Also in the top 10: The KPop Demon Hunters soundtrack gains & Toby Keith’s 35 Biggest Hits gets a boost after Independence Day.

Morgan Wallen’s I’m the Problem has spent its first two months on the Billboard 200 at No. 1 as the set holds atop the chart dated July 19, earning 151,000 equivalent album units in the United States in the week ending July 10 (down 12%). The album opened at No. 1 on the May 31 chart.

Cumulatively, Wallen’s three No. 1 albums (I’m the Problem, One Thing at a Time and Dangerous: The Double Album) have spent a total of 37 weeks at No. 1 on the Billboard 200. That sum ties him with Harry Belafonte and Drake for the fifth-most weeks at No. 1 among male artists in the history of the Billboard 200 (since it began publishing on a regular, weekly basis in March 1956). Among the gents, the leaders are: Elvis Presley (67 weeks), Garth Brooks (52), Michael Jackson (51), Elton John (39), Belafonte, Drake and Wallen (37 each). Among all artists, The Beatles have the most weeks at No. 1, with 132 across 19 No. 1 albums.

Also in the top 10 of the latest Billboard 200, the KPop Demon Hunters soundtrack hits a new peak, climbing 3-2 in its third week on the chart. Meanwhile, Toby Keith’s chart-topping 35 Biggest Hits surges 43-9 in the wake of streaming gains generated by Independence Day festivities.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new July 19, 2025-dated chart will be posted in full on Billboard‘s website on July 15. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of I’m the Problem’s 151,000 equivalent album units earned in the week ending July 10, SEA units comprise 143,500 (down 12%, equaling 188.69 million on-demand official streams of the set’s songs — it leads Top Streaming Albums for an eighth week), album sales comprise 6,500 (down 12% — it rises 11-5 on Top Album Sales) and TEA units comprise 1,000 (down 23%).

The KPop Demon Hunters soundtrack climbs 3-2 — a new peak — in its third week, earning 75,000 equivalent album units (up 21%). It’s the first soundtrack to debut in the top 10 on the Billboard 200 and then see unit increases in its second and third weeks since the Guardians of the Galaxy, Vol. 2: Awesome Mix Vol. 2 album in 2017.

In the 2020s, only four soundtracks have reached the top two on the Billboard 200: KPop Demon Hunters, Wicked (which debuted and peaked at No. 2 in 2024), Barbie (also No. 2 debut and peak, in 2023) and Encanto (nine weeks at No. 1 in 2022).

Of the KPop Demon Hunters soundtrack’s 75,000 units earned in its third week, SEA units comprise 70,000 (up 24%, equaling 96.33 million on-demand official streams of the set’s songs — it holds at No. 2 on Top Streaming Albums), album sales comprise 4,000 (down 6% — it rises 21-9 on Top Album Sales) and TEA units comprise 1,000 (up 6%).

As the KPop Demon Hunters soundtrack racked up 96.33 million streams for its songs in its third week, it scores the biggest streaming week for a soundtrack in more three years. The last soundtrack to post a bigger streaming figure was Encanto, on the March 12, 2022-dated chart, when it rang up 101.16 million streams for its songs in its eighth week at No. 1 on the Billboard 200.

KPop Demon Hunters premiered on June 20 in a limited theatrical release in the U.S., and on Netflix, alongside its soundtrack. In the tracking week ending July 6, KPop Demon Hunters held at No. 2 in its third week on Netflix’s Top 10 Movies in United States chart.

Wallen’s former leader One Thing at a Time climbs 6-3 on the latest Billboard 200 (with 39,000 equivalent album units earned; down 2%); SZA’s chart-topping SOS rises 7-4 (36,000; down 7%); Sabrina Carpenter’s former No. 1 Short n’ Sweet bumps 9-5 (35,000; up 6%); Wallen’s chart-topping Dangerous: The Double Album ascends 11-6 (29,000; down 4%); Bad Bunny’s former No. 1 Debí Tirar Más Fotos jumps 16-7 (nearly 29,000; up 3%); and Karol G’s Tropicoqueta falls 5-8 (just under 29,000; down 29%).

Toby Keith’s 35 Biggest Hits returns to the top 10, rallying 43-9 with 26,000 equivalent album units earned (up 56%) following streaming gains generated by Independence Day celebrations. The album, released in 2008, hit No. 1 on the Feb. 17, 2024-dated chart in the wake of Keith’s death that Feb. 5.

Of 35 Biggest Hits’ 26,000 units earned, SEA units comprise 24,000 (up 59%, equaling 32.93 million on-demand official streams of the set’s songs — it jumps 43-11 on Top Streaming Albums). The rest of the album’s 2,000 units were generated by album sales and TEA units. About one-third of the album’s streams for the week were generated by Keith’s 2002 No. 1 Hot Country Songs hit “Courtesy of the Red, White and Blue (The Angry American),” which was also his most-streamed song of the week.

Closing out the top 10 of the latest Billboard 200 is PARTYNEXTDOOR and Drake’s former No. 1 $ome $exy $ongs 4 U, rising 17-10 with 26,000 equivalent album units earned (down 5%).

Source: billboard.com

Plus, Morgan Wallen ties Kendrick Lamar and nears the Beatles for a record.

Alex Warren’s “Ordinary” rolls on atop the Billboard Hot 100, as his first leader on the chart notches a fifth week at No. 1.

Meanwhile, Morgan Wallen logs his fifth week in 2025 with at least three songs in the Hot 100’s top five simultaneously, as “What I Want,” featuring Tate McRae, holds at No. 2, “Just in Case” rises 4-3 and “I’m the Problem” keeps at No. 5. Wallen ties Kendrick Lamar for the most weeks with three or more concurrent top five hits in a single year among soloists, with Lamar also having posted three such weeks this year. Among all acts, only the Beatles in their historic 1964 breakthrough boasted more such frames (eight).

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated July 12, 2025) will update on Billboard.com tomorrow, July 8. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Source: billboard.com

Plus: Lorde, KATSEYE and Russ debut in the top 10, while KPop Demon Hunters and Playboi Carti surge.

Morgan Wallen’s I’m the Problem rules the Billboard 200 albums chart (dated July 12) for a seventh consecutive, and total, week. The set earned 173,000 equivalent album units in the United States in the week ending July 3 — down a scant 3% compared to the previous week. The album opened at No. 1 on the May 31 chart.

With 173,000 units earned, Problem lands the largest total for an album in its seventh week on the chart since Adele’s 25 earned 194,000 in its seventh week nearly a decade ago (on the Jan. 23, 2016-dated chart).

Also in the top 10 of the latest Billboard 200, Lorde’s Virgin debuts at No. 2, the KPop Demon Hunters soundtrack surges 8-3, KATSEYE’s BEAUTIFUL CHAOS bows at No. 4, Playboi Carti’s chart-topping MUSIC vaults 28-8 after its vinyl release and Russ’ W!LD starts at No. 10.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new July 12, 2025-dated chart will be posted in full on Billboard‘s website on July 8. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of I’m the Problem’s 173,000 equivalent album units earned in the week ending July 3, SEA units comprise 164,000 (down 3%, equaling 215 million on-demand official streams of the set’s songs — it leads Top Streaming Albums for a seventh week), album sales comprise 7,500 (up 2% — it falls 7-11 on Top Album Sales) and TEA units comprise 1,500 (up 6%).

Lorde achieves her fourth top 10 album on the Billboard 200 as her latest studio project, Virgin, debuts at No. 2. All four of her top 10s have also debuted inside the top five (as Virgin follows Solar Power, with a No. 5 debut and peak, 2021; Melodrama, No. 1, 2017, and Pure Heroine, No. 3, 2013). Virgin bows with 71,000 equivalent album units earned. Of that sum, album sales comprise 42,000 (it debuts at No. 1 on Top Album Sales), SEA units comprise 29,000 (equaling 37.07 million on-demand official streams of the set’s songs — it debuts at No. 6 on Top Streaming Albums) and TEA units comprise a negligible sum.

Virgin’s first-week sales were aided by its availability across eight vinyl variants (including two signed editions), a standard CD and a digital download. All versions contained the same tracklist. Lorde’s vinyl sales added up to 31,000 — her best week ever on vinyl.

The album was announced on April 30 and preceded by the Billboard Hot 100-charting track “What Was That,” which debuted and peaked at No. 36 on the May 10-dated chart (her highest charting song since 2017’s “Green Light” hit No. 19). Lorde’s Ultrasound Tour of North America and Europe launches on Sept. 17 in Austin, Texas.

The KPop Demon Hunters soundtrack surges 8-3 on the Billboard 200 in its second week on the chart — earning 62,000 equivalent album units (up 97%). Of that sum, SEA units comprise 56,000 (up 108%, equaling 77.42 million on-demand official streams of the set’s songs — it jumps 10-2 on Top Streaming Albums), album sales comprise 4,500 (up 31%, it’s pushed down 18-22 on Top Album Sales) and TEA units comprise 1,500 (up 24%).

The set’s haul of 77.42 million streams for its songs is the largest streaming week for a soundtrack in  nearly two years, since the Barbie soundtrack claimed 79.32 million on the Aug. 19, 2023-dated chart (its third week on the chart).

With KPop Demon Hunters’ 8-3 climb on the Billboard 200, it becomes the highest-charting soundtrack of 2025, and the highest-charting soundtrack to an animated film since Encanto spent nine weeks at No. 1 in 2022. (Previously among soundtracks in 2025, Wicked reached a No. 4 high in January, after debuting and peaking at No. 2 in December 2024.)

KPop Demon Hunters premiered on June 20 on Netflix alongside its soundtrack. In the tracking week ending June 29, KPop Demon Hunters jumped 6-2 in its second week on Netflix’s Top 10 Movies in United States chart.

KATSEYE claims its first top 10 album on the Billboard 200 with the No. 4 debut of its second project, BEAUTIFUL CHAOS. The pop group’s five-song set opens with 44,000 equivalent album units earned. Of that sum, album sales comprise 30,000 (it debuts at No. 2 on Top Album Sales), SEA units comprise 14,000 (equaling 21.36 million on-demand official streams of the set’s songs; it bows at No. 47 on Top Streaming Albums) and TEA units comprise a negligible sum.

The album’s first-week sales were bolstered by its availability across nine CD variants and four vinyl variants (one signed), all with the same audio but with packaging variations. All contained collectible paper ephemera, some randomized. It was also issued as a standard digital download album for purchase.

BEAUTIFUL CHAOS was announced on May 7 and the album’s release was preceded by a pair of charting entries on the Hot 100: “Gnarly” (No. 90) and “Gabriela” (No. 94).

Karol G’s Tropicoqueta falls 3-5 on the Billboard 200 in its second week (40,000 equivalent album units earned; down 29%), Wallen’s chart-topping One Thing at a Time is pushed down 5-6 (nearly 40,000; up 7%) and SZA’s former No. 1 SOS descends 4-7 (39,000; down 17%). Playboi Carti’s former leader MUSIC jumps 28-8 with 35,000 (up 83%), following its release on vinyl (pressed on two variants). The album sold 16,500 copies in the tracking week (up 12,593%), largely from vinyl purchases.

Sabrina Carpenter’s chart-topping Short n’ Sweet slides 6-9 on the Billboard 200 with 33,000 equivalent album units earned (down 5%).

Russ closes out the top 10 with the No. 10 debut of his latest album, W!LD, entering at No. 10 with 32,000 equivalent album units earned. The set marks his fourth top 10-charted effort. Of the new album’s 32,000 units, album sales comprise 25,000 (it debuts at No. 3 on Top Album Sales), SEA units comprise 7,000 (equaling 9.15 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum.

W!LD was announced on March 18 and preceded by the radio-promoted track “Crazy,” which has reached the top 30 on the Rhythmic Airplay chart. The album’s first-week sales were aided by its availability across three vinyl variants, three CD variants and three cassette variants (some signed), as well as a standard digital download. All contained the same tracklist, and all of the physical editions were exclusively sold via Russ’ official webstore. There was also an expanded edition of the download album, sold via the webstore, that includes narration from the artist.

Source: billboard.com

Plus, Cardi B’s “Outside” debuts at No. 10.

Alex Warren’s “Ordinary” continues atop the Billboard Hot 100, as his first leader on the list adds a fourth week at No. 1.

Plus, Cardi B’s new single “Outside” launches at No. 10 on the Hot 100, becoming her 13th career top 10.

Meanwhile, Morgan Wallen logs his sixth week with at least three simultaneous Hot 100 top 10s this year — surpassing Kendrick Lamar for the most such weeks in 2025.

Browse the full rundown of this week’s top 10 below.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated July 5, 2025) will update on Billboard.com tomorrow, July 1. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

(Effective this week, SiriusXM streaming data is now included in the Hot 100, as well as Billboard’s streaming and genre-specific multimetric charts. Such activity is classified as programmed streams and represents listens of select current-based live music channels via SiriusXM’s app or website.)

Source: billboard.com

Plus: ATEEZ, Lil Tecca and Brandon Lake debut in the top 10.

Morgan Wallen’s I’m the Problem rules the Billboard 200 albums chart for a fifth consecutive, and total, week, as the set holds atop the chart dated June 28. The album earned 186,000 equivalent album units in the United States in the tracking week ending June 19 (down 11%), according to Luminate. The album debuted at No. 1 on the chart dated May 31.

With 186,000 units earned, Problem lands the largest fifth week for an album since Taylor Swift’s The Tortured Poets Department earned 378,000 in its fifth week (June 1, 2024-dated chart).

Problem is also the first album to spend its first five weeks at No. 1 since Poets perched in the top slot for its first 12 weeks at No. 1 (in May-July of 2024), of its total 17 weeks at No. 1. Problem is the first album by a man to spend five weeks at No. 1 (in total, or, from its debut) since Wallen’s last album, One Thing at a Time, spent its first 12 weeks at No. 1 (in March-June of 2023), of its total 19 weeks at No. 1.

Also in the top 10 of the latest Billboard 200, ATEEZ notch their seventh top 10 with the No. 2 debut of GOLDEN HOUR : Part.3, Lil Tecca scores his highest charting album yet with the No. 3 launch of DOPAMINE, and Brandon Lake earns his first top 10 with the No. 7 bow of King of Hearts.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new June 28, 2025-dated chart will be posted in full on Billboard‘s website on June 25. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of I’m the Problem’s 186,000 equivalent album units earned in the week ending June 19, SEA units comprise 176,000 (down 11%, equaling 229.99 million on-demand official streams of the set’s songs — it leads Top Streaming Albums for a fifth week), album sales comprise 9,000 (down 12% — it rises 9-7 on Top Album Sales) and TEA units comprise 1,000 (down 6%).

ATEEZ achieve their seventh top 10 album on the Billboard 200, as GOLDEN HOUR : Part.3 debuts at No. 2 with 105,000 equivalent album units earned. Of that sum, album sales comprise 101,500 (it debuts at No. 1 on Top Album Sales), SEA units comprise 3,000 (equaling 4.07 million on-demand official streams of the set’s five songs) and TEA units comprise 500 units.

GOLDEN HOUR : Part.3 was available in its first week across 12 CD editions, all with the same audio but with packaging variations. Some editions were signed, and all contained collectible paper ephemera, some randomized.

At No. 3 on the Billboard 200, Lil Tecca scores his highest-charting album ever, and fifth top 10, as DOPAMINE debuts with 48,000 equivalent album units earned. Of that sum, SEA units comprise 45,000 (equaling 65.31 million on-demand official streams of the set’s songs — it debuts at No. 2 on Top Streaming Albums), album sales comprise 3,000 and TEA units comprise a negligible sum.

Lil Tecca had previously gone as high as No. 4 with We Love You Tecca in 2019.

DOPAMINE was issued as a standard 17-song album via streaming services, and was available to buy as a download, CD and in five deluxe CD boxed sets (each containing a branded T-shirt and a copy of the album on CD). All of the CD iterations were exclusively sold via the artist’s official webstore. In the midst of its first week, the album was reissued with four bonus tracks, and that iteration was exclusively sold as a download in his webstore.

DOPAMINE was preceded by two Billboard Hot 100-charting songs: “Dark Thoughts” (which hit No. 28 in April) and “Owa Owa” (No. 50 earlier this month). The former marked the second top 40-charting song for the rapper, and first since “Ran$om” hit No. 4 in 2019.

A trio of former No. 1s is next on the Billboard 200, as SZA’s SOS rises 5-4 (nearly 48,000 equivalent album units; up 9%), Wallen’s One Thing at a Time climbs 8-5 (40,000; up 3%), and Sabrina Carpenter’s Short n’ Sweet steps 7-6 (39,000; down 3%).

Brandon Lake notches his first top 10 album on the Billboard 200 — and first top 40-charting set — as his new project, King of Hearts, bows at No. 7 with 37,500 equivalent album units earned. He charted just one album previously, with the No. 135-peaking Coat of Many Colors in 2023. The new album boasts his first Hot 100 hit, “Hard Fought Hallelujah,” which reached No. 40 on the May 3, 2025, chart. The track has also logged 22 weeks atop the Hot Christian Songs chart, through the most recently published chart, dated June 21. Lake has placed a total of 43 entries on that chart since his debut on the list in 2019, including six No. 1s.

King of Hearts earned 37,500 units in its first week (Lake’s best week by units earned). Of that sum, album sales comprise 20,000 (his best sales week ever — it debuts at No. 3 on Top Album Sales), SEA units comprise 16,500 (equaling 22.06 million on-demand official streams of the set’s songs — it debuts at No. 30 on Top Streaming Albums) and TEA units comprise 1,000.

King of Hearts additionally logs the largest week, by units, for a Christian music-genre album in three-and-a-half years, since Ye’s Donda earned 38,000 units on the Oct. 16, 2021-dated chart. King of Hearts is the highest-charting Christian music album — and first top 10 — since for KING + COUNTRY’s What Are We Waiting For? debuted and peaked at No. 7 on the March 26, 2022-dated chart. (Christian music albums are defined as those that are eligible for, or have charted on, Billboard’s Top Christian Albums chart.)

King of Hearts was issued as a standard 16-song album (via streamers, as a widely available digital download album and on CD and vinyl). He also sold a signed CD via his webstore and Walmart carried a version of the album on CD with a bonus track. During the album’s first week, it was issued in a deluxe edition, widely via streamers and digital download services, which added eight bonus tracks.

Closing out the top 10 of the latest Billboard 200 are Kendrick Lamar’s chart-topping GNX (rising 10-8 with 34,000 equivalent album units earned; down 6%), Wallen’s former leader Dangerous: The Double Album (bumping 13-9 with 32,000; up 6%) and PARTYNEXTDOOR and Drake’s $ome $exy $ongs 4 U (11-10 with 30,500; down 7%).

Source: billboard.com

The song is her second leader, and first to enter at the summit.

Sabrina Carpenter’s “Manchild” soars onto the Billboard Hot 100 at No. 1. The song is her second leader, and first to debut on top. Her “Please Please Please” spent a week atop the ranking in June 2024, rising from the runner-up spot in its second week on the chart.

“Manchild,” also Carpenter’s fourth Hot 100 top 10, introduces her next album, Man’s Best Friend, due Aug. 29. “i can’t wait for it to be yours x,” she wrote of the set on Instagram on June 11; it is scheduled to arrive just more than year since her prior LP, Short n’ Sweet, which was released Aug. 23, 2024.

Carpenter notched her first three Hot 100 top 10s from Short n’ Sweet, with “Please Please Please” preceded by the No. 3-peaking “Espresso” and followed by “Taste,” which hit No. 2. As those three songs charted in the top five together upon the debut of “Taste,” she became the second act ever to chart her first three top five hits in the region simultaneously – joining only The Beatles for the feat.

Meanwhile, Carpenter is the only woman artist with multiple Hot 100 No. 1s dating to the coronation of “Please Please Please.” She is also the only woman to reign with a nonseasonal song and with no billed collaborators in that span.

“Manchild,” on Island Records and being promoted to radio by Republic, is the 1,182nd No. 1 in the Hot 100’s 66-year history, and the 85th to debut at the summit – and the first No. 1 entrance for Island. Carpenter co-produced the song with Jack Antonoff and co-wrote it with Antonoff and Amy Allen. (The trio also co-wrote “Please Please Please,” which Antonoff produced.)

Browse the full rundown of this week’s top 10 below.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated June 21, 2025) will update on Billboard.com tomorrow, June 17. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Source: billboard.com

Plus: Lil Wayne, ENHYPEN, Addison Rae, My Chemical Romance and Turnstile shake up the top 10.

Morgan Wallen’s I’m the Problem spends a month at No. 1 on the Billboard 200 albums chart (dated June 21), as the set earned 209,000 equivalent album units in the United States in the tracking week, ending June 12 (down 15%), according to Luminate. The album debuted at No. 1 on the chart dated May 31.

With 209,000 units earned, Problem lands the largest fourth week for an album since Taylor Swift’s The Tortured Poets Department earned 260,000 in its fourth week (May 25, 2024-dated chart).

Problem is also the first album to spend its first four weeks at No. 1 since Poets perched in the top slot for its first 12 weeks, of its total 17 weeks at No. 1.

Also in the top 10 of the latest Billboard 200, Lil Wayne scores his 13 th top 10-charting set with the No. 2 debut of Tha Carter VI, while ENHYPEN logs its fifth top 10 with DESIRE: UNLEASH at No. 3. Addison Rae’s debut full-length album, Addison, arrives at No. 4, while My Chemical Romance’s Three Cheers for Sweet Revenge, released in 2004, hits the top 10 for the first time (reentering at No. 6) after a deluxe reissue. And, rock band Turnstile notches its first top 10 with its fourth full-length studio set, NEVER ENOUGH, debuting at No. 9.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new June 21, 2025-dated chart will be posted in full on Billboard‘s website on June 17. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of I’m the Problem’s 209,000 equivalent album units earned in the week ending June 12, SEA units comprise 197,000 (down 14%, equaling 257.9 million on-demand official streams of the set’s songs — it leads Top Streaming Albums for a fourth week), album sales comprise 10,500 (down 34% — it falls 3-9 on Top Album Sales) and TEA units comprise 1,500 (down 15%).

Lil Wayne notches his 13th top 10-charting effort on the Billboard 200 as Tha Carter VI debuts at No. 2 with 108,000 equivalent album units earned. Of that sum, SEA units comprise 73,000 (equaling 97.06 million on-demand official streams of the set’s songs — it debuts at No. 2 on Top Streaming Albums), album sales comprise 34,000 (it debuts at No. 3 on Top Album Sales) and TEA units comprise 1,000.

Lil Wayne’s long-running Tha Carter series began in 2004 with the release of Tha Carter, which debuted and peaked at No. 5 on the July 17, 2004-dated Billboard 200. He followed it with Tha Carter II (No. 2, 2005), Tha Carter III (No. 1 for three weeks, 2008), Tha Carter IV (No. 1 for two weeks, 2011), Tha Carter V (No. 1 for one week, 2018) and now Tha Carter VI.

Tha Carter VI was issued in a variety of configurations, including a standard digital download edition, a physical set with bonus tracks (on two CD variants [one signed] and three vinyl variants [one signed], and a deluxe CD boxed set with a T-shirt), an expanded digital download album and a streaming edition. During the set’s first week of release, two further iterations of the album were issued as download and streaming editions — one with a remix of “Banned from NO,” with Nicki Minaj, and another with that Minaj remix along with “Momma Don’t Worry,” with Future and Lil Baby.

ENHYPEN collects its fifth consecutive, and total, top 10-charting set on the Billboard 200 as DESIRE: UNLEASH arrives at No. 3 with 100,000 equivalent album units earned. Of that sum, album sales comprise 95,000 (it debuts at No. 1 on Top Album Sales), SEA units comprise 5,000 (equaling 7.29 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum.

DESIRE: UNLEASH was available in its first week across 19 CD editions, all with the same audio but with packaging variations. Some editions were signed, and all contained collectible paper ephemera, some randomized.

Addison Rae sees her debut full-length album, Addison, launch at No. 4 on the Billboard 200 with 48,500 equivalent album units earned. Of that sum, SEA units comprise 25,500 (equaling 32.84 million on-demand official streams of its songs, it debuts at No. 13 on Top Streaming Albums), album sales comprise 23,000 (it debuts at No. 5 on Top Album Sales) and TEA units comprise a negligible sum. The 24-year-old singer-actor got her start on TikTok in 2019 and made her Billboard Hot 100 chart debut with “Diet Pepsi” in September 2024; the song buzzed to No. 9 on the Pop Airplay chart in February. She also got a high-profile collab in 2024 thanks to her guest turn on the remix of Charli xcx’s Brat track “Von Dutch.”

The Addison album was available across four vinyl variants, a standard and signed CD, and a deluxe CD boxed set with a T-shirt, and a standard download and streaming edition — all containing the same tracklist. Addison includes Rae’s three previous Hot 100-charting songs: “Diet Pepsi,” “Headphones On” and “Fame Is a Gun.”

SZA’s former No. 1 SOS falls 3-5 on the Billboard 200 with 44,000 equivalent album units earned (down 5%).

My Chemical Romance’s Three Cheers for Sweet Revenge, released in 2004, reaches the top 10 of the Billboard 200 for the first time, as the set reenters at No. 6 following a deluxe reissue. It previously peaked at No. 28 in 2005. In total, Three Cheers marks the fourth top 10-charting effort for the band, and its second-highest-charting set — second only to the No. 2-peaking The Black Parade in 2006. Three Cheers also marks the band’s first top 10 since April 2014, when the compilation May Death Never Stop You: The Greatest Hits 2001-2013 reached No. 9.

In the tracking week ending June 12, Three Cheers earned nearly 44,000 equivalent album units (up 809%), with album sales comprising 37,000 (up 2,987% — it reenters at a new peak of No. 2 on Top Album Sales; it’s the group’s best sales week since Danger Days: The True Lives of the Fabulous Killjoys debuted with 112,000 in 2010), SEA units comprise 7,000 (equaling 8.88 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum. The album’s 44,000 units earned mark the band’s best week by that metric  since the Billboard 200 began ranking titles by units in December 2014.

For its new deluxe edition, Three Cheers for Sweet Revenge was issued across nine vinyl variants, and a CD, digital download and streaming edition — all with refreshed audio and bonus tracks. All versions of the album, old and new, are combined for tracking and charting purposes.

A sweet album of a different kind, Sabrina Carpenter’s chart-topping Short n’ Sweet, rises one spot to No. 7 on the latest Billboard 200. It earned 41,000 equivalent album units in the latest tracking week (up 11%). Morgan Wallen’s former leader One Thing at a Time dips 6-8 with 39,000 (down 4%).

Rock band Turnstile nets its second chart entry, and first top 10, with the No. 9 debut of NEVER ENOUGH. It earned 38,000 equivalent album units — of which album sales comprise 27,500 (it debuts at No. 4 on Top Album Sales), SEA units comprise a little more than 10,000 (equaling 12.8 million on-demand streams of the set’s songs) and TEA units comprise less than 500. The set’s first-week units and album sales mark career-high frames for the group.

NEVER ENOUGH — Turnstile’s fourth full-length studio album — was preceded by its title track, which reached No. 11 on the Alternative Airplay chart in June. The group made its Billboard chart debut 10 years ago, when the album Nonstop Feeling reached No. 22 on the now-discontinued Heatseekers Albums chart in January 2015.

NEVER ENOUGH was issued across more than a dozen vinyl variants and as a standard CD, cassette, digital download and streaming album, all containing the same tracklist.

Rounding out the top 10 on the latest Billboard 200 is Kendrick Lamar’s chart-topping GNX, which falls 7-10 with 36,000 equivalent album units earned (down 7%).

Source: billboard.com

Plus: SEVENTEEN and Miley Cyrus debut in top five, while Taylor Swift’s reputation returns to top 10.

Morgan Wallen’s I’m the Problem is No. 1 on the Billboard 200 albums chart (dated June 14) for a third consecutive week, following its debut atop the list dated May 31. It earned 246,000 equivalent album units in the United States in the week ending June 5 (down 14%), according to Luminate. It’s the largest third week for an album in over a year, since Taylor Swift’s The Tortured Poets Department earned 282,000 in its third frame (May 18, 2024-dated chart).

Also in the top 10 of the latest Billboard 200, new albums from SEVENTEEN and Miley Cyrus debut, while Swift’s chart-topping reputation, released in 2017, returns, zooming 78-5. The latter benefits from an outpouring of fan support following the news that Swift had acquired her Big Machine Records catalog, inclusive of reputation.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new June 14, 2025-dated chart will be posted in full on Billboard‘s website on June 10. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of I’m the Problem’s 246,000 equivalent album units earned in the week ending June 5, SEA units comprise 229,000 (down 11%, equaling 298.41 million on-demand official streams of the set’s songs — it leads Top Streaming Albums for a third week), album sales comprise 15,500 (down 45% — it falls from No. 1 to No. 3 on Top Album Sales) and TEA units comprise 1,500 (down 17%).

At No. 2 on the Billboard 200, SEVENTEEN scores their seventh top 10-charting album, as SEVENTEEN 5th Album HAPPY BURSTDAY debuts. The set launches with 48,500 equivalent album units earned. Of that sum, album sales comprise 46,000 (it debuts at No. 1 on Top Album Sales), SEA units comprise 2,500 (equaling 3.26 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum. The set’s album sales were aided by its availability across 14 CD variants, all containing collectible paper ephemera, some randomized.

SZA’s chart-topping SOS falls 2-3 on the Billboard 200 with 46,000 equivalent album units earned (down 3%).

Miley Cyrus achieves her 15th top 10-charting set on the Billboard 200 as Something Beautiful bows at No. 4. It starts with 44,000 equivalent album units earned. Of that sum, album sales comprise 27,000 (it debuts at No. 2 on Top Album Sales), SEA units comprise 17,000 (equaling 22.18 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum. (Cyrus’ tally of 15 top 10s is inclusive of her albums billed to her Disney Channel character Hannah Montana.)

Something Beautiful’s first-week sales were bolstered by its availability across six vinyl variants (including one signed, sold in Cyrus’ webstore), a standard CD, a signed CD (exclusive to Cyrus’ webstore) and two deluxe CD boxed sets (sold via her webstore, each containing branded merch and a copy of the album).

The album was preceded by the Billboard Hot 100-charting song “End of the World,” which debuted and peaked at No. 52 in April. It also became a top 20 hit on the Pop Airplay, Adult Pop Airplay and Adult Contemporary charts.

Taylor Swift’s chart-topping reputation rallies 78-5 with 42,000 equivalent album units earned (up 221%). It’s the album’s first week in the top 10 since the Aug. 4, 2018-dated chart (when it ranked at No. 9), the set’s highest rank since the Jan. 27, 2018, chart (when it was No. 5) and its best week by units earned since the Jan. 13, 2018, chart, when it tallied 48,000 (at No. 3). The album debuted at No. 1 on the Dec. 2, 2017-dated chart and spent four nonconsecutive weeks atop the list.

Of reputation’s 42,000 units earned in the latest tracking week, SEA units comprise 27,000 (up 125%, equaling 34.75 million on-demand official streams of the set’s songs; it reenters Top Streaming Albums at No. 10), album sales comprise 15,000 (up 1,184%, it reenters Top Album Sales at No. 4) and TEA units comprise less than 500 units. The album rallies up the list following fan support of the project after Swift announced that she had acquired her Big Machine-era catalog, including reputation.

Rounding out the top 10 of the Billboard 200 are five former No. 1s: Wallen’s One Thing at a Time falls 4-6 (40,000; down 3%); Kendrick Lamar’s GNX drops 3-7 (39,000; down 7%); Sabrina Carpenter’s Short n’ Sweet dips 6-8 (37,000; though up 1%); PARTYNEXTDOOR and Drake’s $ome $exy $ongs 4 U descends 7-9 (34,000; down 4%); and Bad Bunny’s Debí Tirar Más Fotos falls 8-10 (33,000; down 7%).

The singer-songwriter scores his first leader on the chart.

Alex Warren’s “Ordinary” ascends to No. 1 on the Billboard Hot 100, becoming the singer-songwriter’s first leader on the list. It rises from No. 4, after reaching a previous No. 2 best.

Warren becomes the first male soloist to earn an initial Hot 100 No. 1 this year.

“Ordinary,” the 1,181st No. 1 in the Hot 100’s 66-year history, rose to the top of both the Billboard Global 200 and Billboard Global Excl. U.S. charts in May. On the Hot 100, Warren charted one prior entry, “Burning Down” (No. 69 peak, last October). Concurrent with the coronation of “Ordinary,” he adds his second top 40 Hot 100 hit, as “Bloodline,” with Jelly Roll, debuts at No. 32.

Before concentrating on music full-time, Warren grew a following in Hype House, a group of TikTok content creators that frequently collaborated. He signed to Atlantic Records in 2022.

“In my career, I have been so open with my friends who follow me,” Warren, who co-authored “Ordinary,” told Billboard earlier this year. “They know everything about me and we’re so connected, and I love that. I’m thinking of these people while I’m writing these songs, because I’m thinking about what I would want to hear if I was still going through that.”

Browse the full rundown of this week’s top 10 below.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated June 7, 2025) will update on Billboard.com tomorrow, June 3. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Source: billboard.com

It tallies the smallest second-week percentage decline for a No. 1-debuting album in more than a year.

Morgan Wallen’s I’m the Problem notches a second week at No. 1 on the Billboard 200 chart (dated June 7), after debuting in the pole position a week ago with the year’s biggest week for an album. In its second week, I’m the Problem earned 286,000 equivalent album units (in the tracking week ending May 29) in the United States according to Luminate. A week ago, the set arrived at No. 1 with 493,000 units.

With a relatively scant 42% second-week decline in units earned, I’m the Problem tallies the smallest second-week percentage drop for a No. 1-debuting album in more than a year. The last No. 1-debuting set to see a smaller sophomore frame fall, by percentage decline, was 21 Savage’s American Dream on the March 3, 2024-dated chart. It fell 41% in its second week (from 133,000 to 78,000).

Plus, Wallen has three albums in the top 10 at the same time for the first time ever, as I’m the Problem is joined by his former No. 1s One Thing at a Time (No. 4) and Dangerous: The Double Album (No. 10).

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new June 7, 2025-dated chart will be posted in full on Billboard‘s website on June 3. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of I’m the Problem’s 286,000 equivalent album units earned in the week ending May 29, SEA units comprise 256,000 (down 28%, equaling 332.89 million on-demand official streams of the set’s songs — it leads Top Streaming Albums for a second week), album sales comprise 28,000 (down 79% — it’s No. 1 on Top Album Sales for a second week) and TEA units comprise 2,000 (down 39%).

Nos. 2-8 on the Billboard 200 are all former No. 1s. SZA’s SOS is a non-mover at No. 2 (47,000 equivalent album units earned; up 2%); Kendrick Lamar’s GNX climbs 5-3 (42,000; up 1%); Wallen’s One Thing at a Time is steady at No. 4 (nearly 42,000; down 1%); Playboi Carti’s MUSIC motors 18-5 (41,000; up 57% after a range of deluxe boxed set editions, sold through his webstore, were fulfilled to customers); Sabrina Carpenter’s Short n’ Sweet steps 7-6 (36,000; down 3%); PARTYNEXTDOOR and Drake’s $ome $exy $ongs 4 U is up 8-7 (nearly 36,000; down 4%); and Bad Bunny’s Debí Tirar Más Fotos rises 9-8 (35,000; down 3%).

Billie Eilish’s Hit Me Hard and Soft is back in the top 10, moving 11-9, with 31,000 equivalent album units earned (though down 2%).

Wallen’s chart-topping Dangerous: The Double Album rises 12-10 with 30,000 equivalent album units earned (down less than 1%). Wallen has three albums in the top 10 concurrently for the first time ever, as Dangerous joins I’m the Problem (No. 1) and One Thing at a Time (No. 4). Wallen is the second act to log at least three albums in the top 10 at the same time in 2025, following Lamar after his Super Bowl LIX halftime show performance on Feb. 9. On the Feb. 22-dated chart, Lamar was at Nos. 1, 9 and 10 with GNX, DAMN. and good kid, m.A.A.d city, respectively.

Wallen and Lamar are the only living male artists to have had at least three albums in the top 10 at the same time since Herb Alpert on the Dec. 24, 1966-dated chart (when he, along with the Tijuana Brass, had three titles in the top 10). The most recent act, overall, with at least three albums in the top 10 was Taylor Swift on the March 2, 2024, chart, when she had three in the region — she has held at least three albums concurrently in the top 10 of the chart 22 times.

Before Lamar, the last male artist — or anyone aside from Swift — to have at least three albums in the top 10 at the same time was Prince, following his death, in 2016. That year, on the May 14 chart, he logged five titles in the region; and on the May 7 chart, he had three in the top 10. Prince died on April 21, 2016.

Source: billboard.com