The song also extends the third-longest No. 1 run among all leaders this decade.

Shaboozey’s “A Bar Song (Tipsy)” orders a 14th round at No. 1 on the Billboard Hot 100. The song, which became the singer-songwriter’s first leader in July, extends 2024’s longest reign and moves to within two weeks of tying the longest command this decade; Morgan Wallen’s fellow country/pop crossover smash “Last Night” led for 16 weeks in 2023.

Plus, as “A Bar Song (Tipsy)” became Shaboozey’s first Hot 100 chart entry with no other billed acts, it ties for the second-longest No. 1 stay among all such breakthrough hits, with only Lil Nas X’s debut, “Old Town Road” (featuring Billy Ray Cyrus), having led longer, for an overall-record 19 weeks in 2019.

“A Bar Song (Tipsy)” additionally furthers the longest No. 1 run of 2024 on the multimetric Hot Country Songs chart, adding an 18th week in the top spot.

A fan of multiple musical styles upon discovering music, Shaboozey “found country to be the thing that resonated with me in a really strong way,” he shared for his Billboard cover story. “Me being from Virginia, me loving the style and the way of life and the things they talked about … it all seemed very peaceful. It seemed like I could be real. I found country music could teach people that the little things in life are where the value is. Just having a working truck that you can take your girl in to ride to a cliff and watch the sunset is enough.”

“I love hip-hop; I’m a part of their community, too,” Shaboozey added, with “A Bar Song (Tipsy)” having reworked J-Kwon’s 2004 hit “Tipsy.” “That’s what I want to do with my music: be disruptive and show people that music is progressing.”

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Oct. 19, 2024) will update on Billboard.com tomorrow, Oct. 15). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Source: billboard.com

Coldplay captures its fifth No. 1 album on the Billboard 200 chart, and first in over a decade, as Moon Music debuts atop the list (dated Oct. 19). The set launches with 120,000 equivalent album units earned, of which 106,000 are in traditional album sales. Both figures represent the biggest week, by units and album sales, for the group since 2015..

Overall, Moon Music marks the 10th top 10-charting effort for the band. The act previously led the list with Ghost Stories (2014), Mylo Xyloto (2011), Viva La Vida or Death and All His Friends (2008) and X&Y (2005).

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Oct. 19, 2024-dated chart will be posted in full on Billboard‘s website on Tuesday (Oct. 15). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of Moon Music’s first-week units of 120,000, album sales comprise 106,000 (it’s the top-selling album of the week at No. 1 on Top Album Sales), SEA units comprise 13,000 (equaling 16.71 million on-demand official streams of the set’s songs) and TEA units comprise 1,000. The group last garnered a larger week, in either overall units or album sales, with the debut frame of 2015’s A Head Full of Dreams, which bowed with 210,000 units, of which 195,000 were in traditional album sales.

The new album’s opening-week sales were bolstered by its availability across at least eight vinyl variants (including two signed editions, and a Target edition with three bonus tracks) and in six CD variants (including a signed edition, and a “notebook edition” in collectible packaging with bonus voice notes) — all of which were manufactured with eco-friendly initiatives. The set was also available in at least four digital download variants. Of the digital editions, there were two versions that each included 10 bonus tracks each. Coldplay’s official webstore offered the download editions at a discount during release week.

The album’s vinyl sales total 29,000 for the week — Coldplay’s best sales week on vinyl ever.

The new album was preceded by the single “feelslikeimfallinginlove,” which reached No. 81 on the all-genre Billboard Hot 100 chart in July. It also reached the top 10 on Alternative Airplay and Adult Pop Airplay, the act’s 15th and 12th top 10 on those tallies, respectively.

The new album’s Oct. 4 release was ushered in with a flurry of media looks, including appearances and/or performances by the band or its frontman Chris Martin on CBS’ Sunday Morning (Sept. 29), QVC (Oct. 2), NBC’s The Tonight Show Starring Jimmy Fallon (Oct. 3), NBC’s Saturday Night Live (Oct. 5) and NBC’s Today (Oct. 8).

Notably, among British groups, Coldplay ties for the fourth-most No. 1 albums on the Billboard 200. Leading the pack are The Beatles, with 19 leaders. The Rolling Stones are second, with nine, while Led Zeppelin is third, with seven No. 1s. Coldplay, Pink Floyd and Wings (counting albums billed to either Wings, or Paul McCartney and Wings) are tied with five No. 1s each.

Sabrina Carpenter’s Short n’ Sweet falls a spot to No. 2 (with 93,000 equivalent album units; down 8%) after four nonconsecutive weeks atop the list. It’s No. 1 on the Top Streaming Albums chart for a sixth nonconsecutive week. Chappell Roan’s The Rise and Fall of a Midwest Princess dips 2-3 on the Billboard 200 (56,000; down 12%), Morgan Wallen’s chart-topping One Thing at a Time is a non-mover at No. 4 (50,000; down less than 1%), and Billie Eilish’s Hit Me Hard and Soft is stationary at No. 5 (50,000; up 1%).

Three former leaders are up next, with Taylor Swift’s The Tortured Poets Department rising one spot to No. 6 (45,000 equivalent album units; up 1%), Post Malone’s F-1 Trillion dips 6-7 (43,000; down 8%) and Future’s Mixtape Pluto falls 3-8 (40,000; down 28%).

Rounding out the top 10 are Noah Kahan’s Stick Season, descending 8-9 (37,000 equivalent album units; down 2%), and Wallen’s former No. 1 Dangerous: The Double Album, holding steady at No. 10 (32,000; down 2%).

Source: billboard.com

Eilish earns her highest rank since 2020, while The Weeknd scores his top career entrance.

Shaboozey’s “A Bar Song (Tipsy)” adds a 13th week at No. 1 on the Billboard Hot 100. The song, which became the singer-songwriter’s first leader in July, extends 2024’s longest reign. It also now boasts outright the third-longest command this decade.

The track additionally furthers the longest No. 1 run of 2024 on the multimetric Hot Country Songs chart, adding a 17th week in the top spot.

Billie Eilish’s “Birds of a Feather” bounds four spots to No. 2 on the Hot 100, achieving a new high, and marking her top rank since 2020, following the release of its official video.

Plus, The Weeknd and Playboi Carti’s “Timeless” soars onto the Hot 100 at No. 3. With the song, which starts as the week’s most-streamed title, The Weekend earns his 19th top 10, and highest career debut, and Playboi Carti notches his fifth top 10.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Oct. 12, 2024) will update on Billboard.com tomorrow, Oct. 8). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Source: billboard.com

Plus: Billie Eilish’s “Hit Me Hard and Soft” returns to the top five after over a month.

Sabrina Carpenter’s Short n’ Sweet rises 3-1 on the Billboard 200 chart (dated Oct. 12), notching its fourth nonconsecutive week atop the list. It earned 100,000 equivalent album units in the United States in the week ending Oct. 3 (up less than 1%), according to Luminate.

Short n’ Sweet debuted at No. 1 on the chart dated Sept. 7, spent its first three weeks at No. 1, and then stepped away for two weeks as Travis Scott’s Days Before Rodeo rode to the top (Sept. 28 chart) and Future’s Mixtape Pluto debuted in the penthouse (Oct. 5 chart).

Also in the top 10, Billie Eilish’s Hit Me Hard and Soft returns to the top five for the first time in more than a month, as it ascends 8-5. The No. 2-peaking set was last in the top five on the Aug. 31 chart, when it ranked at No. 5.  The album’s ascent — with a 10% unit gain — is concurrent with the launch of Eilish’s tour on Sept. 29 and the premiere of the official music video for the album’s single “Birds of a Feather” on Sept. 27.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Oct. 12, 2024-dated chart will be posted in full on Billboard‘s website on Tuesday (Oct. 8). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of Short n’ Sweet’s 100,000 equivalent album units earned in its third week, SEA units comprise 85,000 (up 1%, equaling 114.24 million on-demand official streams of the album’s 12 songs; it holds at No. 1 on the Top Streaming Albums chart), album sales comprise 14,000 (down 3%) and TEA units comprise 1,000 (down 2%).

Chappell Roan’s The Rise and Fall of a Midwest Princess is steady at No. 2 on the Billboard 200 for a fourth nonconsecutive week at its peak (63,000 equivalent album units earned; down 40%). Future’s Mixtape Pluto falls 1-3 in its second week (55,000; down 57%), Morgan Wallen’s chart-topping One Thing at a Time rises 5-4 (50,000; down 5%), and Eilish’s Hit Me Hard and Soft steps 8-5 (nearly 50,000; up 10%).

Post Malone’s former leader F-1 Trillion falls 4-6 (47,000 equivalent album units; down 11%); Taylor Swift’s chart-topping The Tortured Poets Department is a non-mover at No. 7 (44,000; down 5%); Noah Kahan’s Stick Season climbs 10-8 (37,000; down 1%); Zach Bryan’s The Great American Bar Scene moves 11-9 (just over 32,000; down 8%); and Wallen’s former No. 1 Dangerous: The Double Album rises 12-10 (32,000; down 5%).

Source: billboard.com

The hit boasts twice as many weeks at No. 1 than any other leader this year.

Shaboozey’s “A Bar Song (Tipsy)” tallies a 12th week at No. 1 on the Billboard Hot 100, extending 2024’s longest command. Notably, it has now reigned for twice as long as any other No. 1 this year, doubling up on Post Malone six-week leader “I Had Some Help,” featuring Morgan Wallen.

“A Bar Song (Tipsy),” which became Shaboozey’s first Hot 100 No. 1 in July, also ties for the third-longest rule this decade.

The track additionally furthers the longest No. 1 run of 2024 on the multimetric Hot Country Songs chart, adding a sweet 16th week in the top spot.

Meanwhile, Sabrina Carpenter claims three songs in the Hot 100’s top 10 – “Espresso,” “Please Please Please” and “Taste” – for a fifth consecutive week, becoming the first woman in the chart’s 66-year history to link such a streak.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Oct. 5, 2024) will update on Billboard.com tomorrow, Oct. 1). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Source: billboard.com

Plus: Katy Perry and Lil Tecca’s latest sets debut in the top 10, while Chappell Roan lands her biggest week yet with “The Rise and Fall of a Midwest Princess”

Future notches his 11th No. 1 album on the Billboard 200 chart — and third in 2024 — as Mixtape Pluto debuts atop the list dated Oct. 5. The long-teased set’s Sept. 20 release date was announced on Sept. 11. Mixtape Pluto earned 129,000 equivalent album units in the U.S. in the week ending Sept. 26, according to Luminate, largely driven by streaming activity.

Future scored two No. 1s earlier in 2024 with his two co-billed sets with Metro Boomin: We Don’t Trust You (a debut atop the April 6 chart) and We Still Don’t Trust You (also debuting at No. 1, April 27). The last act to notch three new No. 1 albums faster than Future — who has earned his three latest in a span of just six months — was the Glee Cast, which notched three chart-topping soundtracks in less than two months in 2010. If one discounted the Glee titles, as they were soundtracks and not traditional artist-driven albums, the last act to notch three new No. 1s as fast as Future was The Beatles in 1965-66. The Fab Four collected its fifth, sixth and seventh No. 1 albums also in a span of six months, as Beatles VI hit No. 1 on the July 10, 1965 chart, followed by the Help! soundtrack on Sept. 11 and then Rubber Soul on Jan. 8, 1966. (Since the Billboard 200 began publishing on a regular, weekly basis in March of 1956, no other solo artist has accumulated three new No. 1s as fast as Future.)

With an 11th No. 1 on the Billboard 200, Future ties Eminem, Bruce Springsteen, Barbra Streisand and Ye (formerly Kanye West) for the fifth-most No. 1s on the Billboard 200, dating to March 1956. Ahead of them are The Beatles (a record 19 No. 1s), Jay-Z and Taylor Swift (each with 14) and Drake (13).

Also in the top 10 of the latest Billboard 200 chart, Chappell Roan scores her best week yet in terms of units and album sales, as The Rise and Fall of a Midwest Princess returns to its peak of No. 2 in the wake of promotion surrounding its first anniversary. Plus, Katy Perry lands her sixth top 10 with the arrival of 143, and Lil Tecca nabs his fourth top 10-charting set with the debut of Plan A.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Oct. 5, 2024-dated chart will be posted in full on Billboard‘s website on Tuesday (Oct. 1). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of Mixtape Pluto’s first-week equivalent album units of 129,000, SEA units comprise 118,500 (equaling 156.62 million on-demand official streams of the 17 songs on the streaming edition of the album; it debuts at No. 1 on Top Streaming Albums), album sales comprise 10,000 and TEA units comprise 500. The album was available to purchase either as a standard 11-song album (via download, CD and vinyl) or as an expanded 17-song album (download).

Chappell Roan’s The Rise and Fall of a Midwest Princess rises 3-2 on the Billboard 200 for a third nonconsecutive week at its peak position. The set earned 105,000 equivalent album units in the tracking week (up 64%) — it’s biggest week yet by units earned. Of that sum, album sales comprise a career weekly-best 56,000 (up 328%; it’s also the top-selling album of the week, reaching No. 1 on Top Album Sales for the first time). The week-over-week growth is owed to the release of four new vinyl variants and a cassette tape in celebration of the album’s first anniversary on Sept. 22. Of the album’s sales, vinyl comprises 50,000 — easily Roan’s best week on vinyl and the sixth-largest week for any vinyl album in 2024.

Sabrina Carpenter’s former No. 1 Short n’ Sweet slips 2-3 on the Billboard 200 with 100,000 equivalent album units earned (down 7%); Post Malone’s chart-topping F-1 Trillion is a non-mover at No. 4 (53,000; down 12%), and Morgan Wallen’s former leader One Thing at a Time is steady at No. 5 (53,000; up 2%).

Katy Perry lands her sixth top 10-charting effort on the Billboard 200 as her new studio album 143 debuts at No. 6. The set earned 48,000 equivalent album units in the tracking week ending Sept. 26. Of that sum, album sales comprise 37,500 (her best sales week since 2017), SEA units comprise 10,000 (equaling 13.11 million streams of the album’s songs) and TEA units comprise 500. The album’s first-week sales were bolstered by its availability across eight vinyl variants (including a signed edition), four CD variants (including a signed edition), a cassette tape and multiple digital download variants (including two exclusive to her webstore, each with bonus tracks).

The album was preceded by a trio of songs, including its first single, “Woman’s World,’ which reached the top 30 on the Pop Airplay, Adult Pop Airplay and Adult Contemporary radio charts.

Taylor Swift’s chart-topping The Tortured Poets Department falls 6-7 on the latest Billboard 200 (47,000 equivalent album units; down 9%), while Billie Eilish’s Hit Me Hard and Soft is steady at No. 8 (45,000; up 2%).

Lil Tecca captures his fourth top 10-charting set on the Billboard 200 as Plan A arrives at No. 9 with 42,000 equivalent album units earned — his biggest week by units since 2019. Of that sum, SEA units comprise 28,500 (equaling 40.45 million on-demand official streams of the set’s songs), album sales comprise 13,500 (his best sales week ever) and TEA units comprise a negligible sum. The set’s sales were aided by its availability in two CD variants (including a signed edition) and multiple digital download variants (including three exclusive to the artist’s webstore, two of which included bonus tracks).

The album was preceded by a pair of charting songs on Hot R&B/Hip-Hop Songs: “Number 2” (peaking at No. 45) and “Bad Time” (No. 25).

Closing out the top 10 of the new Billboard 200 is Noah Kahan’s Stick Season, falling 9-10 with 38,000 equivalent album units earned (down 1%).

Source: billboard.com

“A Bar Song (Tipsy)” reigns, while “Good Luck, Babe!” jumps to No. 4.

Shaboozey’s “A Bar Song (Tipsy)” earns an 11th week at No. 1 on the Billboard Hot 100, extending 2024’s longest command.

The hit, which became the Virginia-born singer-songwriter’s first Hot 100 No. 1 in July, is one of just five songs to reign for 11 or more weeks this decade, and the first since another country/pop crossover smash, Morgan Wallen’s “Last Night,” dominated for 16 weeks in March-August 2023.

“A Bar Song (Tipsy)” also furthers the longest No. 1 run on the multimetric Hot Country Songs chart this year, logging a 15th week in the top spot.

Plus, Chappell Roan notches her first top five Hot 100 hit as “Good Luck, Babe!,” which became her first top 10, leaps from No. 7 to No. 4.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Sept. 28, 2024) will update on Billboard.com tomorrow, Sept. 24). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Source: billboard.com

The set jumps 106-1 after its vinyl edition shipped to customers — scoring the biggest week on vinyl in the modern era for a rap album.

Travis Scott’s 2014 mixtape Days Before Rodeo reaches No. 1 on the Billboard 200 albums chart (dated Sept. 28), vaulting 106-1 after its vinyl editions — exclusively sold by the artist’s webstore — shipped to customers. The set earned 156,000 equivalent album units in the U.S. in the tracking week ending Sept. 19 (up 1,295%), according to Luminate.

Of that sum, traditional album sales comprise 150,000 (making it the top-selling album of the week; it’s No. 1 on Top Album Sales). Vinyl sales comprise 149,000 of that sales figure — Scott’s largest week on vinyl ever. It’s also the biggest week on vinyl for a rap album, as well as the sixth-largest week on vinyl across all genres, since Luminate began tracking sales in 1991.

Days Before Rodeo marks Scott’s fourth No. 1, all earned consecutively. He previously topped the list with Utopia (2023), Astroworld (2018) and Birds in the Trap Sing McKnight (2016).

Days Before Rodeo was initially a free release in 2014. On Aug. 23, it was commercially released for the first time and officially made its wide streaming debut. The album debuted at No. 2 on the Billboard 200 dated Sept. 7 with 361,000 units earned in the week ending Aug. 29, largely from the strength of album sales (331,000 — mostly from digital download album sales). The album then fell to No. 30 in its second week, and then to No. 106, before jumping to No. 1 in its fourth week of release.

The vinyl sales pushing Scott to No. 1 began generating pre-orders via his official webstore before the album was released on Aug. 23 via streamers, as a digital download and on CD. It was available in two vinyl variants (a standard edition and a deluxe edition in expanded packaging), as well as two boxed sets (one containing a hoodie and the standard vinyl and one with a T-shirt and the deluxe vinyl), and in two Fan Pack offers (one with a hoodie and the standard vinyl and one with a T-shirt and the deluxe vinyl).

A wide retail release beyond Scott’s webstore for any physical formats of the album has not been announced.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Sept. 28, 2024-dated chart will be posted in full on Billboard‘s website on Tuesday, Sept. 24. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of the 156,000 equivalent album units earned by Days Before Rodeo in the latest tracking week, album sales comprise 150,000 (up 4,608%), SEA units comprise 6,000 (down 25%, equaling 7.94 million on-demand official streams of the album’s songs) and TEA units comprise a negligible sum (down 30%).

Days Before Rodeo is the second album of 2024 to reach No. 1 without having debuted atop the chart. Toby Keith’s 35 Biggest Hits re-entered the chart dated Feb. 17 at No. 1, following his death; the album had previously debuted and peaked at No. 2 in 2008. Before Keith and Scott, the last album to be No. 1 without having debuted at No. 1 was the Encanto soundtrack, which debuted at No. 197 on the Dec. 11, 2021-dated chart, and then rose to No. 1 on the Jan. 15, 2022 list, spending nine nonconsecutive weeks at No. 1.

Days Before Rodeo additionally has the largest jump to No. 1 since the April 30, 2022 chart; when Tyler, the Creator’s Call Me If You Get Lost returned to the top, flying 120-1 after its vinyl release.

Sabrina Carpenter’s Short n’ Sweet slips to No. 2 on the latest Billboard 200 (108,000 equivalent album units; down 8%) after spending its first three weeks atop the chart. It remains at No. 1 on the Top Streaming Albums chart for a fourth week.

Chappell Roan’s The Rise and Fall of a Midwest Princess is a non-mover at No. 3 (64,000 equivalent album units; up 13%); Post Malone’s former No. 1 F-1 Trillion dips 2-4 (60,000; down 16%); Morgan Wallen’s chart-topping One Thing at a Time falls 4-5 (52,000; up less than 1%); and Taylor Swift’s former leader The Tortured Poets Department descends 5-6 (51,000; down less than 1%).

Eminem’s chart-topping The Death of Slim Shady (Coup de Grâce) returns to the top 10, surging 42-7, following its deluxe reissue and CD release. The album was reissued via digital download services and streamers on Sept. 13 with bonus tracks, while on the same day its original standard album was issued in two CD variants. In the tracking week ending Sept. 19, The Death of Slim Shady earned 48,000 equivalent album units (up 180%). Of that sum, album sales comprise 24,000 (up 3,328%), SEA units comprise 23,000 (up 43%; equaling 31.64 million on-demand official streams of the album’s songs) and TEA units comprise 1,000 (up 210%).

Rounding out the top 10 of the latest Billboard 200 are Billie Eilish’s Hit Me Hard and Soft (6-8 with 44,000 equivalent album units; down 5%), Noah Kahan’s Stick Season (8-9 with 38,000; up 2%) and Zach Bryan’s The Great American Bar Scene (7-10 with nearly 38,000; down 1%).

Source: billboard.com

Plus: David Gilmour scores third solo top 10 album with the debut of Luck and Strange.

Sabrina Carpenter’s Short n’ Sweet scores a third consecutive week at No. 1 on the Billboard 200 albums chart (dated Sept. 21), becoming the second album to spend its first three weeks atop the list in 2023. Only Taylor Swift’s The Tortured Poets Department also spent its first three frames atop the list in 2024, of its total 15 nonconsecutive weeks at No. 1.

Short n’ Sweet earned 117,000 equivalent album units in the U.S. in the week ending Sept. 12 (down 25%), according to Luminate — largely driven by streaming activity of the album’s 12 songs.

Also in the top 10 of the Billboard 200, David Gilmour achieves his third solo top 10 album, as his first studio effort in nine years, Luck and Strange, bows at No. 10.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Sept. 21, 2024-dated chart will be posted in full on Billboard‘s website on Tuesday (Sept. 17). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of Short n’ Sweet’s 117,000 equivalent album units earned in its third week, SEA units comprise 101,000 (down 20%, equaling 134.79 million on-demand official streams of the album’s 12 songs; it holds at No. 1 on the Top Streaming Albums chart), album sales comprise 15,000 (down 45%) and TEA units comprise 1,000 (down 5%).

Nos. 2-6 on the Billboard 200 are all non-movers. Post Malone’s former leader F-1 Trillion ranks at No. 2 (72,000 equivalent album units earned; down 16%); Chappell Roan’s The Rise and Fall of a Midwest Princess is No. 3 (57,000; down 7%); Morgan Wallen’s chart-topping One Thing at a Time places at No. 4 (52,000; down 7%); Swift’s The Tortured Poets Department is No. 5 (51,000; down 3%); and Billie Eilish’s Hit Me Hard and Soft is No. 6 (47,000; down 3%).

Zach Bryan’s The Great American Bar Scene rises one spot to No. 7 with 38,000 equivalent album units earned (down 2%), Noah Kahan’s Stick Season climbs 9-8 with 38,000 (down 3%) and Wallen’s former leader Dangerous: The Double Album ascends 11-9 with 32,000 (down 5%).

David Gilmour rounds out the new top 10, as his first studio album in nine years, Luck and Strange, debuts at No. 10. It’s his third solo top 10-charting effort. He previously visited the top 10 with the solo sets Rattle That Lock (No. 5 in 2015) and On an Island (No. 6, 2006).

The new album earned 32,000 equivalent album units in the U.S. in the week ending Sept. 12. Of that sum, album sales comprise 30,000 (it’s the top-selling album of the week and bows at No. 1 on Top Album Sales), SEA units comprise 2,000 units (equaling 2.17 million on-demand streams of the set’s songs) and TEA units comprise a negligible sum. The album’s first-week sales were bolstered by its availability across four vinyl variants (which combined to sell 8,500 copies), two CD variants and a Blu-ray Audio configuration.

Gilmour is also a member of Pink Floyd, and all 10 of iconic rock band’s top 10-charting albums (from 1973’s No. 1 The Dark Side of the Moon through 2014’s The Endless River) reached the region after Gilmour joined the band in 1967. (The Dark Side of the Moon holds the record for the most weeks on the Billboard 200 of any album in the chart’s history — 990 weeks — having most recently made the list in May.)

Source: billboard.com