“God’s Plan” logs a record-extending fourth week of over 75 million U.S. streams. Plus, Kendrick Lamar & SZA soar to the top 10.

Drake‘s “God’s Plan” rules the Billboard Hot 100 chart for a fourth week, logging a record-extending fourth frame of over 75 million U.S. streams, according to Nielsen Music.

Plus, Drake adds his 23rd Hot 100 top 10, padding his mark for the most among rappers, as he debuts as featured on BlocBoy JB’s “Look Alive” at No. 6. The track is BlocBoy JB’s first Hot 100 entry, making him the first artist to debut in the top 10 with an initial Hot 100 hit since Harry Styles last year.

Also new to the Hot 100’s top 10 is Kendrick Lamar and SZA‘s “All the Stars,” which soars from No. 31 to No. 9 as parent soundtrack Black Panther: The Album debuts at No. 1 on the Billboard 200.

Let’s run down the top 10 of the Hot 100 (dated Feb. 24), which blends all-genre streaming, airplay and sales data. All charts will update on Billboard.com tomorrow (Feb. 21).

As on the Hot 100, “Plan,” released on Young Money/Cash Money/Republic Records, posts its fourth week at No. 1 on the Streaming Songs chart, with 75.5 million U.S. streams (down 5 percent) in the week ending Feb. 15. The song is the first to tally four weeks of over 75 million U.S. streams, following its prior sums of (in order) 82.4 million, 83.3 million and 79.6 million.

Its four weeks mark the fourth- through seventh-best streaming frames ever, trailing only Baauer’s “Harlem Shake” (103.1 million and 97.6 million in its first and second weeks, March 2 and 9, 2013, respectively, driven largely by viral videos incorporating the song’s official audio) and Taylor Swift’s “Look What You Made Me Do” (84.5 million; Sept. 16, 2017).

Following the Feb. 16 premiere of its official video, “God’s Plan” could surge on next week’s charts.

“Plan” posts a third week at No. 1 on Digital Song Sales, up 1 percent to 56,000 downloads sold in the week ending Feb. 15. It jumps 17-13 on the Radio Songschart, gaining 31 percent to 62 million in all-format airplay audience in the week ending Feb. 18, good for the Hot 100’s top gain in airplay for a second week. “Plan” ascends to the top of two airplay charts: Mainstream R&B/Hip-Hop and Rap Airplay, becoming Drake’s record-extending 30th and 27th No. 1 on each respective ranking.

Ed Sheeran’s “Perfect” holds at No. 2 on the Hot 100, after six weeks at No. 1, and rules Radio Songs for a seventh week (140 million, down 4 percent). The ballad becomes Sheeran’s third No. 1 on the Adult Contemporary chart, rising 2-1. Sheeran previously topped AC with “Thinking Out Loud,” for 19 weeks in 2015, and “Shape of You” (24 weeks, 2017).

Bruno Mars and Cardi B’s “Finesse” holds at its No. 3 Hot 100 high and leads Hot R&B Songs for a sixth week. The Hot 100’s entire top five is stationary for a second week, as two former No. 1s keep at Nos. 4 and 5, respectively: Camila Cabello’s “Havana,” featuring Young Thug, and Post Malone’s “Rockstar,” featuring 21 Savage.

Rising Memphis rapper BlocBoy JB (born James Baker) blasts onto the Hot 100 at No. 6 with his first entry on the chart, “Look Alive,” featuring Drake. The track, whose official video arrived Feb. 8, opens at No. 2 on Streaming Songs with 34 million U.S. streams and No. 6 on Digital Song Sales with 32,000 sold.

BlocBoy JB is the first to debut a first Hot 100 entry in the top 10 as a lead act since Harry Styles, whose first solo hit apart from One Direction, “Sign of the Times,” started at its No. 4 peak on April 29, 2017. Directly before Styles, another 1D member earned the honor: Zayn’s “Pillowtalk” debuted at No. 1 on Feb. 20, 2016. The last act, like BlocBoy JB, to debut in the Hot 100’s top 10 as a lead with a first entry without having been in a group that had charted titles? Soko, whose “We Might Be Dead by Tomorrow” opened at its No. 9 Hot 100 peak on March 29, 2014.

Meanwhile, “Look Alive” featured artist Drake adds his 23rd Hot 100 top 10, extending his record for the most top 10s among rappers. JAY-Z ranks second with 21, followed by Lil Wayne with 20.

Bebe Rexha and Florida Georgia Line’s “Meant to Be” rises to a new high on the Hot 100 (9-7). It tops Hot Country Songs for a 12th week, extending Rexha’s record for the most weeks at No. 1 in the chart’s history for a song by a solo female.

Dua Lipa’s “New Rules” drops to No. 8 from its No. 6 Hot 100 peak.

Kendrick Lamar and SZA surge 31-9 on the Hot 100 with “All the Stars.” The song is from Black Panther: The Album, new atop the Billboard 200. After its official video arrived Feb. 6, the track bounds 21-8 on Streaming Songs (25.7 million, up 69 percent) and 37-28 on Digital Song Sales (15,000, up 24 percent), marking the Hot 100’s greatest gains in streaming and sales, and debuts at No. 48 on Radio Songs (23 million, up 14 percent).

Lamar lands his seventh Hot 100 top 10 and second from Black Panther; “Pray for Me,” with The Weeknd, debuted at No. 7 last week (and dips to No. 11 this week). SZA scores her second Hot 100 top 10 and first as a lead artist; she reached No. 9 in November as featured on Maroon 5’s “What Lovers Do.”

Capping the Hot 100’s top 10, Migos’ “Stir Fry” slips to No. 10 from its No. 8 peak.

Find out more Hot 100 news in the weekly “Hot 100 Chart Moves” column and by listening (and subscribing) to Billboard‘s Chart Beat Podcast and Pop Shop Podcast. And again, be sure to visit Billboard.com tomorrow (Feb. 21), when all charts, including the Hot 100 in its entirety, will refresh.

Source: billboard.com

Drake’s leader is the first song to post three weeks of at least 75 million U.S. streams. Plus, new top 10s for The Weeknd & Kendrick Lamar; Migos; and Bebe Rexha and Florida Georgia Line.

Drake‘s “God’s Plan” leads the Billboard Hot 100 chart for a third week, as it becomes the first song ever to post three weeks of more than 75 million U.S. streams, according to Nielsen Music.

Plus, three songs enter the Hot 100’s top 10: The Weeknd and Kendrick Lamar‘s “Pray for Me,” the chart’s top debut at No. 7; Migos‘ “Stir Fry,” which jumps 12-8; and Bebe Rexha and Florida Georgia Line‘s “Meant to Be,” up 11-9.

As we do every Monday, let’s run down the top 10 of the Hot 100 (dated Feb. 17), which blends all-genre streaming, airplay and sales data. All charts will update on Billboard.com tomorrow (Feb. 13).

As on the Hot 100, “Plan,” released on Young Money/Cash Money/Republic Records, posts its third week at No. 1 on the Streaming Songs chart, with 79.6 million U.S. streams (down 4 percent) in the week ending Feb. 8. The song is the first to log three weeks of more than 75 million U.S. streams, following its second-week sum of 83.3 million and debut-week total of 82.4 million.

Those three figures mark the sixth-, fourth- and fifth-best streaming weeks ever, respectively. They trail only Baauer’s “Harlem Shake” (103.1 million and 97.6 million in its first and second weeks, March 2 and 9, 2013, respectively, driven largely by viral videos incorporating the song’s official audio) and Taylor Swift’s “Look What You Made Me Do” (84.5 million; Sept. 16, 2017).

“Plan” rebounds from No. 4 to a second week at No. 1 on Digital Song Sales, despite a 15 percent drop to 55,000 downloads sold in the week ending Feb. 8. It surges 30-17 on the Radio Songs chart, up 35 percent to 48 million in all-format airplay audience in the week ending Feb. 11, good for the Hot 100’s top gain in airplay.

“Plan” concurrently notches a third week at No. 1 on both the Hot R&B/Hip-Hop Songs and Hot Rap Songs charts.

Ed Sheeran’s “Perfect” keeps at No. 2 on the Hot 100 after six weeks at No. 1. It rules Radio Songs for a sixth frame (146 million, down 3 percent).

Bruno Mars and Cardi B’s “Finesse” holds at its No. 3 Hot 100 high, while zooming 5-1 to top the Rhythmic Songs airplay chart, where it’s Mars’ ninth No. 1 and Cardi B’s third. The collab crowns Hot R&B Songs for a fifth week.

The Hot 100’s entire top five is stationary, as two former No. 1s round out the region: Camila Cabello’s “Havana,” featuring Young Thug, holds at No. 4 after leading the Jan. 27-dated chart, and Post Malone’s “Rockstar,” featuring 21 Savage, repeats at No. 5 after spending eight weeks at No. 1.

Dua Lipa’s “New Rules” rises 7-6 for a new peak on the Hot 100. It bullets for a third week at its No. 3 Radio Songs high (107 million, up 1 percent) and leads the Pop Songs airplay chart for a third frame.

The Weeknd and Kendrick Lamar soar onto the Hot 100 at No. 7 with “Pray for Me.” The track starts on Digital Song Sales at No. 2 (53,000) and Streaming Songs at No. 16 (17.2 million) and rises 47-35 on Radio Songs (32 million, up 35 percent).

The Weeknd notches his seventh Hot 100 top 10 and first since “I Feel It Coming” (featuring Daft Punk), which reached No. 4 last April; “Pray” is his first song to debut in the top 10. Lamar logs his sixth Hot 100 top 10 and third top 10 debut; last April, his “Humble.” arrived at No. 2, before leading the chart dated May 6, the week that “DNA.” debuted at its No. 4 peak.

“Pray” is from the soundtrack Black Panther The Album, Music From and Inspired By, released last Friday (Feb. 9). Superhero film Black Panther premieres in U.S. theaters this coming Friday (Feb. 16).

Following the first full week of tracking for its official video, released Jan. 28, Migos’ “Stir Fry” cooks up a 12-8 Hot 100 ascent, led by its 6-5 climb on Streaming Songs (27.3 million, up 7 percent).

Migos earn their third Hot 100 top 10 and second from their album Culture II, which debuted at No. 1 on the Feb. 10-dated Billboard 200 albums chart and ranks at No. 2 in its second week. The set’s “MotorSport,” with Minaj and Cardi B, reached No. 6 on the Hot 100 dated Dec. 30; “Bad and Boujee,” featuring Lil Uzi Vert (and from prior LP Culture), spent three weeks at No.  1 beginning Jan. 21, 2017.

Bebe Rexha and Florida Georgia Line’s “Meant to Be” rounds out the trio of new Hot 100 top 10s, rising 11-9. It pushes 8-7 on Digital Song Sales (34,000, although down 7 percent; it’s on sale for 69 cents in the iTunes Store); 19-15 on Radio Songs (54 million, up 15 percent); and 20-17 on Streaming Songs (18.7 million, up 4 percent).

The track is being dually promoted to pop and country radio, as it lifts 17-13 on Pop Songs, 16-14 on Adult Pop Songs and 22-20 on Country Airplay.

Rexha earns her third Hot 100 top 10; David Guetta’s “Hey Mama,” featuring Nicki Minaj, Rexha and Afrojack, reached No. 8 in June 2015 and G-Eazy and Rexha’s “Me, Myself & I” hit No. 7 in March 2016. Florida Georgia Line logs its second Hot 100 top 10, following its debut hit “Cruise” (featuring Nelly), which rose to No. 4 in July 2013.

“Meant” concurrently tops the Hot Country Songs chart for an 11th week, granting Rexha a record: it becomes the longest-leading No. 1 in the chart’s history for a song by a lead female, passing the 10-week reign of Taylor Swift’s fellow country/pop crossover hit “We Are Never Ever Getting Back Together” in 2012-13; Swift’s hit retains the record for the most weeks at No. 1 for a female unaccompanied by another act. (Hot Country Songs began as an all-encompassing genre songs chart in 1958 and adopted the Hot 100’s streaming-, airplay- and sales-based methodology on Oct. 20, 2012, the first week at No. 1 for Swift’s “Never.”)

“Meant” is the second Hot Country Songs No. 1 to reach the Hot 100’s top 10 within the last year. Sam Hunt’s “Body Like a Back Road” logged a record 34 weeks at No. 1 on Hot Country Songs (beginning Feb. 25, 2017) and reached No. 6 on the Hot 100 (April 22).

Meanwhile, “Meant” marks the latest milestone in Florida Georgia Line’s expansion beyond country. The twosome (Tyler Hubbard and Brian Kelley) also ranks at No. 46 on the Hot 100, after reaching No. 40, as featured, with Watt, on Hailee Steinfeld and Alesso’s “Let Me Go.” Last July, FGL led Country Airplay with “God, Your Mama, And Me,” featuring Backstreet Boys, and, in April 2017, the duo reached No. 16 on Hot Dance/Electronic Songs as featured on The Chainsmokers’ “Last Day Alive.”

Halsey’s “Bad at Love” closes out the Hot 100’s top 10, descending 6-10 after peaking at No. 5.

Find out more Hot 100 news in the weekly “Hot 100 Chart Moves” column and by listening (and subscribing) to Billboard‘s Chart Beat Podcast and Pop Shop Podcast. And again, be sure to visit Billboard.com tomorrow (Feb. 13), when all charts, including the Hot 100 in its entirety, will refresh. The next issue of Billboardmagazine is on sale Friday (Feb. 16).

Source: billboard.com

Justin Timberlake notches his fourth No. 1 album on the Billboard 200 chart, as Man of the Woods debuts atop the tally. The set, which was released on Feb. 2 through RCA Records, earned 293,000 equivalent album units in the week ending Feb. 8, according to Nielsen Music. Of that sum, 242,000 were in traditional album sales.

Timberlake scores the largest week for an album — both in terms of units and pure album sales — since Taylor Swift’s Reputation flew in at No. 1 on the Dec. 2, 2017-dated chart with 1.24 million units and 1.22 million in album sales. Timberlake claims the biggest week for an album by a man since Kendrick Lamar’s DAMN. debuted at No. 1 on the May 6, 2017 list with 603,000 units and 353,000 in traditional album sales.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption, which includes traditional album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). The new Feb. 17-dated chart (where Man of the Woods starts at No. 1) will be posted in full on Billboard‘s websites on Tuesday (Feb. 13).

Of Man of the Woods’ launch of 293,000 units, 242,000 were in traditional album sales, 14,000 were in TEA units, and 37,000 were in SEA units. Of its pure album sales, 139,000 were in digital albums, 89,000 were in CD sales and 15,000 were in vinyl LP sales.

Notably, Man of the Woods also claims the biggest-selling week for a vinyl album since LCD Soundsystem’s American Dream sold 16,000 in its first week, on the chart dated Sept. 23, 2017. (Target carried an exclusive orange-colored edition of Man of the Woods on vinyl, while all other retailers had the standard black vinyl version.)

Overall, Timberlake has the second-biggest sales week for a vinyl LP among solo male artists since Nielsen Music began tracking data in 1991. Only the debut frame of Jack White‘s Lazaretto was larger: 40,000 in 2014. (Among all soloists in the Nielsen era, only one other artist has sold as many vinyl LPs in a week as Timberlake and White: Adele, who did it in five separate weeks with her 25 album in late 2015.

Timberlake’s last album, The 20/20 Experience (2 of 2), debuted at No. 1 on the Oct. 19, 2013-dated chart with 350,000 in traditional album sales. (The chart did not transition to a units-based ranking until the end of 2014.) Timberlake has also topped the list with his first installment of The 20/20 Experience (earlier in 2013; 968,000 copies sold in its first week) and FutureSex/LoveSounds (2006; 684,000). His only album to miss the top was his first solo set, Justified, which debuted and peaked at No. 2 in 2002 (bowing with 439,000 sold).

Timberlake, of course, is a member of the group *NSYNC, which tallied two Billboard 200 No. 1s: No Strings Attached, in 2000, and Celebrity, in 2001.

Man of the Woods’ lead single, “Filthy,” debuted and peaked at No. 9 on the Jan. 20-dated Billboard Hot 100 chart. He followed it with a teaser track, “Supplies,” which hit No. 71 (Feb. 3). The album’s second single, “Say Something,” featuring Chris Stapleton, debuted at No. 9 on the most recently compiled Hot 100 (dated Feb. 3).

At No. 2 on the Billboard 200, Migos’ Culture II falls a spot in its second week, earning 88,000 units (down 56 percent). The soundtrack to The Greatest Showmanslips 2-3 with 81,000 units (down 15 percent), Ed Sheeran’s ÷ (Divide) rises 5-4 with 40,000 units (down 17 percent) and Bruno Mars’ 24K Magic descends 4-5 with 35,000 units (28 percent).

Post Malone’s Stoney rises 8-6 with 33,000 units (down 3 percent), Kendrick Lamar’s DAMN. descends 6-7 with 32,000 units (down 17 percent), Camila Cabello’s Camilafalls 7-8 with 31,000 units (down 15 percent) and Lil Uzi Vert’s Luv Is Rage 2 climbs 12-9 with 25,000 units (down 1 percent).

Rounding out the top 10 is the chart’s second-highest debut, the Now 65compilation, which bows at No. 10. The set — featuring recent Hot 100 hits like Demi Lovato’s “Sorry Not Sorry” and Camila Cabello’s “Havana” — launches with 25,000 units — all from traditional album sales. Now 65 is the 69^th Now That’s What I Call Music compilation to reach the top 10 (63 of the main, numbered series; and six genre-specific spin-off titles, like Now That’s What I Call Christmas!). The U.S. Nowseries will celebrate its 20^th anniversary later this year, as the first Now album debuted on the chart dated Nov. 14, 1998. (The original Now series launched in the U.K. in 1983.)

Source: billboard.com

In its second week, Drake’s leader gains & posts the fourth-biggest streaming week ever. Plus, Timberlake tallies his 19th top 10 & Stapleton earns his first.

Drake‘s “God’s Plan” spends a second week at No. 1 on the Billboard Hot 100chart (dated Feb. 10), gaining slightly to post the fourth-biggest week ever in U.S. streams.

Meanwhile, Justin Timberlake blasts in at No. 9 on the Hot 100 with “Say Something,” featuring Chris Stapleton, marking the second top 10 from Timberlake’s new album, Man of the Woods — released Friday (Feb. 2), ahead of his halftime show performance at Super Bowl LII in Minneapolis last night (Feb. 4).

As we do every Monday, let’s run down the top 10 of the Hot 100, which blends all-genre streaming, airplay and sales data. All charts will update on Billboard.com tomorrow (Feb. 6).

Set scores biggest streaming week for an album since April 2017.

Rap trio Migos scores its second No. 1 album on the Billboard 200 chart as Culture II opens atop the tally. The set — which was released on Jan. 26 through Quality Control/Motown/Capitol Records — earned 199,000 equivalent album units in the week ending Feb. 2, according to Nielsen Music.

Migos’ last album, Culture, launched at No. 1 on the Billboard 200 dated Feb. 18, 2017.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption, which includes traditional album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). The new Feb. 10-dated chart (where Culture II starts at No. 1) will be posted in full on Billboard‘s websites on Tuesday (Feb. 6).

With Culture II’s arrival at No. 1, Migos is now just the fifth rap group with more than one No. 1 album. The act follows Beastie Boys (four No. 1s between 1987 and 2004), A Tribe Called Quest (two, in 1996 and 2016), Bone Thugs-N-Harmony (two, in 1995 and 1997) and D12 (two, in 2001 and 2004).

Culture II launches with 199,000 equivalent album units — mostly driven by streams. Of its debut unit sum, 38,000 were in traditional album sales, 11,000 were TEA units, and a whopping 150,000 were in SEA units (equating to 225.6 million on-demand audio streams of the album’s songs during the tracking week). Enhanced by a sizable 24-song tracklist, Culture II captures the largest streaming week for an album since Kendrick Lamar’s DAMN. debuted at No. 1 on the Billboard 200 dated May 6 with 227,000 SEA units (of its total 603,000 equivalent album units) earned in the week ending April 20, 2017. (DAMN.’s 227,000 SEA units equaled 340.6 million streams.)

Comparably, Migos’ prior album, Culture, launched at No. 1 on the Billboard 200 with 131,000 units. Of the 13-song album’s starting sum, 44,000 were in traditional album sales; 10,000 were in TEA units and 77,000 were in SEA units. The latter figure translated into 115.6 million on-demand audio streams of the album’s songs in its first week.

At No. 2 on the new Billboard 200, the soundtrack to The Greatest Showman holds in the runner-up slot for a third straight week (95,000 units; down 13 percent). The set previously logged two weeks at No. 1. With a fifth total week in the top two of the chart, The Greatest Showman has spent more time in the top two than any other soundtrack since Frozen logged 21 nonconsecutive weeks in the region in 2014 (including 13 weeks at No. 1).

British dance trio Above & Beyond debuts at a career-high No. 3 with Common Ground, the act’s fourth studio album. The set — which is the act’s first top 10 effort — starts with 64,000 units (another career best), largely driven by traditional album sales (62,000; their largest sales week ever). The album’s sales were powered by a concert ticket/album bundle sale redemption promotion in association with the act’s 2017-2018 U.S. tour. The trek launched on Dec. 29, but tickets went on sale last September.

Common Ground is the highest-charting dance/electronic album since the Sept. 30, 2017-dated list, when ODESZA’s A Moment Apart debuted and peaked at No. 3 (63,000 units in its opening frame; of which 52,000 were in traditional album sales). Common Ground also logs the biggest week for a dance/electronic set, both in terms of overall units and album sales, since The Chainsmokers debuted at No. 1 with Memories… Do Not Open on the April 29, 2017-dated tally (221,000 units; 166,000 in album sales).

Like Common Ground, both A Moment Apart and Memories… Do Not Open saw their debut frames bolstered by sales generated from ticket/album bundle redemption offers.

Bruno Mars’ 24K Magic album climbs 10-4 on the new Billboard 200, earning 49,000 units (up 89 percent) in the wake of Mars’ six Grammy Award wins on Jan. 28, including album of the year. Mars performed on the live CBS-TV broadcast and accepted three of his six awards during the show (album, record and song of the year). His other three wins were announced before the televised ceremony.

24K Magic gains in traditional album sales (22,000; up 306 percent), TEA units (9,000; up 77 percent) and SEA units (18,000; up 18 percent).

Ed Sheeran’s ÷ (Divide) slips 3-5 with 48,000 units (though it gains 3 percent) and Kendrick Lamar’s DAMN. is steady at No. 6 with 38,000 units (up 31 percent). Sheeran won two Grammy Awards (including the televised best pop solo performance category, for “Shape of You”) but was not present at the ceremony. Lamar won five Grammy Awards, two of which were televised: best rap/sung performance and best rap album. He also opened the show with a medley performance that included DAMN. tracks “XXX.” and “DNA.”

Camila Cabello’s Camila drops 4-7 with 37,000 units (down 15 percent), while Post Malone’s Stoney falls 5-8 with 34,000 units (down 1 percent).

Khalid, who performed on the Grammy Awards and was nominated for five trophies (but did not win), rises 15-9 with American Teen (27,000 units; up 12 percent). Imagine Dragons’ Evolve closes out the top 10, stepping 13-10 with 26,000 units (up 7 percent).

Source: billboard.com

The track launches with a record on-demand streaming total. Drake also arrives at No. 7 with “Diplomatic Immunity,” becoming just the second act to debut two songs in the top 10 simultaneously.

Drake‘s “God’s Plan” launches at No. 1 on the Billboard Hot 100 chart (dated Feb. 3), blasting in with a record on-demand streaming total in its first week.

The song arrived late on Jan. 19, along with fellow new track “Diplomatic Immunity,” which enters the Hot 100 at No. 7, making Drake just the second act to debut two songs in the chart’s top 10 simultaneously. “Plan” and “Immunity” are paired on Drake’s new “Scary Hours” two-track single, released on Young Money/Cash Money/Republic Records. The former is the 1,071st No. 1 in the Hot 100’s history, which dates to the chart’s Aug. 4, 1958, inception.

As we do every Monday, let’s run down the top 10 of the Hot 100, which blends all-genre streaming, airplay and sales data. All charts will update on Billboard.com tomorrow (Jan. 30).

No. 1 in streaming & sales: “Plan” soars in at No. 1 on the Streaming Songs chart, with 82.4 million U.S. streams in the week ending Jan. 25, according to Nielsen Music. The sum marks the fourth-greatest for a title in a week on Streaming Songs, after Baauer’s “Harlem Shake” (103.1 million and 97.6 million in its first and second weeks, March 2 and 9, 2013, respectively, driven largely by viral videos incorporating the song’s official audio) and Taylor Swift’s “Look What You Made Me Do” (84.5 million; Sept. 16, 2017).

“Plan” also starts at No. 1 on Digital Song Sales with 127,000 downloads sold in the week ending Jan. 25. With the song’s airplay promotion just beginning, it also boasts 24 million in all-format airplay audience in the week ending Jan. 28 (and ranks just below the Radio Songs chart).

Drake notches his eighth Digital Song Sales No. 1 and his third leader on Streaming Songs.

On-demand streaming record: On the audio subscription services-based On-Demand Streaming Songs chart, “Plan” vaults in with a record 68 million on-demand U.S. streams. That shatters the prior weekly mark, set when Kendrick Lamar’s’ “Humble.” launched at No. 1 with 44.4 million on May 6, 2017.

Drake’s fourth No. 1: Drake earns his fourth Hot 100 No. 1 and second as a lead artist. He first ruled as featured on Rihanna‘s “What’s My Name?,” which topped the Nov. 20, 2010-dated chart , and then as featured on her “Work,” which began a nine-week reign on March 5, 2016. He followed with his own “One Dance,” featuring WizKid and Kyla, which dominated for 10 weeks beginning May 21, 2016.

No. 1 debut: “Plan” marks Drake’s first debut at No. 1 on the Hot 100. It’s the chart’s first since DJ Khaled‘s “I’m the One,” featuring Justin Bieber, Quavo, Chance the Rapper and Lil Wayne, which roared in on top May 20, 2017. “One” is the 29th title to debut at No. 1 on the Hot 100.

Two debuts in top 10: With “Plan” and “Immunity” new at No. 1s and 7, respectively, Drake is just the second artist to debut two songs in the Hot 100’s top 10 simultaneously. On Jan. 28, 2017, Ed Sheeran opened at No. 1 with “Shape of You” and at No. 6 with “Castle on the Hill.”

“Immunity” opens at No. 6 on Streaming Songs with 28.4 million U.S. streams. On On-Demand Songs, “Immunity” bows at No. 2 with 25.2 million. Twice before in the latter chart’s nearly five-year history had an artist debuted at Nos. 1 and 2 concurrently, with one prior week also by Drake: on Dec. 31, 2016, J. Cole opened at Nos. 1-7, led by “Deja Vu” at No. 1; on April 8, 2017, Drake began at Nos. 1-6, paced by “Passionfruit” at No. 1.

“Immunity” begins at No. 4 on Digital Song Sales with 39,000 sold.

Higher power: Drake’s new No. 1 marks the third Hot 100 leader with “God” in its title. Do you remember the other two? Answer at the end of this story.

No. 1 on Hot R&B/Hip-Hop Songs & Hot Rap Songs: “Plan” concurrently launches at No. 1 on the Hot R&B/Hip-Hop Songs and Hot Rap Songs charts. Drake tallies his 17th leader on the former ranking and record-extending 18th on the latter; Lil Wayne and Diddy follow with 10 Hot Rap Songs No. 1s each.

159 on the Hot 100: With two debuts, Drake additionally ups his count to 159 career Hot 100 entries, extending his mark for the most among soloists in the chart’s archives. Among all acts, only the cast of Fox’s Glee has totaled more (207).

U.S. & U.K.: Along with its entrance atop the Hot 100, Drake’s “Plan” concurrently debuts at No. 1 on the Official UK Singles chart. It’s the first song to open atop both tallies in the same week since DJ Khaled’s “I’m the One” (last May 20).

Drake earns his third Official UK Singles chart No. 1, after “What’s My Name” and “One Dance”; the latter led for 15 weeks in 2016, the chart’s longest command this decade.

As for the rest of the Hot 100’s top 10 … Sheeran’s “Perfect” holds at No. 2 after six weeks at No. 1. It tops Radio Songs for a fourth week (152 million, essentially even week-over-week). After ascending to No. 1 on the Hot 100 a week ago, Camila Cabello‘s “Havana,” featuring Young Thug, drops to No. 3. Post Malone‘s “Rockstar,” featuring 21 Savage, retreats 3-4 on the Hot 100, after leading for eight weeks.

Rounding out the Hot 100’s top five, Bruno Mars and Cardi B‘s “Finesse” falls 4-5, after reaching No. 3. The track tops Hot R&B Songs for a third week. It claims the Hot 100’s top airplay gain, as it boosts 10-8 on Radio Songs (74 million, up 17 percent).

Halsey’s “Bad at Love” drops to No. 6 from its No. 5 Hot 100 high and, below Drake’s “Immunity” at No. 7, Dua Lipa‘s “New Rules” holds at its No. 8 peak; as previously reported, “Rules” becomes her first No. 1 on the Pop Songs airplay chart.

Capping the Hot 100’s top 10, Imagine Dragons’ No. 4-peaking “Thunder” slips 6-9 on the Hot 100, as it rules Hot Rock Songs for a 13th week, while G-Eazy‘s fellow No. 4 hit “No Limit,” featuring A$AP Rocky and Cardi B, slides 7-10.

Quiz answer: Drake’s “God’s Plan” is the third Hot 100 leader with “God” in its title. The prior two to ascend to the chart’s highest spot? Mariah Carey’s “Thank God I Found You,” featuring Joe and 98 Degrees (2000), and John Denver’s “Thank God I’m a Country Boy” (1975).

Find out more Hot 100 news in the weekly “Hot 100 Chart Moves” column and by listening (and subscribing) to Billboard‘s Chart Beat Podcast and Pop Shop Podcast. And again, be sure to visit Billboard.com tomorrow (Jan. 30), when all charts, including the Hot 100 in its entirety, will refresh. The next issue of Billboardmagazine is on sale Friday (Feb. 2).

Source: billboard.com

Rock band Fall Out Boy scores its fourth No. 1 album on the Billboard 200 chart, as Mania arrives atop the list.

The set earned 130,000 equivalent album units in the week ending Jan. 25, according to Nielsen Music. Of that sum, 117,000 were in traditional album sales. Mania is the group’s seventh full-length studio set and was released on Jan. 19 through Island Records.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption, which includes traditional album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). The new Feb. 3-dated chart (where Mania opens at No. 1) will be posted in full on Billboard’s websites on Tuesday (Jan. 30).

Mania is Fall Out Boy’s fourth leader on the chart, and third consecutive studio effort to reach the top. The band previously hit No. 1 with its full-length studio titles American Beauty/American Psycho (2015), Save Rock and Roll (2013) and Infinity on High (2007). Its only full-length studio efforts to miss the top were Folie a Deux(peaking at No. 8 on the Jan. 3, 2009-dated chart), From Under the Cork Tree (No. 9 in 2005) and Take This to Your Grave (didn’t reach the Billboard 200, but hit No. 17 on the Independent Albums chart in 2004).

Mania’s opening frame is driven largely by traditional album sales, with 117,000 copies sold. The remainder of its equivalent album unit sum is comprised of TEA units (2,000) and SEA units (11,000). Mania actually did better than expected, as some industry forecasters expected there to be a race between Mania and the soundtrack to The Greatest Showman, with some predicting both titles would finish the week with around 105,000 to 110,000 units. The Greatest Showman, which previously spent two weeks at No. 1, holds at No. 2 for a second week with 109,000 units — up 5 percent.

Mania performed particularly well with direct-to-consumer sales via Fall Out Boy’s official web store, and with vinyl LP sales. For the latter format, the album sold 13,000 copies — the biggest week for a vinyl album since the Sept. 30, 2017-dated list, when The National’s Sleep Well Beast bowed with 14,000 vinyl LPs.

Fall Out Boy’s last studio album, American Beauty/American Psycho, launched at No. 1 with 218,000 units, of which 192,000 were in traditional album sales.

Mania was originally slated for release last September, but the band opted to push back the release until January, and ultimately retooled the album.

The set has scored five hits on the Hot Rock Songs chart (through the most recently published tally, dated Jan. 27), including a trio of top 10s: the set’s lead single “Young and Menace” (No. 7), “Champion” (No. 10) and “The Last of the Real Ones” (No. 5). On the Alternative Songs airplay chart, “Champion” peaked at No. 18 last September, marking the band’s 11^th hit. Meanwhile, on the most recent Pop Songsairplay chart, “Hold Me Tight or Don’t” debuted at No. 38 — Fall Out Boy’s first hit on the list from Mania.

At No. 3 on the new Billboard 200, Ed Sheeran’s ÷ (Divide) is steady with 47,000 units (down 1 percent). Camila Cabello’s Camila album dips from No. 1 to No. 4 in its second week, with 43,000 units (down 64 percent). Post Malone’s Stoney rounds out the top five, descending one rung to No. 5 with 34,000 units (down 2 percent).

Kendrick Lamar’s DAMN. rises one position to No. 6 with just over 29,000 units (down 2 percent), G-Eazy’s The Beautiful & Damned is down one to No. 7 with 29,000 (down 12 percent) and Lil Uzi Vert’s Luv is Rage 2 climbs a spot to No. 8 with 27,000 units (down 5 percent).

Closing out the top 10: Taylor Swift’s Reputation falls 5-9 with 26,000 units (down 21 percent) and Bruno Mars’ 24K Magic pops back into the top 10, rising 11-10, with nearly 26,000 units (down 3 percent).

Source: billboard.com

The coronation complements her No. 1 debut atop the Billboard 200 with her first solo album, “Camila.”

Camila Cabello crowns the Billboard Hot 100 chart (dated Jan. 27) for the first time, as “Havana,” featuring Young Thug, lifts from No. 2 to No. 1. Young Thug likewise earns his first Hot 100 leader.

The song was released on SYCO/Epic Records and is the 1,070th No. 1 in the Hot 100’s history, which dates to the chart’s Aug. 4, 1958, inception.

The former Fifth Harmony member’s Hot 100 coronation accompanies her No. 1 entrance on the Billboard 200 albums chart with her debut solo set, Camila.

Meanwhile, Halsey hits the Hot 100’s top five for the first time as a lead artist, as “Bad at Love” bumps 7-5, and Dua Lipa scores her first Hot 100 top 10, as “New Rules” rises 11-8.

As we do every Monday, let’s run down the top 10 of the Hot 100, which blends all-genre streaming, airplay and sales data. All charts will update on Billboard.com tomorrow (Jan. 23).

No. 1 in streaming, No. 2 in sales & airplay: As on the Hot 100, “Havana” becomes both Cabello and Young Thug’s first No. 1 on the Streaming Songs chart, jumping from No. 5 with a 34 percent gain to 44.9 million U.S. streams in the week ending Jan. 18, according to Nielsen Music.

The track charges 4-2 on Digital Song Sales (which it led for two weeks), up 57 percent to 80,000 downloads sold in the week ending Jan. 18, aided by a 69-cent iTunes Store sale price. It claims the Hot 100’s top gains in both streaming and sales.

On Radio Songs (which it topped for four frames), “Havana” holds at No. 2, with 131 million in all-format airplay audience (down 5 percent) in the week ending Jan. 21.

Prior peaks: Cabello had previously peaked as high as No. 4 on the Hot 100 both as a soloist and a member of vocal group Fifth Harmony, which she departed in December 2016. Her own “Bad Things,” with Machine Gun Kelly, hit No. 4 on Feb. 11, 2017, while 5H’s “Work From Home,” featuring Ty Dolla $ign, reached the same rank on June 11, 2016.

Young Thug (born Jeffery Lamar Williams) had previously hit No. 16 on the Hot 100 as featured, with Rich Homie Quan, on Rich Gang’s “Lifestyle” (Nov. 15, 2014).

Seven-week wait at No. 2: “Havana” spent seven (nonconsecutive) weeks at No. 2 before topping the Hot 100. That’s the most time for a song at the runner-up spot before hitting No. 1 since Justin Bieber‘s “Sorry” logged a record-tying eight weeks at No. 2 in 2015-16 prior to leading for three weeks beginning Jan. 23, 2016.

23 total weeks to No. 1, tying the record among women: “Havana” hits No. 1 in its 23rd week on the Hot 100, equaling the longest rise to the summit for a song by a female artist in the Hot 100’s history. It matches Sia‘s “Cheap Thrills,” featuring Sean Paul, in 2016, and Patti Austin’s “Baby, Come to Me,” with James Ingram, in 1982-83.

Only six songs overall have taken more scenic routes to No. 1 than those three, led by Los Del Rio’s “Macarena (Bayside Boys Mix)”: 33 weeks in 1995-96.

Camila, Beyoncé & Britney: Cabello scores her first week atop the Hot 100 and Billboard 200 concurrently, thanks to “Havana” and Camila, respectively. The last artist to earn both firsts as a soloist simultaneously? Beyoncé, with “Crazy in Love,” featuring JAY-Z, and Dangerously in Love, on July 12, 2003.

Still, Beyoncé had previously topped both charts as a member of Destiny’s Child. Counting purely first weeks at No. 1 on the tallies at all, Cabello is the first artist to notch both simultaneously since Britney Spears, whose “…Baby One More Time” ascended to No. 1 on the Hot 100 dated Jan. 30, 1999, the same week that her debut album of the same name launched atop the Billboard 200.

Camila & Zayn: In just under two years, two soloists formerly in arguably the most prominent boy band and girl group this decade, respectively, have now topped the Hot 100 on their own, after narrowly missing the top spot while in those acts.

As noted above, Cabello reached a No. 4 best with Fifth Harmony on “Work From Home.” As a member of One Direction, which he left in 2015, Zayn rose as high as No. 2 with the group’s “Best Song Ever” in 2013. On the Hot 100 dated Feb. 20, 2016, he debuted at No. 1 and led for two total weeks with his solo debut, “Pillowtalk.”

Thus, One Direction and Fifth Harmony each began as quintets and lost a member that went on to do what each group hasn’t: hit No. 1 on the Hot 100.

Both 1D and 5H formed on singing competition The X Factor, the former on the British version in 2010 and the latter on the U.S. edition in 2012, and both signed to X Factor creator Simon Cowell’s SYCO imprint.

Go-going solo, and to No. 1: Cabello is the first artist to chart a top five Hot 100 hit, but not a No. 1, in a group and then lead solo since Zayn.

Among women, she’s the first to make such a progression since Gwen Stefani, whose “Hollaback Girl” led for four weeks in 2005. As a member of No Doubt, she reached a No. 3 high with the group’s “Underneath It All” in 2002. (No Doubt might’ve topped the Hot 100 with “Don’t Speak,” but the smash was not released as a commercial single and, per chart rules at the time, was ineligible to appear on the Hot 100; it ruled Radio Songs for 16 weeks in 1996-97.)

Before Stefani, the last woman to have hit the top five, but fallen shy of No. 1, with a group and then led as a soloist? Belinda Carlisle. In the Go-Go’s, she marched to No. 2 with “We Got the Beat” in 1982. As a soloist, she ascended to No. 1 with “Heaven Is a Place on Earth” in 1987.

Speaking of places on Earth …

World news: “Havana” is the first Hot 100 No. 1 whose title includes a city since Fergie‘s “London Bridge,” which led for three weeks beginning Aug. 19, 2006. (Both Havana and London are capital cities, of course, of Cuba and England/the United Kingdom, respectively.)

Two other Hot 100 No. 1s since Fergie’s have included geographic locales in their titles: “California Gurls,” by Katy Perry featuring Snoop Dogg (six weeks at No. 1, 2010), and “Harlem Shake,” by Baauer (five weeks, 2013).

Women’s resurgence at No. 1: Female artists in lead roles went over a year between topping the Hot 100 from Sia’s “Cheap Thrills” (last week at No. 1: Aug. 27, 2016) to Taylor Swift‘s “Look What You Made Me Do” (first week at No. 1: Sept. 16, 2017).

However, since the first of three weeks on top for Swift’s song, women in lead roles have now appeared on four of the last five No. 1s. Following “Look,” Cardi Bdominated for three weeks with “Bodak Yellow (Money Moves).” The all-male “Rockstar,” by Post Malone featuring 21 Savage, then reigned for eight weeks and, before “Havana,” Ed Sheeran‘s “Perfect” led for six weeks; for five of those frames, Beyoncé was credited as the co-lead.

Top 40 follow-up: As “Havana” reaches No. 1 on the Hot 100, Cabello’s follow-up single from Camila, “Never Be the Same,” enters the top 40, surging 65-30. It’s her fourth solo top 40 Hot 100 hit (matching her total as a member of Fifth Harmony, which has tallied all four of its top 40 entries to date in 2015-16 while Cabello was in the group).

As for the rest of the Hot 100’s top 10… Sheeran’s “Perfect” drops to No. 2 after six weeks at No. 1. Still, it tops Digital Song Sales for an eighth week (82,000, down 16 percent) and Radio Songs for a third week (151 million, up 3 percent). On Streaming Songs, it keeps at No. 3 (36.9 million, down 3 percent).

“Rockstar” rebounds 4-3 on the Hot 100, while leading the Hot Rap Songs chart for a 15th week and Hot R&B/Hip-Hop Songs for a 14th week.

“Rockstar” swaps spots with Bruno Mars and Cardi B’s “Finesse,” which a week ago blasted 35-3 following the first full week of tracking for its collaborative remix. This week, the song drops 1-4 on Streaming Songs (32.7 million, down 15 percent) and 2-4 on Digital Song Sales (39,000, down 55 percent).

Still, “Finesse” pushes 14-10 on Radio Songs (63 million, up 21 percent, good for the Hot 100’s top airplay gain). Mars collects his 15th Radio Songs top 10 and Cardi B, her second (after “Bodak Yellow,” which reached No. 10). “Finesse” additionally tops Hot R&B Songs for a second week.

Halsey earns her first top five Hot 100 hit as a lead artist, as “Bad at Love” climbs 7-5. She previously spent 12 weeks at No. 1 as featured on The Chainsmokers’ “Closer” in 2016. Airplay is driving “Bad” most heavily, as the song holds at its No. 3 high on Radio Songs (109 million, up 1 percent).

Imagine Dragons’ “Thunder” is steady at No. 6 on the Hot 100 after reaching No. 4, while ruling Hot Rock Songs for a 12th week, and G-Eazy’s “No Limit,” featuring A$AP Rocky and Cardi B, slides 5-7, also after peaking at No. 4.

Dua Lipa lands her first Hot 100 top 10, as “New Rules” rises 11-8. The song, a two-week No. 1 on the Official UK Singles chart in September, reaches the top 10 in its 25th week on the Hot 100, marking the longest climb to the region since gnash’s “I Hate U I Love U,” featuring Olivia O’Brien, also ascended to the top 10 in its 25th week on Oct. 22, 2016.

British pop singer-songwriter and model Dua Lipa (that’s her real name) previously charted two Hot 100 entries: “Blow Your Mind (Mwah)” (No. 72, November 2016) and “Scared to Be Lonely,” with Martin Garrix (No. 76, May 2017).

As with Halsey’s hit, “Rules” is powered most strongly by airplay, as it bounds 7-4 on Radio Songs (98 million, up 7 percent).

Sam Smith’s No. 4-peaking “Too Good at Goodbyes” descends 8-9 on the Hot 100 and Migos, Nicki Minaj and Cardi B’s “MotorSport” parks in neutral at No. 10, after hitting No. 6. Notably, Cardi B boasts three songs in the top 10 (at Nos. 4, 7 and 10) for a fourth week, doubling the record among women; Ashanti posted two such weeks in 2002. (Among all acts, 50 Cent leads with 15 weeks of at least three concurrent Hot 100 top 10s, in 2003-05.)

Just beyond the Hot 100’s top 10, four songs hit new highs in the top 20: 6ix9ine’s “Gummo” (19-13); NF’s “Let You Down” (15-14); Bebe Rexha and Florida Georgia Line’s “Meant to Be” (18-17), as it tops Hot Country Songs for an eighth week; and Swift’s “End Game,” featuring Sheeran and Future (36-18), following the first full week of tracking for its official video.

Find out more Hot 100 news in the weekly “Hot 100 Chart Moves” column and by listening (and subscribing) to Billboard‘s Chart Beat Podcast and Pop Shop Podcast. And again, be sure to visit Billboard.com tomorrow (Jan. 23), when all charts, including the Hot 100 in its entirety, will refresh. The next issue of Billboardmagazine is on sale Friday (Jan. 26).

Source: billboard.com

She’s the first woman to bow at No. 1 with a debut full-length album in three years.

Camila Cabello debuts atop the Billboard 200 chart with her first solo effort, Camila, earning 119,000 equivalent album units in the week ending Jan. 18, according to Nielsen Music. Of that sum, 65,000 were in traditional album sales. Cabello is the first woman in three years to hit No. 1 with her debut full-length album.

Camila was released on January 12 through SYCO/Epic Records.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption, which includes traditional album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). The new Jan. 27-dated chart (where Camila debuts at No. 1) will be posted in full on Billboard’s websites on Tuesday, Jan. 23.

Camila’s launch of 119,000 is larger than expected, as some industry forecasters projected the set would begin with around 90,000 units, and was in a race for No. 1 with the soundtrack to The Greatest Showman. As it turns out, The Greatest Showman— which had spent the past two weeks at No. 1 — falls to No. 2 with 104,000 units (increasing by 1 percent compared to the previous week). The Greatest Showmanactually beats Camila in traditional album sales (70,000 vs. 65,000) and is the top-selling album of the week. Camila was able to come out on top on the Billboard 200 over The Greatest Showman thanks to TEA units and SEA units. Camila earned 16,000 TEA units (vs. 8,000 for Showman) and 38,000 SEA units (vs. 26,000 for Showman).

Cabello is the first woman to reach No. 1 on the Billboard 200 with her debut full-length album in three years – since Meghan Trainor’s Title (also on Epic) opened atop the list dated Jan. 31, 2015. (Trainor had a previous EP, also named Title, which reached No. 15.) If we count all initial chart appearances by women (including EPs), Cabello is the first woman to top the list with her first overall charting effort since Ariana Grande bowed at No. 1 with her first full-length album — and chart debut — Yours Truly on Sept. 21, 2013.

Cabello also joins an exclusive club of female performers who initially reached the Billboard 200 as part of a group, and then later hit No. 1 with a solo album. Cabello was formerly a member of the all-female vocal group Fifth Harmony, which claimed three top 10s while Cabello was in the group. Cabello departed Fifth Harmony in December of 2016.

Cabello follows Gwen Stefani (No Doubt), Beyoncé and LeToya (both of Destiny’s Child), Lauryn Hill (Fugees), Patti LaBelle (Labelle), Stevie Nicks (Fleetwood Mac), Linda Ronstadt (The Stone Poneys), Diana Ross (The Supremes) and Janis Joplin (Big Brother and the Holding Company). (Honorary mention goes to Selena Gomez, who notched three albums first with Selena Gomez & The Scene, before going totally solo with the No. 1 album Stars Dance in 2013.)

In addition, as Cabello is just 20 years and 10 months old, she is the youngest person to debut at No. 1 with their first full-length album since 2015, when a 16-year-old Shawn Mendes opened at No. 1 with Handwritten on the May 2, 2015-dated chart. Cabello is the youngest woman to bow at No. 1 with her first full-length set since 2013, when Ariana Grande (then 20 years and two months old) debuted at No. 1 with Yours Truly (Sept. 21, 2013).

At No. 3 on the new Billboard 200, Ed Sheeran’s ÷ (Divide) slips one rung (47,000 units; down 10 percent). Post Malone’s Stoney climbs 5-4 (35,000 units; down 5 percent) and Taylor Swift’s Reputation is up 6-5 (just over 33,000 units; down 9 percent). G-Eazy’s The Beautiful & Damned falls 3-6 (33,000 units; down 12 percent), Kendrick Lamar’s DAMN. ascends 8-7 (30,000 units; down 15 percent), Eminem’s Revival slips 7-8 (29,000 units; down 20 percent) and Lil Uzi Vert’s Luv Is Rage 2 hops 11-9 (28,000; down 4 percent).

Rapper Lil Skies is a new visitor to the top 10, as his album Life of a Dark Rose jumps 23-10 with 28,000 units (up 65 percent) in its second chart week. Powered largely by streams, the set collected 25,000 in SEA units, equaling 37 million on-demand audio streams for its songs during the tracking week. Songs leading the streaming charge for the album include “Nowadays” and “Red Roses,” both featuring Landon Cube, “Lust” and “Welcome to the Rodeo.” Both “Nowadays” and “Red Roses” ranked within the top 40 of the most recently announced Hot R&B/Hip-Hop Songs chart (dated Jan. 20).

Source: billboard.com

Sheeran’s ballad, on top for a sixth week, heads up an action-packed top 10.

Ed Sheeran‘s “Perfect” leads the Billboard Hot 100 for a sixth week on the chart dated Jan. 20.

Meanwhile, two songs surge to the top 10, as Bruno Mars and Cardi B‘s “Finesse” blasts from its No. 35 debut to No. 3, following the first full week of tracking for its new remix, and Justin Timberlake‘s “Filthy” launches at No. 9 after its first seven days of availability.

Let’s run down the top 10 of the Hot 100, which blends all-genre streaming, airplay and sales data. All charts will update on Billboard.com tomorrow (Jan. 17).

Starting with “Finesse,” the new jack swing-reviving collaboration was originally released as a solo song on Mars’ 2016 album 24K Magic (on Atlantic Records). After the arrival of its remix and official video Jan. 4, the song entered the Jan. 13-dated Hot 100 on the strength of a day of streaming and sales tracking, and three days of airplay tracking, for its new version (with all versions contributing to its singular chart listing).

After a first full week of tracking after the new version’s release, “Finesse” roars onto the Streaming Songs chart at No. 1, with 38.3 million U.S. streams (up 342 percent) in the week ending Jan. 11, according to Nielsen Music. It charges 13-2 on Digital Song Sales, with 87,000 downloads sold (up 189 percent) in the week ending Jan. 11, and 49-14 on Radio Songs, with 52 million in all-format airplay audience (up 103 percent) in the week ending Jan. 14.

No. 1 streaming debut: “Finesse” is the first No. 1-debuting title on Streaming Songs since the song that it dethrones after 14 weeks on top: Post Malone’s “Rockstar,” featuring 21 Savage. Mars notches his second No. 1 on the list and first as a lead artist, following his 12-week reign in 2015 as featured on Mark Ronson’s “Uptown Funk!”

Cardi B likewise achieves her second Streaming Songs No. 1, after her debut hit “Bodak Yellow (Money Moves)” topped the chart for two weeks beginning Sept. 30.

Top 10 totals: Mars tallies his 15th Hot 100 top 10 and Cardi B collects her fourth. Her second and third top 10s remain in the region: G-Eazy’s “No Limit,” featuring A$AP Rocky and Cardi B, holds at No. 5 (after reaching No. 4) and Migos, Nicki Minaj and Cardi B’s “MotorSport” descends 8-10 (after hitting No. 6).

Third time’s a charm, for third time, for Mars: Especially impressively, Mars has now earned three Hot 100 top 10s from each of his first three proper albums, becoming just the second male artist and sixth act overall to achieve the career-opening feat.

“Finesse” follows the 24K Magic title cut, which reached No. 4 on the Hot 100 in December 2016, and “That’s What I Like,” which topped the May 13, 2017-dated chart. (Third single “Versace on the Floor” peaked at No. 33 in September.)

Mars’ debut LP, 2010’s Doo-Wops & Hooligans, generated the twin four-week Hot 100 leaders “Just the Way You Are” and “Grenade” and the No. 4-peaking “The Lazy Song.” 2012’s Unorthodox Jukebox yielded two more No. 1s, “Locked Out of Heaven” (six weeks) and “When I Was Your Man” (one), and the No. 5 hit “Treasure.” (Mars first released the EP It’s Better If You Don’t Understand in 2010.)

The only other acts with at least three Hot 100 top 10s apiece from each of their first three proper solo albums: Whitney Houston, Mariah Carey, Beyonce, Lady Gaga (including 2010’s The Fame Monster) and the only male before Mars to earn the honor, and the first artist overall to do so, in 1982-86, Lionel Richie.

35-3: Studious chart fans may notice that “Finesse” makes the second 35-3 jump in the Hot 100’s history (which dates to Aug. 4, 1958). The only other song to do so? Answer at the end of this story. (Hint: the first such song made the move during new jack swing’s original heyday.)

R&B/hip-hop royalty: “Finesse” concurrently climbs 16-1 on the Hot R&B/Hip-Hop Songs chart and 2-1 on Hot R&B Songs. On the former ranking, Mars earns his second No. 1, following “That’s What I Like” (10 weeks), as does Cardi B, following “Bodak Yellow” (six). On the latter list (which began in 2012), Mars also adds his second No. 1, after “Like” led for a record-tying 20 weeks. Cardi B tops Hot R&B Songs in her first appearance on the chart.

Meanwhile, Timberlake’s “Filthy” (on RCA Records) bows at No. 9 on the Hot 100. It enters Digital Song Sales at No. 3 (79,000 sold) and Streaming Songs at No. 26 (15.8 million U.S. streams) and jumps 45-32 on Radio Songs (36 million impressions).

Timberlake scores his 18th solo Hot 100 top 10 (to go along with six visits that he made to the region in 1999-2002 as a member of *NSYNC). He earns his third-highest debut among 30 charted titles, after the No. 1-launching “Can’t Stop the Feeling!” (May 28, 2016), his previous Hot 100 hit before “Filthy,” and “Holy Grail,” by JAY-Z featuring Timberlake, which started at No. 8, and peaked at No. 4, in 2013. (Thus, Timberlake has tallied his two highest Hot 100 debuts as a lead artist with his 29th and 30th entries.) He landed his first solo top 10 with “Cry Me a River,” which hit No. 3 in 2003.

“Filthy” is the lead single from Timberlake’s fifth album (and first in over four years), Man of the Woods, due Feb. 2. Two days later, Timberlake will perform at the Super Bowl LII Halftime Show.

Atop the Hot 100, Sheeran’s “Perfect” (on Atlantic Records) leads for a sixth week. The ballad crowns Digital Song Sales for a seventh week (98,000, down 10 percent) and Radio Songs for a second frame (145 million, up 6 percent), while rebounding 4-3 (after a week at No. 1) on Streaming Songs (38 million, up 4 percent). The song also takes over at No. 1 on both the Pop Songs and Adult Pop Songs airplay charts.

As previously reported, “Perfect” has reverted to being billed as by Sheeran solo on almost all Billboard charts after five weeks in which Beyoncé received co-lead credit following the release of its duet version. After its first week of release, that version was the most dominant in sales and streams, while also receiving significant airplay, as it was being promoted to radio.

After multiple weeks of the duet no longer contributing the bulk of its sales (or streams or airplay), only Sheeran is now credited (except on Rhythmic Songs, where Beyonce remains co-billed, as that version is still logging notable activity at the format); all versions will continue to contribute to the song’s singular chart listing.

This practice of temporarily adding artist credit while a particular version factors heavily into a song’s success has been applied to previous singles, including, for example, Rihanna’s “S&M” (Britney Spears) and Spears’ “Till the World Ends” (Nicki Minaj and Kesha), both in 2011.

Camila Cabello’s “Havana” logs a seventh week at its No. 2 Hot 100 peak. The last No. 2 hit by a lead female to post seven weeks at the runner-up rank? Lady Gaga’s “Bad Romance” in 2009-10. (Missy “Misdemeanor” Elliott’s “Work It” shares the peak longevity mark among all No. 2 Hot 100 hits: it spent 10 weeks at the position in 2002-03. The track tied Foreigner’s “Waiting for a Girl Like You,” which hit a No. 2 high for 10 weeks in 1981-82.)

Elsewhere in the Hot 100’s top 10, former eight-week No. 1 “Rockstar” retreats 3-4, while topping Hot Rap Songs for a 14th week; Imagine Dragons’ “Thunder” drops from its No. 4 peak to No. 6, while leading Hot Rock Songs for an 11th frame; Halsey’s “Bad at Love” dips from its No. 6 Hot 100 high to No. 7; and Sam Smith’s No. 4-peaking “Too Good at Goodbyes” slides 7-8.

Quiz answer! The only song before Bruno Mars and Cardi B’s “Finesse” to fly from No. 35 to No. 3 on the Hot 100? Michael Jackson’s “Black or White,” on the chart dated Nov. 30, 1991 (the week that the chart adopted Nielsen Music data). The King of Pop’s smash began a seven-week run at No. 1 the following week.

Find out more Hot 100 news in the weekly “Hot 100 Chart Moves” column and by listening (and subscribing) to Billboard‘s Chart Beat Podcast and Pop Shop Podcast. And again, be sure to visit Billboard.com tomorrow (Jan. 17), when all charts, including the Hot 100 in its entirety, will refresh. The next issue of Billboardmagazine is on sale Friday (Jan. 19).

Source: billboard.com