hit on the Pop Airplay, Adult Pop Airplay and Adult Contemporary charts.

Taylor Swift’s chart-topping reputation rallies 78-5 with 42,000 equivalent album units earned (up 221%). It’s the album’s first week in the top 10 since the Aug. 4, 2018-dated chart (when it ranked at No. 9), the set’s highest rank since the Jan. 27, 2018, chart (when it was No. 5) and its best week by units earned since the Jan. 13, 2018, chart, when it tallied 48,000 (at No. 3). The album debuted at No. 1 on the Dec. 2, 2017-dated chart and spent four nonconsecutive weeks atop the list.

Of reputation’s 42,000 units earned in the latest tracking week, SEA units comprise 27,000 (up 125%, equaling 34.75 million on-demand official streams of the set’s songs; it reenters Top Streaming Albums at No. 10), album sales comprise 15,000 (up 1,184%, it reenters Top Album Sales at No. 4) and TEA units comprise less than 500 units. The album rallies up the list following fan support of the project after Swift announced that she had acquired her Big Machine-era catalog, including reputation.

Rounding out the top 10 of the Billboard 200 are five former No. 1s: Wallen’s One Thing at a Time falls 4-6 (40,000; down 3%); Kendrick Lamar’s GNX drops 3-7 (39,000; down 7%); Sabrina Carpenter’s Short n’ Sweet dips 6-8 (37,000; though up 1%); PARTYNEXTDOOR and Drake’s $ome $exy $ongs 4 U descends 7-9 (34,000; down 4%); and Bad Bunny’s Debí Tirar Más Fotos falls 8-10 (33,000; down 7%).

The singer-songwriter scores his first leader on the chart.

Alex Warren’s “Ordinary” ascends to No. 1 on the Billboard Hot 100, becoming the singer-songwriter’s first leader on the list. It rises from No. 4, after reaching a previous No. 2 best.

Warren becomes the first male soloist to earn an initial Hot 100 No. 1 this year.

“Ordinary,” the 1,181st No. 1 in the Hot 100’s 66-year history, rose to the top of both the Billboard Global 200 and Billboard Global Excl. U.S. charts in May. On the Hot 100, Warren charted one prior entry, “Burning Down” (No. 69 peak, last October). Concurrent with the coronation of “Ordinary,” he adds his second top 40 Hot 100 hit, as “Bloodline,” with Jelly Roll, debuts at No. 32.

Before concentrating on music full-time, Warren grew a following in Hype House, a group of TikTok content creators that frequently collaborated. He signed to Atlantic Records in 2022.

“In my career, I have been so open with my friends who follow me,” Warren, who co-authored “Ordinary,” told Billboard earlier this year. “They know everything about me and we’re so connected, and I love that. I’m thinking of these people while I’m writing these songs, because I’m thinking about what I would want to hear if I was still going through that.”

Browse the full rundown of this week’s top 10 below.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated June 7, 2025) will update on Billboard.com tomorrow, June 3. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Source: billboard.com

It tallies the smallest second-week percentage decline for a No. 1-debuting album in more than a year.

Morgan Wallen’s I’m the Problem notches a second week at No. 1 on the Billboard 200 chart (dated June 7), after debuting in the pole position a week ago with the year’s biggest week for an album. In its second week, I’m the Problem earned 286,000 equivalent album units (in the tracking week ending May 29) in the United States according to Luminate. A week ago, the set arrived at No. 1 with 493,000 units.

With a relatively scant 42% second-week decline in units earned, I’m the Problem tallies the smallest second-week percentage drop for a No. 1-debuting album in more than a year. The last No. 1-debuting set to see a smaller sophomore frame fall, by percentage decline, was 21 Savage’s American Dream on the March 3, 2024-dated chart. It fell 41% in its second week (from 133,000 to 78,000).

Plus, Wallen has three albums in the top 10 at the same time for the first time ever, as I’m the Problem is joined by his former No. 1s One Thing at a Time (No. 4) and Dangerous: The Double Album (No. 10).

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new June 7, 2025-dated chart will be posted in full on Billboard‘s website on June 3. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of I’m the Problem’s 286,000 equivalent album units earned in the week ending May 29, SEA units comprise 256,000 (down 28%, equaling 332.89 million on-demand official streams of the set’s songs — it leads Top Streaming Albums for a second week), album sales comprise 28,000 (down 79% — it’s No. 1 on Top Album Sales for a second week) and TEA units comprise 2,000 (down 39%).

Nos. 2-8 on the Billboard 200 are all former No. 1s. SZA’s SOS is a non-mover at No. 2 (47,000 equivalent album units earned; up 2%); Kendrick Lamar’s GNX climbs 5-3 (42,000; up 1%); Wallen’s One Thing at a Time is steady at No. 4 (nearly 42,000; down 1%); Playboi Carti’s MUSIC motors 18-5 (41,000; up 57% after a range of deluxe boxed set editions, sold through his webstore, were fulfilled to customers); Sabrina Carpenter’s Short n’ Sweet steps 7-6 (36,000; down 3%); PARTYNEXTDOOR and Drake’s $ome $exy $ongs 4 U is up 8-7 (nearly 36,000; down 4%); and Bad Bunny’s Debí Tirar Más Fotos rises 9-8 (35,000; down 3%).

Billie Eilish’s Hit Me Hard and Soft is back in the top 10, moving 11-9, with 31,000 equivalent album units earned (though down 2%).

Wallen’s chart-topping Dangerous: The Double Album rises 12-10 with 30,000 equivalent album units earned (down less than 1%). Wallen has three albums in the top 10 concurrently for the first time ever, as Dangerous joins I’m the Problem (No. 1) and One Thing at a Time (No. 4). Wallen is the second act to log at least three albums in the top 10 at the same time in 2025, following Lamar after his Super Bowl LIX halftime show performance on Feb. 9. On the Feb. 22-dated chart, Lamar was at Nos. 1, 9 and 10 with GNX, DAMN. and good kid, m.A.A.d city, respectively.

Wallen and Lamar are the only living male artists to have had at least three albums in the top 10 at the same time since Herb Alpert on the Dec. 24, 1966-dated chart (when he, along with the Tijuana Brass, had three titles in the top 10). The most recent act, overall, with at least three albums in the top 10 was Taylor Swift on the March 2, 2024, chart, when she had three in the region — she has held at least three albums concurrently in the top 10 of the chart 22 times.

Before Lamar, the last male artist — or anyone aside from Swift — to have at least three albums in the top 10 at the same time was Prince, following his death, in 2016. That year, on the May 14 chart, he logged five titles in the region; and on the May 7 chart, he had three in the top 10. Prince died on April 21, 2016.

Source: billboard.com

Wallen earns his fourth Hot 100 No. 1, and McRae her first.

Morgan Wallen’s “What I Want,” featuring Tate McRae, blasts in at No. 1 on the Billboard Hot 100.

The collaboration between the country and pop stars – from Wallen’s new album, I’m the Problem, which soars in at No. 1 on the Billboard 200 with 2025’s biggest week by equivalent album units – is Wallen’s fourth Hot 100 leader and McRae’s first. She surpasses her prior No. 3 best set by “Greedy” in January 2024. In March, McRae notched her first Billboard 200 No. 1 with So Close to What; she’s the first artist this year to lead both lists for the first time.

Wallen previously topped the Hot 100 with “Love Somebody,” also on I’m the Problem, for a week upon its debut in November; as featured on Post Malone’s “I Had Some Help,” which bowed at No. 1 in May 2024 and led for six weeks; and with “Last Night,” for 16 weeks beginning in March 2023, before wrapping as the chart’s top hit that year.

Wallen boasts six songs in all in the latest Hot 100’s top 10, with “I Got Better” also debuting, at No. 7, and “Superman” flying 16-8 in its second week on the chart. He has now charted nine top 10s from I’m the Problem; only Taylor Swift’s The Tortured Poets Department and Midnights (10 top 10s each) have yielded more, with Drake’s Certified Lover Boy also having generated nine.

Meanwhile, Wallen claims the top three spots on the Hot 100, with “What I Want” followed by “Just in Case” at No. 2 and “I’m the Problem” at No. 3 – as he becomes the first artist that primarily records country music to have monopolized the top three in a single week over the chart’s 66-year history.

Browse the full rundown of this week’s top 10 below.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated May 31, 2025) will update on Billboard.com tomorrow, May 28 (a day later than usual due to the Memorial Day holiday May 26). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Source: billboard.com

It’s the country star’s third No. 1. Plus: Jin’s “Echo” arrives in the top five.

Morgan Wallen’s latest studio effort, I’m the Problem, debuts atop the Billboard 200 chart (dated May 31) with the year’s biggest week for any album — 493,000 equivalent album units earned in the United States in the week ending May 22, according to Luminate. It also easily lands the largest streaming week for any album in 2025.

It’s the third No. 1 for Wallen on the Billboard 200, following 2023’s One Thing at a Time (19 nonconsecutive weeks at No. 1) and 2021’s Dangerous: The Double Album (10 weeks at No. 1, all consecutive). The latter two titles both debuted at No. 1 and have never left the weekly top 50 of the chart. On the latest chart, One Thing at a Time is a non-mover at No. 4 (making Wallen the only act with two concurrent albums in the weekly top five in 2025), while Dangerous shifts 11-12.

I’m the Problem was officially announced in mid-March, and was preceded by eight charting songs on the Billboard Hot 100 over the past 10 months, all of which reached the top 20 of the ranking, including six top 10s (the most top 10s ever from an album prior to its release). Among them were the No. 1 “Love Somebody,” which debuted atop the list last November, and the album’s title track (No. 2 in February).

Also in the latest Billboard 200 top 10, Jin notches his highest-charting effort as Echo launches at No. 3. The BTS member previously hit the top 10 as a soloist with Happy (No. 4) in 2024.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new May 31, 2025-dated chart will be posted in full on Billboard‘s website on May 28, one day later than usual due to the Memorial Day holiday in the U.S. on May 26. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of I’m the Problem’s 493,000 first-week equivalent album units, SEA units comprise 357,000 (equaling 462.63 million on-demand official streams of the set’s 37 tracks; it debuts at No. 1 on Top Streaming Albums), album sales comprise 133,000 (it debuts at No. 1 on Top Album Sales) and TEA units comprise 3,000.

I’m the Problem is the fifth No. 1 on the Billboard 200 in 2025, of 14 total, to also simultaneously be No. 1 on both Top Album Sales and Top Streaming Albums, following Sleep Token’s Even in Arcadia (May 24), Lady Gaga’s MAYHEM (March 22), Kendrick Lamar’s GNX (Feb. 22) and The Weeknd’s Hurry Up Tomorrow (Feb. 15).

I’m the Problem captures 2025’s biggest week by equivalent album units earned. The last bigger week was the opening frame of Taylor Swift’s The Tortured Poets Department over a year ago. It bowed at No. 1 with 2.61 million units on the May 4, 2024-dated chart.

With 357,000 SEA units equaling 462.63 million on-demand official streams of I’m the Problem’s 37 tracks, the set logs the largest streaming week of 2025 for any album, and the biggest since The Tortured Poets Department’s first week, which snared 891.37 million. I’m the Problem also tallies the second-biggest streaming week ever for any country album, trailing only the opening week of Wallen’s last album, One Thing at a Time, which bowed with 498.28 million clicks.

Meanwhile, with 133,000 copies sold in its first week, I’m the Problem captures Wallen’s biggest sales week ever, the biggest sales week for any country album in 2025 and the fourth-largest sales frame in 2025 among all albums. The last country set to post a bigger sales week was Beyoncé’s Cowboy Carter, when it debuted with 168,000 sold (April 13, 2024-dated chart). I’m the Problem’s sales were helped by its availability on vinyl in its first week. Wallen’s last album, One Thing at a Time, didn’t get its vinyl release until its fourth week on sale.

With 357,000 SEA units equaling 462.63 million on-demand official streams of I’m the Problem’s 37 tracks, the set logs the largest streaming week of 2025 for any album, and the biggest since The Tortured Poets Department’s first week, which snared 891.37 million. I’m the Problem also tallies the second-biggest streaming week ever for any country album, trailing only the opening week of Wallen’s last album, One Thing at a Time, which bowed with 498.28 million clicks.

Meanwhile, with 133,000 copies sold in its first week, I’m the Problem captures Wallen’s biggest sales week ever, the biggest sales week for any country album in 2025 and the fourth-largest sales frame in 2025 among all albums. The last country set to post a bigger sales week was Beyoncé’s Cowboy Carter, when it debuted with 168,000 sold (April 13, 2024-dated chart). I’m the Problem’s sales were helped by its availability on vinyl in its first week. Wallen’s last album, One Thing at a Time, didn’t get its vinyl release until its fourth week on sale.

During its first week, I’m the Problem was available to purchase across five vinyl variants (standard black vinyl, a “first pressing” black vinyl, bone white-colored, coke bottle clear-colored [all exclusively sold in Wallen’s webstore] and a Target-exclusive opaque brown-color edition with a collectible insert), four CD variants (standard, a deluxe boxed set containing a branded T-shirt, a signed CD and a Target-exclusive edition with a collectible insert) and a standard digital download. All variations of the album had the same 37 tracks. All told, of I’m the Problem’s first-week sales, digital downloads comprise 51,000, vinyl comprise 48,000 (Wallen’s best week on vinyl ever, and the largest week for a country album in 2025) and CDs comprise 34,000.

SZA’s chart-topping SOS rises one spot to No. 2 on the latest Billboard 200, earning 47,000 equivalent album units — down 8%.

Jin nabs his highest-charting effort on the Billboard 200 as Echo arrives at No. 3. It’s the second charting solo set for the BTS member, who previously hit the chart with the No. 4-peaking Happy in November 2024.

Echo debuts with 43,000 equivalent album units earned. Of that sum, album sales comprise 35,000 (it debuts at No. 2 on Top Album Sales), SEA units comprise 6,000 (equaling 8.92 million of the album’s tracks) and TEA units comprise 2,000. Echo’s first-week sales were bolstered by its availability across 13 CD variants (all have the standard seven-song tracklist and contain collectible branded paper ephemera) and five download album variants (a standard wide version, a version exclusive to Jin’s webstore containing a bonus voice memo track and three widely available deluxe editions each containing two different remixes of the album’s “Don’t Say You Love Me”).

Nos. 4-9 on the new Billboard 200 are all former No. 1s. Wallen’s One Thing at a Time is steady at No. 4 (42,000 equivalent album units; down 13%); Kendrick Lamar’s GNX rises 7-5 (41,000; down 5%); Sleep Token’s Even in Arcadia falls 1-6 in its second week (38,000; down 70%); Sabrina Carpenter’s Short n’ Sweet steps 8-7 (just over 37,000; down 6%); PARTYNEXTDOOR and Drake’s $ome $exy $ongs 4 U drops 5-8 (37,000; down 21%); and Bad Bunny’s Debí Tirar Más Fotos climbs 10-9 (nearly 37,000; down 3%).

Fuerza Regida’s 111XPANTIA closes out the top 10, falling 6-10 with 32,000 equivalent album units earned (down 26%).

Source: billboard.com

Plus: Kali Uchis’ Sincerely, debuts at No. 2.

Sleep Token scores its first No. 1 album, and first top 10, on the Billboard 200 with the chart-topping arrival of its fourth full-length studio release, Even in Arcadia.

The set, which is the English rock band’s major-label debut, bows atop the list dated May 24 with 127,000 equivalent album units earned in the United States in the week ending May 15, according to Luminate — marking the act’s best week by units ever. It’s also the biggest week by units for any rock album in nearly a year, and the biggest for any hard rock album in two years. Further, the set’s streaming numbers are so big that it scores the largest streaming week ever for a hard rock album.

Sleep Token released its first single in 2016 and made its overall Billboard chart debut in 2019. The band previously scored one entry on the Billboard 200 with Take Me Back to Eden in 2023, debuting and peaking at No. 16. That set has earned 819,000 units in the U.S. to date, and its dozen songs (six of which were top 10 hits on Billboard’s Hot Hard Rock Songs chart) have generated 935 million on-demand official streams in the U.S. The band was among Billboard’s year-end top 10 on Top Hard Rock Artists in both 2024 (No. 8) and 2023 (No. 5).

In early 2024, the act signed to RCA Records after previously releasing music on the indie label Spinefarm. The masked band — whose members have remained anonymous through the group’s career — made its debut on the all-genre Billboard Hot 100 songs chart in March with the new album’s “Emergence.” Two more pre-release songs from the set debut on the tally: “Caramel” (a career-best No. 34 high for the band) and “Damocles.”

Sleep Token’s No. 1 debut coincidentally comes just two weeks after another masked hard rock band from Europe, the Swedish act Ghost, landed its first leader with the chart-topping debut of Skeletá (May 10 chart).

Also in the top 10 of the latest Billboard 200, Kali Uchis achieves her third top 10-charting set with the debut of Sincerely, at No. 2.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new May 24, 2025-dated chart will be posted in full on Billboard‘s website on May 20. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of Even in Arcadia’s 127,000 first-week equivalent album units, album sales comprise 73,500 (it debuts at No. 1 on Top Album Sales), SEA units comprise 53,000 (equaling 68.89 million on-demand official streams of the set’s songs; it debuts at No. 1 on Top Streaming Albums) and TEA units comprise 500. Sales of the album were bolstered by its availability across six vinyl variants, a standard CD, two deluxe CD boxed sets (containing a CD and a branded hoodie) and a standard digital download album. All configurations contained the same 10 songs.

Even in Arcadia is just the fourth No. 1 on the Billboard 200 in 2025, of 13 total, to also simultaneously be No. 1 on both Top Album Sales and Top Streaming Albums, following Lady Gaga’s MAYHEM (March 22), Kendrick Lamar’s GNX (Feb. 22) and The Weeknd’s Hurry Up Tomorrow (Feb. 15).

Prior to Even in Arcadia, the last rock album to have a larger week, by equivalent album units earned, was Zach Bryan’s The Great American Bar Scene, in its first full week of release, with 137,000 units (July 20, 2024-dated chart). The last hard rock album to score a larger week was Metallica’s 72 Seasons, which debuted with 146,000 units on the April 29, 2023 chart.

In terms of streaming numbers, Even in Arcadia posts an eye-popping — and historic — sum for a hard rock set. Its SEA figure of 53,000 equates to 68.89 million on-demand official streams of its 10 songs. That’s the biggest weekly streaming sum for any hard rock album ever. The last rock album overall with a bigger streaming week was The Great American Bar Scene, when it tallied 77.76 million during its fifth week on the chart, dated Aug. 10, 2024.

Even in Arcadia sold 73,500 copies — with vinyl comprising 47,000 of that figure. That’s the largest vinyl sales week for the band, and the biggest for a hard rock album on vinyl in the modern era (since Luminate began tracking sales in 1991). (It trumps the previous record, set only two weeks ago by the debut of Ghost’s Skeletá with 44,000.) It’s also the second-largest sales week in the modern era for a rock album, following the opening week of blink-182’s One More Time… (49,000; Nov. 4, 2023).

With Even in Arcadia debuting at No. 1 just two weeks after another hard rock album was tops — when Skeletá debuted at No. 1 on the May 10 chart — there have been two No. 1 hard rock albums in less than a month. That hasn’t happened in more than a decade. The chart last had two hard rock No. 1s in less than a month’s time nearly a dozen years ago, when Queens of the Stone Age’s …Like Clockwork and Black Sabbath’s 13 debuted at No. 1 in successive weeks (June 22-29, 2013).

Rock and hard rock albums are defined as those that are eligible for, or have charted on, Billboard’s Top Rock Albums and Top Hard Rock Albums charts, respectively.

Finally, Sleep Token is the fifth act in 2025 to score a first No. 1 this year, following Ghost (with Skeletá), Ken Carson (More Chaos), Tate McRae (So Close To What) and PARTYNEXTDOOR (with the Drake collaboration set $ome $exy $ongs 4 U). In all of 2024, there were five acts that got their first No. 1s: Ty Dolla $ign (with the Ye collab Vultures 1), TWICE (With YOU-th), Sabrina Carpenter (Short n’ Sweet), Jelly Roll (Beautifully Broken) and Yeat (Lyfestyle).

Going back another year, there were also five acts in 2023 that got their first No. 1s that year: TOMORROW X TOGETHER (The Name Chapter: TEMPTATION), Karol G (MAÑANA SERÁ BONITO), NewJeans (2nd EP ‘Get Up’), Zach Bryan (Zach Bryan) and ATEEZ (THE WORLD EP.FIN: WILL).

At No. 2 on the Billboard 200, Kali Uchis’ Sincerely, debuts with 62,000 equivalent album units earned. It’s the artist’s third top 10-charting effort, following Orquídeas (No. 2 in 2024) and Red Moon in Venus (No. 4 in 2023). Of the 62,000 units earned, album sales comprise 38,000 (it debuts at No. 2 on Top Album Sales), SEA units comprise 24,000 (equaling 32.45 million on-demand official streams of the set’s songs; it debuts at No. 18 on Top Streaming Albums) and TEA units comprise a negligible sum.

The first-week sales of Sincerely, was aided by its availability across 10 vinyl variants (including signed editions), three CD variants (including a signed edition), a cassette and a standard digital download album (all containing the same tracklist), as well as a deluxe download with two bonus tracks.

A trio of former No. 1s is next on the Billboard 200, as SZA’s SOS is steady at No. 3 (51,000 equivalent album units; down 3%), Morgan Wallen’s One Thing at a Time is a non-mover at No. 4 (48,000; up 6%), and PARTYNEXTDOOR and Drake’s $ome $exy $ongs 4 U climbs 7-5 (47,000; up 17% following its vinyl release). Fuerza Regida’s 111XPANTIA falls 2-6 in its second week (just over 43,000; down 43%), while Kendrick Lamar’s chart-topping GNX dips 5-7 (43,000; down 4%), and Sabrina Carpenter’s former leader Short n’ Sweet falls 6-8 (40,000; down 2%).

The Weeknd’s former No. 1 Hurry Up Tomorrow vaults 27-9 with 38,000 equivalent album units earned (up 82%), largely owed to sales generated by the release of new CD and vinyl editions of the album. Rounding out the top 10 of the Billboard 200 is Bad Bunny’s Debí Tirar Más Fotos, which falls 1-10 with 38,000 units (down 55%), a week after it hopped back to the top following its release on vinyl.

Source: billboard.com

The song solely claims the most weeks at No. 1 ever among duets by co-billed lead solo men and women.

Kendrick Lamar and SZA’s “Luther” rules the Billboard Hot 100 songs chart for a 12th total and consecutive week.

Dating to the Hot 100’s Aug. 4, 1958, start, “Luther” now solely boasts the most weeks spent at No. 1 among duets by co-billed lead solo men and women. It breaks out of a tie with Puff Daddy and Faith Evans’ “I’ll Be Missing You” (featuring vocal group 112), which led for 11 weeks in 1997.

“Luther” is also now solely the longest-leading R&B/hip-hop No. 1 on the Hot 100 this decade, surpassing the 11 weeks on top for Roddy Ricch’s “The Box” in 2020. (R&B/hip-hop songs are defined as those that have hit or are eligible for Billboard’s Hot R&B/Hip-Hop Songs chart.)

“Luther,” whose title is a tribute late R&B luminary Luther Vandross (who is sampled on the song), became Lamar’s sixth Hot 100 No. 1 and SZA’s third. Lamar and SZA each extend their longest career commands on the chart with the song.

Plus, Shaboozey’s “A Bar Song (Tipsy)” spends a record-breaking 44th week in the Hot 100’s top five and Teddy Swims’ “Lose Control” adds a 90th week in the chart overall, moving to within a week of potentially tying for the longest run all-time.

Browse the full rundown of this week’s top 10 below.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated May 17, 2025) will update on Billboard.com tomorrow, May 13. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Source: billboard.com