The set scores the largest streaming week of 2023 in the U.S. for any album, with over a half-billion streams for its songs.

Drake earns his 13th No. 1 album on the Billboard 200 albums chart (dated Oct. 21), as his new studio effort For All the Dogs debuts atop the list. The set earned 402,000 equivalent album units in the U.S. in the week ending Oct. 12, according to Luminate. That marks the fourth-largest week of the year for an album, by units earned.

For All the Dogs’ opening frame was almost entirely driven by the streaming activity of its 23 songs. In total, 97% of Dogs’ debut was owed to song streams — adding up to 514.01 million on-demand official streams of those songs in its first week. That results in the largest streaming week of 2023 for any album, and the fourth-largest ever. Strikingly, of the top five biggest streaming weeks four of them were generated by a Drake album.

For All the Dogs was released at 6 a.m. ET on Friday, Oct. 6 — slightly off-cycle, as most new albums are released at 12 a.m. ET every Friday. The album was first teased in June, and then on Sept. 6, he announced the album was due to be released on Sept. 22. By Sept. 15, he had pushed that release date back to Oct. 6.

Dogs is Drake’s fourth album in less than two years, and third since June of 2022. He released the collaborative Her Loss with 21 Savage in November of 2022, and the solo sets Honestly, Nevermind in June of 2022 and Certified Lover Boy in Sept. 2021.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Oct. 21, 2023-dated chart will be posted in full on Billboard‘s website on Tuesday (Oct. 17). For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of For All the Dogs’ 402,000 equivalent album units earned in the week ending Oct. 12, SEA units comprise 391,000 (equaling 514.01 million on-demand official streams of the set’s 23 songs), album sales comprise 10,000 (it was only available to purchase as a digital download album) and TEA units comprise a little over 1,000.

In terms of total on-demand official streams earned by the album’s songs in its first week, the 514.01 million figure marks the fourth-largest streaming week ever, and biggest of 2023. Here are the top five biggest streaming weeks for an album, by total on-demand streams earned by a set’s collected songs: Drake’s Scorpion (745.92 million in its debut, in 2018), Drake’s Certified Lover Boy (743.67 million in its debut, 2021), Taylor Swift’s Midnights (549.26 million in its debut, 2022), For All the Dogs (514.01 million) and Drake and 21 Savage’s Her Loss (513.56 million in its debut, 2022).

With a 13th No. 1 album on the Billboard 200, Drake breaks out of a tie with Swift to solely have the third-most No. 1s on the chart. The Beatles continue to have a record 19 No. 1s, followed by Jay-Z with 14, Drake with 13, and Swift with 12. (Swift’s next album, the re-recorded 1989 [Taylor’s Version], is due to be released on Oct. 27. All 12 of Swift’s full-length studio albums and re-recorded projects from 2008’s Fearless through 2023’s Speak Now [Taylor’s Version] have debuted at No. 1.)

The Nos. 2 through 7 albums on the new Billboard 200 are all former No. 1s. Morgan Wallen’s One Thing at a Time dips 1-2 with 72,000 equivalent album units earned (down 3%), Rod Wave’s Nostalgia falls 2-3 (59,000; down 16%), Olivia Rodrigo’s Guts descends 3-4 (nearly 59,000; down 12%), Zach Bryan’s self-titled album is a non-mover at No. 5 (53,000; down 9%), SZA’s SOS is stationary at No. 6 (50,000; down 4%), Swift’s Midnights climbs 8-7 (42,000; down 2%) an Travis Scott’s Utopia dips 7-8 (40,000; down 12%).

Noah Kahan’s Stick Season is back in the top 10 for the first time since June, as it climbs 13-9 with 39,000 equivalent album units (up 26%). The set benefits from activity generated by a recently released remix of the album’s “She Calls Me Back” with Kacey Musgraves. Kahan also additionally gained exposure thanks to Rodrigo’s recent cover of the album’s title track on BBC Radio 1’s Live Lounge.

Rounding out the new top 10 of the Billboard 200 is Swift’s former No. 1 Lover, which rises 11-10 with nearly 39,000 equivalent album units earned (down 4%).

Source: billboard.com

Plus, SZA scores her first leader on Radio Songs with “Snooze.”

Doja Cat’s “Paint the Town Red” tops the Billboard Hot 100 songs chart for a third week.

Plus, SZA’s “Snooze,” which holds at its No. 2 Hot 100 high, ascends to the top of the Radio Songs chart, becoming her first leader on the airplay ranking, and Jung Kook and Jack Harlow’s “3D” debuts at No. 5 on the Hot 100. “3D” becomes Jung Kook’s second Hot 100 top 10 – making him the first BTS member with multiple solo top 10s – and Harlow’s fourth.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Oct. 14, 2023) will update on Billboard.com tomorrow (Oct. 10). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

“Paint the Town Red,” released on Kemosabe/RCA Records, drew 61.8 million radio airplay audience impressions (up 18%) and 23.3 million streams (down 15%) and sold 6,000 downloads (down 9%) in the Sept. 29-Oct. 5 tracking week, according to Luminate. It wins the Hot 100’s top Airplay Gainer award for a third consecutive frame.

The single falls to No. 2 on the Streaming Songs chart following a week at the summit and to No. 4 on Digital Song Sales following two weeks on top; and rises 7-5 on Radio Songs, becoming Doja Cat’s seventh top five hit. It concurrently tops the multi-metric Hot R&B/Hip-Hop Songs and Hot Rap Songs charts for a sixth and seventh week, respectively.

Doja Cat triples her prior Hot 100 command, as “Say So,” featuring Nicki Minaj, led for a week in May 2020.

SZA’s “Snooze” repeats at its No. 2 Hot 100 high, with 75.8 million in radio audience (up 4%), 16.5 million streams (down 5%) and 2,000 sold (down 5%). It ascends 3-1 on Radio Songs, where it’s SZA’s first leader, among four top 10s; “Kill Bill” hit No. 2 in April, following her featured turns on Doja Cat’s “Kiss Me More” (No. 2, 2021) and Maroon 5’s “What Lovers Do” (No. 5, 2017). “Snooze” concurrently tops the multi-metric Hot R&B Songs chart for an 11th week.

(With “Paint the Town Red” at No. 1 on the Hot 100 and “Snooze” at No. 2, RCA ranks in the top two spots for a second consecutive week; until the last two weeks, RCA hadn’t infused the top two simultaneously under the label’s current organizational structure within Sony Music, which dates to the early 2010s.)

Taylor Swift’s “Cruel Summer” climbs 4-3 on the Hot 100, returning to its best rank. Thanks to “Paint the Town Red,” “Snooze” and “Cruel Summer,” the chart’s top three consists entirely of women for the first time in over seven months, since the March 4-dated ranking, when Miley Cyrus’ “Flowers” placed at No. 1, followed by SZA’s “Kill Bill” at No. 2 and PinkPantheress and Ice Spice’s “Boy’s a Liar, Pt. 2” at No. 3. The latest list marks the first top three each by a single female artist since a month before that, with SZA and Swift again involved; on the Feb. 4 chart, Cyrus’ “Flowers” was No. 1, followed by “Kill Bill” at No. 2 and Swift’s “Anti-Hero” at No. 3.

Luke Combs’ cover of Tracy Chapman’s No. 6-peaking 1988 Hot 100 classic “Fast Car” backs up 3-4, following eight weeks at its No. 2 high. The latter adds a third week at No. 1 on the multi-metric Hot Country Songs chart.

Jung Kook and Jack Harlow’s “3D” launches at No. 5 on the Hot 100, with 13.6 million streams, 3.1 million in radio audience and 87,000 physical and digital singles sold combined, following its Sept. 29 release. (The song’s original, “Alternate” and instrumental versions were released that day, while its A.G. Cook remix and clean, sped up and slowed down mixes arrived Oct. 2.)

“3D” is Jung Kook’s second Hot 100 top 10 – making him the first BTS member with multiple solo top 10s – while Harlow adds his fourth.

Here’s a recap of all six top 40 Hot 100 entries so far by BTS members apart from the group, ranked by peak position. All seven of the act’s members have reached the chart overall with solo songs: J-Hope, Jimin, Jin, Jung Kook, RM, Suga and V. (As a group, BTS boasts 15 top 40 hits, including 10 top 10s and six No. 1s.)

Peak Pos., Date, Artist, Title:

• No. 1, one week, July 29, 2023, Jung Kook feat. Latto, “Seven”
• No. 1, one week, April 8, 2023, Jimin, “Like Crazy”
• No. 5 (to date), Oct. 14, 2023, Jung Kook & Jack Harlow, “3D”
• No. 22, July 9, 2022, Charlie Puth feat. Jung Kook, “Left and Right”
• No. 29, Dec. 25, 2021, Juice WRLD & Suga, “Girl of My Dreams”
• No. 30, April 1, 2023, Jimin, “Set Me Free, Pt. 2”

“3D” opens at No. 1 on Digital Song Sales, where Jung Kook and Jack Harlow each earn a third leader.

Zach Bryan’s “I Remember Everything,” featuring Kacey Musgraves, descends 5-6 on the Hot 100, after it led for a week upon its debut in September. It rebounds for a fourth week atop Streaming Songs (25.2 million, down 5%) and paces the multi-metric Hot Rock & Alternative Songs and Hot Rock Songs charts for a sixth week each.

Morgan Wallen’s “Last Night” dips 6-7 on the Hot 100, following 16 weeks at No. 1 starting in March, the most ever for a non-collaboration; Gunna’s “Fukumean” is steady at No. 8, after hitting No. 4; and Olivia Rodrigo’s “Vampire” falls at 7-9, following two nonconsecutive weeks at No. 1 beginning in July.

Rounding out the Hot 100’s top 10, Rema and Selena Gomez’s “Calm Down” drops 9-10, after reaching No. 3. It rules the Billboard U.S. Afrobeats Songs chart for a record-extending 58th week.

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated Oct. 14), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (Oct. 10).

Source: billboard.com

Plus: Ed Sheeran’s “Autumn Variations” debuts in the top five.

Morgan Wallen’s One Thing at a Time returns to No. 1 on the Billboard 200 albums chart (dated Oct. 14), rising 3-1, notching a 16th nonconsecutive and total week atop the list. It earned 74,500 equivalent album units in the U.S. in the week ending Oct. 5 (up 2%), according to Luminate.

One Thing at a Time continues to have the most weeks at No. 1 among all albums since Adele’s 21 logged 24 nonconsecutive weeks atop the list in 2011-12.

One Thing at a Time debuted at No. 1 on the Billboard 200 chart dated March 18 and spent it first 12 weeks atop the list. It stepped aside for two weeks, and then returned for another three weeks in a row at No. 1 (June 24-July 8-dated charts). Now in its 31st week on the chart, the album has yet to depart the top four.

Also in the top 10 of the new Billboard 200, Ed Sheeran collects his seventh top 10-charting effort — all of which have reached the top five — as his latest release Autumn Variations debuts at No. 4. It’s his second top five debut of 2023, following – (Subtract) in May.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Oct. 14, 2023-dated chart will be posted in full on Billboard‘s website on Oct. 10. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of One Thing at a Time’s 74,500 equivalent album units earned in the week ending Oct. 5, SEA units comprise 71,500 (equaling 97.56 million on-demand official streams of the set’s 36 songs), album sales comprise 2,000, and TEA units comprise 1,000.

One Thing at a Time’s 74,500-unit sum is the smallest total for a No. 1 album in nearly a year-and-a-half, since Pusha T’s It’s Almost Dry debuted atop the chart dated May 7, 2022, with 55,000 units.

Rod Wave’s Nostalgia falls to No. 2 in its third week on the chart (71,000 equivalent album units; down 20%), after spending its first two weeks atop the list. Olivia Rodrigo’s chart-topping Guts dips 2-3 with 67,000 (down 23%).

Sheeran logs his seventh top 10 charting album on the Billboard 200 — all of which have debuted in the top five — as his new studio set Autumn Variations bows at No. 4 with nearly 62,000 equivalent album units earned. Of that sum, album sales comprise 46,500 (making it the top-selling album of the week), SEA units comprise 15,000 (equaling 18.78 million on-demand official streams of the set’s 14 songs) and TEA units comprise 500.

Autumn Variations was announced on Aug. 24, a little over a month before the album was released on Sept. 29. The album’s arrival comes only five months after Sheeran last bowed on the chart, when his previous studio effort, – (Subtract), launched at No. 2 on the May 20-dated tally.

Four former No. 1s follow Sheeran on the new Billboard 200, as Zach Bryan’s self-titled release is a non-mover at No. 5 (59,000 equivalent album units; down 11%), SZA’s SOS is stationary at No. 6 (48,000; down 3%), Travis Scott’s Utopia is steady at No. 7 (46,000; up 4%) and Taylor Swift’s Midnights rises 10-8 (43,000; up 2%).

Rounding out the top 10 of the Billboard 200 is Doja Cat’s Scarlet, falling 2-9 in its second week (41,000 equivalent album units; down 42%), and Peso Pluma’s Génesis, dipping 9-10 (41,000; down 5%).

Source: billboard.com

Doja Cat notches her first multi-week Hot 100 No. 1, while Swift scores her eighth leader on Radio Songs.

Doja Cat’s “Paint the Town Red” rebounds from No. 2 for its second week at No. 1 on the Billboard Hot 100 songs chart. The rapper/singer’s second career leader, which first led three weeks earlier, is her first to reign for multiple weeks, after her “Say So,” featuring Nicki Minaj, spent a week at No. 1 in May 2020.

Plus, Taylor Swift’s “Cruel Summer” rises 6-4 on the Hot 100 (after reaching No. 3) and ascends to the summit on the Radio Songs chart, becoming her eighth leader on the airplay ranking.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Oct. 7, 2023) will update on Billboard.com tomorrow (Oct. 3). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

“Paint the Town Red,” released on Kemosabe/RCA Records, drew 52.6 million radio airplay audience impressions (up 17%) and 27.5 million streams (up 3%) and sold 6,000 downloads (down 19%) in the Sept. 22-28 tracking week, according to Luminate. It wins the Hot 100’s top Airplay Gainer award for a second consecutive frame.

The single climbs 3-1 on the Streaming Songs chart – becoming Doja Cat’s first leader on the list; adds a second week at No. 1 on Digital Song Sales; and pushes 9-7 on Radio Songs. It concurrently tops the multi-metric Hot R&B/Hip-Hop Songs and Hot Rap Songs charts for a fifth and sixth week, respectively.

(As “Paint the Town Red” samples Dionne Warwick’s 1964 standard “Walk on By,” legendary late songwriters Burt Bacharach and Hal David are credited as writers on both songs. Doja Cat’s hit is Bacharach’s first multi-week leader, among eight total No. 1s, since “That’s What Friends Are For” by Warwick, Elton John, Gladys Knight and Stevie Wonder [four weeks in 1986]; David has his first multi-week No. 1, among five leaders, since the Carpenters’ “[They Long To Be] Close to You” [four weeks, 1970].)

SZA’s “Snooze” rises 3-2 for a new Hot 100 high, with 72.9 million in radio audience (up 4%), 17.5 million streams (down 18%) and 2,000 sold (down 35%); a week earlier, it jumped from No. 8 following the Sept. 15 release of its remix featuring Justin Bieber. It tops the multi-metric Hot R&B Songs chart for a 10th week.

The song becomes SZA’s third to reach the Hot 100’s top two – all this year – following her first two No. 1s: “Kill Bill,” which led for a week in April, and Drake’s “Slime You Out,” on which she’s featured; the latter debuted at No. 1 a week earlier and falls to No. 12.

Luke Combs’ cover of Tracy Chapman’s No. 6-peaking 1988 Hot 100 classic “Fast Car” rides 4-3, following eight weeks at its No. 2 high. It adds a second week at No. 1 on the multi-metric Hot Country Songs chart.

Taylor Swift’s “Cruel Summer” advances 6-4 on the Hot 100, after hitting No. 3, and elevates 2-1 to crown the Radio Songs chart (76.1 million, up 2%). The song becomes Swift’s eighth Radio Songs leader, as she breaks out of a tie with Maroon 5, Katy Perry and Usher for the fourth-most since the chart began in December 1990; Rihanna leads with 13 Radio Songs No. 1s, followed by Mariah Carey (11) and Bruno Mars (nine).

Here’s an updated look at Swift’s Radio Songs No. 1s:

Title, Weeks at No. 1, Year(s):

• “Cruel Summer,” one, to date, 2023
• “Anti-Hero,” five, 2022-23
• “Wildest Dreams,” two, 2015
• “Bad Blood” (feat. Kendrick Lamar), five, 2015
• “Blank Space,” six, 2014-15
• “Shake It Off,” four, 2014
• “I Knew You Were Trouble.,” four, 2013
• “You Belong With Me,” two, 2009

As previously reported, “Cruel Summer” becomes Swift’s sole longest-leading No. 1 on Billboard’s Pop Airplay chart, where it leads for an eighth week, surpassing her seven-week reign with “I Knew You Were Trouble.”

“Cruel Summer” was originally released on Swift’s 2019 album Lover. Republic Records began promoting it as a single in June, as Swift has performed it on her The Eras Tour, her first in which she’s been able to spotlight songs from Lover, which was released shortly before the onset of the COVID-19 pandemic. Notably, the song is the second released in the 2010s to top Radio Songs this year; The Weeknd and Ariana Grande’s “Die for You” (also on Republic) dominated for two weeks in February, after it was originally released, by The Weeknd solo, in 2016.

Meanwhile, with Radio Songs No. 1s in the 2000s, ’10s and ’20s, Swift is the only artist with leaders on the chart in each of the three decades, as well as the only artist with No. 1s as a lead act in any three distinct decades, dating to the ‘90s.

Zach Bryan’s “I Remember Everything,” featuring Kacey Musgraves, holds at No. 5 on the Hot 100, four weeks after it debuted at No. 1. It leads the multi-metric Hot Rock & Alternative Songs and Hot Rock Songs charts for a fifth week each.

Morgan Wallen’s “Last Night” rebounds 8-6 on the Hot 100, following 16 weeks at No. 1, the most ever for a non-collaboration; Olivia Rodrigo’s “Vampire” keeps at No. 7, following two nonconsecutive weeks at No. 1; and Gunna’s “Fukumean” rises 9-8, after hitting No. 4.

Rema and Selena Gomez’s “Calm Down” returns to the Hot 100’s top 10, lifting 11-9, after reaching No. 3. It rules the Billboard U.S. Afrobeats Songs chart for a record-extending 57th week.

Rounding out the Hot 100’s top 10,  Dua Lipa’s “Dance the Night” is steady at No. 10, after hitting No. 6.

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated Oct. 7), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (Oct. 3).

Source: billboard.com

Drake adds his 12th leader, tying for the fifth-most in the chart’s history, and SZA scores her second.

Drake’s “Slime You Out,” featuring SZA, soars in at No. 1 on the Billboard Hot 100 songs chart.

The collaboration, from Drake’s album For All the Dogs, expected Oct. 6, is Drake’s 12th Hot 100 leader, tying him for the fifth-most in the list’s history, and SZA’s second.

SZA also surges to a new No. 3 Hot 100 high with her own single “Snooze,” boosted by a new remix with Justin Bieber.

Plus, Luke Combs’ cover of Tracy Chapman’s “Fast Car,” at No. 4 on the Hot 100, hits No. 1 on the Hot Country Songs chart for the first time, after a lengthy wait parked in the runner-up spot.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Sept. 30, 2023) will update on Billboard.com tomorrow (Sept. 26). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Here’s a look at the coronation of “Slime You Out,” the 1,156th single to top the Hot 100 over the chart’s 65-year history, and the 71st to debut at No. 1.

Streams, sales & airplay: Released Sept. 15 at 12 p.m. ET on OVO Sound/Republic Records, “Slime You Out” drew 32.6 million streams and 5.2 million radio airplay audience impressions and sold 2,000 downloads in the tracking week ending Sept. 21, according to Luminate.

The single also debuts at No. 1 on the Streaming Songs chart and No. 29 on Digital Song Sales.

Drake’s 12th Hot 100 No. 1: Drake achieves his 12th Hot 100 No. 1. He ties for the fifth-most leaders among all acts – and moves to within one of Michael Jackson’s mark for the most among solo males.

Most Billboard Hot 100 No. 1s:

• 20, The Beatles
• 19, Mariah Carey
• 14, Rihanna
• 13, Michael Jackson
• 12, Drake
• 12, Madonna
• 12, The Supremes
• 11, Whitney Houston
• 10, Janet Jackson
• 10, Stevie Wonder

Meanwhile, here’s a recap of Drake’s 12 Hot 100 No. 1s:

• “Slime You Out,” Drake feat. SZA  (one week to-date, Sept. 30, 2023)
• “Jimmy Cooks,” Drake feat. 21 Savage (one week, July 2, 2022)
• “Wait for U,” Future feat. Drake & Tems (one week, May 14, 2022)
• “Way 2 Sexy,” Drake feat. Future and Young Thug (one week, Sept. 18, 2021)
• “What’s Next,” Drake (one week, March 20, 2021)
• “Toosie Slide,” Drake (one week, April 18, 2020)
• “In My Feelings,” Drake (10 weeks, beginning July 21, 2018)
• “Nice for What,” Drake (eight weeks, beginning April 21, 2018)
• “God’s Plan,” Drake (11 weeks, beginning Feb. 3, 2018)
• “One Dance,” Drake feat. WizKid & Kyla (10 weeks, beginning May 21, 2016)
• “Work,” Rihanna feat. Drake (nine weeks, beginning March 5, 2016)
• “What’s My Name?,” Rihanna feat. Drake (one week at No. 1, beginning Nov. 20, 2010)

SZA’s second No. 1: SZA earns her second Hot 100 No. 1. She first reigned for a week in April with “Kill Bill.” She claims her first No. 1 debut, after “Kill Bill” reached the summit in its 19th week on the chart, and after a wait of seven nonconsecutive weeks at No. 2.

Drake’s record eighth No. 1 debut: “Slime You Out” is Drake’s record-extending eighth song to debut at No. 1 on the Hot 100. He previously started at the top with “Jimmy Cooks,” “Wait for U,” “Way 2 Sexy,” “What’s Next,” “Toosie Slide,” “Nice for What” and “God’s Plan.”

Drake’s records in top 5, 10, 40 & overall: “Slime You Out” extends multiple other Drake records on the Hot 100. Here’s an updated look at his leading ranks among acts with the most hits in the following tiers.

• Top 5: Now with 37 top five Hot 100 hits, Drake moves further ahead of runners-up The Beatles (29). Madonna follows with 28.
• Top 10: Now with 70 top 10 Hot 100 hits, Drake surges further past Taylor Swift, in second place with 42. Madonna is next with 38.
• Top 40: Now with 178 top 40 Hot 100 hits, Drake likewise lifts further ahead Swift, second with 119. Lil Wayne follows with 88, while Elvis Presley ranks fourth with 81 (with his career having predated the chart’s inception by two years).
• Overall: Now with 299 total Hot 100 hits, Drake extends his record for the most over Swift, who places second with 212. The Glee Cast is third with 207.

Drake ties BTS for most No. 1s in the ‘20s: Drake ups his count to six Hot 100 No. 1s in the 2020s – tying BTS for the most so far this decade. Ariana Grande and Swift follow with four each in that span.

Drake earned six Hot 100 No. 1s in the ‘10s, the fourth-best sum, after Rihanna (nine), Katy Perry (eight) and Bruno Mars (seven).

Here’s a recap of the artists with the most Hot 100 leaders in each decade starting with the 1960s, dating to the chart’s Aug. 4, 1958 inception:

• ‘20s, to date: BTS, Drake, six each
• ‘10s: Rihanna, nine
• ‘00s: Usher, seven
• ‘90s: Mariah Carey, 14
• ‘80s: Michael Jackson, nine
• ‘70s: Bee Gees, nine
• ‘60s: The Beatles, 18

(Frankie Avalon and The Fleetwoods tied for the most Hot 100 No. 1s, two each, in 1958-59.)

‘Slime’ also No. 1 on Streaming Songs, R&B/hip-hop charts: As “Slime You Out” concurrently crowns the Streaming Songs chart, Drake adds his record-extending 18th No. 1. Bieber and Swift rank next with six each. SZA notches her second No. 1, after “Kill Bill” reigned for four weeks.

“Slime You Out” likewise launches atop the Hot R&B/Hip-Hop Songs and Hot R&B Songs charts, which use the same multi-metric methodology as the Hot 100. Drake claims his record-padding 29th Hot R&B/Hip-Hop Songs No. 1, further distancing himself from legends Aretha Franklin and Stevie Wonder, each with 20. SZA achieves her third Hot R&B/Hip-Hop Songs No. 1, after “Kill Bill” ruled for a record 21 weeks beginning last December and “I Hate U” led for a week in 2021.

On Hot R&B Songs, which began in 2012, Drake posts his eighth No. 1, and SZA, her fifth.

Doja Cat’s “Paint the Town Red” holds at No. 2 on the Hot 100, two weeks after it became her second No. 1. The song drew 44.9 million in radio reach (up 19%), 26.7 million streams (down 2%) and sold 8,000 (up 4%) – as it becomes her second leader (5-1) on Digital Song Sales and her ninth top 10 (13-9) on the Radio Songs chart. It also tops the multi-metric Hot Rap Songs chart for a fifth week.

SZA’s “Snooze” reawakens with an 8-3 leap on the Hot 100, surpassing its prior No. 7 best. Following the Sept. 15 release of its remix featuring Bieber, it’s up 50% to 21.4 million streams and 86% to 3,000 sold; already an established airplay hit, it rises to a new No. 3 high, from No. 5, on Radio Songs (70.1 million, up 4%). SZA now has four career top five Hot 100 hits, among nine top 10s, as “Snooze” and “Slime You Out” join “Kill Bill” and “Kiss Me More,” featuring Doja Cat (No. 3, 2021).

(All versions of “Snooze” roll up into one chart listing; Bieber is not listed on the song on the Hot 100, as the remix did not account for the majority of the single’s overall consumption during the tracking week.)

Notably, the Hot 100’s top three, of “Slime You Out,” “Paint the Town Red” and “Snooze,” mirrors that of the Hot R&B/Hip-Hop Songs chart – for the first time in over two years. The lists last lined up in the region on the charts dated Sept. 18, 2021, when Drake’s LP Certified Lover Boy premiered atop the Billboard 200 and its tracks “Way 2 Sexy,” featuring Future and Young Thug, “Girls Want Girls,” featuring Lil Baby, and “Fair Trade,” featuring Travis Scott, debuted at Nos. 1, 2 and 3, respectively, on the Hot 100 and Hot R&B/Hip-Hop Songs. Country and pop have dominated the Hot 100’s top 10 in 2023, while “Paint the Town Red” became the chart’s first rap No. 1 in over a year.

(Helping spark the feat, two RCA Records artists rank in the Hot 100’s top three this week, with SZA at Nos. 1 and 3 and Doja Cat at No. 2.)

Luke Combs’ cover of Tracy Chapman’s No. 6-peaking 1988 Hot 100 classic “Fast Car” holds at No. 4 after eight weeks at its No. 2 high. Still, it tops Radio Songs for a fourth week (76.6 million, down 2%) and ascends to No. 1 on the multi-metric Hot Country Songs chart, after 19 weeks at No. 2. Combs claims his sixth Hot Country Songs No. 1 with the remake, which previously topped Country Airplay for five weeks and Adult Pop Airplay for two frames and has reached the top 10 on the Pop Airplay and Adult Contemporary charts.

Zach Bryan’s “I Remember Everything,” featuring Kacey Musgraves, drops 3-5 on the Hot 100, three weeks after it debuted at No. 1. It leads the multi-metric Hot Rock & Alternative Songs and Hot Rock Songs charts for a fourth week each.

Rounding out the Hot 100’s top 10, Swift’s “Cruel Summer” descends 5-6, after reaching No. 3; Olivia Rodrigo’s “Vampire” falls to No. 7 following its second nonconsecutive week at No. 1; Morgan Wallen’s “Last Night” slips 6-8, following 16 weeks at No. 1, the most ever for a non-collaboration; Gunna’s “Fukumean” holds at No. 9, after hitting No. 4; and Dua Lipa’s “Dance the Night” repeats at No. 10, after reaching No. 6.

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated Sept. 30), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (Sept. 26).

Source: billboard.com

He’s only the second act to have notched new No. 1 albums in each of the last three years.

Rod Wave captures his third No. 1 album on the Billboard 200 chart (dated Sept. 30) as his latest release, Nostalgia, opens atop the tally. The set bows with 137,000 equivalent album units earned in the U.S. in the week ending Sept. 21, according to Luminate — the rapper/singer’s biggest week yet by units earned. Nearly all of the album’s first-week sum was driven by streaming activity of the set’s 18 tracks.

The artist previously led the Billboard 200 with his last two full-length projects, Beautiful Mind (2022) and SoulFly (2021). He’s only the second artist, following Taylor Swift, to have notched a new No. 1 album in each of the last three years. In total, Nostalgia is his sixth top 10-charting effort — the entirety of his entries on the Billboard 200.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Sept. 30, 2023-dated chart will be posted in full on Billboard‘s website on Tuesday (Sept. 26). For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of Nostalgia’s 137,000 equivalent album units earned in the week ending Sept. 21, SEA units comprise 135,000 (equaling 187.51 million on-demand official streams of the set’s 18 songs — the third-largest debut streaming week for an R&B/hip-hop album in 2023), album sales comprise 1,500 (it was only available to purchase as a digital download album) and TEA units comprise 500.

Olivia Rodrigo’s Guts falls to No. 2 after debuting atop the tally, as the set earned 134,000 in its second week (down 56%). Four more former No. 1s round out the top six, as Zach Bryan’s self-titled album is a non-mover at No. 3 (79,000; down 17%), Morgan Wallen’s One Thing at a Time is stationary at No. 4 (76,000; down 3%), SZA’s SOS rises 6-5 (53,000; up 17%) and Travis Scott’s Utopia falls 5-6 (47,000; down 16%).

Peso Pluma’s Génesis is steady at No. 7 (46,000 equivalent album units; up 7%), Swift’s chart-topping Midnights stands still at No. 8 (42,000; up 1%) and Wallen’s former leader Dangerous: The Double Album holds at No. 9 (38,000; down 2%). The Barbie film soundtrack closes out the top 10, as it steps 11-10 with 36,000 units (down 4%).

Source: billboard.com

Plus, Rodrigo’s “Bad Idea Right?” jumps to a new No. 7 high, as her album Guts launches atop the Billboard 200.

Olivia Rodrigo’s former Billboard Hot 100 No. 1 “Vampire” surges back to the chart’s summit, from No. 9. Plus, her “Bad Idea Right?” roars to a new No. 7 high, from No. 26, as her sophomore album Guts, featuring both songs, launches at No. 1 on the Billboard 200.

Notably, as “Vampire” first led the Hot 100 in July and returns to the top after nine weeks below the top spot, it ties for the longest gap between No. 1 stays among songs in a single release cycle over the chart’s 65-year history; Miley Cyrus’ “Wrecking Ball” ruled for two weeks in September-October 2013 before swinging back for a third frame in the lead that December, as a parody clip, with the song’s original audio, by YouTuber Stephen Kardynal, went viral.

(Among all songs, the only longer breaks between No. 1 Hot 100 runs belong to Chubby Checker’s “The Twist” and Mariah Carey’s “All I Want for Christmas Is You” – each over multiple release cycles. The former returned to the top after a wait of a year, three months and three weeks, between 1960 and 1962, after it re-entered the chart thanks to new popularity among adult audiences; Carey’s Yuletide anthem has led for 12 total weeks, via annual reigns beginning in December 2019, 2020, 2021 and 2022.)

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Sept. 23, 2023) will update on Billboard.com tomorrow (Sept. 19). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

“Vampire” returns to No. 1 on the Hot 100 up 82% to 22.8 million streams in the Sept. 8-14 tracking week, while “Bad Idea Right?” vaulted by 121% to 22.1 million streams, as the latter wins the Hot 100’s top Streaming Gainer award. The first two singles from Guts skyrocket 12-3 (following a week at No. 1) and 26-4 (after reaching No. 3), respectively, on the Streaming Songs chart.

On Radio Songs, “Vampire” holds at its No. 6 high (55.8 million impressions, down 7%) and “Bad Idea Right?” bumps 43-39 (16.2 million, up 15%). Plus, the songs sold 4,000 (up 89%, good for top Sales Gainer honors on the Hot 100) and 2,000 (up 42%), respectively.

“Vampire” debuted atop the Hot 100 dated July 15 and has spent nine of its subsequent 10 weeks on the chart in the top 10. “Bad Idea Right?” previously peaked at No. 10 upon its Aug. 26 debut.

“Vampire” became Rodrigo’s third Hot 100 No. 1, after “Drivers License” dominated for eight weeks beginning in January 2021 and “Good 4 U” led for one week that May.

Guts, released on Geffen/Interscope Records, enters the Billboard 200 with 302,000 equivalent album units in its first week, Rodrigo’s biggest week on the chart. It’s her second Billboard 200 No. 1, after Sour premiered on top in June 2021 (with 295,000 units) and spent five weeks at the summit. Meanwhile, with “Vampire” serving as the lead single from Guts after “Drivers License” introduced Sour, Rodrigo became the first artist ever to debut the lead singles from two career-opening albums at No. 1 on the Hot 100.

Doja Cat’s “Paint the Town Red” retreats to No. 2 on the Hot 100, a week after it hit No. 1. It drew 37.2 million in radio reach (up 16%) and 27.3 million streams (down 2%) and sold 7,000 (down 10%) Sept. 8-14. A week earlier, the song became the rapper/singer’s second leader, following “Say So,” featuring Nicki Minaj, for a week in 2020. It also became the chart’s first rap No. 1 in over a year.

“Paint the Town Red” concurrently crowns the multi-metric Hot R&B/Hip-Hop Songs and Hot Rap Songs charts for a fourth week each. The track is from Doja Cat’s fourth studio album, Scarlet, due Friday (Sept. 22).

Zach Bryan’s “I Remember Everything,” featuring Kacey Musgraves, dips 2-3 on the Hot 100, two weeks after it debuted at No. 1. It leads Streaming Songs (30.1 million, down 5%) and the multi-metric Hot Country Songs, Hot Rock & Alternative Songs and Hot Rock Songs charts for a third week each.

Luke Combs’ cover of Tracy Chapman’s No. 6-peaking 1988 Hot 100 classic “Fast Car” backs up 3-4 after eight weeks at its No. 2 high. Still, it tops Radio Songs for a third week (77.3 million, down 1%).

Taylor Swift’s “Cruel Summer” descends 4-5 on the Hot 100, after reaching No. 3, and Morgan Wallen’s “Last Night” drops 5-6, following 16 weeks at No. 1, the most ever for a non-collaboration.

Below Rodrigo’s “Bad Idea Right?” at No. 7 on the Hot 100, as the track also rebounds for a second week at No. 1 on the multi-metric Hot Alternative Songs chart, SZA’s “Snooze” slips to No. 8 from its No. 7 Hot 100 best, as it leads the multi-metric Hot R&B Songs chart for a ninth week; Gunna’s “Fukumean” falls 8-9 on the Hot 100, after hitting No. 4; and Dua Lipa’s “Dance the Night” retreats to No. 10 from its No. 6 high.

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated Sept. 23), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (Sept. 19).

Source: billboard.com

Plus, V and Tyler Childers bow in top 10.

Olivia Rodrigo’s sophomore album, Guts, debuts atop the Billboard 200 chart (dated Sept. 23), scoring the singer-songwriter her second No. 1 set, following her 2021 debut Sour. The new album starts with 302,000 equivalent album units earned in the U.S. in the week ending Sept. 14, according to Luminate. That marks the fourth-largest week for any album in 2023 and Rodrigo’s best week yet.

With both Sour and Guts having debuted at No. 1 on the Billboard 200, Rodrigo is the first female artist to start atop the chart with two first chart entries in nine years. Ariana Grande was the last woman to debut at No. 1 with two initial chart entries, with Yours Truly in 2013 and My Everything in 2014.

Also in the top 10 of the new Billboard 200, BTS’ V debuts at No. 2 with Layover, while Tyler Childers’ Rustin’ in the Wind launches at No. 10.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Sept. 23, 2023-dated chart will be posted in full on Billboard‘s website on Sept. 19. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of Guts’ 302,000 equivalent album units earned in the week ending Sept. 14, SEA units comprise 151,000 (equaling 199.59 million on-demand official streams of the set’s 12 songs — the sixth-largest debut streaming week of 2023), album sales comprise 150,000 (powered by 94,000 in vinyl sales — the seventh-largest week for a vinyl album since Luminate began electronically tracking sales in 1991) and TEA units comprise 1,000.

Guts was introduced by its first single “Vampire,” which debuted at No. 1 on the Billboard Hot 100 songs chart (dated July 15), marking her third leader. (She previously topped the chart with Sour’s “Drivers License” and “Good 4 U.”) Before Guts’ arrival, it spun off another Hot 100 hit with “Bad Idea Right?,” which debuted and peaked (through the most recently published chart dated June 16) at No. 10 (Aug. 26 chart).

Rodrigo ushered in the album with major promotional appearances, including performances on NBC’s Today (Sept. 8, the day of the album’s release) and the MTV Video Music Awards (Sept. 12). She also did interviews with Today (Sept. 10) and with Zane Lowe on Apple Music 1’s New Music Daily (Sept. 8), and made an appearance at the American Express and Spotify Guts Gallery pop-up activation in New York on Sept. 7. Further, her upcoming Guts World Tour was announced on Sept. 13, with the trek starting on Feb. 23 in Palm Springs, Calif.

Guts’ first-week sales were bolstered by its availability across 13 different vinyl variants (including a signed edition), two deluxe boxed sets containing a vinyl LP and branded merchandise, four CD editions (including a signed version), two deluxe boxed sets containing a CD and branded merchandise, and a cassette tape.

BTS’ V sees his first solo studio album, Layover, launch at No. 2 on the Billboard 200, earning 100,000 equivalent album units in its first week. Of that sum, album sales comprise 88,000, SEA units comprise 9,000 (equaling 12.95 million on-demand official streams of the set’s six tracks) and TEA units comprise 3,000. Layover’s debut was enhanced by its availability in 13 collectible CD iterations, all with randomized branded merch elements contained inside, with exclusive variants sold via Barnes & Noble, Target, Walmart and the Weverse store.

Zach Bryan’s self-titled album falls to No. 3 on the Billboard 200 (95,000 equivalent album units; down 18%) after spending its first two weeks at No. 1. Morgan Wallen’s chart-topping One Thing at a Time slips 2-4 (78,000; down 7%), Travis Scott’s former No. 1 Utopia drops 3-5 (56,000; down 22%), and SZA’s former leader SOS is a non-mover at No. 6 (45,000; up 1%).

Peso Pluma’s Génesis rises one spot to No. 7 (43,000 equivalent album units; up 4%), Taylor Swift’s former No. 1 Midnights falls 5-8 (42,000; down 7%), and Wallen’s first No. 1, Dangerous: The Double Album, ascends 10-9 (39,000; down 4%).

Childers rounds out the top 10, as his latest release, Rustin’ in the Rain, debuts at No. 10 with 38,000 equivalent album units earned — his best week yet by total units. It’s the second top 10-charting effort for the artist, following Can I Take My Hounds To Heaven (No. 8 in 2022). Of Rain’s 38,000 first-week units, album sales comprise 25,000 and SEA units comprise 13,000 (equaling 17.39 million on-demand official streams of the set’s seven songs), rounded out by a negligible amount of TEA units.

Source: billboard.com

The single ascends from No. 3 – and becomes the first rap song to top the chart since August 2022.

Doja Cat’s “Paint the Town Red” rises from No. 3 to No. 1 in its fifth week on the Billboard Hot 100 songs chart. It becomes the rapper/singer’s second career leader, following “Say So,” featuring Nicki Minaj, in 2020.

Meanwhile, “Paint the Town Red” marks the first rap Hot 100 No. 1 in over a year, ending the longest break for the genre atop the chart since 2001.

The Hot 100’s new No. 1 also brings late legendary songwriters Burt Bacharach and Hal David back to the summit for the first time since 2004, thanks to its sample of Dionne Warwick’s classic “Walk on By.”

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Sept. 16, 2023) will update on Billboard.com tomorrow (Sept. 12). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Here’s a look at the Hot 100 coronation of “Paint the Town  Red” (released on Kemosabe/RCA Records), the 1,155th No. 1 in the chart’s 65-year history.

Streams, sales & airplay: “Paint the Town Red” drew 32.1 million radio airplay audience impressions (up 14%) and 27.7 million streams (up 10%) and sold 8,000 downloads (up 32%) in the Sept. 1-7 tracking week, according to Luminate, as it wins the Hot 100’s top Streaming and Sales Gainer awards.

The single holds at its No. 2 high on the Streaming Songs chart and pushes 6-5 on Digital Song Sales and 17-15 on Radio Songs, hitting new bests on the latter two rankings.

Doja Cat’s second Hot 100 No. 1: Doja Cat claims her second Hot 100 leader, following  “Say So,” featuring Nicki Minaj, for a week in May 2020. Two weeks ago, “Paint the Town Red,” which has ridden a wave of virality on TikTok, became her seventh top 10.

The song is from Doja Cat’s fourth studio album, Scarlet, due Sept. 22.

First rap No. 1 in over a year: “Paint the Town Red” marks the first rap track (defined as songs that have hit or are eligible to appear on Billboard’s Hot Rap Songs chart) to lead the Hot 100 since Nicki Minaj’s “Super Freaky Girl,” which ruled upon its debut atop the chart dated Aug. 27, 2022. Doja Cat ends a 54-week break between rap No. 1s (during which three rap titles peaked at No. 2: Lil Durk’s “All My Life,” featuring J. Cole; Drake’s “Search & Rescue”; and Drake and 21 Savage’s “Rich Flex”).

Before the 2022-23 break, the last time the Hot 100 went without a rap champ longer was pre- and post-Y2K: after Will Smith’s “Wild Wild West,” featuring Dru Hill and Kool Moe Dee, reigned for a week in July 1999, rap was absent from the top spot until Shaggy’s “It Wasn’t Me,” featuring Ricardo “RikRok” Ducent, began a two-week command in February 2001 – ending a drought of 79 weeks, or just over 18 months, and 22 No. 1s without a rap leader.

In the 54 frames between the dominations of “Super Freaky Girl” and “Paint the Town Red,” 15 songs topped the Hot 100, ranging from pop to R&B, country and rock/alternative. Click here for a deeper dive into key factors that contributed to rap’s shutout from No. 1 over the past year-plus until this week.

Country’s command halted: Meanwhile, with the return of rap atop the Hot 100, a streak for country ends, as “Paint the Town Red” stops a record run of four consecutive country No. 1s, over the past six weeks. On the Sept. 9-dated chart, Zach Bryan’s “I Remember Everything,” featuring Kacey Musgraves, debuted at No. 1, supplanting Anthony Oliver Music’s “Rich Men North of Richmond” after two weeks on top (Aug. 26 and Sept. 2). Before that, Morgan Wallen’s “Last Night” rebounded for its last two of 16 total weeks at No. 1 (Aug. 12 and 19), directly following Jason Aldean’s one-week reign with “Try That in a Small Town” (Aug. 5).

Five-week climb to No. 1: “Paint the Town Red” reaches No. 1 in its fifth week on the Hot 100, competing what’s become a rare multiple-week ascent to the top in 2023; it debuted at No. 15 on the Aug. 19 chart. The previous five new No. 1s (discounting “Last Night,” which logged a record-tying five distinct stays at No. 1 beginning in March) all debuted at the apex: “I Remember Everything”; “Rich Men North of Richmond”; “Try That in a Small Town”; Jung Kook’s “Seven,” featuring Latto (July 29); and Olivia Rodrigo’s “Vampire” (July 15).

Before the launch of “Vampire” (and 10 weeks at No. 1 on the Hot 100 for “Last Night” in May-July), SZA’s “Kill Bill” hit No. 1 in its 19th week on the chart (April 29) – helped in part by a remix released in that survey’s tracking week with Doja Cat (who did not receive billing on SZA’s song, as the remix did not account for a majority of its consumption that week).

Bacharach, David, back at No. 1: “Paint the Town Red” samples Dionne Warwick’s standard “Walk on By,” which hit No. 6 on the Hot 100 in 1964. Thanks to its inclusion, legendary late songwriters Burt Bacharach and Hal David crown the Hot 100 for the first time since Twista’s “Slow Jamz,” featuring Kanye West and Jamie Foxx, ruled for a week in 2004; that song samples Luther Vandross’ cover of Warwick’s fellow 1964 release “A House Is Not a Home.”

Bacharach, who passed away Feb. 8, has now co-written eight Hot 100 No. 1s, which have reigned in five distinct decades – the 1960s, ‘70s, ‘80s, 2000s and ‘20s – and spanned over 55 years.

Burt Bacharach’s No. 1 Hot 100 Songwriting Credits:

Artist billing, Title (Weeks at No. 1, Peak date)

• Doja Cat, “Paint the Town Red” (one to date, Sept. 16, 2023)
• Twista feat. Kanye West & Jamie Foxx, “Slow Jamz” (one, Feb. 21, 2004)
• Dionne & Friends (Elton John, Gladys Knight & Stevie Wonder), “That’s What Friends Are For” (four, beginning Jan. 18, 1986)
• Patti LaBelle & Michael McDonald, “On My Own” (three, beginning June 14, 1986)
• Christopher Cross, “Arthur’s Theme (Best That You Can Do)” (three, beginning Oct. 17, 1981)
• Carpenters, “(They Long To Be) Close to You” (four, beginning July 25, 1970)
• B.J. Thomas, “Raindrops Keep Fallin’ on My Head” (four, beginning Jan. 3, 1970)
• Herb Alpert, “This Guy’s in Love With You” (No. 1 for four weeks, beginning June 22, 1968)

David, who died in 2012, has now co-penned five Hot 100 No. 1s (over the ‘60s, ‘70s, ‘00s and ‘20s), all with Bacharach. Notably, the Songwriters Hall of Fame annually presents – this year to Post Malone – the Hal David Starlight Award, which, according to the organization, is given to “gifted young songwriters who are making a significant impact in the music industry with their original songs.”

Hal David’s No. 1 Hot 100 Songwriting Credits:

Artist billing, Title (Weeks at No. 1, Peak date)

• Doja Cat, “Paint the Town Red” (one to date, Sept. 16, 2023)
• Twista feat. Kanye West & Jamie Foxx, “Slow Jamz” (one, Feb. 21, 2004)
• Carpenters, “(They Long To Be) Close to You” (four, beginning July 25, 1970)
• B.J. Thomas, “Raindrops Keep Fallin’ on My Head” (four, beginning Jan. 3, 1970)
• Herb Alpert, “This Guy’s in Love With You” (No. 1 for four weeks, beginning June 22, 1968)

Adding to the new Hot 100’s No. 1 star power, Warwick’s voice appears atop the chart for the first time since “That’s What Friends Are For,” as noted above, in 1986. The ballad became her second leader, following her Spinners team-up “Then Came You” for a week in 1974.

‘Paint,’ ‘town’ & ‘red’ reigns: “Paint the Town Red” is the 11th Hot 100 No. 1 with either “paint,” “town” or “red” in its title. Here’s an eclectic recap of the others (with half the No. 1s with “town” in their titles having led since 2015).

• “Paint It, Black,” The Rolling Stones, 1966
• “Try That in a Small Town,” Jason Aldean, 2023
• “Old Town Road,” Lil Nas X feat. Billy Ray Cyrus, 2019
• “Uptown Funk!,” Mark Ronson feat. Bruno Mars, 2015
• “Funkytown,” Lipps, Inc., 1980
• “New Kid in Town,” Eagles, 1977
• “Poor Side of Town,” Johnny Rivers, 1966
• “Downtown,” Petula Clark, 1965
• “Red Red Wine,” UB40, 1988
• “Roses Are Red (My Love),” Bobby Vinton, 1962

No. 1 on R&B/hip-hop charts: “Paint the Town Red” concurrently tops the multi-metric Hot R&B/Hip-Hop Songs and Hot Rap Songs charts for a third week each. It became Doja Cat’s second No. 1 on the former, following “Say So,” and her first on the latter list.

Zach Bryan’s “I Remember Everything,” featuring Kacey Musgraves, drops to No. 2 on the Hot 100, a week after its premiere. Still, it leads Streaming Songs (31.7 million streams, down 6%) and the multi-metric Hot Country Songs, Hot Rock & Alternative Songs and Hot Rock Songs charts for a second week each. Plus, parent LP Zach Bryan tops the Billboard 200 albums chart for a second week.

Luke Combs’ cover of Tracy Chapman’s No. 6-peaking 1988 Hot 100 hit “Fast Car” dips to No. 3 after eight weeks at its No. 2 high. It leads Radio Songs for a second week (77.8 million, down 1%).

Taylor Swift’s “Cruel Summer” rebounds 5-4 on the Hot 100, after reaching No. 3; Morgan Wallen’s “Last Night” descends 4-5, following 16 weeks at No. 1, the most ever for a non-collaboration; Dua Lipa’s “Dance the Night” shimmies 9-6 for a new high; and SZA’s “Snooze” repeats at its No. 7 best, as it leads the multi-metric Hot R&B Songs chart for an eighth week.

Rounding out the Hot 100’s top 10, Gunna’s “Fukumean” lifts 10-8, after hitting No. 4; Olivia Rodrigo’s former leader “Vampire” climbs 12-9; and Rema and Selena Gomez’s “Calm Down” rises 11-10, after reaching No. 3, as it rules the Billboard U.S. Afrobeats Songs chart for a record-extending 54th week.

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated Sept. 16), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (Sept. 12).

Source: billboard.com

Plus, three country albums are in the top four of the chart for the first time in over a decade.

Zach Bryan’s self-titled album spends a second week atop Billboard 200 chart (dated Sept. 16), as the set earned 115,000 equivalent album units in the U.S. in the week ending Sept. 7 (down 42%) according to Luminate.

Also in the top 10 of the latest Billboard 200 chart, the late Jimmy Buffett — who died on Sept. 1 — returns to the top five as his best-of collection Songs You Know by Heart: Jimmy Buffett’s Greatest Hit(s) re-enters the list at No. 4. It marks the album’s highest rank ever — and first week in the top 10, or even top 40, dating to its release in 1985 — and Buffett’s 13th top 10-charting album.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Sept. 16, 2023-dated chart will be posted in full on Billboard‘s website on Sept. 12. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of Zach Bryan’s 115,000 equivalent album units earned in the week ending Sept. 7, SEA units comprise 111,000 (down 77%, equaling 144.08 million on-demand official streams of the set’s 16 songs), album sales comprise 3,000 (down 50%), and TEA units comprise 1,000 (down 36%).

Bryan’s genre-blending album is categorized as country, Americana/folk and rock on Billboard’s charts. It is the first rock effort to spend its first two weeks at No. 1 on the Billboard 200 in seven years — since the Suicide Squad soundtrack logged its first two weeks at No. 1 (Aug. 27-Sept. 3, 2016 charts). It’s the first Americana/folk project to spend its first two weeks at No. 1 since Chris Stapleton’s Traveller also ruled in its first two frames in 2015 (Nov. 21 and 28). Country, Americana/folk and rock albums are defined as those that are eligible for, or have charted on, Billboard’s Top Country Albums, Americana/Folk Albums and Top Rock Albums charts, respectively.

A pair of former No. 1s trails Bryan, as Morgan Wallen’s One Thing at a Time climbs 3-2 (84,000 equivalent album units; up 1%) and Travis Scott’s Utopia dips 2-3 (72,000; down 21%).

The late Buffett’s first best-of compilation, the 1985 release Songs You Know by Heart: Jimmy Buffett’s Greatest Hit(s), re-enters the Billboard 200 at a new peak of No. 4. The album initially peaked at No. 100 the year of its release.

In the tracking week ending Sept. 7, Songs You Know by Heart earned 52,000 equivalent album units (up 2,122%) following the singer-songwriter’s death on Sept. 1 at age 76. It marks the 13th top 10-charting album for Billboard’s most famous alumnus. Buffett was a Nashville-based reporter for Billboard in 1969-70, before the release of his first album.

Songs You Know by Heart contains Buffett’s only Billboard Hot 100 top 10-charting hit, “Margaritaville,” which reached No. 8 in 1977. It also houses the top 40-charting tunes “Changes in Latitudes, Changes in Attitudes,” “Cheeseburger in Paradise,” “Come Monday” and “Fins.”

Like Bryan’s latest album, Buffett’s Songs You Know by Heart is also categorized as a country, Americana/folk and rock album. In turn, with Wallen’s own country set One Thing at a Time at No. 2, there are three country albums in the top four on the Billboard 200 for the first time in over a decade. The feat last happened when the entire top three were country efforts on the Nov. 20, 2010-dated list, with Swift’s Speak Now, Jason Aldean’s My Kinda Party and Sugarland’s The Incredible Machine at Nos. 1-3, respectively.

Taylor Swift’s chart-topping Midnights falls 4-5 on the new Billboard 200 (45,000 equivalent album units; down 8%), SZA’s former leader SOS descends 5-6 (nearly 45,000; down 7%), the Barbie soundtrack drops 6-7 (42,000; down 11%), Peso Pluma’s Génesis slips 7-8 (42,000; down 3%), Swift’s former No. 1 Lover falls 8-9 (41,000; down 3%), and Wallen’s chart-topping Dangerous: The Double Album is a non-mover at No. 10 (nearly 41,000; up 1%).

Source: billboard.com