Plus: Olivia Dean’s “The Art of Loving” hits a new high in the top 10.

Taylor Swift’s The Life of a Showgirl spends a second week atop the Billboard 200 albums chart (dated Oct. 25), with 338,000 equivalent album units earned in the United States in the week ending Oct. 16, according to Luminate. That’s down 92% compared to the album’s modern-era-record debut with 4.002 million units a week ago.

Showgirl’s second week is the fifth-largest week of 2025 for any album. Further, it’s the largest second week for any album since Swift’s last project, The Tortured Poets Department, earned 439,000 in its sophomore frame (May 11, 2024, chart).

Showgirl is only the third album to spend its first two weeks at No. 1 on the Billboard 200 in 2025, following Morgan Wallen’s I’m the Problem (its first eight) and Playboi Carti’s MUSIC (two).

Showgirl leads a sleepy top 10 on the latest Billboard 200, where no albums debut in the region. Within the top 10, Olivia Dean’s The Art of Loving hits a new peak, rising 7-6 in its third week on the chart. It’s only the third album this year to debut in the top 10 and climb to a new high after its opening week.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new, Oct. 25, 2025-dated chart will be posted in full on Billboard‘s website on Oct. 20. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of The Life of a Showgirl’s 338,000 equivalent album units earned in the latest tracking week, SEA units comprise 236,000 (down 55%, equaling 307.59 million on-demand official streams of the set’s tracks — it holds at No. 1 on Top Streaming Albums for a second week), album sales comprise 101,000 (down 97% — it’s No. 1 on Top Album Sales for a second week) and TEA units comprise 1,000. It its first week, none of the album’s tracks were available to purchase individually; in its second week, its promoted single, and Billboard Hot 100 No. 1, “The Fate of Ophelia” was.

The rest of the top five on the Billboard 200 are all non-moving former No. 1s. The KPop Demon Hunters soundtrack is No. 2 (104,000 equivalent album units, up 9%); Wallen’s I’m the Problem is No. 3 (79,000, down 4%); Cardi B’s AM I THE DRAMA? is No. 4 (50,000, down 21%) and Sabrina Carpenter’s Man’s Best Friend is No. 5 (45,000, down 10%).

Olivia Dean’s The Art of Loving hits a new high, rising 7-6 in its third week on the list (36,000 equivalent album units earned, up 5%). The set debuted at No. 8 two weeks ago. It’s only the third album to debut in the top 10 this year and rise to a new peak in a later week, following the KPop Demon Hunters soundtrack (No. 8 debut, ultimately reaching No. 1 in its 12th week) and Bad Bunny’s DeBÍ TiRAR MáS FOToS (No. 2 debut; No. 1 a week later).

DeBÍ TiRAR MáS FOToS falls 6-7 on the latest Billboard 200 (33,000 equivalent album units, down 19%) while SZA’s former leader SOS rises 9-8 (32,000, up 1%), Alex Warren’s You’ll Be Alright, Kid slips 8-9 (nearly 32,000, down 1%), and Wallen’s former No. 1 One Thing at a Time is steady at No. 10 (31,000, down 1%).

Source billboard.com

Swift monopolizes the top 10 thanks to her new album, The Life of a Showgirl. She does so for a third time — no one else ever has at all.

Taylor Swift claims the top 12 spots on the latest Billboard Hot 100, all via her new album, The Life of a Showgirl. On the chart dated Oct. 18, “The Fate of Ophelia” leads her dozen debuts at No. 1 — as the 12-song set becomes the first album ever to place all its songs uninterrupted from the top of the chart on down.

Swift was already the only artist ever to hold the Hot 100’s entire top 10 and now achieves the feat for a third time. She first filled the top 10 thanks to her album Midnights in November 2022 and outpaced herself via The Tortured Poets Department in May 2024 — when she stormed the chart’s top 14 positions.

(Whereas the entirety of The Life of a Showgirl resides in the Hot 100’s top 12, Midnights, along with the top 10, yielded 10 more debuts, between Nos. 13 and 45, for a total of 20 songs from the set in its debut week; The Tortured Poets Department in its first frame added another 17 debuts below the top 14 spots, from Nos. 22 to 55, making for 31 total entries from the LP.)

With “The Fate of Ophelia,” Swift scores her 13th career Hot 100 No. 1, tying for the fourth-most over the chart’s 67-year history. She also ups her count to 69 top 10s, the most among women.

Also notably, the song blasts in with 92.5 million official U.S. streams, according to data tracker Luminate — the most for a title in a single week since official streams became the metric’s sole contributor to the Hot 100 in September 2020.

As previously reported, The Life of a Showgirl, released Oct. 3 on Republic, launches at No. 1 on the Billboard 200 chart with the biggest week for an album, by equivalent album units and album sales, since Luminate began collecting album data electronically in 1991. Swift earns her 15th No. 1 set, passing JAY-Z for the most among soloists in the chart’s 69-year archives.

Read on for in-depth highlights of Swift’s latest historic week on the Hot 100.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Oct. 18, 2025) will update on Billboard.com tomorrow, Oct. 14. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Source: billboard.com

The KPop Demon Hunters smash extends its run, while McRae earns her third top 10.

HUNTR/X’s “Golden,” from Netflix’s record-hauling animated film KPop Demon Hunters, tops the Billboard Hot 100 for an eighth week.

The anthem by the singing trio of EJAE, Audrey Nuna and REI AMI, in the roles of KPop Demon Hunters characters Rumi, Mira and Zoey, ties for the eighth-longest command for a song from a movie over the Hot 100’s 67-year history. It’s also now the sole second-longest-leading hit ever by an all-women group.

Previously, “Golden,” which first ruled the Hot 100 in August, made HUNTR/X the first female group associated with Korean pop to reign. The song is additionally the sole longest-leading hit by an animated group in the chart’s archives, while KPop Demon Hunters became the first soundtrack to generate four simultaneous Hot 100 top 10s.

For a second week, the song crowns the Hot 100 while the KPop Demon Hunters soundtrack is No. 1 on the Billboard 200. They previously doubled up atop the Sept. 20-dated charts.

Elsewhere, Tate McRae’s new single, “Tit for Tat,” launches at No. 3 on the Hot 100, becoming her third top 10.

Browse the full rundown of this week’s Hot 100 top 10 below.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Oct. 11, 2025) will update on Billboard.com Tuesday, Oct. 7. For all chart news, you can follow @billboard and @billboardcharts on both X and Instagram.

Source: billboard.com

Plus: Doja Cat, Young Thug, Mariah Carey, Olivia Dean and P1Harmony debut in the top 10.

The KPop Demon Hunters soundtrack returns to No. 1 on the Billboard 200 albums chart (dated Oct. 11), slaying its second week atop the list, with 102,000 equivalent album units earned (down 2%) in the United States in the week ending Oct. 2, according to Luminate. The companion set to the smash Netflix animated film first reached No. 1 on the Sept. 20-dated list and has been locked inside the top two for the last 10 weeks in a row.

Five albums debut inside the top 10 of the latest Billboard 200, led by Doja Cat’s Vie at No. 4. Also arriving in the region: Young Thug’s UY SCUTI at No. 6, Mariah Carey’s Here for It All at No. 7, Olivia Dean’s The Art of Loving at No. 8 and P1Harmony’s EX at No. 9. The five debuts in the top 10 are the most since the July 26 chart, when there were also five debuts.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Oct. 11, 2025-dated chart will be posted in full on Billboard‘s website on Oct. 7. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of KPop Demon Hunters’ 102,000 equivalent album units earned in the latest tracking week, SEA units comprise 84,000 (down 9%, equaling 117.48 million on-demand official streams of the set’s tracks; it holds at No. 2 on Top Streaming Albums), album sales comprise 16,000 (up 56%; it rises 7-4 on Top Album Sales) and TEA units comprise 2,000 (down 13%).

Morgan Wallen’s chart-topping I’m the Problem rises 3-2 on the Billboard 200 (88,000 equivalent album units earned, down 2%) and Cardi B’s AM I THE DRAMA? falls 1-3 in its second week (83,000, down 58%).

Doja Cat captures her fourth top 10 album on the Billboard 200 as her latest studio project, Vie, debuts at No. 4 with 57,000 equivalent album units earned. Of that sum, SEA units comprise 31,000 (equaling 40.62 million on-demand official streams of the set’s songs; it debuts at No. 10 on Top Streaming Albums), album sales comprise 26,000 (her best sales week ever; it debuts at No. 3 on Top Album Sales) and TEA units comprise a negligible sum.

The set’s first-week sales were aided by the album’s availability across eight vinyl variants (one signed), two CD editions (one signed), a deluxe CD boxed set (containing a signed CD and a branded T-shirt), standard and deluxe iTunes download editions, and a cassette.

Vie was preceded by the Billboard Hot 100 hit “Jealous Type,” which debuted and peaked at No. 28 on the Sept. 6-dated chart.

Sabrina Carpenter’s former No. 1 Man’s Best Friend falls 4-5 with 57,000 equivalent album units (down 18%).

Young Thug logs his ninth top 10 album on the Billboard 200 as UY SCUTI starts at No. 6 with 52,000 equivalent album units earned. Of that sum, SEA units comprise 39,000 (equaling 54.3 million on-demand official streams of the songs on the album; it debuts at No. 5 on Top Streaming Albums), album sales comprise 13,000 (it debuts at No. 6 on Top Album Sales) and TEA units comprise a negligible sum.

UY SCUTI was issued in a range of iterations: an eight-song widely available download edition, 12-track CD and vinyl variations (all of the physical versions were exclusively sold in the artist’s official webstore) and two widely available download/streaming versions with 20 and 21 tracks, respectively. During release week, there were five additional digital versions that dropped that adding assorted bonus material. The artist also had a range of deluxe boxed sets available that contained a copy of the CD and branded clothing.

UY SCUTI was preceded by the Hot 100 hit “Money on Money” (featuring Future), which debuted and peaked at No. 39 on the May 10 chart.

Mariah Carey achieves her 19th top 10 album on the Billboard 200 as Here for It All bows at No. 7. Carey becomes only the third woman with at least one new top 10-charted album in the 1990s, 2000s, ‘10s and ‘20s, following Madonna and Shania Twain.

Here for It All launches with 47,000 equivalent album units earned in its first week. Of that sum, album sales comprise a little more than 39,000 (it debuts at No. 1 on Top Album Sales), SEA units comprise slightly more than 7,000 (equaling 9.53 million on-demand official streams of the set’s songs) and TEA units comprise less than 1,000. The album’s first-week sales were bolstered by its availability across four CD variants (one signed), four vinyl editions (one signed), two cassettes, and a deluxe digital download album with a bonus track.

Here for It All was preceded by the single “Type Dangerous,” which reached No. 95 on the Hot 100 (marking Carey’s 50th entry) and No. 25 on Hot R&B/Hip-Hop Songs.

Further, with a 19th top 10-charted album on the Billboard 200, Carey solely has the third-most top 10s among women in the history of the chart (since it began publishing on a regular, weekly basis in 1956). She was previously tied with Taylor Swift, with 18. Ahead of them among women are only Barbra Streisand (34) and Madonna (23).

English singer-songwriter Olivia Dean makes her Billboard 200 debut with her second studio effort, The Art of Loving, which arrives at No. 8 with 43,000 equivalent album units earned. Of that sum, SEA units comprise 32,000 (equaling 40.49 million on-demand official streams of the set’s tracks; it debuts at No. 8 on Top Streaming Albums), album sales comprise 11,000 (it debuts at No. 7 on Top Album Sales) and TEA units comprise a negligible sum.

The set was available in standard download and streaming editions, a standard CD, a CD variant in premium packaging, and seven vinyl variants (one signed).

The Art of Loving was preceded by the surging hit “Man I Need,” which has hit the top 10 on Streaming Songs (rising 14-8 on the Oct. 4 chart) and climbed the Hot 100 (rising 30-25 on the Oct. 4 list).

Closing out the debuts in the top 10 on the latest Billboard 200 is P1Harmony’s EX, which begins at No. 9 with 40,000 equivalent album units earned, marking the first top 10 for the group. Of the 40,000 units earned, album sales comprise just under 39,000 (the best sales week for the act; it debuts at No. 2 on Top Album Sales), SEA units comprise 1,000 (equaling 2.06 million on-demand streams of the tracks on the project) and TEA units comprise a negligible sum. There are five tracks on the effort: four different songs, plus a Spanish version of one of the songs.

EX’s first-week sales were enhanced by its availability across 17 CD variants and six vinyl variants, all containing collectible items inside the packaging, some randomized.

Lastly, Bad Bunny’s former No. 1 DeBÍ TiRAR MáS FOToS holds at No. 10 (39,000, up 25%).

Source: billboard.com

Plus: Nine Inch Nails lands its highest-charting album in over a decade with the TRON: Ares soundtrack.

Cardi B scores her second No. 1 on the Billboard 200 albums chart as AM I THE DRAMA? debuts atop the tally (dated Oct. 4) with 200,000 equivalent album units earned in the United States in the week ending Sept. 25, according to Luminate. That marks 2025’s biggest week for an R&B/hip-hop album by a woman. AM I THE DRAMA? is Cardi B’s second full-length studio project, and follows her chart-topping debut, Invasion of Privacy, in 2018.

Also in the top 10 of the latest Billboard 200, Nine Inch Nails’ soundtrack to TRON: Ares debuts at No. 5, marking the first top 10 for the band since 2013.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Oct. 4, 2025-dated chart will be posted in full on Billboard‘s website on Sept. 30. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of AM I THE DRAMA?’s 200,000 first-week equivalent album units, SEA units comprise 110,000 (equaling 145.72 million on-demand official streams of the set’s songs during the tracking week — it also debuts at No. 1 on Top Streaming Albums), album sales comprise 88,000 (it debuts at No. 1 on Top Album Sales) and TEA units comprise 2,000.

AM I THE DRAMA?’s opening-week sales were boosted by its availability across an array of permutations. It was issued as a standard 19-song widely available digital download album; 20-song CD and vinyl editions; and a 23-song download and streaming edition. There were also further digital variants: an iTunes Store and Apple Music edition with bonus live video tracks, a 30-track artist webstore-exclusive edition and two widely available expanded editions (with 24 tracks each).

The CD and vinyl variants for AM I THE DRAMA? were largely only available through Cardi B’s webstore and through some independent record stores. AM I THE DRAMA? was issued on two standard CD variants (one signed by the artist), seven additional CD cover variants (four of them signed, inclusive of three versions with cover art showing gone-viral photos of the artist on the stand during her assault trial in August, dubbed the “courtroom edition”) and eight deluxe CD boxed sets containing merchandise and a CD. The album was also issued on two standard vinyl editions (one signed) and nine additional vinyl variants (some with different covers and/or color vinyl, most of them signed, including a “courtroom edition” cover variant).

In addition to a typical promotional press run to raise awareness of the album’s release, the artist also mounted a busy schedule of in-store appearances during release week, doing photo ops and meet-and-greets with fans purchasing the album. During release week, she hit four independent record stores (Looney Tunes in West Babylon, N.Y.; Spin Me Round in Easton, Pa.; DBS Sounds in Riverdale, Ga.; and Fingerprints in Long Beach, Calif.) and a Hot Topic location in Elmhurst, N.Y. and a Walmart in Cypress, Texas.

The widely available editions of AM I THE DRAMA? contain the Billboard Hot 100-charted hits “Outside” (No. 10 peak in July), “Imaginary Playerz” (No. 70 in August), “Up” (No. 1 in March 2021) and “WAP” (featuring Megan Thee Stallion, No. 1 in August 2020).

The chart-topping KPop Demon Hunters soundtrack holds at No. 2 with 104,000 equivalent album units earned (down 7%). The set also notches a 10th week inside the top two on the Billboard 200, marking the most weeks inside the top two for a soundtrack since the Frozen album logged 21 nonconsecutive frames in the top two (13 of them at No. 1) in 2014. KPop surpasses Encanto, which had nine weeks in the top two (all at No. 1) in 2022.

Morgan Wallen’s former No. 1 I’m the Problem is steady at No. 3 (90,000 equivalent album units, down 7%) and Sabrina Carpenter’s chart-topping Man’s Best Friend is stationary at No. 4 (69,000, down 21%).

Nine Inch Nails are back in the Billboard 200’s top 10 for the first time in over a decade, as the band’s soundtrack to the film TRON: Ares debuts at No. 5 (the highest debut of 2025 for a soundtrack) with 45,000 equivalent album units earned. Of that sum, album sales comprise 39,000 (it debuts at No. 2 on Top Album Sales), SEA units comprise 6,000 (equaling 8.37 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum. Nine Inch Nails have tallied seven top 10 albums on the Billboard 200: TRON: Ares, Hesitation Marks (No. 3 in 2013), Year Zero (No. 2, 2007), With Teeth (No. 1, 2005), The Fragile (No. 1, 1999), The Downward Spiral (No. 2, 1994) and Broken (No. 7, 1992).

The first-week sales of TRON: Ares were aided by its availability across four vinyl variants, a cassette, two CD variants and a download and streaming edition (all containing the same tracklist).

TRON: Ares is the companion soundtrack to the film of the same name, which will be released on Oct. 10 in movie theaters, and is the third in the Tron film series. It follows Tron: Legacy (2010) and Tron (1982). The TRON: Ares soundtrack is the second Tron movie soundtrack to reach the Billboard 200, following Daft Punk’s TRON: Legacy (which peaked at No. 4).

TRON: Ares was preceded by the album’s single “As Alive as You Need Me To Be,” which has reached the top 10 on both Alternative Airplay and Mainstream Rock Airplay.

Also, with KPop Demon Hunters and TRON: Ares at Nos. 2 and 5, there are two soundtracks in the top five simultaneously for the first time in more than six years. It last happened on the March 30, 2019 chart, when Lady Gaga and Bradley Cooper’s chart-topping A Star Is Born was No. 3 and Queen’s Bohemian Rhapsody was No. 5.

Rounding out the rest of the latest top 10 on the Billboard 200: Alex Warren’s You’ll Be Alright, Kid rises 7-6 (35,000 equivalent album units, down 3%); SZA’s chart-topping SOS climbs 8-7 (33,000, down 2%); Wallen’s former leader One Thing at a Time steps 9-8 (32,000, down 3%); Justin Bieber’s SWAG shifts 6-9 (just under 32,000, down 27%); and Bad Bunny’s former No. 1 DeBÍ TiRAR MáS FOToS climbs 13-10 (nearly 32,000, up 21%).

Source: billboard.com

Plus: Ed Sheeran notches his eighth top 10 with the premiere of Play.

Twenty One Pilots land the year’s biggest week for any rock album — and the largest in six years — as the duo’s new studio effort, Breach, bows at No. 1 on the Billboard 200 dated Sept. 27.

The set is the act’s second leader and launches with 200,000 equivalent album units earned in the United States in the week ending Sept. 18, according to Luminate. That marks Twenty One Pilots’ best week ever and the biggest week for a rock album since Tool’s Fear Inoculum launched at No. 1 with 270,000 on the Sept. 14, 2019-dated chart. (Rock albums are defined as those that are eligible for, or have charted on, Billboard’s Top Rock Albums chart.)

The majority of Breach’s opening week was powered by traditional album sales, numbering 169,000 sold, which lands Twenty One Pilots its biggest sales week ever, and the biggest for any rock album in six years. The last rock set to sell more copies in a single week was Fear Inoculum, which sold 248,000 in its opening stanza.

Breach is Twenty One Pilots’ first No. 1 on the Billboard 200 in a little more than a decade, since Blurryface bowed at No. 1 on the June 6, 2015 chart. All told, Breach is the band’s fifth top 10, following Clancy (No. 3 in 2024), Scaled and Icy (No. 3, 2021), Trench (No. 2, 2018) and Blurryface.

Also in the top 10 of the latest Billboard 200, Ed Sheeran scores his eighth top 10 album as Play premieres at No. 5.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Sept. 27, 2025-dated chart will be posted in full on Billboard‘s website on Sept. 23. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of Breach’s 200,000 first-week equivalent album units, album sales comprise 169,000 (it debuts at No. 1 on the Top Album Sales chart), SEA units comprise 31,000 (equaling 40.68 million on-demand official streams of the set’s songs — the act’s best streaming week yet; it also debuts at No. 8 on Top Streaming Albums) and TEA units comprise a negligible sum.

Breach’s opening-week sales were bolstered by its availability across more than 15 vinyl variants, which sold a combined 72,000. That marks Twenty One Pilots’ best week ever on vinyl and the largest vinyl sales week for a rock album in the modern era (since Luminate began electronically tracking sales in 1991).

Breach was also issued on three deluxe CD editions in lavish packaging containing collectible ephemera, a standard widely available CD and digital download, along with a widely available deluxe digital download edition with the bonus track “Drag Path,” alternative cover art and a PDF booklet.

Breach was preceded by its first single, “The Contract,” which hit No. 1 on the Alternative Airplay chart dated Aug. 2, marking Twenty One Pilots’ 12th leader. The band kicked off its The Clancy Tour: Breach 2025 on Sept. 18 in Cincinnati, and the trek continues with dates in the U.S. and Canada through Oct. 26 in Los Angeles.

The KPop Demon Hunters soundtrack falls to No. 2 on the Billboard with 112,000 equivalent album units earned (down 12%) after reaching No. 1 for the first time a week ago. Morgan Wallen’s chart-topping I’m the Problem is a non-mover at No. 3 (97,000, down 2%) and Sabrina Carpenter’s former leader Man’s Best Friend dips 2-4 (88,000, down 26%).

Ed Sheeran scores his eighth top 10-charting album on the Billboard 200 as Play starts at No. 5 with 71,000 equivalent album units earned. Of that sum, album sales comprise 51,000 (it debuts at No. 2 on the Top Album Sales chart), SEA units comprise 19,000 (equaling 24.26 million on-demand official streams of the set’s songs; it debuts at No. 23 on Top Streaming Albums) and TEA units comprise 1,000.

Play’s opening sales week was aided by its availability across more than 10 vinyl variants (one signed), four standard CD variants (two signed), two deluxe CD editions (with two bonus tracks, one signed), a deluxe CD boxed set containing a T-shirt and a signed CD, a standard streaming and digital download album, and a deluxe streaming and digital download album with five bonus tracks.

Play was previewed by the hit song “Azizam,” which reached the top 10 on Pop Airplay, Adult Pop Airplay and Adult Contemporary, and No. 28 on the Billboard Hot 100 (Sheeran’s 26th top 40-charted hit).

Justin Bieber’s SWAG shifts 4-6 on the Billboard 200 (44,000 equivalent album units, down 45%); Alex Warren’s You’ll Be Alright, Kid falls 5-7 (36,000, down 4%); SZA’s chart-topping SOS is down 6-8 (a little more than 33,000, up less than 1%); Wallen’s former No. 1 One Thing at a Time descends 7-9 (33,000, up 1%); and sombr’s I Barely Know Her is steady at No. 10 (29,000, up less than 1%).

Source: billboard.com

HUNTR/X slays the Archies and the Chipmunks (not literally).

Saja Boys weren’t the only animated singers in HUNTR/X’s way.

HUNTR/X, the heroic trio in Netflix’s smash film KPop Demon Hunters, claims a fifth week at No. 1 on the Billboard Hot 100 with “Golden” — which becomes the sole longest-leading hit by an animated act in the chart’s 67-year history. Two previous cartoon tunes each reigned for four weeks: The Archies, with “Sugar, Sugar” in 1969, and the Chipmunks with David Seville, with “The Chipmunk Song” over the 1958 holiday season.

Upon the original ascent to No. 1 for “Golden,” HUNTR/X — the IRL singing trio of EJAE, Audrey Nuna and REI AMI (in the roles of the movie’s characters Rumi, Mira and Zoey) — became the first female group associated with Korean pop to crown the Hot 100.

KPop Demon Hunters has also become the first soundtrack to generate four simultaneous Hot 100 top 10s over the chart’s archives. The songs place in the bracket for a fourth week, with Saja Boys’ “Your Idol” and “Soda Pop” each up a spot to return to their respective Nos. 4 and 5 bests and HUNTR/X’s “How It’s Done” lifting one place to a new No. 8 high.

Meanwhile, KPop Demon Hunters charts three songs in the Hot 100’s top five simultaneously for a third week. It surpasses the only other soundtrack that spun off three concurrent top five hits: For two weeks (April 8 and 15, 1978), three Saturday Night Fever songs were all in the top five: Bee Gees’ “Night Fever” and “Stayin’ Alive” and Yvonne Eliiman’s Bee Gees-penned “If I Can’t Have You” (at Nos. 1, 2 and 5, respectively).

As previously reported, the KPop Demon Hunters soundtrack slashes its way to its first week at No. 1 on the Billboard 200 chart. Thanks to the set and “Golden,” a soundtrack and one of its songs lead the Billboard 200 and Hot 100, respectively, for the first time since the charts dated March 5, 2022, when Encanto and its ensemble anthem “We Don’t Talk About Bruno” wrapped five weeks doubly dominating. (KPop Demon Hunters and Encanto are the only animated films to earn such honors. Plus, per the categorization of animated acts at No. 1 on the Hot 100, HUNTR/X, the Archies and the Chipmunks are self-contained acts, whereas characters in Encanto joined to sing “We Don’t Talk About Bruno,” with billing given to their real-life names, not their roles in the film.)

Browse the full rundown of this week’s Hot 100 top 10 below.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Sept. 20, 2025) will update on Billboard.com tomorrow, Sept. 16. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Source: billboard.com

Plus: Justin Bieber’s SWAG surges to the top five after its deluxe reissue and sombr’s I Barely Know Her hits the top 10.

The soundtrack to Netflix’s animated film KPop Demon Hunters hits No. 1 on the Billboard 200 albums chart for the first time, rising 2-1 on the chart dated Sept. 20, after seven nonconsecutive weeks in the runner-up slot. The set earned 128,000 equivalent album units in the United States in the week ending Sept. 11 (up 7%), according to Luminate, marking the album’s best week yet. The surge to No. 1 follows the album’s deluxe reissue on Sept. 5 with additional tracks, plus the wide release of its CD that day.

KPop Demon Hunters’ rise to No. 1 on the Billboard 200 was preceded by four top 10-charted hits on the Billboard Hot 100 songs chart — the most from a soundtrack in nearly 30 years, with the soundtrack the first ever with four simultaneous top 10s. Among those is the No. 1 “Golden” by HUNTR/X — the trio of EJAE, Audrey Nuna and REI AMI (the singing voices of the film’s characters Rumi, Mira and Zoey).

KPop Demon Hunters is the Billboard 200’s first No. 1 soundtrack in three-and-a-half years, since another animated film, Encanto, saw its companion album spend nine nonconsecutive weeks on top (Jan. 15-March 19, 2022).

Notably, as KPop Demon Hunters climbs to No. 1 in its 12th week on the chart, it completes the longest wait to reach No. 1 since Toby Keith’s 2008 release 35 Biggest Hits re-entered the chart at No. 1 on the Feb. 17, 2024-dated list, following his death that Feb. 5. The last album with a longer continuous climb to No. 1 than KPop Demon Hunters was The Kid LAROI’s F*ck Love, which jumped 26-1 in its 53rd consecutive chart week, on the Aug. 7, 2021, list. The latter vaulted to No. 1 following two reissues during that tracking week.

Meawhile, the last soundtrack to take a longer journey to No. 1 was O Brother, Where Art Thou?, which rose 2-1 in its 63rd continuous week on the chart, on the March 23, 2002-dated list. Its ascent to the top was aided by its Grammy Award win for album of the year at the 44th annual ceremony that Feb. 27.

Plus, KPop Demon Hunters spent seven nonconsecutive weeks at No. 2 on the Billboard 200 before reaching No. 1. That’s the longest wait an album endured in the runner-up spot before leading the Billboard 200 in nearly a half-century: In October-November 1977, Linda Ronstadt’s Simple Dreams logged nine weeks at No. 2 before topping the chart at last. (Stray Cats’ Built for Speed holds the record for the most weeks peaking at No. 2: 15 in 1982-83.)

Also in the top 10 of the latest Billboard 200: Justin Bieber’s SWAG vaults 17-4 following its deluxe expansion with 23 additional tracks, and sombr’s I Barely Know Her reaches the top 10 for the first time, rising 12-10 in its third week, following the artist’s performance on the MTV Video Music Awards (Sept. 7).

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Sept. 20, 2025-dated chart will be posted in full on Billboard‘s website on Sept. 16. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of KPop Demon Hunters’ 128,000 equivalent album units earned in the latest tracking week, SEA units comprise 103,000 (up less than 1%, equaling 141.08 million on-demand official streams of the set’s tracks — it rises 2-1 on Top Streaming Albums for its first week on top), album sales comprise 23,000 (up 56%; it’s pushed down 3-4 on Top Album Sales) and TEA units comprise 2,000 (down 7%).

In the tracking week, the soundtrack got a boost from its deluxe reissue as a digital download and streaming album on Sept. 5 with 23 additional tracks. The additional cuts are mostly sing-along, instrumental and a cappella versions of the album’s hit songs. The album’s sales gain was aided by the wide release of its standard 12-track CD to brick-and-mortar retailers. It is available in five CD variants, each containing a poster and randomized photocard. A vinyl release for the project is expected Oct. 17.

KPop Demon Hunters premiered on June 20 in a limited theatrical release in the U.S. (in three movie theaters), and on Netflix, alongside its soundtrack. The film returned to theaters, this time nationwide, for a limited engagement on Aug. 23-24 as a sing-along version. The same sing-along version hit Netflix on Aug. 25.

In the tracking week ending Sept. 7, the animated film was No. 2 in its 12th week on Netflix’s Top 10 Movies in United States chart, with four of those weeks at No. 1. The movie now stands as the most popular original Netflix film to date.

KPop Demon Hunters is the seventh animated film soundtrack to reach No. 1 on the Billboard 200, since the list began publishing on a regular weekly basis in March 1956. It follows Encanto (nine weeks at No. 1, 2022), Frozen II (one week, 2019), Frozen (13, 2014), Jack Johnson’s Curious George (one, 2006), Pocahontas (one, 1995) and The Lion King (10, 1994-95).

KPop Demon Hunters ends a dry spell for soundtracks at No. 1 on the Billboard 200. It’s been three years and six months since Encanto spent its ninth and final week atop the list (dated March 19, 2022). That’s the longest the chart has gone without a soundtrack at No. 1 since the three-year and nearly eight-month gap between the second and final week at No. 1 for Armageddon (July 25, 1998) and the first of two weeks at No. 1 for O Brother, Where Art Thou? (March 23, 2002).

Back on the latest Billboard 200, Sabrina Carpenter’s Man’s Best Friend falls to No. 2 with 119,000 equivalent album units earned (down 68%) after debuting at No. 1 a week ago. Morgan Wallen’s chart-topping I’m the Problem is a non-mover at No. 3 with 98,000 (down 6%).

Justin Bieber’s SWAG surges 17-4 with 80,000 equivalent album units (up 223%) after it was surprise reissued in a deluxe edition as a digital download and streaming album on Sept. 5 with 23 additional tracks. The deluxe edition is dubbed SWAG II and contains the original SWAG album’s 21 tracks, along with an additional 23 bonus tracks. The original SWAG album was also a surprise affair, arriving on July 11 with little notice; it debuted at its No. 2 best. All versions of SWAG are combined for tracking and charting purposes.

SWAG also gets an assist from the release of the standard 21-track album’s release on CD and via two deluxe CD boxed sets (each containing a branded T-shirt and a copy of the standard SWAG album).

Alex Warren’s You’ll Be Alright, Kid is a non-mover at No. 5 on the Billboard 200 with 38,000 equivalent album units earned (up less than 1%). SZA’s chart-topping SOS climbs 9-6 (just over 33,000, down 2%), Wallen’s former leader One Thing at a Time dips 6-7 (33,000, down 6%), Stray Kids’ chart-topping KARMA falls 4-8 (32,000, down 49%), and Gunna’s The Last Wun falls 8-9 (31,000, down 10%).

Closing out the top 10 is sombr’s debut studio album I Barely Know Her, which rises 12-10 in its third week on the chart — and its first week in the top 10. The set earned 29,000 equivalent album units in the latest tracking week (up 5%). The rise comes after sombr performed a medley of the album’s “Back to Friends” and “12 to 12” on the MTV Video Music Awards broadcast on CBS on Sept. 7. Prior to the album’s ascent to the top 10, its singles “Back to Friends” and “Undressed” both hit the top 30 of the Hot 100 and the top 20 of the all-genre Streaming Songs chart.

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Source: billboard.com

As the KPop Demon Hunters smash reigns, Carpenter’s “Tears” debuts at No. 3 and former leader “Manchild” bounds 7-4.

Couch, couch, couch will have to wait, as HUNTR/X works its way to a fourth week at No. 1 on the Billboard Hot 100 with “Golden,” from the soundtrack to the smash animated Netflix film KPop Demon Hunters.

Upon the original ascent to No. 1 for “Golden,” HUNTR/X — the singing trio of EJAE, Audrey Nuna and REI AMI (in the roles of the film’s characters Rumi, Mira and Zoey) — became the first female group associated with Korean pop to crown the Hot 100.

KPop Demon Hunters has also become the first soundtrack to generate four simultaneous Hot 100 top 10s over the chart’s 67-year history. The songs place in the bracket for a third week, with Saja Boys’ “Your Idol” and “Soda Pop” each down a spot from their respective Nos. 4 and 5 bests and HUNTR/X’s “How It’s Done” holding at its No. 9 high.

Also in the Hot 100’s top 10, Sabrina Carpenter charts two songs: “Tears” launches at No. 3 and former leader “Manchild” climbs 7-4. Both tracks are from her new album, Man’s Best Friend, which blasts in as her second No. 1 on the Billboard 200 chart.

Browse the full rundown of this week’s top 10 below.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Sept. 13, 2025) will update on Billboard.com tomorrow, Sept. 9. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Source: billboard.com

The KPop Demon Hunters soundtrack boasts three top five hits and four top 10s for a second week.

HUNTR/X’s “Golden,” from the soundtrack to the smash animated Netflix film KPop Demon Hunters, glows atop the Billboard Hot 100 chart for a third week.

Upon the original coronation of “Golden,” HUNTR/X — the singing trio of EJAE, Audrey Nuna and REI AMI (in the roles of the film’s characters Rumi, Mira and Zoey) — became the first female group associated with Korean pop to crown the Hot 100. The act also became the first all-woman collective of three or more members to lead in 24 years, since Destiny’s Child with “Bootylicious” for two weeks in August 2001.

A week ago, KPop Demon Hunters became the first soundtrack to generate four simultaneous Hot 100 top 10s over the chart’s 67-year history. The songs continue in the tier, with Saja Boys’ “Your Idol” and “Soda Pop” holding at their respective Nos. 4 and 5 highs and HUNTR/X’s “How It’s Done” pushing 10-9.

Meanwhile, as KPop Demon Hunters has now logged three songs in the Hot 100’s top five simultaneously for two weeks, it joins just one other soundtrack that has achieved such a triple-double: On the charts dated April 8 and 15, 1978, three Saturday Night Fever songs ranked in the region: Bee Gees’ “Night Fever” (No. 1) and “Stayin’ Alive” (No. 2) and Yvonne Eliiman’s “If I Can’t Have You” (also written by the trio; No. 5).

Browse the full rundown of this week’s top 10 below.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Sept. 6, 2025) will update on Billboard.com tomorrow, Sept. 2 (one day later than usual due to the Labor Day holiday Sept. 1). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Source: billboard.com