The carol makes history 31 years after its release.

Mariah Carey‘s “All I Want for Christmas Is You” achieves a record-breaking 20th week at No. 1 on the Billboard Hot 100, rewriting the mark for the longest reign over the chart’s 67-year history.

The song, originally released in 1994, surpasses the No. 1 runs of two hits that led the Hot 100 over one release cycle each: Shaboozey’s “A Bar Song (Tipsy),” in 2024, and Lil Nas X’s “Old Town Road,” featuring Billy Ray Cyrus, in 2019.

Carey claims the Hot 100’s No. 1 longevity record for a second time — In 1995-96, her and Boyz II Men’s “One Sweet Day” dominated for 16 weeks, a mark that stood on its own for more than 23 years, until it was tied by Luis Fonsi and Daddy Yankee’s “Despacito,” featuring Justin Bieber, in 2017, and then passed by “Old Town Road.” (She, thus, breaks the record with a song released before “One Sweet Day.”)

Plus, “All I Want for Christmas Is You” logs its 77th week on the Hot 100, tying Dua Lipa’s “Levitating” as the longest-charted title ever by a woman artist.

A week earlier, “All I Want for Christmas Is You” returned to No. 1 on the Hot 100 to lead in a record-extending seventh holiday season. It arrived on Carey’s album Merry Christmas in November 1994 and, as streaming has grown and holiday music has become more prominent on streaming services’ playlists, it hit the top 10 for the first time in December 2017 and the top five for the first time in the 2018 holiday season. It led at last, prior to the past two weeks, over the holidays in 2019 (for three weeks), 2020 (two), 2021 (three), 2022 (four), 2023 (two) and 2024 (four). (Older holiday songs are eligible to appear on the chart each season.)

“All I Want for Christmas Is You” became Carey’s 19th Hot 100 No. 1, the most among soloists and one away from the Beatles’ overall record 20. It also made Carey the first artist to have ranked at No. 1 on the chart in four distinct decades (1990s, 2000s, ‘10s and ‘20s).

Meanwhile, holiday hits glisten in eight of the Hot 100’s top 10 spots, including the entire top five.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Dec. 20, 2025) will update on Billboard.com tomorrow, Dec. 16. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram. Plus, for all chart rules and explanations, click here.

Source: billboard.com

Plus, Wham!’s “Last Christmas” hits a new No. 2 high.

Mariah Carey‘s “All I Want for Christmas Is You” jingles all the way back to No. 1 on the Billboard Hot 100, jumping four spots for a record-tying 19th total week atop the chart. It matches the reigns of two hits that led over one release cycle each — Shaboozey’s “A Bar Song (Tipsy),” in 2024, and Lil Nas X’s “Old Town Road,” featuring Billy Ray Cyrus, in 2019 — for the longest command over the chart’s 67-year history.

The carol rules the Hot 100 in a record-extending seventh holiday season. It was originally released on Carey’s album Merry Christmas in November 1994 and, as streaming has grown and holiday music has become more prominent on streaming services’ playlists, it hit the top 10 for the first time in December 2017 and the top five for the first time in the 2018 holiday season. It led at last, prior to this week, over the holidays in 2019 (for three weeks), 2020 (two), 2021 (three), 2022 (four), 2023 (two) and 2024 (four).

“When I wrote [it], I had absolutely no idea the impact the song would eventually have worldwide,” Carey marveled in 2021. “I’m so full of gratitude that so many people enjoy it with me every year.”

“All I Want for Christmas Is You” became Carey’s 19th Hot 100 No. 1, the most among soloists and one away from the Beatles’ overall record 20. It also made Carey the first artist to have ranked at No. 1 on the chart in four distinct decades (1990s, 2000s, ‘10s and ‘20s).

Holiday hits decorate seven of the Hot 100’s top 10 spots, including the top four. Most notably, Wham!’s “Last Christmas” dashes 6-2, as the 1984 single hits a new high.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Dec. 13, 2025) will update on Billboard.com tomorrow, Dec. 9. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram. Plus, for all chart rules and explanations, click here.

Source: billboard.com

Plus, holiday music returns to the top 10, led by Michael Bublé’s Christmas.

Taylor Swift’s The Life of a Showgirl returns to No. 1 on the Billboard 200 albums chart (dated Dec. 13), up from No. 3 a week ago, collecting its eighth nonconsecutive week atop the list. The set earned 99,000 equivalent album units in the United States in the tracking week ending Dec. 4 (up 12%), according to Luminate, aided by Black Friday promotions at retail and newly available signed CDs sold through the artist’s webstore.

Also in the top 10, holiday music returns to the region, as albums by Michael Bublé, Bing Crosby and Vince Guaraldi Trio jingle up the list.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Dec. 13, 2025-dated chart will be posted in full on Billboard‘s website on Dec. 9. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of The Life of a Showgirl’s 99,000 equivalent album units earned in the latest tracking week, SEA units comprise 53,000 (down 18%, equaling 69.38 million on-demand official streams of the set’s tracks — it holds at No. 2 on Top Streaming Albums), album sales comprise 46,000 (up 121%; it climbs 4-2 Top Album Sales) and TEA units comprise less than 1,000 (down 76%).

Three former No. 1s are Nos. 2-4 on the latest Billboard 200, as Morgan Wallen’s I’m the Problem rises 4-2 (71,000 equivalent album units, down 6%), the KPop Demon Hunters soundtrack steps 5-3 (66,000, down 1%) and Stray Kids’ DO IT falls 1-4 in its second week (64,000, down 78%).

The Wicked: For Good soundtrack drops 2-5 in its second frame, earning 63,000 (down 49%).

Michael Bublé’s former No. 1 Christmas returns to the top 10, climbing 12-6 with 58,000 equivalent album units earned (up 70%), largely driven by streaming activity (48,000 SEA units, equaling 64.86 million on-demand official streams of the project’s songs; it zooms 11-3 on the Top Streaming Albums chart). Christmas was released in 2011, spent five weeks at No. 1 in December 2011 and early January 2012 and has returned to the top 10 in every following holiday season. The set boasts Holiday 100-charting favorites like “Have Yourself a Merry Little Christmas,” “Holly Jolly Christmas,” “I’ll Be Home for Christmas” and “It’s Beginning to Look a Lot Like Christmas.”

The Billboard 200’s latest tracking week captured the first seven days following the Thanksgiving Day holiday (Nov. 28 through Dec. 4). There are three more tracking weeks during the Christmas season, as the Christmas holiday (Dec. 25) falls on a Thursday this year.

Bing Crosby’s Ultimate Christmas rises 16-7 on the Billboard 200 with 52,000 equivalent album units earned (up 78%). Nearly all of that sum is powered by streaming activity, as SEA units comprise 48,000 (equaling 63.55 million on-demand official streams of the set’s tracks). The album also rockets 14-4 on the Top Streaming Albums chart.

The Ultimate Christmas best-of set was released in 2024 and peaked at No. 3 on the Jan. 4, 2025-dated chart. It marked the late Crosby’s highest-charting album in 66 years, dating to when his former No. 1 Merry Christmas ranked at No. 2 on the Jan. 5, 1959 chart. (Merry Christmas previously spent a week at No. 1 on Jan. 6, 1958-dated chart.)

Ultimate Christmas contains such classic Holiday 100-charting tunes from Crosby as “White Christmas” (featuring The Ken Darby Singers and John Scott Trotter and His Orchestra), “It’s Beginning to Look a Lot Like Christmas,” “Do You Hear What I Hear?” and “Mele Kalikimaka” (with The Andrews Sisters).

Olivia Dean’s The Art of Loving falls 7-8 on the latest Billboard 200 (48,000 equivalent album units earned, down 1%).

Vince Guaraldi Trio’s soundtrack to the A Charlie Brown Christmas animated TV special is back in the top 10 for the first time in nearly three years, as it surges 18-9 with 46,000 equivalent album units earned (up 68%). It was last in the top 10 on the Jan. 7, 2023-dated chart, when it ranked at No. 10. Of the 46,000 units the album earned for the week, SEA units comprise 26,000 (up 72%, equaling 33.81 million on-demand official streams of its songs; it rises 43-13 on Top Streaming Albums), album sales comprise 20,000 (up 64% and largely owed to vinyl purchases; it jumps 10-4 on Top Album Sales) and TEA units comprise a negligible sum (up 42%). The album earns its biggest sales week in three years, since it sold 23,000 copies on the Dec. 31, 2022 chart.

The A Charlie Brown Christmas soundtrack was released in 1965, the same year that the Emmy Award-winning special premiered on CBS, but it did not reach any Billboard ranking until 1987. That year, it debuted on the Top Holiday Albums chart, where it later peaked at No. 2 (Jan. 27, 2007). On the Billboard 200 chart, the set visited the top 10 for the first time on the Jan. 2, 2021-dated list, later peaking at No. 6 on the Jan. 1, 2022-dated chart.

The A Charlie Brown Christmas TV special aired annually on CBS during the holiday season from 1965 through 2000. ABC picked up the rights to the show from 2001 to 2019. In 2020, Apple TV acquired the rights to the special, along with other classic animated Peanuts programs. Each year, Apple TV also makes A Charlie Brown Christmas available free for a limited time; this year, the free window will take place Dec. 13-14.

Closing out the top 10 on the latest Billboard 200 is Tate McRae’s former leader, So Close To What, which falls 6-10 with 44,000 equivalent album units earned (down 31%).

Source: billboard.com

Plus: Wicked: For Good, Tate McRae, Hazbin Hotel: Season Two and Aerosmith & YUNGBLUD shake up the top 10.

Stray Kids claim their eighth No. 1 on the Billboard 200 albums chart as DO IT debuts atop the ranking dated Dec. 6. The set earned 295,000 equivalent album units in the United States in the week ending Nov. 27, according to Luminate. Of that sum, traditional album sales comprise 286,000.

All eight of the group’s Billboard 200 chart entries have debuted at No. 1, beginning with ODDINARY in 2022. In September of this year, when KARMA opened atop the list, Stray Kids became the first act to debut at No. 1 with their first eight entries in the 69-year history of the chart. With DO IT’s debut, they extend that record. The Billboard 200 began publishing on a regular, weekly basis in March 1956.

In addition, with an eighth No. 1, Stray Kids extend their record for the most No. 1s among groups this century (since 2000).

Also in the top 10 on the latest Billboard 200 chart, the Wicked: For Good soundtrack debuts at No. 2, Taylor Swift’s The Life of a Showgirl falls from No. 1 for the first time (dipping 1-3 in its eighth week), Tate McRae’s So Close to What surges 21-6 following a deluxe reissue with additional songs, the Hazbin Hotel: Season Two soundtrack jumps 70-8 after its first full week of chart activity and Aerosmith and YUNGBLUD’s collaborative set One More Time arrives at No. 9.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Dec. 6, 2025-dated chart will be posted in full on Billboard‘s website on Dec. 2. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of DO IT’s 295,000 first-week equivalent album units, album sales comprise 286,000 (it debuts at No. 1 on the Top Album Sales chart), SEA units comprise 9,000 (equaling 13.98 million on-demand official streams of the sets songs) and TEA units comprise a negligible sum.

DO IT nets the seventh-largest debut week for an album, by units earned, in 2025. The year’s seven biggest debut weeks are: The Life of a Showgirl (4.002 million), Morgan Wallen’s I’m the Problem (493,000), The Weeknd’s Hurry Up Tomorrow (490,000), Sabrina Carpenter’s Man’s Best Friend (366,000), KARMA (313,000), Playboi Carti’s MUSIC (298,000) and DO IT (295,000).

In traditional album sales, DO IT logs the fourth-largest week of 2025 (debut or otherwise). The four biggest sales weeks in 2025 are the opening frames of: The Life of a Showgirl (3.48 million), Hurry Up Tomorrow (359,000), KARMA (296,000) and DO IT (286,000).

DO IT’s album sales were aided by its availability across seven CD variants (all containing collectible items such as photocards, posters and stickers, with some items randomized), including a signed edition.

As DO IT is mostly in the Korean language, it is the 30th mostly non-English-language album to hit No. 1, and the third of 2025 (following Bad Bunny’s Spanish-language DeBÍ TiRAR MáS FOToS and KARMA). Four mostly non-English titles topped the list in 2024, and all were mostly Korean-language efforts. Of the 30 mostly non-English-language albums to reach No. 1, 20 are mostly Korean, six mostly (or all) Spanish, one mostly Italian, one entirely French and two mostly a blend of Spanish, Italian and French.

The Wicked: For Good film soundtrack, led by Cynthia Erivo and Ariana Grande, debuts at No. 2 on the Billboard 200 (the highest debut for a soundtrack in 2025) with 122,000 equivalent album units earned. Of that sum, album sales comprise 85,000 (it debuts at No. 2 on Top Album Sales, aided by seven vinyl variants and four CD variants, including one signed by Erivo and Grande), SEA units comprise 36,000 (equaling 47.27 million on-demand official streams of the set’s songs; it debuts at No. 6 on Top Streaming Albums) and TEA units comprise 1,000.

Wicked: For Good premiered in movie theaters on Nov. 21 and has earned over $270 million at the U.S. and Canada box office. It follows the first Wicked film, which was released in 2024. The first Wicked soundtrack also debuted (and peaked) at No. 2 on the Billboard 200, launching with 139,000 equivalent album units.

After seven straight weeks at No. 1, Swift’s The Life of a Showgirl falls from the top, dipping 1-3 in its eighth week on the list (86,000 equivalent album units earned, down 5%). Two former No. 1s trail Swift, as I’m the Problem descends 3-4 (75,000, down less than 1%) and the KPop Demon Hunters soundtrack is stationary at No. 5 (67,000, down 2%).

Tate McRae’s chart-topping So Close to What surges 21-6 with 64,000 equivalent album units earned (up 202%) following its deluxe reissue on Nov. 21 with five additional tracks added to the set’s digital download and streaming editions. Among the new cuts: “Tit for Tat,” which peaked at No. 3 on the Billboard Hot 100 (dated Oct. 11).

Olivia Dean’s The Art of Loving is a non-mover in the top 10 on the latest Billboard 200, holding at No. 7 (49,000 equivalent album units earned, down 2%).

The Hazbin Hotel: Season Two soundtrack flies 70-8 on the Billboard 200 after its first full week of chart activity, marking the first top 10 from the popular Prime Video animated series. The set zooms up the list with nearly 46,000 equivalent album units earned (up 250% from its debut at No. 70 with 13,000 units from only two days of activity). The soundtrack was released on Wednesday, Nov. 19; most albums are released on Friday. The tracking week for the Billboard 200 runs Friday through Thursday each week.

In the tracking week ending Nov. 27, the Hazbin Hotel: Season Two album tallied 32,000 SEA units (equaling 46.58 million on-demand official streams for its tracks; it debuts at No. 8 on Top Streaming Albums), 13,500 in traditional album sales (it jumps 32-8 on Top Album Sales) and 500 TEA units.

The Season Two soundtrack surpasses the No. 13 debut and peak of the Hazbin Hotel: Season One soundtrack in February 2024.

With Wicked: For Good, KPop Demon Hunters and Hazbin Hotel: Season Two at Nos. 2, 5 and 8, respectively, there are three soundtracks in the top 10 of the Billboard 200 for the first time in more than six years. It last happened on the April 6, 2019-dated chart, when Lady Gaga and Bradley Cooper’s A Star Is Born, Queen’s Bohemian Rhapsody and Mötley Crüe’s The Dirt were at Nos. 6, 9 and 10.

Aerosmith and YUNGBLUD team up for a No. 9 debut with their collaborative project One More Time. It’s the 10th top 10 for Aerosmith and first for YUNGBLUD. The set earned 39,000 equivalent album units. Album sales comprise 37,000 (it debuts at No. 3 on Top Album Sales), SEA units comprise 2,000 (equaling 2.32 million on-demand official streams of the set’s tracks) and TEA units comprise a negligible sum. The album’s first-week sales were aided by its availability across six vinyl variants (including one signed by YUNGBLUD), four CD iterations (two signed by YUNGBLUD and one where Aerosmith’s Steven Tyler spray painted across the CD booklets en masse and then those were collated into their packaging) and a cassette tape.

While YUNGBLUD visits the top 10 for the first time (after four earlier charting titles), Aerosmith clocks its first top 10 since 2012’s Music From Another Dimension! debuted and peaked at No. 5 that year. Further, Aerosmith is the second group, and fifth act overall, to have earned new top 10s in the 1970s, ‘80s, ‘90s, 2000s, ‘10s and ‘20s. Aerosmith notched its first top 10 in 1976 (and only top 10 of the ‘70s) with Rocks (peaking at No. 3). The band then scored one top 10 in the ‘80s (1989’s No. 5-peaking Pump), three in the ‘90s (Get a Grip, No. 1; Big Ones, No. 6 and Nine Lives, No. 1), three in the 2000s (Just Push Play, No. 2; O, Yeah! Ultimate Aerosmith Hits, No. 2 and Honkin’ On Bobo, No. 5), one in the ‘10s (Music From Another Dimension!, No. 5) and now one in the ’20s with One More Time.

Aerosmith is the second group, following The Rolling Stones, with at least one newly-charting top 10 in every decade from the 1970s through the 2020s. Among all acts, there are just five with a new top 10 in each decade in that span: Aerosmith, Paul McCartney, The Rolling Stones, Bruce Springsteen and James Taylor.

The five-track One More Time was preceded by its first single, “My Only Angel,” which debuted at No. 1 on Hot Hard Rock Songs in October and climbs 7-6 (a new peak) on the most recently published Mainstream Rock Airplay chart (dated Dec. 6). On the latter ranking, “My Only Angel” marked the 25th top 10 for Aerosmith and the first for YUNGBLUD. “My Only Angel” is the first top 10 on the Mainstream Rock Airplay chart for Aerosmith since 2004’s “Baby, Please Don’t Go” reached No. 7, and the band’s highest-charting hit since “Jaded” spent five weeks at No. 1 in 2001.

Closing out the top 10 on the latest Billboard 200 is Summer Walker’s Finally Over It, which falls 2-10 in its second week (37,000 equivalent album units earned, down 52%).

Source: billboard.com

“All I Want for Christmas Is You” sleigh rides to No. 8.

Taylor Swift’s “The Fate of Ophelia” rules the Billboard Hot 100 for a seventh week, having led in each of its weeks on the chart so far.

Of Swift’s 13 career Hot 100 No. 1s, “The Fate of Ophelia” is her third to have ruled for at least seven weeks. It trails only “Anti-Hero” (eight, beginning Nov. 5, 2022) and ties “Blank Space” (seven, Nov. 29, 2014).

Meanwhile, “The Fate of Ophelia” is the first song to spend its first seven weeks on the Hot 100 at No. 1 since BTS’ “Butter” in June-July 2021. No song has led the chart longer consecutively from its debut since Olivia Rodrigo’s “Drivers License” was No. 1 in its first eight weeks in January-March 2021.

Elsewhere in the Hot 100’s top 10, Mariah Carey’s “All I Want for Christmas Is You” returns to the region, making a three-place festive flight to No. 8. The modern classic, from 1994, has led for 18 total weeks dating to its first in 2019.

Check out the full rundown of this week’s Hot 100 top 10 below.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Nov. 29, 2025) will update on Billboard.com tomorrow, Nov. 25. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram. Plus, for all chart rules and explanations, click here.

Source: billboard.com

Sombr is one of four best new artist Grammy nominees in the top 10.

Taylor Swift’s “The Fate of Ophelia” tops the Billboard Hot 100 for a sixth week, encompassing its entire run on the chart so far.

Of the superstar’s 13 career Hot 100 No. 1s, “The Fate of Ophelia” is her third to have led for at least six weeks. It joins “Anti-Hero” (eight weeks, beginning Nov. 5, 2022) and “Blank Space” (seven, Nov. 29, 2014).

Meanwhile, sombr achieves his first Hot 100 top 10, as “Back to Friends” ascends a spot to No. 10. The song arrived as his first entry on the chart in April; he also hit a No. 16 high with his other breakthrough hit, “Undressed,” in October.

Check out the full rundown of this week’s Hot 100 top 10 below.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Nov. 22, 2025) will update on Billboard.com tomorrow, Nov. 18. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram. Plus, for all chart rules and explanations, click here.

Source: billboard.com

Jackson becomes the first artist to rank in the Hot 100’s top 10 in six distinct decades.

Taylor Swift’s “The Fate of Ophelia” towers over all competition on the Billboard Hot 100 for a fifth week, encompassing its entire run on the chart so far.

Of the superstar’s 13 career Hot 100 No. 1s, “The Fate of Ophelia” is her third to have led for at least five weeks. It joins “Anti-Hero” (eight weeks, beginning Nov. 5, 2022) and “Blank Space” (seven, Nov. 29, 2014).

Meanwhile, following Halloween, Michael Jackson posthumously makes history on the Hot 100 as “Thriller” blasts from No. 32 to No. 10. With the song, which hit No. 4 in 1984, the late King of Pop becomes the first artist ever to rank in the top 10 in six distinct decades (the ‘70s, ‘80s, ‘90s, 2000s, ‘10s and now ‘20s).

Check out the full rundown of this week’s Hot 100 top 10 below.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Nov. 15, 2025) will update on Billboard.com tomorrow, Nov. 11. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram. Plus, for all chart rules and explanations, click here.

Source: billboard.com

Plus, Florence + the Machine land their fifth top 10 with Everybody Scream.

Taylor Swift’s The Life of a Showgirl continues to dance atop the Billboard 200 for a fifth straight week at No. 1 (on the chart dated Nov. 15). It earned 120,000 equivalent album units in the United States in the week ending Nov. 6 (down 18%), according to Luminate.

The Life of a Showgirl is only the second album in 2025 to spend its first five weeks at No. 1, following Morgan Wallen’s I’m the Problem (which spent its first eight weeks atop the list, of its total 12 at No. 1). Swift’s last album, The Tortured Poets Department, spent its first 12 weeks at No. 1 in 2024, of its total 17 weeks atop the list. Three of her albums have led for their first five chart weeks or more, starting with Folklore, which reigned for its first six weeks in 2020, of eight overall weeks at No. 1.

Also in the top 10 of the latest Billboard 200, Florence + the Machine notch their fifth top 10-charted effort, as Everybody Scream debuts at No. 4, while Tyler, The Creator’s chart-topping CHROMAKOPIA vaults 117-5 after its one-year anniversary reissue.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new, Nov. 15, 2025-dated chart will be posted in full on Billboard‘s website on Nov. 11. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of The Life of a Showgirl’s 120,000 equivalent album units earned in the latest tracking week, SEA units comprise 98,000 (down 18%, equaling 129.07 million on-demand official streams of the set’s tracks — it’s No. 1 on Top Streaming Albums for a fifth week), album sales comprise 18,000 (down 21%; it falls 3-4 on Top Album Sales) and TEA units comprise 4,000 (up 11%).

At Nos. 2 and 3 on the Billboard 200, the KPop Demon Hunters soundtrack and Morgan Wallen’s I’m the Problem are non-movers. The former No. 1s earned 84,000 equivalent album units (down less than 1%) and 77,000 units (up 2%), respectively.

Florence + the Machine’s Everybody Scream debuts at No. 4 on the Billboard 200, marking the fifth top 10 for the act. The set arrives with 56,000 equivalent album units earned. Of that sum, album sales comprise 44,000 (it debuts at No. 1 on Top Album Sales), SEA units comprise 12,000 (equaling 15.25 million on-demand official streams of the set’s tracks) and TEA units comprise a negligible sum.

The album’s first-week sales were aided by its availability across six vinyl variants (including one signed), four CD variants (one signed) and a standard digital download album (all with the same tracklist). There was also a deluxe download edition with four “chamber version” bonus tracks — alternative versions of the album’s title track, “Sympathy Magic,” “The Old Religion” and “Drink Deep.”

The new album was preceded by its lead single, its title track, which has hit the top 10 on both the Alternative Airplay and Adult Alternative Airplay charts, while also reaching No. 37 on the Hot Rock & Alternative Songs chart.

Florence + the Machine previously reached the top 10 on the Billboard 200 with their previous four studio albums: Dance Fever (No. 7 in 2022), High as Hope (No. 2 in 2018), How Big How Blue How Beautiful (No. 1 in 2015) and Ceremonials (No. 6 in 2011). The act’s first studio set, Lungs, peaked at No. 14 in 2010 and spent two and-a-half years on the chart.

Tyler, The Creator’s former No. 1 CHROMAKOPIA shoots 117-5 on the Billboard 200 following its one-year anniversary reissue on CD, vinyl and in two deluxe boxed sets (containing branded merch and a copy of the CD). It earned 51,000 equivalent album units (up 390%), with 41,000 of that sum in traditional album sales (up from a negligible sum in the week previous). CHROMAKOPIA debuted at No. 1 on the Nov. 9, 2024-dated chart and spent its first three weeks atop the list.

Sabrina Carpenter’s chart-topping Man’s Best Friend slips 5-6 on the latest Billboard 200 with 38,000 equivalent album units earned (down 8%), while Olivia Dean’s The Art of Loving falls 6-7 (37,000, down 3%). A trio of former No. 1s rounds out the top 10: SZA’s SOS rises 10-8 (31,000, down less than 1%), Morgan Wallen’s One Thing at a Time steps 11-9 (30,000, up 3%) and Cardi B’s AM I THE DRAMA? dips 8-10 (down 12%).

Source: billboard.com

Kehlani’s “Folded” flies 14-7, following the release of new remixes.

Taylor Swift’s “The Fate of Ophelia” notches a fourth week at No. 1 on the Billboard Hot 100, encompassing its entire run on the chart so far.

Helping the song’s continued Hot 100 command, Swift released its “Alone in My Tower Acoustic Version” for digital purchase Oct. 28, just after 4:30 p.m. ET, ahead of the tracking week’s close at the end of Oct. 30. (A CD single of the new mix, along with its instrumental, and a CD single of the song’s original version and its instrumental went up for pre-order in Swift’s webstore from late Oct. 30 through the afternoon of Oct. 31; those CD sales will impact charts once singles are shipped.)

Meanwhile, after first appearing on the Hot 100 in 2016, Kehlani achieves her first top 10 on the chart, as “Folded” surges seven spots to No. 7, aided by high-profile remixes released Oct. 24.

Check out the full rundown of this week’s Hot 100 top 10 below.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Nov. 8, 2025) will update on Billboard.com tomorrow, Nov. 4. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram. Plus, for all chart rules and explanations, click here.

Source: billboard.com

Dean’s “Man I Need” bounds 17-8 and Thomas’ “Mutt” jumps 18-10.

Taylor Swift’s “The Fate of Ophelia” crowns the Billboard Hot 100 for a third week.

The superstar’s new album, The Life of a Showgirl, concurrently adds a third week at No. 1 on the Billboard 200 chart, following its modern-era-record debut with 4.002 million equivalent album units two weeks earlier.

Thanks to the set and the song, Swift makes more history. Two weeks ago, she logged the 17th instance of an artist launching atop the Billboard 200 and Hot 100 simultaneously. It marked the record seventh time that she earned the honor (which she inaugurated in August 2020 with Folklore and “Cardigan”). In only two of the first 16 such double debuts, an album and song tallied a second consecutive week atop the charts — both by Swift, via Midnights and “Anti-Hero” in 2022 and The Tortured Poets Department and “Fortnight,” featuring Post Malone, in 2024.

Now, The Life of a Showgirl and “The Fate of Ophelia” make for the first occurrence of an artist debuting atop the Billboard 200 and Hot 100 side-by-side and both titles maintaining their respective commands for their first three weeks.

Meanwhile, two acts earn their first Hot 100 top 10s: Olivia Dean’s “Man I Need” bounds 17-8 and Leon Thomas’ “Mutt” charges 18-10.

Check out the full rundown of this week’s Hot 100 top 10 below.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Nov. 1, 2025) will update on Billboard.com tomorrow, Oct. 28. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram. Plus, for all chart rules and explanations, click here.

Source: billboard.com