Plus, Morgan Wallen’s “Smile” soars 27-4.

Lady Gaga and Bruno Mars’ “Die With a Smile” notches a second week at No. 1 on the Billboard Hot 100. A week earlier, the ballad about flashing pearly whites just before reaching the pearly gates became Gaga’s sixth Hot 100 leader and Mars’ ninth.

With the coronation, Gaga joined the elite company of Janet and Michael Jackson as the only artists with multiple Hot 100 No. 1s in three distinct decades, with Gaga now boasting two leaders each in the 2000s, ‘10s and ‘20s.

“I am so incredibly grateful that my song ‘Die With a Smile’ with Bruno Mars, my friend, is No. 1 on the Hot 100,” Gaga beamed on TikTok Jan. 7. “I can’t believe I’ve had two No. 1s in three different decades that I’ve been releasing my music in this profession. I’m so honored to be an artist and to have had your ears for this long. Thank you for listening and dancing and making your art along with mine.”

More reasons to smile: Morgan Wallen’s “Smile” bounds from No. 27 to No. 4 in its second week on the Hot 100, reflecting the New Year’s Eve release’s first full week of tracking. The song becomes the country crossover star’s 12th top 10 on the chart.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Jan. 18, 2025) will update on Billboard.com tomorrow (Jan. 14). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Source: billboard.com

Plus: Bad Bunny’s “DeBÍ TiRAR MáS FOToS” bows at No. 2.

Lil Baby collects his fourth No. 1 album on the Billboard 200 chart, all tallied consecutively, as WHAM opens atop the chart dated Jan. 18. The set earned 140,000 equivalent album units in the U.S. in the week ending Jan. 9, according to Luminate. The rapper previously topped the list with his last three releases: It’s Only Me (2022), The Voice of the Heroes (with Lil Durk, 2021) and My Turn (2020).

In total, WHAM marks Lil Baby’s seventh top 10 on the Billboard 200, stretching back to 2019’s Harder Than Ever (No. 3 peak).

WHAM’s Friday (Jan. 3) release was announced by Lil Baby in late December.

Also in the top 10: Bad Bunny’s DeBÍ TiRAR MáS FOToS debuts at No. 2, securing the superstar his seventh top 10-charting set. Bunny’s album was released on an off-cycle Sunday (Jan. 5) and, thus, it arrives on the chart with only five days of activity (as the chart’s tracking week runs Friday through Thursday). The album’s release date was announced on Dec. 25.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Jan. 18, 2025-dated chart will be posted in full on Billboard‘s website on Tuesday (Jan. 14). For all chart news, follow @billboard and @billboardcharts on both X and Instagram.

Of WHAM’s 140,000 first-week equivalent album units, SEA units comprise 90,000 (equaling 119.77 million on-demand official streams of the streaming version of the album’s songs; the set debuts at No. 3 on the Top Streaming Albums chart), album sales comprise 50,000 (it debuts at No. 1 on Top Album Sales) and TEA units comprise a negligible sum.

WHAM was available to purchase as a 15-song standard digital download album and a standard CD (the latter exclusively sold via the artist’s official webstore). On Jan. 7, an extended edition of WHAM — with four additional songs — was released exclusively via Lil Baby’s label webstore for purchase. The extended edition was later issued widely through streaming services and digital retailers on Friday (Jan. 10). Both digital versions of the album were discounted to $4.99 in the webstores of the artist and his label (Motown), along with in the iTunes Store.

The standard version of WHAM features guest turns from 21 Savage, Future, GloRilla, Rylo Rodriguez, Travis Scott, Young Thug and Rod Wave.

Bad Bunny’s DeBÍ TiRAR MáS FOToS starts at No. 2 on the Billboard 200 with 122,000 equivalent album units earned. Of that sum, SEA units comprise 113,500 (equaling 152.16 million on-demand official streams of the set’s 17 songs; it debuts at No. 1 on Top Streaming Albums), album sales comprise 8,000 and TEA units comprise 500. The album was only available as a standard 17-song set via streaming services and to purchase as a digital download (also discounted to $4.99 in Bad Bunny’s official webstore and the iTunes Store).

DeBÍ TiRAR MáS FOToS was preceded by a pair of entries from the album on the Billboard Hot 100 songs chart: “EL CLúB” and “PIToRRO DE COCO.”

Three former No. 1s follow on the Billboard 200: SZA’s SOS falls 1-3 on the (113,000 equivalent album units earned; down 13%), Kendrick Lamar’s GNX moves 2-4 (67,000; down 4%) and Sabrina Carpenter’s Short n’ Sweet slips 3-5 (51,000; down 9%).

The Wicked film soundtrack dips 4-6 (45,000 equivalent album units; down 7%); Billie Eilish’s Hit Me Hard and Soft falls 5-7 (43,000; down 5%); Morgan Wallen’s chart-topping One Thing at a Time is a non-mover at No. 8 (40,000; down 1%); Gracie Abrams’ The Secret of Us is steady at No. 9 (38,000; down 5%); and Tyler, The Creator’s former leader CHROMAKOPIA is stationary at No. 10 (37,000; down 3%).

Source: billboard.com

The stars up their totals to six and nine No. 1s, respectively.

Lady Gaga and Bruno Mars’ “Die With a Smile” rises to No. 1 on the Billboard Hot 100. The ballad becomes Gaga’s sixth Hot 100 leader and Mars’ ninth.

The song soars from No. 17 on the Hot 100, after initially peaking at No. 2 for four weeks in November. All titles in the top 10 return to the region, a week after holiday songs decorated the top 10, and top 16 spots, for the first time. The chart’s latest data tracking week reflects Dec. 27, 2024, through Jan. 2, 2025, as consumption for Yuletide tracks annually plunges after Christmas.

“Die With a Smile” debuted at No. 3 on the Hot 100 in late August. As it leads in its 20th week on the chart, it wraps the lengthiest trip to the top since Teddy Swims’ “Lose Control” took 32 weeks to hit No. 1 last March.

Highlighting her hitmaking longevity, Gaga joins select company in having earned multiple Hot 100 No. 1s in three distinct decades, as she adds her second leader of 2020s, following two each in the ‘10s and ‘00s. Previously, only Janet Jackson (‘00s, 1990s, ‘80s) and Michael Jackson (‘90s, ‘80s, ’70s) achieved the feat.

Mars likewise lands his second Hot 100 leader this decade, after “Leave the Door Open,” billed as by Silk Sonic (Bruno Mars & Anderson .Paak), hit No. 1 in 2021.

Plus, ROSÉ and Mars’ “APT.” soars 34-5 on the Hot 100, surpassing its prior No. 8 peak, set upon its November debut. The song became BLACKPINK member ROSÉ’s first top 10 as a soloist, as she made history as the first female artist prominent in K-pop (Korean pop) to hit the top 10. She now, therefore, becomes the first such artist to reach the top five.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Jan. 11, 2025) will update on Billboard.com tomorrow (Jan. 7). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Source: billboard.com

The set has logged the most weeks at No. 1 for an R&B/hip-hop album by a woman since 1986.

SZA’s SOS secures a 12th nonconsecutive week atop the Billboard 200 albums chart (dated Jan. 11), continuing to profit from its deluxe reissue on Dec. 20 with 15 additional tracks. The set surged 15-1 on the Jan. 4 chart, following the reissue (dubbed SOS Deluxe: LANA). The set was originally released on Dec. 9, 2022, as a 23-track album and spent 10 weeks at No. 1 in late 2022 and early 2023. All versions of the album, old and new, are combined for tracking and charting.

SOS earned 130,000 equivalent album units in the U.S. in the week ending Jan. 2 (down 27%), according to Luminate.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Jan. 11, 2025-dated chart will be posted in full on Billboard‘s website on Tuesday (Jan. 7). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter and Instagram.

Of SOS’ 130,000 equivalent album units earned in the week ending Jan. 2, SEA units comprise 125,500 (down 25%, equaling 166.31 million on-demand official streams of the set’s songs; it holds at No. 1 on the Top Streaming Albums chart), traditional album sales comprise 4,000 (down 59%, falling 23-36 on Top Album Sales) and TEA units comprise 500 (down 63%).

With a 12th total week at No. 1 on the Billboard 200, SOS has the most weeks atop the chart for an R&B/hip-hop album by a woman, or an R&B album by a woman, since Whitney Houston’s self-titled set tallied 14 weeks at No. 1 in 1986. (Honorable mention to the Houston-led soundtrack to The Bodyguard, which logged 20 nonconsecutive weeks at No. 1 in 1992-93. The 12-track album has six songs by Houston and six songs by other artists.)

The last R&B/hip-hop album with at least 12 weeks atop the Billboard 200 was Drake’s Views, which notched 13 nonconsecutive weeks at No. 1 in 2016 (May 21-Oct. 8). The last R&B album with at least 12 weeks at No. 1 on the Billboard 200 was The Bodyguard, with its 20-week reign. (R&B/hip-hop and R&B albums are defined as those that have hit or are eligible for Billboard’s Top R&B/Hip-Hop Albums and Top R&B Albums charts, respectively.)

As we move farther away from Christmas (Dec. 25), and with the chart’s latest tracking week covering the Dec. 27, 2024-Jan. 2, 2025 frame, no holiday albums dot the entire top 100 of the 200-title deep chart. A week ago, six of the top 10, and 32 of the top 100, were holiday efforts. In turn, on the latest chart, nonseasonal sets race up the list — many with week-over-week declines in activity — as the chart shakes off the festive last bits of merriment.

Kendrick Lamar’s former No. 1 GNX climbs 5-2 (70,000 equivalent album units earned; down 9%), Sabrina Carpenter’s chart-topping Short n’ Sweet jumps 12-3 (56,000; down 7%), the Wicked film soundtrack flies 8-4 (49,000; down 31%) and Billie Eilish’s Hit Me Hard and Soft vaults 14-5 (46,000; down 16%).

Taylor Swift’s former leader The Tortured Poets Department moves 7-6 (44,000 equivalent album units; down 40%) and Chappell Roan’s The Rise and Fall of a Midwest Princess rises 16-7 (41,000; down 20%).

To close out the top 10 at Nos. 8-10, three titles that were outside the top 20 a week ago all rush back to the top 10. Morgan Wallen’s chart-topping One Thing at a Time jumps 29-8 (nearly 41,000; up 10%), Gracie Abrams’ The Secret of Us bounces 25-9 (40,000; up 2%) and Tyler, The Creator’s former No. 1 CHROMAKOPIA drives 27-10 (38,000; down less than 1%).

Source: billboard.com

The carol moves to within one week of the Hot 100’s all-time longest reign. Plus, the chart’s top 10 is all-holiday for the first time.

Mariah Carey‘s “All I Want for Christmas Is You” crowns the Billboard Hot 100 for an 18th total week. The carol, which leads for a fourth consecutive week this holiday season, moves to within one week of the longest domination in the chart’s 66-year history, after only the 19-week rules of Shaboozey’s “A Bar Song (Tipsy)” this year and Lil Nas X’s “Old Town Road,” featuring Billy Ray Cyrus, in 2019.

“All I Want for Christmas Is You” was originally released on Carey’s album Merry Christmas in November 1994 and, as streaming has grown and holiday music has become more prominent on streaming services’ playlists, it hit the Hot 100’s top 10 for the first time in December 2017, and the top five for the first time in the 2018 holiday season. It led at last, prior to the past four weeks, over the holidays in 2019 (for three weeks), 2020 (two), 2021 (three), 2022 (four) and 2023 (two).

The track also holds at No. 1 on the Streaming Songs chart for a record-extending 22nd week, leads Digital Song Sales for a sixth week and hits the Radio Songs top 10 for the first time.

“All I Want for Christmas Is You” became Carey’s 19th Hot 100 No. 1, the most among soloists and one away from The Beatles’ overall record 20. It also made Carey the first artist to have ranked at No. 1 on the chart in four distinct decades (1990s, 2000s, ‘10s and ‘20s).

In a historic first, the Hot 100’s top 10 consists entirely of holiday hits. In fact, the top 16 spots on the chart belong to seasonal songs; Lady Gaga and Bruno Mars’ “Die With a Smile” is the top non-Yuletide title, at No. 17 after reaching No. 2. Previously, holiday songs hit a high by infusing the top eight positions a year ago this week (along with nine of the top 10 last week, a year ago this week and four years ago this week).

Among the Hot 100’s top 10, Ariana Grande “Santa Tell Me” dashes 9-5, becoming only the eighth holiday song in the chart’s history to reach the top five, and Nat King Cole’s “The Christmas Song (Merry Christmas To You)” returns to the tier (14-10, after reaching No. 9).

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Jan. 4, 2025) will update on Billboard.com tomorrow (Dec. 31). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Source: billboard.com

With 15 songs added to the project, the set reclaims the top slot nearly two years after it last ruled the chart.

After 22 months, SZA’s chart-topping SOS returns No. 1 on the Billboard 200, as the set jumps 15-1 on the Jan. 4-dated chart. It bolts back to the top thanks largely from activity generated by the album’s deluxe reissue on Dec. 20 (dubbed SOS Deluxe: LANA) that added 15 additional songs to the album. The set was originally released on Dec. 9, 2022, with 23 tracks. All versions of the album, old and new, are combined for tracking and charting purposes and continue to chart under the title SOS.

SOS surges to No. 1 with 178,000 equivalent album units earned in the U.S. in the week ending Dec. 26 (up 297%), according to Luminate. With its return to No. 1, the set collects an 11th nonconsecutive week atop the list, and its first since the March 4, 2023-dated chart. That 22-month gap between weeks at No. 1 is the longest for any album since the Billboard 200 began publishing on a regular, weekly basis in March 1956.

Notably, had the 15 new songs on the LANA deluxe edition of the album been released as a new stand-alone album, its track activity alone would have been enough for that stand-alone set to debut atop the list. (The 15 new songs generated 105,000 in SEA and TEA units. The No. 2 title this week, Michael Bublé’s former leader Christmas, earned 100,000 units from SEA, TEA and traditional album sales combined.)

SOS debuted atop the Billboard 200 dated Dec. 24, 2022, and logged 10 nonconsecutive weeks at No. 1 on the list through the March 4, 2023-dated chart. It has never left the weekly top 20 of the chart during the 107 consecutive weeks that it has spent on the list. SOS closed 2024 at No. 6 on the year-end Billboard 200 Albums chart, after it was No. 3 on the year-end list in 2023.

Also in the top 10 of the latest Billboard 200 chart, Frank Sinatra scores his first top 10-charting in over a decade, as his holiday compilation Ultimate Christmas vaults 17-10.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Jan. 4, 2025-dated chart will be posted in full on Billboard‘s website on Tuesday (Dec. 31). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of SOS’ 178,000 equivalent album units earned in the week ending Dec. 26, SEA units comprise 167,000 (up 341%, equaling 220.22 million on-demand official streams of the set’s songs; it hits No. 1 on the year-old Top Streaming Albums chart for the first time), traditional album sales comprise 10,000 (up 44%, rising 39-23 on Top Album Sales) and TEA units comprise 1,000 (up 1,744%).

A deluxe reissue of SOS had been in the works since at least February of 2023, and SZA first mentioned LANA as the name of the expansion in September 2023. The deluxe reissue was preceded by the Billboard Hot 100-charting hit “Saturn” (one of the 15 added tracks), which debuted and peaked at No. 6 in March.

The last R&B/hip-hop album with at least 11 weeks atop the Billboard 200 was Drake’s Views, which notched 13 nonconsecutive weeks at No. 1 in 2016 (May 21-Oct. 8). SOS has the most weeks at No. 1 for an R&B/hip-hop album by a woman, or an R&B album by a woman, since Mariah Carey’s self-titled debut spent 11 weeks, all consecutively, at No. 1 in 1991. (Honorable mention to the Whitney Houston-led soundtrack to The Bodyguard, which logged 20 nonconsecutive weeks at No. 1 in 1992-93. The 12-track album has six songs by Houston and six songs by other artists.) SOS has the most weeks at No. 1 for any R&B album since The Bodyguard’s 20-week reign. (R&B/hip-hop and R&B albums are defined as those that have hit or are eligible for Billboard’s Top R&B/Hip-Hop Albums and Top R&B Albums charts, respectively.)

At No. 2 on the latest Billboard 200, Michael Bublé’s former leader Christmas jingles 5-2 with 100,000 equivalent album units earned (up 47%). The set spent a total of five weeks atop the list in late 2011 and early 2012, following its release in October of 2011. It has climbed to No. 2 in four of the last six holiday seasons. With 100,000 units earned, Christmas tallies its largest week, by units, since the Billboard 200 began ranking by units in December 2014.
The Jan. 4-dated Billboard 200 is set to be the last chart of the holiday season to showcase high-ranking Christmas efforts, as the tracking week for the chart closed on Dec. 26, the day after the Christmas Day holiday.

Bing Crosby’s Ultimate Christmas rallies 6-3 on the new Billboard 200, marking the late entertainer’s highest-charting effort since the Jan. 5, 1959-dated chart, when his former No. 1 Merry Christmas ranked at No. 2. Merry Christmas had previously spent a week at No. 1 on Jan. 6, 1958-dated chart.

Nat King Cole’s The Christmas Song moves 11-4, matching its peak, with 84,000 equivalent album units earned (up 56%). Kendrick Lamar’s chart-topping GNX falls 2-5 (76,000; down 24%), Mariah Carey’s Merry Christmas rises 10-6 (nearly 76,000; up 36%), and Taylor Swift’s former No. 1 The Tortured Poets Department dips 3-7 (74,000; down 13%).

The Wicked film soundtrack falls 7-8 on the Billboard 200 with 71,000 equivalent album units earned (up 9%) and the festive compilation A Christmas Gift for You From Phil Spector climbs 16-9 with 70,000 units (up 60%).

Rounding out the top 10 is Frank Sinatra’s Ultimate Christmas, climbing 17-10 with 63,000 equivalent album units earned (up 55%). The title — which previously peaked at No. 12 and reaches the top 10 in its 52nd week on the chart, dating to its December 2017 debut — is the late legend’s first visit to the top 10 since August 2012, when his 2008 hits package Nothing Best the Best returned to the top 10 (re-entering at No. 3 on the Aug. 25, 2012-dated list after sale pricing and promotion). Nothing had previously debuted and peaked at No. 2 on the May 31, 2008-dated chart.

Ultimate Christmas becomes Sinatra’s 33rd top 10-charting effort, the most among solo males. The Rolling Stones have the most top 10s, with 38. They are followed by Barbra Streisand (with 34), Sinatra and The Beatles, whom he passes (32).

Source: billboard.com

The modern carol passes the rule of “One Sweet Day,” with Boyz II Men, in 1995-96. Plus, Ariana Grande and Kelly Clarkson carols hit the top 10 for the first time.

Mariah Carey‘s “All I Want for Christmas Is You” tops the Billboard Hot 100 for a 17th total week. The song solely gives Carey her longest career command on the chart, surpassing the 16-week No. 1 run of her “One Sweet Day,” with Boyz II Men, in 1995-96.

The carol, which leads the Hot 100 for a third consecutive week this holiday season, also solely claims the third-longest domination in the chart’s 66-year history, after only the 19-week rules of Shaboozey’s “A Bar Song (Tipsy)” this year and Lil Nas X’s “Old Town Road,” featuring Billy Ray Cyrus, in 2019. Three other songs, including “One Sweet Day,” have led for 16 weeks each.

“All I Want for Christmas Is You” additionally leads the Streaming Songs chart for a record-breaking 21st total week, besting “Old Town Road” for the longest No. 1 stay dating to the survey’s 2013 start.

“All I Want for Christmas Is You” was originally released on Carey’s album Merry Christmas in November 1994 and, as streaming has grown and holiday music has become more prominent on streaming services’ playlists, it hit the Hot 100’s top 10 for the first time in December 2017, and the top five for the first time in the 2018 holiday season. It led at last, prior to the past three weeks, over the holidays in 2019 (for three weeks), 2020 (two), 2021 (three), 2022 (four) and 2023 (two).

“All I Want for Christmas Is You” became Carey’s 19th Hot 100 No. 1, the most among soloists and one away from The Beatles’ overall record 20. It also made Carey the first artist to have ranked at No. 1 on the chart in four distinct decades (1990s, 2000s, ‘10s and ‘20s).

Meanwhile, two fellow original holiday hits, released in the 2010s, hit the Hot 100’s top 10 for the first time: Ariana Grande “Santa Tell Me,” from 2014 (14-9), and Kelly Clarkson’s “Underneath the Tree,” from 2013 (15-10). Both songs previously peaked at No. 11 last holiday season. Notably, “Santa Tell Me” becomes the most-recently-released holiday song to have reached the Hot 100’s top 10, while “Underneath the Tree” is the second-newest.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Dec. 28, 2024) will update on Billboard.com tomorrow (Dec. 24). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Source: billboard.com

Plus: Mariah Carey’s ‘Merry Christmas’ returns to the top 10.

Stray Kids score their sixth No. 1 on the Billboard 200 albums chart as HOP debuts atop the list dated Dec. 28. It’s the sixth leader for the group, making the pop ensemble the first act to debut at No. 1 with its first six chart entries in the nearly 69-year history of the chart. The Billboard 200 began publishing on a regular, weekly basis in March 1956.

Stray Kids previously opened atop the chart with ODDINARY and MAXIDENT (both in 2022), ROCK-STAR and 5-STAR (both in 2023) and ATE (earlier in 2024).

Further, with a sixth No. 1, Stray Kids tie BTS, Linkin Park and Dave Matthews Band for the most No. 1s among groups on the Billboard 200 in this century (since 2000).

HOP arrives with 187,000 equivalent album units earned in the U.S. in the week ending Dec. 19, according to Luminate, largely driven by traditional album sales.

Also in the top 10 of the latest Billboard 200, Mariah Carey’s Merry Christmas jingles back to the top 10 for a seventh consecutive holiday season, as the 1994 release climbs 14-10. The set, which contains the Billboard Hot 100-topping “All I Want for Christmas Is You,” peaked at No. 3 in 1994.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Dec. 28, 2024-dated chart will be posted in full on Billboard‘s website on Tuesday, Dec. 24. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of HOP’s 187,000 first-week equivalent album units, album sales comprise 176,000 (it debuts at No. 1 on the Top Album Sales chart), SEA units comprise 10,000 (equaling 14.83 million on-demand official streams of the sets songs) and TEA units comprise 1,000.

HOP’s album sales were bolstered by its availability across seven different CD variants, all containing collectible items such as photocards, posters, stickers and trading cards (including some randomized items), with variants exclusive to Barnes & Noble, Target, Walmart and the act’s official webstore. Of the album’s 176,000 album sales, CD sales comprise 171,000, while digital download albums comprise 5,000.

Previously, Stray Kids were tied with late rapper DMX as the only acts to see their first five chart entries debut at No. 1 on the Billboard 200. DMX did it in 1998-2003 with It’s Dark and Hell Is Hot (1998), Flesh of My Flesh Blood of My Blood (1999), …And Then There Was X (2000), The Great Depression (2001) and Grand Champ (2003).

As HOP is mostly in the Korean language, it is the 27th mostly non-English-language album to hit No. 1, and the fourth of 2024. Three other mostly-Korean-language sets topped the chart earlier this year, all by also debuting at No. 1: On the Nov. 30-dated list, ATEEZ landed its second leader with Golden Hour: Part.2; on the Aug. 3 chart, Stray Kids’ ATE arrived; and on the March 9 chart, TWICE notched its first leader in With YOU-th. Of the 27 mostly non-English-language albums to reach No. 1, 18 are mostly Korean, five mostly (or all) Spanish, one mostly Italian, one entirely French and two mostly a blend of Spanish, Italian and French. Of the 27 mostly non-English-language albums to reach No. 1, 23 have topped the chart since 2018 (the year that K-pop superstars BTS scored their first of six No. 1s, the chart’s first Korean-language leaders).

The rest of the Billboard 200’s top five comprises former No. 1s: Kendrick Lamar’s GNX is a non-mover at No. 2 (100,000 equivalent album units earned; down 20%), Taylor Swift’s The Tortured Poets Department falls 1-3 (85,000; down 65%), Sabrina Carpenter’s Short n’ Sweet steps 5-4 (69,000; down 9%) and Michael Bublé’s Christmas climbs 7-5 (68,000; up 10%).

The most recently released holiday album in the top 10 is Bing Crosby’s Ultimate Christmas compilation, which ascends two spots to a new peak at No. 6 (65,000 equivalent album units; up 15%). The Wicked film soundtrack falls 6-7 (nearly 65,000; down 13%), Billie Eilish’s Hit Me Hard and Soft rises 9-8 (62,000; up 11%) and Chappell Roan’s The Rise and Fall of a Midwest Princess climbs 11-9 (56,000; up 12%).

Closing out the top 10 is Mariah Carey’s Merry Christmas, rising 14-10 with 56,000 equivalent album units earned (up 22% with a 10,000 unit gain — the largest unit increase on the chart). The set returns to the top 10 for a seventh consecutive holiday season. It peaked at No. 3 during its initial chart run in 1994, shortly following its release that year.

Source: billboard.com

The carol ties the reign of “One Sweet Day,” with Boyz II Men, in 1995-96.

Mariah Carey‘s “All I Want for Christmas Is You” crowns the Billboard Hot 100 for a 16th total week. The song matches her longest command on the chart, first set by “One Sweet Day,” with Boyz II Men, in 1995-96.

The carol, which tops the Hot 100 for a second consecutive week this holiday season, also ties for the third-longest total domination in the chart’s 66-year history, after only the 19-week No. 1 runs of Shaboozey’s “A Bar Song (Tipsy)” this year and Lil Nas X’s “Old Town Road,” featuring Billy Ray Cyrus, in 2019.

Notably, with “All I Want for Christmas Is You” and “One Sweet Day,” Carey has logged the Hot 100’s two longest-leading No. 1s by a woman artist. She’s also tied for the third-longest reign among women, thanks to 14 weeks at No. 1 for “We Belong Together” in 2005.

“All I Want for Christmas Is You” additionally leads the Streaming Songs chart for a record-tying 20th total week, equaling “Old Town Road” for the longest No. 1 stay dating to the chart’s 2013 start.

“All I Want for Christmas Is You” was originally released on Carey’s album Merry Christmas in November 1994 and, as streaming has grown and holiday music has become more prominent on streaming services’ playlists, it hit the Hot 100’s top 10 for the first time in December 2017, and the top five for the first time in the 2018 holiday season. It led at last, prior to the past two weeks, over the holidays in 2019 (for three weeks), 2020 (two), 2021 (three), 2022 (four) and 2023 (two).

“All I Want for Christmas Is You” became Carey’s 19th Hot 100 No. 1, the most among soloists and one away from The Beatles’ overall record 20. It also made Carey the first artist to have ranked at No. 1 on the chart in four distinct decades (1990s, 2000s, ‘10s and ‘20s).

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Dec. 21, 2024) will update on Billboard.com tomorrow (Dec. 17). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Source: billboard.com

Plus: ROSÉ and TWICE debut in the top five, while Sabrina Carpenter’s “Fruitcake” hits the top 10 for the first time.

Taylor Swift’s The Tortured Poets Department notches a 17th week at No. 1 on the Billboard 200 albums chart (dated Dec. 21), as the set holds atop the list after rushing back to No. 1 a week ago after its deluxe Anthology edition was released on CD and vinyl exclusively at Target. In the tracking week ending Dec. 12, the album earned 240,000 equivalent album units (down 41%) in the U.S., according to Luminate, with over 80% of that sum driven by physical album sales.

Also in the top 10 of the new Billboard 200 chart, ROSÉ’s debut solo album rosie bows at No. 3, TWICE’s Strategy enters at No. 4 and Sabrina Carpenter’s holiday set Fruitcake reenters the chart at No. 10 for its first week in the top 10, after its wide physical release.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Dec. 21, 2024-dated chart will be posted in full on Billboard‘s website on Tuesday (Dec. 17). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of The Tortured Poets Department’s 240,000 equivalent album units earned in the week ending Dec. 12, traditional album sales comprise 201,000 (down 45%, it holds at No. 1 on Top Album Sales for a 10th nonconsecutive week), SEA units comprise 39,000 (up 6%; equaling 51.04 million on-demand official streams of the set’s songs; it falls 9-10 on Top Streaming Albums) and TEA units comprise a negligible sum (up 27%).

TTPD was initially released on April 19 as a standard 16-song digital download album, as well as in an array of 17-song physical configurations. Two hours after the album dropped, Swift issued an expanded 31-song edition of the album, dubbed The Tortured Poets Department: The Anthology, which added 15 additional songs. However, the Anthology edition was only available as a digital download and streaming set until Nov. 29, when its CD and vinyl editions became available for purchase exclusively through Target. The Target CD and vinyl additionally boast four bonus acoustic tracks (which were previously released in other alternative versions of the album).

Since the Billboard 200 began publishing on a regular, weekly basis in March 1956, Poets is only the 18th album to have spent at least 17 weeks at No. 1, of more than 1,200 leaders. The last album to spend at least 17 weeks at No. 1 was Morgan Wallen’s One Thing at a Time, which logged 19 nonconsecutive weeks at No. 1 between March 2023 and this March. The last album by a woman to spend at least 17 weeks at No. 1 prior to Poets was Adele’s 21, which earned 24 nonconsecutive weeks on top in 2011-12.

Kendrick Lamar’s former leader GNX is a non-mover at No. 2 on the latest Billboard 200 with 125,000 equivalent album units earned (down 24%). It remains at No. 1 on Top Streaming Albums for a third straight week.

ROSÉ’s solo debut album, rosie, launches at No. 3 with 102,000 equivalent album units earned. Pop group BLACKPINK, of which she is a member, has logged a pair of top 10s, including the chart-topping BORN PINK in 2022.

Of the 102,000 equivalent album units earned by rosie in its opening week, album sales comprise 70,000 (it debuts at No. 3 on Top Album Sales), SEA units comprise 31,000 (equaling 43.85 million on-demand official streams of the set’s songs; it debuts at No. 17 on Top Streaming Albums) and TEA units comprise 1,000. The set’s first-week sales were bolstered by its availability across more than 15 physical variants of the album across CD and vinyl editions, many including collectible ephemera (some randomized).

The album was led by the single “APT.” with Bruno Mars, which debuted and peaked at No. 8 on the Billboard Hot 100. It debuted and peaked at No. 2 on the Streaming Songs chart, and has reached the top 30 on Pop Airplay, Adult Pop Airplay and the all-format Radio Songs charts.

TWICE captures its sixth total and consecutive top 10-charting set on the Billboard 200 as STRATEGY debuts at No. 4 with 88,000 equivalent album units earned. It’s the second top 10 for the group in 2024, following their first chart-topper, With YOU-th (March 9-dated chart). Of the new set’s first-week units, album sales comprise 81,000 (it debuts at No. 2 on Top Album Sales), SEA units comprise 6,500 (equaling 8.86 million on-demand official streams of the set’s songs) and TEA units comprise less than 500 units. The album’s first-week sales were aided by its availability across more than 15 CD and vinyl editions, all inclusive of collectible paper ephemera (some randomized).

Sabrina Carpenter’s chart-topping Short n’ Sweet is steady at No. 5 on the Billboard 200 (75,000 equivalent album units earned; up 10%); the Wicked film soundtrack falls 3-6 (74,000; down 31%); Michael Bublé’s former leader Christmas is a non-mover at No. 7 (62,000; up 10%); Bing Crosby’s Ultimate Christmas hits a new peak, rising 9-8 (56,000; up 13%); and Billie Eilish’s Hit Me Hard and Soft slips 6-9 (56,000; down 6%).

Carpenter captures a second album in the top 10, and the second top 10 of her career, as her holiday effort Fruitcake re-enters the chart at No. 10 (a new peak) following its wide physical release on CD, vinyl and cassette on Dec. 6. In the tracking week ending Dec. 12, Fruitcake earned 54,000 equivalent album units (up 1,040%), with album sales comprising 39,000 (up 27,326%; it debuts at No. 4 on Top Album Sales) and SEA units comprising 15,000 (up 210%, equaling 19.65 million on-demand official streams of set’s songs).

Fruitcake was initially released in November 2023 as a digital download album for purchase and through streaming services. It had a limited vinyl release, exclusively through Carpenter’s official webstore in December 2023. On Dec. 6, the album became widely available on CD, cassette and three vinyl variants (including one exclusive to Target).

Carpenter is the sixth artist in 2024 to have at least two albums in the top 10 at the same time. Previously this year, Zach Bryan, Future, Metro Boomin, Taylor Swift and Morgan Wallen all notched multiple projects in the top 10 concurrently.

Source: billboard.com