Plus, Luke Combs’ “Fast Car” rules radio and Miley Cyrus’ “Used to Be Young” starts at No. 8.

Continuing his chart breakthrough that began in 2022, singer-songwriter Zach Bryan’s “I Remember Everything” featuring Kacey Musgraves launches at No. 1 on the Billboard Hot 100. The song – each singer-songwriter’s first Hot 100 leader – is from Bryan’s self-titled LP, which concurrently premieres at No. 1 on the Billboard 200 albums chart.

Luke Combs’ “Fast Car” keeps at its No. 2 Hot 100 high and takes over as the most-heard song on radio, a rare feat for a country hit.

Plus, Miley Cyrus’ “Used to Be Young” debuts at No. 8 on the Hot 100, marking her 12th career top 10.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Sept. 9, 2023) will update on Billboard.com tomorrow (Sept. 6, a day later than usual due to the Labor Day holiday in the U.S. yesterday, Sept. 4). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Here’s a look at the coronation of “I Remember Everything,” the 1,154th song to top the Hot 100 over the chart’s 65-year history, and the 70th to debut at No. 1.

Streams, sales & airplay: Released Aug. 25 on Belting Bronco/Warner Records, “I Remember Everything” drew 33.7 million streams and sold 10,000 downloads in the tracking week ending Aug. 31, according to Luminate. Not being formally promoted to radio, it also tallied 263,000 radio airplay audience impressions, with two-thirds (175,000) from reporters to Billboard’s Country Airplay chart.

The single also debuts at No. 1 on the Streaming Songs chart (notably, it snagged the top spot on Spotify’s New Music Friday playlist upon its release) and No. 4 on Digital Song Sales.

Bryan, Musgraves’ first No. 1: Bryan and Musgraves each achieve their first Hot 100 No. 1 with “I Remember Everything.” Bryan charted four entries prior to this week, with one hitting the top 10: His first charted song, “Something in the Orange,” reached No. 10 in January; with 66 total weeks on the tally (May 7, 2022-Aug. 5, 2023), it became the longest charting country hit by a solo male in the survey’s history. Plus, the U.S. Navy veteran, born in Okinawa, Japan, and raised in Oologah, Okla., won for new male artist of the year at the Academy of Country Music Awards in May.

Musgraves completes over a decade’s journey to No. 1 on the Hot 100, having first reached the chart with “Merry Go ‘Round” (No. 63 peak, 2013; it’s also her lone Country Airplay top 10 to date). She previously charted highest on the Hot 100 with “Follow Your Arrow” (No. 60, 2014) and added her other entry before this week, “Rainbow” (No. 98, 2019). The Golden, Texas, native has won six Grammy Awards, with her most recent LP, 2018’s Golden Hour, claiming album of the year honors at the 61st Grammy Awards.

A Hot 100, country and rock first: “I Remember Everything” concurrently opens at No. 1 on Billboard’s Hot Country Songs and Hot Rock & Alternative Songs charts (as well as Hot Rock Songs), which use the same methodology as the Hot 100. It’s the first song to top the Hot 100, Hot Country Songs and Hot Rock & Alternative Songs (dating to 2009, when the lattermost list began).

Bryan tops all three genre charts for a second time, after “Something in the Orange” led Hot Country Songs, Hot Rock & Alternative Songs and Hot Rock Songs for six, 20 and 20 weeks, respectively. Musgraves leads each ranking for the first time.

“I Remember Everything” is the 24th song to have topped both the Hot 100 and Hot Country Songs (dating to 1958, when the Hot 100 originated and Hot Country Songs became the country genre’s singular Billboard chart). Four such songs have led the Hot 100 in 2023, the most in a year since 1975.

Songs to Have Hit No. 1 on Both the Hot 100 & Hot Country Songs Charts:

• “I Remember Everything,” Zach Bryan feat. Kacey Musgraves, 2023
• “Rich Men North of Richmond,” Anthony Oliver Music, 2023
• “Try That in a Small Town,” Jason Aldean, 2023
• “Last Night,” Morgan Wallen, 2023
• “All Too Well (Taylor’s Version),” Taylor Swift, 2021
• “We Are Never Ever Getting Back Together,” Taylor Swift, 2012
• “Amazed,” Lonestar, 1999-2000
• “Islands in the Stream,” Kenny Rogers, duet with Dolly Parton, 1983
• “I Love a Rainy Night,” Eddie Rabbitt, 1981
• “9 to 5,” Dolly Parton, 1981
• “Lady,” Kenny Rogers, 1980
• “Southern Nights,” Glen Campbell, 1977
• “Convoy,” C.W. McCall, 1975-76
• “I’m Sorry,” John Denver, 1975
• “Rhinestone Cowboy,” Glen Campbell, 1975
• “Thank God I’m a Country Boy,” John Denver, 1975
• “Before the Next Teardrop Falls,” Freddy Fender, 1975
• “(Hey Won’t You Play) Another Somebody Done Somebody Wrong Song,” B.J. Thomas, 1975
• “The Most Beautiful Girl,” Charlie Rich, 1973
• “Honey,” Bobby Goldsboro, 1968
• “Harper Valley P.T.A.,” Jeannie C. Riley, 1968
• “Big Bad John,” Jimmy Dean, 1961
• “El Paso,” Marty Robbins, 1959-60
• “The Battle of New Orleans,” Johnny Horton, 1959

As Billboard reported in July, country music has surged this year: consumption for the genre in the United States was up 20.3% year-over-year in the first 26 weeks of 2023, according to Luminate. (Comparatively, country grew by 2.5% over the same period in 2022.)

Four country No. 1s in a row for the first time: On the newest, Sept. 9-dated Hot 100, “I Remember Everything” supplants Anthony Oliver Music’s “Rich Men North of Richmond” at No. 1, after the latter led the last two weeks (Aug. 26 and Sept. 2). Before that, Morgan Wallen’s “Last Night” rebounded for the last two of its 16 weeks on top (Aug. 12 and 19), directly following Jason Aldean’s one-week reign with “Try That in a Small Town” (Aug. 5).

Four country songs have topped the Hot 100 consecutively for the first time in the chart’s history, extending a record run for the genre. Previously, country hits reigned back-to-back twice: in 1981 (Dolly Parton’s “9 to 5” and Eddie Rabbitt’s “I Love a Rainy Night”) and 1975 (Freddy Fender’s “Before the Next Teardrop Falls” and John Denver’s “Thank God I’m a Country Boy”).

Zach, Kacey, Kenny and Dolly: “I Remember Everything” is just the second shared Hot 100 and Hot Country Songs No. 1 by a male and female artist together. It joins Kenny Rogers and Dolly Parton’s 1983 classic “Islands in the Stream” (written by the Bee Gees).

Zach, Kacey, Ed and Bey: Bryan and Musgraves also co-wrote “I Remember Everything,” which Bryan solely produced. It’s the first Hot 100 No. 1 by a male and female artist also boasting co-writing credit with no other billed writers since Ed Sheeran and Beyoncé’s “Perfect,” which reached the top of the chart dated Dec. 23, 2017. (Sheeran wrote and originally recorded the love song solo; Beyoncé joined for its remix and gained co-writing credit.)

Bryan begins atop Billboard 200 and Hot 100: Zach Bryan logs just the ninth instance of an act debuting at No. 1 on the Billboard 200 and Hot 100 simultaneously. As “I Remember Everything” opens atop the Hot 100, parent LP Zach Bryan soars onto the Billboard 200, likewise as his first No. 1, with 200,000 equivalent album units.

Bryan joins only Taylor Swift, BTS, Drake and Future and having scored such a double debut. Swift initiated the club and has earned the honor four times, while Drake has done so twice.

Artists to Have Debuted at No. 1 on the Billboard 200 & Hot 100 Simultaneously:

• Zach Bryan: Zach Bryan, Billboard 200 & “I Remember Everything” (feat. Kacey Musgraves), Hot 100, Sept. 9, 2023
• Taylor Swift: Midnights & “Anti-Hero,” Nov. 5, 2022
• Drake: Honestly, Nevermind & “Jimmy Cooks” (feat. 21 Savage), July 2, 2022
• Future: I Never Liked You & “Wait for U” (feat. Drake & Tems), May 14, 2022
• Taylor Swift: Red (Taylor’s Version) & “All Too Well (Taylor’s Version),” Nov. 27, 2021
• Drake: Certified Lover Boy & “Way 2 Sexy” (feat. Future & Young Thug), Sept. 18, 2021
• Taylor Swift: Evermore & “Willow,” Dec. 26, 2020
• BTS: BE & “Life Goes On,” Dec. 5, 2020
• Taylor Swift: Folklore & “Cardigan,” Aug. 8, 2020

Zach Bryan also bows at No. 1 on the Top Country Albums, Top Rock & Alternative Albums, Top Rock Albums and Americana/Folk Albums charts.

Warner back at No. 1: With “I Remember Everything,” Warner Records rules the Hot 100 for the first time since the label notched three No. 1s in 2013, when Macklemore and Ryan Lewis’ “Thrift Shop” (featuring Wanz) and “Can’t Hold Us” (featuring Ray Dalton) led for six and five weeks starting that February and May, respectively (with the songs on ADA/Warner); in between, Baauer’s “Harlem Shake” (Jeffree’s/Mad Decent/Warner) reigned for five frames beginning that March.

The label formed in 1958 and first reached No. 1 with The Everly Brothers’ “Cathy’s Clown” in May 1960. It rebranded from Warner Bros. to Warner Records in 2019, making “I Remember Everything” its first leader under its newer name.

Bryan’s Belting Bronco imprint scores its first placement atop the Hot 100.

We ‘remember’ ‘everything’: Here’s something to remember. Thanks to “I Remember Everything,” the word “remember” is in the title of a Hot 100 No. 1 for the first time. Previously, Madonna notched the highest charting such song, as “I’ll Remember” reached No. 2 in 1994.

Meanwhile, the word “everything” appears atop the Hot 100 for a ninth time (and for a second time by an artist with Bryan in his name):

• “I Remember Everything,” Zach Bryan feat. Kacey Musgraves, 2023
• “Give Me Everything,” Pitbull feat. Ne-Yo, Afrojack & Nayer, 2011
• “Everything You Want,” Vertical Horizon, 2000
• “(Everything I Do) I Do It for You,” Bryan Adams, 1991
• “I’ll Be Your Everything,” Tommy Page, 1990
• “Everything She Wants,” Wham!, 1985
• “I Just Want to Be Your Everything,” Andy Gibb, 1977
• “Everything Is Beautiful,” Ray Stevens, 1970
• “Turn! Turn! Turn! (To Everything There Is a Season),” The Byrds, 1965

Luke Combs’ cover of Tracy Chapman’s self-written 1988 Hot 100 top 10 “Fast Car” adds an eighth week at its No. 2 high, steady in rank. It concurrently crowns the Radio Songs chart, rising 2-1 with 78.8 million in audience.

As it led Country Airplay for five weeks, the song is just the fifth – and the first by a solo male with no accompanying acts – to have topped the Country Airplay and all-format Radio Songs charts, dating to the surveys’ 1990 inceptions (and the latter list’s 1998 expansion to include country panelists, among other format reporters). Here’s a recap, with all five songs having achieved both country and pop radio success.

Radio Songs No. 1s That Also Topped Country Airplay:

• “Fast Car,” Luke Combs, one week to date atop Radio Songs, 2023
• “I Hope,” Gabby Barrett feat. Charlie Puth, one, 2020 (Barrett was solely credited on Country Airplay; Puth joined for its pop remix)
• “Meant to Be,” Bebe Rexha & Florida Georgia Line, five weeks, 2018
• “Need You Now,” Lady A, two, 2010
• “You Belong With Me,” Taylor Swift, two, 2009

(As a writer, Chapman previously peaked as high as No. 2 on Radio Songs with her own single “Give Me One Reason,” in 1996.)

Doja Cat’s “Paint the Town Red” pushes from No. 5 to a new No. 3 Hot 100 high, as it wins top Airplay Gainer honors (up 25% to 28.2 million in airplay audience). It leads the multimetric Hot R&B/Hip-Hop Songs and Hot Rap Songs charts for a second week each.

Morgan Wallen’s “Last Night” descends 3-4 on the Hot 100, following 16 weeks at No. 1 – the most ever for a non-collaboration; Taylor Swift’s “Cruel Summer” slips 4-5, after reaching No. 3; and Oliver Anthony Music’s “Rich Men North of Richmond” falls to No. 6 after spending its first two weeks on the chart at No. 1 (down 8% to 21.2 million streams and 71% to 34,000 sold, although it leads Digital Song Sales for a third week; it’s up 7% to 2.4 million in radio audience).

SZA’s “Snooze” returns to the Hot 100’s top 10, at a new No. 7 best, from No. 11, up 64% to 17.3 million streams following the Aug. 25 premiere of its official video, good for the chart’s top Streaming Gainer award. It leads the multi-metric Hot R&B Songs chart for a seventh week.

Miley Cyrus’ “Used to Be Young” bounds onto the Hot 100 at No. 8, with 25.9 million in airplay audience, 17.8 million streams and 19,000 sold from its release Aug. 25 through Aug. 31. It opens at No. 2 on Digital Song Sales, No. 9 on Streaming Songs and No. 19 on Radio Songs – it’s the second song to start in the Radio Songs top 20 this year, after Cyrus’ “Flowers” began at No. 18 in January (on its way to an 18-week command, the longest ever for a song by a woman).

Cyrus collects her 12th Hot 100 top 10. Her previous top 10s, including one under her former Hannah Montana alter ego: “Flowers” (No. 1, eight weeks, 2023); “Without You,” with The Kid LAROI (No. 8, 2021); “Malibu” (No. 10, 2017); “Wrecking Ball” (No. 1, three weeks, 2013); “We Can’t Stop” (No. 2, 2013); “Can’t Be Tamed” (No. 8, 2010); “Party in the U.S.A.” (No. 2, 2009); “He Could Be the One” (Hannah Montana; No. 10, 2009); “The Climb” (No. 4, 2009); “7 Things” (No. 9, 2008); and “See You Again” (No. 10, 2008).

Rounding out the Hot 100’s top 10, Dua Lipa’s “Dance the Night” holds at No. 9, after reaching No. 7, and Gunna’s “Fukumean” drops 7-10, after hitting No. 4.

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated Sept. 9), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (Sept. 6).

Source: billboard.com

The new self-titled country-rock set follows his breakthrough album, and major-label debut, “American Heartbreak.”

Zach Bryan lands his first No. 1 album on the Billboard 200 chart as his new self-titled set bows atop the tally (dated Sept. 9). The 16-song country-rock effort, his fourth full-length studio album, launches with 200,000 equivalent album units earned in the U.S. in the week ending Aug. 31, according to Luminate — the largest week for any rock album in four years. It’s also the first rock effort to hit No. 1 in more than a year. The set’s opening frame is largely powered by streaming activity — and the album boasts the biggest streaming week ever for a rock album.

Beyond Bryan’s rock achievements, his self-titled set also marks the third country title to hit No. 1 on the Billboard 200 in 2023, and garners the fifth-largest debut streaming week for a country album.

Country and rock albums are defined as those that are eligible for, or have charted on, Billboard’s Top Country Albums and Top Rock Albums charts, respectively. Bryan is among a handful of recent acts that have placed a genre-blending album on both the Top Country Albums and Top Rock Albums charts. Others include Jelly Roll, HARDY, Robert Plant and Alison Krauss, and Koe Wetzel.

Bryan’s first No. 1 comes after sustained momentum on the Billboard 200 in the last year-plus from his previous studio effort, American Heartbreak. It debuted and peaked at No. 5 in June 2022 and spawned the top 10 Billboard Hot 100 hit “Something in the Orange.” Heartbreak has yet to depart the weekly top 40 of the Billboard 200 in its 67 consecutive weeks on the list (it climbs 16-14 on the new tally).

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Sept. 9, 2023-dated chart will be posted in full on Billboard‘s website on Sept. 6 — one day later than usual due to the Labor Day holiday on Monday, Sept. 4, in the U.S. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of Zach Bryan’s 200,000 equivalent album units earned in the week ending Aug. 31, SEA units comprise 181,000 (equaling 233.09 million on-demand official streams of the set’s 16 songs — the largest streaming week ever for a rock set, and the fifth-largest streaming debut week for a country album), album sales comprise 17,000 (it was only available to purchase as a digital download, as its CD and vinyl LP are due out on Oct. 13) and TEA units comprise 2,000.

As noted above, Zach Bryan is the first rock album to hit No. 1 on the Billboard 200 in more than a year. The last to do so was Red Hot Chili Peppers’ Unlimited Love, which spent one week at No. 1 — its debut frame — on the list dated April 16, 2022. Zach Bryan also logs the largest week, by equivalent album units earned, for a rock album in four years, since Tool’s Fear Inoculum launched at No. 1 on the Sept. 19, 2019, chart with 270,000 units.

A little over a year ago, Bryan earned his first Billboard 200 chart entry with his third studio album — and major label debut — American Heartbreak, debuting and peaking at No. 5 on the June 4, 2022-dated list. The album has generated 2.6 billion on-demand official streams for its songs in the U.S. and has been a consistent streaming star since its debut. The set has been among the week’s top 20 most-streamed albums, by on-demand streams, in all but three weeks since its debut.

The Heartbreak single “Something in the Orange” hit No. 1 on Billboard’s Hot Country Songs and Hot Rock & Alternative Songs chart, reached the top three on the all-genre Streaming Songs chart, and hit No. 10 on the all-genre, multi-metric Billboard Hot 100 chart.

Following Heartbreak, Bryan placed five more titles on the list, including his new self-titled effort.

Four former No. 1s trail Bryan on the new Billboard 200. Travis Scott’s Utopia falls to No. 2 (91,000 equivalent album units earned; down 44%) after spending its first four chart weeks at No. 1. Morgan Wallen’s One Thing at a Time dips 2-3 (83,000; down 8%), Taylor Swift’s Midnights rises 5-4 (49,000; down 8%) and SZA’s SOS vaults 11-5 (48,000; up 15% after increased sales and streams generated by its current single “Snooze,” including the release of its official music video and new remixes).

The Barbie soundtrack falls 4-6 (48,000 equivalent album units earned; down 14%) and Peso Pluma’s Génesis climbs 9-7 (43,000; down 3%). Swift has two more former leaders in the top 10, as Lover in a non-mover at No. 8 (43,000; down 8%) and Speak Now (Taylor’s Version) dips 7-9 (41,000; down 14%). Rounding out the top 10 is Wallen’s chart-topping Dangerous: The Double Album, holding steady at No. 10 with 40,000 units (down 5%).

Source: billboard.com

Plus, Doja Cat’s “Paint the Town Red” vaults to No. 5.

Oliver Anthony Music’s viral hit “Rich Men North of Richmond” spends a second week at No. 1 on the Billboard Hot 100 songs chart. A week earlier, the song rocketed in on top, making the singer-songwriter the first artist ever to launch atop the survey with no prior chart history in any form. It now takes over as the most-streamed song of the week, continues as the top-selling track and is gaining in radio airplay.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Sept. 2, 2023) will update on Billboard.com tomorrow (Aug. 29). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

“Rich Men North of Richmond” drew 22.9 million streams (up 31%) and sold 117,000 downloads (down 20%) in the Aug. 18-24 tracking week, according to Luminate. Not being promoted to radio, the song also tallied 2.3 million airplay audience impressions (up 310%).

The single logs a second week at No. 1 on the Digital Song Sales chart and surges 4-1 on Streaming Songs. Notably, it makes a rare second-week gain in streams for a No. 1-debuting Hot 100 hit: Of the 34 songs to premiere atop the Hot 100 this decade, it’s just the second to increase in streams (17.5 million to 22.9 million) in its second week, following Olivia Rodrigo’s “Good 4 U” (43.2 million to 62.7 million) on the charts dated May 29-June 5, 2021 – and Rodrigo’s hit was boosted by the No. 1 Billboard 200 arrival of her debut album, Sour.

As previously reported, “Richmond” also debuts on Country Airplay at No. 45, with 90% of its overall airplay (2 million of 2.3 million in reach) from the chart’s panel of reporting stations.

“Richmond” has become a lightning rod for both the right and left politically since its official release Aug. 11, even spurring the opening talking point in the first Republican presidential primary debate last Wednesday, Aug. 23. (“The one thing that has bothered me is seeing people wrap politics up into this,” Anthony responded in a YouTube clip.)

The track by the Farmville, Va.-based singer-songwriter and former factory worker, born Christopher Anthony Lunsford (whose stage name honors his grandfather, Oliver Anthony), first drew buzz online, including on TikTok, where he boasts 2.1 million followers (up from 1.5 million a week ago), prior to its Aug. 11 posting on the radiowv YouTube account, which spotlights unsigned Americana and country acts in the Virginia/West Virginia region.

“Richmond” concurrently tops Billboard’s Hot Country Songs chart, which uses the same methodology as the Hot 100, for a second week.

The song has also, unsurprisingly, sparked the curiosity of chart fans. Jesper Tan, of Subang Jaya, Malaysia, wrote in noting that Oliver Anthony Music is just the second act with “music” in its name to top the Hot 100, following C+C Music Factory with “Gonna Make You Sweat (Everybody Dance Now)” in 1991. Tan also shouts out the two No. 1s with “music” in their titles: “Play That Funky Music,” by Wild Cherry, in 1976 and “Music,” by Madonna, in 2000.

Plus, Jeff Lerner points out that “Richmond” is only the eighth Hot 100 No. 1 to name-check a U.S. city in its title (two are odes to Philadelphia), and the first since 1985:

• “Rich Men North of Richmond,” Oliver Anthony Music (2023)
• “Miami Vice Theme,” Jan Hammer (1985)
• “Philadelphia Freedom,” Elton John (1975)
• “The Night Chicago Died,” Paper Lace (1974)
• “T.S.O.P. (The Sound of Philadelphia),” MFSB (1974)
• “El Paso,” Marty Robbins (1960)
• “The Battle of New Orleans,” Johnny Horton (1959)
• “Kansas City,” Wilbert Harrison (1959)

(Lerner adds that The Monkees’ “Last Train to Clarksville,” from 1966, “is not on this list as lyricist Bobby Hart has insisted that he wrote the song about a fictional town, not the real city of Clarksville, Tenn.” Meanwhile, Baauer’s 2013 No. 1 “Harlem Shake” also doesn’t count, as Harlem is a neighborhood in New York City. The last city at all named in the title of a Hot 100 No. 1 prior to “Richmond”? Cuba’s capital, as Camila Cabello’s “Havana,” featuring Young Thug, led in 2018.)

Luke Combs’ cover of Tracy Chapman’s “Fast Car” posts a seventh week at its No. 2 Hot 100 high, where it’s steady in rank, and Morgan Wallen’s “Last Night” holds at No. 3, following 16 weeks at No. 1 – the most ever for a non-collaboration. Thanks to “Richmond,” “Fast Car” and “Last Night,” country hits (as defined by those that have hit Hot Country Songs) claim the Hot 100’s top three spots in a single week for only the third time, following the same songs a week earlier and Jason Aldean’s “Try That in a Small Town,” “Last Night” and “Fast Car,” at Nos. 1, 2 and 3, respectively, on the Hot 100 dated Aug. 5.

“Last Night,” meanwhile, tops Billboard’s Songs of the Summer chart for a 13th week, having led each week since the list returned.

Taylor Swift’s “Cruel Summer” keeps at No. 4 on the Hot 100, after reaching No. 3.

Doja Cat’s “Paint the Town Red” roars 15-5 on the Hot 100, with 22.6 million in airplay audience (up 37%), 21.1 million streams (up 49%) and 5,000 sold (up 81%), as it takes top Streaming and Sales Gainer honors.

The song, which debuted at No. 15 on the Hot 100 two weeks earlier and has since ridden a wave of virality on TikTok, becomes Doja Cat’s seventh top 10, following “Vegas” (No. 10 peak, October 2022); Post Malone’s “I Like You (A Happier Song),” on which she’s featured (No. 3, October 2022); “Woman” (No. 7, May 2022); “Need To Know” (No. 8, November 2021); “Kiss Me More,” featuring SZA (No. 3, July 2021); and “Say So,” featuring Nicki Minaj (No. 1, one week, May 2020).

Meanwhile, “Paint the Town Red” samples Dionne Warwick’s standard “Walk on By,” which hit No. 6 on the Hot 100 in 1964. Thanks to its inclusion, legendary late songwriters Burt Bacharach and Hal David appear in the Hot 100’s top 10 for the first time since Twista’s “Slow Jamz,” featuring Kanye West and Jamie Foxx, reigned for a week in 2004; that song samples Luther Vandross’ cover of Warwick’s fellow 1964 release “A House Is Not a Home.”

Bacharach, who passed away Feb. 8, wrote seven Hot 100 No. 1s, which reigned in four distinct decades (the 1960s, ‘70s, ‘80s and 2000s). David died in 2012. Notably, the Songwriters Hall of Fame annually presents (this year to Post Malone) the Hal David Starlight Award, which, according to the organization, is given to “gifted young songwriters who are making a significant impact in the music industry with their original songs.”

“Paint the Town Red” concurrently bounds to the top of the multi-metric Hot R&B/Hip-Hop Songs (5-1) and Hot Rap Songs (4-1) charts. Doja Cat earns her second No. 1 on the former, following “Say So,” and her first on the latter list.

Rema and Selena Gomez’s “Calm Down” descends 5-6, after reaching No. 3, on the Hot 100, as it claims a 10th week atop the Radio Songs chart (83.5 million, down 3%). It tops the Billboard U.S. Afrobeats Songs chart for a 52nd week, extending the longest command since the ranking began over a year ago.

Gunna’s “Fukumean” repeats at No. 7 on the Hot 100, after hitting No. 4, and Olivia Rodrigo’s “Vampire” falls 6-8, after it debuted as her third No. 1 in July.

Rounding out the Hot 100’s top 10 are two hits from the soundtrack Barbie: The Album: Dua Lipa’s “Dance the Night” dips 8-9, after reaching No. 7, although it wins the chart’s top Airplay Gainer award (57.7 million, up 16%), and Nicki Minaj and Ice Spice’s “Barbie World,” with Aqua, descends 9-10, also after climbing to No. 7.

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated Sept. 2), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (Aug. 29).

Source: billboard.com

Plus: Hozier and J-Hope hit the top 10 with their latest releases.

Travis Scott’s Utopia makes it a month at No. 1 on the Billboard 200 albums chart (dated Sept. 2), as the set spends a fourth total and consecutive week in the lead. The effort earned 161,000 equivalent album units in the U.S. in the week ending Aug. 24 (down 13%), according to Luminate. Utopia surpasses Astroworld as Scott’s album with the most weeks at No. 1 on the Billboard 200.

Utopia is also the first rap album to spend its first four weeks at No. 1 on the Billboard 200 in five years, since Drake’s Scorpion logged all five of its weeks at No. 1, from its debut frame (July 14-Aug. 11, 2018). The last rap set with four weeks at No. 1, in total, was Drake’s Certified Lover Boy, which tallied five nonconsecutive frames at No. 1 between Sept. 18 and Nov. 6, 2021.

Also in the top 10 of the new Billboard 200, Hozier scores his third top 10-charting album as Unreal Unearth launches at No. 3, while J-Hope’s year-old Jack in the Box album reaches the top 10 for the first time, as it re-enters the list at No. 6 following its expanded reissue and debut on CD in multiple collectible iterations.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Sept. 2, 2023-dated chart will be posted in full on Billboard‘s website on Aug. 29. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of Utopia’s 161,000 equivalent album units earned in the week ending Aug. 24, album sales comprise 92,000 (down 7%), SEA units comprise 69,000 (down 20%, equaling 92.07 million on-demand official streams of the streaming set’s 19 songs) and TEA units comprise a negligible sum (down 19%). For a second week in a row, the album’s sales profit from a promotional offer in Scott’s official webstore, which deep-discounted the Utopia vinyl LP (available in multiple variants) from $50 to only $5 for a limited time. Of Utopia’s 92,000 sales for the week, vinyl accounted for 89,000.

Morgan Wallen’s chart-topping One Thing at a Time is a non-mover at No. 2 on the Billboard 200 with 91,000 equivalent album units earned (down 4%).

Hozier captures his third top 10-charting set — all of which have reached the top five — as Unreal Unearth debuts at No. 3. The album bows with 62,000 equivalent album units earned. Of that sum, album sales comprise 39,000, SEA units comprise 23,000 (equaling 29.58 million on-demand official streams of the set’s 16 songs) and TEA units comprise a negligible sum. The album was preceded by the hit single “Eat Your Young,” which marked Hozier’s third No. 1 on Billboard’s Adult Alternative Airplay chart (May 20-dated list).

Unreal Unearth’s first-week album sales were bolstered by vinyl sales, which accounted for 60% of its opening-week sales figure (23,000 of 39,000). The album was released in five different vinyl iterations, including exclusive color variants for Amazon, independent record stores and Hozier’s official webstore.

The Barbie soundtrack is steady at No. 4 on the Billboard 200 with 55,000 equivalent album units (down 15%), while Taylor Swift’s former leader Midnights climbs one spot to No. 5 with 53,000 units (down 8%).

J-Hope’s year-old Jack in the Box album bounces back onto the list for its first week in the top 10 (and second week on the chart), as it re-enters at No. 6 with 50,000 equivalent album units earned (up 5,107%). The album was originally released on July 15, 2022, and debuted and first peaked at No. 17 on the July 30, 2022, chart. It was reissued with additional bonus tracks on — and on CD for the first time — on Aug. 19, 2023. The set initially was released only as a digital download album and through streaming services.

Of the set’s 50,000 units earned in the week ending Aug. 24, album sales comprise 47,000 (up 13,238%), SEA units comprise 2,000 (up 250%, equaling 2.99 million on-demand official streams of the set’s tracks) and TEA units comprise 1,000 (up 44,125%). The CD edition of the album was available in four collectible editions, including exclusive versions for Target and Walmart, all containing assorted branded merchandise (some of which was randomized).

J-Hope is the third member of BTS to score a top 10-charting album on the Billboard 200, following his bandmates RM and Jimin. RM reached the top 10 in 2022 with Indigo (peaking at No. 3) and Jimin reached No. 2 with Face earlier this year. BTS itself has logged seven top 10s, with six reaching No. 1.

Two more chart-topping Swift sets follow J-Hope, as Speak Now (Taylor’s Version) falls 5-7 (48,000 equivalent album units earned; down 21%) and Lover dips 7-8 (46,000; down 14%). Peso Pluma’s Génesis descends 8-9 (nearly 45,000; down 4%) and Wallen’s former No. 1 Dangerous: The Double Album is steady at No. 10 (43,000; down 3%).

Source: billboard.com

“The hopelessness and frustration of our times resonate in the response to this song,” the singer-songwriter tells Billboard exclusively.

Oliver Anthony Music’s breakout viral hit “Rich Men North of Richmond” debuts at No. 1 on the Billboard Hot 100 songs chart. Among other chart achievements for the singer-songwriter, he’s the first artist ever to launch atop the list with no prior chart history in any form.

Plus, Olivia Rodrigo’s “Bad Idea Right?” enters the Hot 100 at No. 10, marking her sixth career top 10.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Aug. 26, 2023) will update on Billboard.com tomorrow (Aug. 22). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Here’s a look at the coronation of “Rich Men North of Richmond,” the 1,153rd song to top the Hot 100 over the chart’s 65-year history, and the 69th to debut at No. 1.

Streams, sales & airplay: Officially released Aug. 11, “Rich Men North of Richmond” drew 17.5 million streams and sold 147,000 downloads in the tracking week ending Aug. 17, according to Luminate. Not being promoted to radio, the song also tallied 553,000 radio airplay audience impressions, the bulk on country stations.

The single also debuts at No. 1 on the Digital Song Sales chart, and No. 4 on Streaming Songs.

The track by the Farmville, Va.-based singer-songwriter and former factory worker, born Christopher Anthony Lunsford (whose stage name honors his grandfather, Oliver Anthony), first drew buzz online, including on TikTok, where he boasts 1.5 million followers, prior to its Aug. 11 posting on the radiowv YouTube account, which spotlights unsigned Americana and country acts in the Virginia/West Virginia region. (The radiowv recording features simply Anthony’s voice and a Gretsch guitar.)

The song has drawn both praise from the right and opposition from the left, with its lyrics referencing “your dollar taxed to no end ’cause of rich men north of Richmond,” as well as “the obese milkin’ welfare.” Stated Anthony in a video posted Aug. 7, “I sit pretty dead center down the aisle on politics and always have.” He added on Facebook Aug. 17, “I am sad to see the world in the state it’s in, with everyone fighting with each other.”

Anthony’s reaction: Says Anthony exclusively to Billboard, “The hopelessness and frustration of our times resonate in the response to this song. The song itself is not anything special, but the people who have supported it are incredible and deserve to be heard.”

“There was not a whole lot of planning involved,” Draven Riffe, Anthony’s manager, told Billboard Saturday (Aug. 19) of the song’s release. Riffe is also the sole producer of “Richmond,” as well as the co-founder of radiowv, which launched in 2018. “We just knew if we got the video out there, people were going to love the song and it would resonate with a lot of folks. There wasn’t some big, massive planning team around this. I had a few friends who helped us push the song out there, like my friend Josh [Baer], who has a page called Country Central. We all coordinated and Oliver’s following [did], as well; we just tried to push it out there all at once with our little group of friends and that’s how it happened.”

First No. 1, first chart appearance: Prior to this week, Oliver Anthony Music had not appeared on any Billboard chart in any form, making him the first such artist ever to debut atop the Hot 100.

He’s just the sixth artist ever to debut a first solo Hot 100 entry at No. 1, following Zayn, Baauer, Carrie Underwood, Fantasia and Clay Aiken. Zayn’s debut solo single “Pillowtalk” opened on top in 2016, after he had become established as a member of One Direction; Baauer’s viral hit “Harlem Shake” debuted a week after first appearing on dance/electronic rankings; and Underwood, Fantasia and Aiken soared in, driven by sales, after the season finales of American Idol in 2005 (when Underwood won), 2004 (when Fantasia won), and 2003 (when Aiken finished second). “Inside Your Heaven” brought Underwood to the Hot 100 in her first sole-credited role after she first charted via the group effort “When You Tell Me That You Loved Me,” billed to American Idol Finalists Season 4; “I Believe” marked Fantasia’s debut chart hit, although it reached rankings other than the Hot 100 the week before (as with Baauer’s Hot 100 arrival); and Aiken had charted prior to “This Is the Night” as a singer on the collaborative “God Bless the U.S.A.,” billed to American Idol Finalists.

Unsigned, undeterred: With Oliver Anthony Music doubling as the label credit for the self-released “Rich Men North of Richmond,” the singer-songwriter marks a rare unsigned artist at No. 1 on the Hot 100. Lisa Loeb became the first such act, when “Stay (I Missed You)” led in 1994, although the song was released on RCA Records, from the hit Reality Bites soundtrack. (Loeb subsequently signed with Geffen Records.)

“We are working on a full [lineup] of shows with bigger accommodations in the near future,” Anthony wrote on Facebook. “Everyone in the ‘industry’ is rushing me into signing something, but we just want to take things slow right now. I appreciate your patience.”

Solo-written No. 1: “Rich Men North of Richmond” is the first solo-written Hot 100 No. 1 since Glass Animals’ “Heat Waves,” penned by the band’s frontman, Dave Bayley, dominated for five weeks in March-April 2022.

“Richmond” is the first Hot 100 leader written entirely and sung by a soloist since Ed Sheeran’s “Perfect” logged its last of six weeks at No. 1 in January 2018.

Hot 100 & Hot Country Songs No. 1s: “Rich Men North of Richmond” concurrently opens atop Billboard’s Hot Country Songs chart, which uses the same methodology as the Hot 100.

The track marks the 23rd song to have topped both the Hot 100 and Hot Country Songs. With Morgan Wallen’s “Last Night” having ruled the Hot 100 for 16 weeks, nonconsecutively, from March through last week (tied for the second-longest command in the survey’s history), and Jason Aldean’s “Try That in a Small Town” leading for a week earlier this month, 2023 is the first year with at least three shared Hot 100 and Hot Country Songs leaders since 1975.

Plus, “Richmond” is the first song by a solo male to start atop both the Hot 100 and Hot Country Songs simultaneously. It’s the second overall, after Taylor Swift’s “All Too Well (Taylor’s Version)” opened atop both rankings dated Nov. 27, 2021. (The charts have shared methodology since October 2012.)

Songs to Have Hit No. 1 on Both the Hot 100 & Hot Country Songs Charts:

• “Rich Men North of Richmond,” Anthony Oliver Music, 2023
• “Try That in a Small Town,” Jason Aldean, 2023
• “Last Night,” Morgan Wallen, 2023
• “All Too Well (Taylor’s Version),” Taylor Swift, 2021
• “We Are Never Ever Getting Back Together,” Taylor Swift, 2012
• “Amazed,” Lonestar, 1999-2000
• “Islands in the Stream,” Kenny Rogers, duet with Dolly Parton, 1983
• “I Love a Rainy Night,” Eddie Rabbitt, 1981
• “9 to 5,” Dolly Parton, 1981
• “Lady,” Kenny Rogers, 1980
• “Southern Nights,” Glen Campbell, 1977
• “Convoy,” C.W. McCall, 1975-76
• “I’m Sorry,” John Denver, 1975
• “Rhinestone Cowboy,” Glen Campbell, 1975
• “Thank God I’m a Country Boy,” John Denver, 1975
• “Before the Next Teardrop Falls,” Freddy Fender, 1975
• “(Hey Won’t You Play) Another Somebody Done Somebody Wrong Song,” B.J. Thomas, 1975
• “The Most Beautiful Girl,” Charlie Rich, 1973
• “Honey,” Bobby Goldsboro, 1968
• “Harper Valley P.T.A.,” Jeannie C. Riley, 1968
• “Big Bad John,” Jimmy Dean, 1961
• “El Paso,” Marty Robbins, 1959-60
• “The Battle of New Orleans,” Johnny Horton, 1959

Of the 23 songs listed above, 12 were concentrated in 1973-83. Meanwhile, Glen Campbell, John Denver, Dolly Parton, Kenny Rogers and Taylor Swift are the only acts with two songs each that have crowned both the Hot 100 and Hot Country Songs.

As Billboard reported July 6, country music has surged this year: consumption for the genre in the United States was up 20.3% year-over-year in the first 26 weeks of 2023, according to Luminate. (Comparatively, country grew by 2.5% over the same period in 2022.)

Luke Combs’ cover of Tracy Chapman’s “Fast Car” adds a sixth week at its No. 2 Hot 100 high, where it’s steady in rank, and Wallen’s “Last Night” falls to No. 3. Thanks to “Rich Men North of Richmond,” “Fast Car” and “Last Night,” country hits (as defined by those that have hit Hot Country Songs) claim the Hot 100’s top three spots in a single week for only the second time; Aldean’s “Try That in a Small Town,” “Last Night” and “Fast Car” placed at Nos. 1, 2 and 3, respectively, on the Hot 100 dated Aug. 5.

“Last Night,” meanwhile, tops Billboard’s Songs of the Summer chart for a 12th week, having led each week since the list returned.

Taylor Swift’s “Cruel Summer” dips to No. 4 from its No. 3 Hot 100 high, and Rema and Selena Gomez’s “Calm Down” descends 4-5, after reaching No. 3, as it posts a ninth week atop the Radio Songs chart (85.9 million, down 2%). “Calm Down” also tops the Billboard U.S. Afrobeats Songs chart for a 51st week, extending the longest reign since the ranking began over a year ago.

Olivia Rodrigo’s “Vampire” holds at No. 6 on the Hot 100, six weeks after it debuted as her third No. 1, and Gunna’s “Fukumean” falls 5-7, after hitting No. 4, as it rules the multi-metric Hot R&B/Hip-Hop Songs and Hot Rap Songs charts for a fifth week each.

Dua Lipa’s “Dance the Night” backtracks to No. 8 from its No. 7 Hot 100 best and Nicki Minaj and Ice Spice’s “Barbie World,” with Aqua – also from the soundtrack Barbie: The Album – slips 8-9, after reaching No. 7, while winning top Airplay Gainer honors for a second consecutive week (36.8 million, up 41%).

Rounding out the Hot 100’s top 10, Olivia Rodrigo’s “Bad Idea Right?” debuts at No. 10, with 19.7 million streams, 5.3 million in airplay audience and 4,000 sold.

The song is Rodrigo’s sixth top 10, with all having debuted in the region, following “Vampire”; “Drivers License” (No. 1 for eight weeks, beginning in January 2021); “Good 4 U” (No. 1, one week, May 2021); “Deja Vu” (No. 3, June 2021); and “Traitor” (No. 9, June 2021). Her first four top 10s are from her first LP, Sour, while her two latest are from follow-up Guts, due Sept. 8.

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated Aug. 26), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (Aug. 22).

Source: billboard.com

Among all songs, “Last Night” ties for the second-longest reign. Plus, SZA’s “Snooze” hits the top 10.

Morgan Wallen’s “Last Night” adds a 16th week at No. 1 on the Billboard Hot 100 songs chart. The song breaks out of a tie with Harry Styles’ “As It Was” for the sole longest No. 1 run for a non-collaboration, while overall tying for the second-longest reign in the Hot 100’s 65-year history.

Plus, SZA’s “Snooze” jumps from No. 15 to No. 10 on the Hot 100, becoming her eighth career top 10, and the fifth on her album SOS.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Aug. 19, 2023) will update on Billboard.com tomorrow (Aug. 15). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Wallen’s “Last Night,” released on Big Loud/Mercury/Republic Records, drew 59.6 million radio airplay audience impressions (down 11%) and 26.3 million streams (down 2%) and sold 5,000 downloads (down 22%) in the Aug. 4-10 tracking week, according to Luminate.

As “Last Night” leads the Hot 100 for a 16th week, it surpasses Harry Styles’ “As It Was,” from 2022, for the longest command ever for a song by an act with no accompanying artists.

Among all songs, “Last Night” matches the second-longest rule in the Hot 100’s history, which dates to the chart’s Aug. 4, 1958, inception.

Longest-Leading Billboard Hot 100 No. 1s:

• 19, “Old Town Road,” Lil Nas X feat. Billy Ray Cyrus, beginning April 13, 2019
• 16 (to date), “Last Night,” Morgan Wallen, March 18, 2023
• 16, “Despacito,” Luis Fonsi & Daddy Yankee feat. Justin Bieber, May 27, 2017
• 16, “One Sweet Day,” Mariah Carey & Boyz II Men, Dec. 2, 1995
• 15, “As It Was,” Harry Styles, April 16, 2022
• 14, “Uptown Funk!,” Mark Ronson feat. Bruno Mars, Jan. 17, 2015
• 14, “I Gotta Feeling,” The Black Eyed Peas, July 11, 2009
• 14, “We Belong Together,” Mariah Carey, June 4, 2005
• 14, “Candle in the Wind 1997”/“Something About the Way You Look Tonight,” Elton John, Oct. 11, 1997
• 14, “Macarena (Bayside Boys Mix),” Los Del Rio, Aug. 3, 1996
• 14, “I’ll Make Love to You,” Boyz II Men, Aug. 27, 1994
• 14, “I Will Always Love You,” Whitney Houston, Nov. 28, 1992

“Last Night” also passes “As It Was” for the longest No. 1 Hot 100 stay of the 2020s so far. Here’s an updated look at the longest-leading hits each decade (with songs, on average, having logged longer No. 1 runs since Luminate data began contributing to the chart in late 1991).

Longest-Leading Billboard Hot 100 No. 1s by Decade:

• 2020s: 16 weeks (to date), “Last Night,” 2023
• 2010s: 19 weeks, “Old Town Road,” Lil Nas X feat. Billy Ray Cyrus, 2019
• 2000s: 14 weeks, “I Gotta Feeling,” The Black Eyed Peas, 2009 / “We Belong Together,” Mariah Carey, 2005
• 1990s: 16 weeks, “One Sweet Day,” Mariah Carey & Boyz II Men, 1995-96
• 1980s: 10 weeks, “Physical,” Olivia Newton-John, 1981-82
• 1970s: 10 weeks, “You Light Up My Life,” Debby Boone, 1977
• 1960s: 9 weeks, “Hey Jude,” The Beatles, 1968 / “The Theme From A Summer Place,” Percy Faith and His Orchestra, 1960
• 1950s: 9 weeks, “Mack the Knife,” Bobby Darin, 1959

“Last Night” first led the Hot 100 in March, becoming Wallen’s initial No. 1 on the chart, and has logged a record-tying five distinct stays on top: March 18; April 15-22; May 6-July 8; July 22; and Aug. 12-19.

The song rebounds to No. 1, from No. 3, for an 18th week atop the Streaming Songs chart; rises 7-4 following a week atop Digital Song Sales; and dips 4-6, after reaching No. 2, on Radio Songs.

The single also tops Billboard’s Hot Country Songs chart, which employs the same multi-metric methodology as the Hot 100, for a 25th week, the sole fourth-longest domination since the chart became an all-encompassing genre ranking in 1958; Bebe Rexha and Florida Georgia Line’s “Meant to Be” spent a record 50 weeks at No. 1 in 2017-18.

“Last Night,” which crowned the Country Airplay chart for eight weeks and crossed over to No. 5 peaks on both Pop Airplay and Adult Pop Airplay, additionally claims an 11th week atop Billboard’s Songs of the Summer chart, having led each week since the list returned. (Meanwhile over the weekend, Wallen made news for his hairstyle change. Mull it over here.)

Luke Combs’ cover of Tracy Chapman’s “Fast Car” notches a fifth week at its No. 2 Hot 100 high.

Notably, after topping Country Airplay for five weeks, “Fast Car” leads Adult Pop Airplay for a second frame and becomes Combs’ first top 10 on Pop Airplay (12-10). It’s the first song by a lead solo male to have hit No. 1 on both Country Airplay and Adult Pop Airplay and reached the Pop Airplay top 10; among all acts, four songs previously achieved the feat, as it follows Gabby Barrett’s “I Hope” (featuring Charlie Puth on its pop remix; 2020); “Meant To Be” (2018); Lady A’s “Need You Now” (2009-10); and Faith Hill’s “Breathe” (1999-2000).

Taylor Swift’s “Cruel Summer” pushes to a new No. 3 Hot 100 high, from No. 4, four years after its release on her 2019 album Lover, as it’s now being promoted as a single, while she has been performing the song on her The Eras Tour. It likewise climbs to new No. 3 bests on both Radio Songs (68.1 million, up 6%) and Digital Song Sales (7,000, up 85%), while rebounding 19-5, also a new highpoint, on Streaming Songs (18.2 million, up 14%), as it wins the Hot 100’s Sales and Streaming Gainer awards.

Rema and Selena Gomez’s “Calm Down” ascends 6-4 on the Hot 100, after reaching No. 3, as it posts an eighth week atop Radio Songs (88 million, down 1%). It tops the Billboard U.S. Afrobeats Songs chart for a  milestone 50th week, extending the longest reign since the ranking began over a year ago.

Gunna’s “Fukumean” lifts 7-5 on the Hot 100, after hitting No. 4, while ruling the multi-metric Hot R&B/Hip-Hop Songs and Hot Rap Songs charts for a fourth week each.

Olivia Rodrigo’s “Vampire” rises 9-6 on the Hot 100, five weeks after it debuted as her third No. 1; Dua Lipa’s “Dance the Night” twirls 10-7 for a new high; Nicki Minaj and Ice Spice’s “Barbie World,” with Aqua, holds at No. 8, after reaching No. 7, as it takes top Airplay Gainer honors (26.1 million, up 54%); and Miley Cyrus’ “Flowers” returns to the top 10 (12-9), after it led for eight weeks beginning in January.

Rounding out the Hot 100’s top 10, SZA’s “Snooze” surges 15-10, with 61.9 million in radio reach and 1,000 sold (each sum essentially even week-over-week) and 10.4 million streams (down 1%).

The song is SZA’s eighth career Hot 100 top 10 and the fifth on her album SOS, after “Kill Bill,” which led for a week in April, marking her first No. 1; “Nobody Gets Me” (No. 10, December 2022, concurrent with the set’s launch atop the Billboard 200 albums chart); “I Hate U” (No. 7, December 2021); and “Good Days” (No. 9, February 2021).

SZA has also hit the Hot 100’s top 10 as featured on Doja Cat’s “Kiss Me More” (No. 3, July 2021); with Kendrick Lamar on “All the Stars” (No. 7, March 2018); and as featured on Maroon 5’s “What Lovers Do” (No. 9, November 2017).

Meanwhile, Babyface is one of the co-writers and co-producers of “Snooze.” The legendary talent, who has notched five Hot 100 top 10s as a recording artist and first reached the region in the 1980s, places in the top 10 as a writer for the first time since Drake’s “Fair Trade,” featuring Travis Scott, hit No. 3 in September 2021. “Fair Trade” samples Charlotte Day Wilson’s 2019 single “Mountains,” which Babyface co-wrote.

Apart from samples, Babyface appears in the Hot 100’s top 10 with a newly composed song for the first time since P!nk’s “Most Girls,” which he produced and co-wrote, hit No. 4 in November 2000. (That also marked his last top 10 rank as a producer until “Snooze.”)

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated Aug. 19), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (Aug. 15).

Source: billboard.com

“Last Night” ties for the fourth-longest command ever, and the longest for a song by an act with no accompanying artists.

Morgan Wallen’s “Last Night” rebounds to lead the Billboard Hot 100 songs chart for a 15th week. The hit ties for the fourth-longest reign in the Hot 100’s 65-year history, and the longest for a song by an act with no accompanying artists.

Travis Scott debuts two songs in the Hot 100’s top 10, both in the top five, as “Meltdown,” featuring Drake, and “FE!N,” featuring Playboi Carti, enter at Nos. 3 and 5, respectively, and Dua Lipa’s “Dance the Night” is also new to the top 10, rising 12-10.

Plus, Taylor Swift’s “Cruel Summer” hits the Hot 100’s top five (6-4), four years after its release on her 2019 album Lover, as it’s now being promoted as a single from the set.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Aug. 12, 2023) will update on Billboard.com tomorrow (Aug. 8). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Wallen’s “Last Night,” released on Big Loud/Mercury/Republic Records, drew 67.2 million radio airplay audience impressions (down 10%) and 26.7 million streams (down 8%) and sold 7,000 downloads (down 11%) in the July 28-Aug. 3 tracking week, according to Luminate.

As “Last Night” leads the Hot 100 for a 15th week, rising from No. 2, it ties for the fourth-longest domination in the chart’s history. It also ties Harry Styles’ “As It Was” for the longest rule for a song by an act with no accompanying artists.

Longest-Leading Billboard Hot 100 No. 1s:

• 19, “Old Town Road,” Lil Nas X feat. Billy Ray Cyrus, beginning April 13, 2019
• 16, “Despacito,” Luis Fonsi & Daddy Yankee feat. Justin Bieber, May 27, 2017
• 16, “One Sweet Day,” Mariah Carey & Boyz II Men, Dec. 2, 1995
• 15 (to date), “Last Night,” Morgan Wallen, March 18, 2023
• 15, “As It Was,” Harry Styles, April 16, 2022
• 14, “Uptown Funk!,” Mark Ronson feat. Bruno Mars, Jan. 17, 2015
• 14, “I Gotta Feeling,” The Black Eyed Peas, July 11, 2009
• 14, “We Belong Together,” Mariah Carey, June 4, 2005
• 14, “Candle in the Wind 1997”/“Something About the Way You Look Tonight,” Elton John, Oct. 11, 1997
• 14, “Macarena (Bayside Boys Mix),” Los Del Rio, Aug. 3, 1996
• 14, “I’ll Make Love to You,” Boyz II Men, Aug. 27, 1994
• 14, “I Will Always Love You,” Whitney Houston, Nov. 28, 1992

“Last Night” first led the Hot 100 in March, becoming Wallen’s initial leader on the list, and has now logged five distinct stays at No. 1: March 18; April 15-22; May 6-July 8; July 22; and Aug. 12. It likewise matches Styles’ “As It Was,” as well as Mariah Carey’s “All I Want for Christmas Is You” (over four distinct stays on the Hot 100), for the most interrupted runs at No. 1. (“Last Night” has yo-yoed between Nos. 1 and 3 over the 22-week span dating to its first week on top.)

“Last Night” falls to No. 3 after 17 weeks at No. 1 on the Streaming Songs chart; drops to No. 4 from its No. 2 best on Radio Songs; and slips 6-7 following a week atop Digital Song Sales.

The single also tops Billboard’s Hot Country Songs chart, which employs the same multi-metric methodology as the Hot 100, for a 24th week, tying for the fourth-longest rule since the chart became an all-encompassing genre reflection in 1958; Bebe Rexha and Florida Georgia Line’s “Meant to Be” spent a record 50 weeks at No. 1 in 2017-18.

“Last Night,” which crowned the Country Airplay chart for eight weeks and crossed over to No. 5 peaks on both Pop Airplay and Adult Pop Airplay, additionally posts a 10th week atop Billboard’s Songs of the Summer chart, having ranked at No. 1 each week since the survey returned.

Luke Combs’ cover of Tracy Chapman’s “Fast Car” rebounds for a fourth week at its No. 2 Hot 100 high on the Hot 100, from No. 3, led by a 4% gain to 77.4 million in radio reach.

Travis Scott launches two tracks in the Hot 100’s 10, each in the top five: “Meltdown,” featuring Drake (No. 3), and “FE!N,” featuring Playboi Carti (No. 5). The songs start with 32.2 million and 25.6 million streams, respectively.

Scott adds his 13th and 14th Hot 100 top 10s (and charts multiple songs in the top five simultaneously for the first time). Playboi Carti collects his second top 10, following his featured turn on Drake’s “Pain 1993” (No. 7, 2020).

Drake, meanwhile, earns his record-extending 69th Hot 100 top 10.

Most Billboard Hot 100 Top 10s:

• 69, Drake
• 42, Taylor Swift
• 38, Madonna
• 34, The Beatles
• 32, Rihanna
• 30, Michael Jackson
• 29, Elton John
• 28, Mariah Carey
• 28, Stevie Wonder
• 27, Janet Jackson

“Meltdown” concurrently debuts at No. 1 on Streaming Songs, where it’s Scott’s fifth leader and Drake’s record-extending 17th. It likewise starts atop both the multi-metric Hot R&B/Hip-Hop Songs and Hot Rap Songs charts; on the former, Scott scores his sixth No. 1 and Drake, his record-extending 28th, while on the former, Scott adds his sixth and Drake, his record-furthering 29th.

The song is from Scott’s new album Utopia, which premieres at No. 1 on the Billboard 200, marking his third leading set.

Taylor Swift’s “Cruel Summer” climbs 6-4 on the Hot 100, four years after its release on her 2019 album Lover, as it’s now being promoted as a single, while she has been performing the song on her The Eras Tour. It takes the chart’s top Airplay Gainer award (up 10% to 64.4 million in audience) for a sixth consecutive week, the longest streak since Jack Harlow’s “First Class” linked six straight wins in April-June 2022.

Swift achieves her 27th top five Hot 100 hit, tying for the fourth-most in the chart’s archives – as Drake adds his record-padding 36th, as featured on Travis Scott’s “Meltdown.”

Most Top Five Billboard Hot 100 Hits:

• 36, Drake
• 29, The Beatles
• 28, Madonna
• 27, Mariah Carey
• 27, Taylor Swift
• 24, Janet Jackson
• 24, Rihanna
• 21, Elvis Presley
• 20, Justin Bieber
• 20, Michael Jackson
• 20, Stevie Wonder

Rema and Selena Gomez’s “Calm Down” backtracks 5-6 on the Hot 100, after reaching No. 3, as it spends a seventh week atop Radio Songs (89.2 million, down 2%). The collab tops the Billboard U.S. Afrobeats Songs chart for a 49th week, extending the longest reign since the ranking began over a year ago.

Gunna’s “Fukumean” falls to No. 7 on the Hot 100 from its No. 4 high; Nicki Minaj and Ice Spice’s “Barbie World,” with Aqua, holds at No. 8, after reaching No. 7; and Olivia Rodrigo’s “Vampire” lifts 10-9, four weeks after it debuted as her third No. 1.

Rounding out the Hot 100’s top 10, Dua Lipa’s “Dance the Night” reaches the region, ascending 12-10 with 42.3 million in airplay audience (up 5%), 15.3 million streams (up 6%) and 6,000 sold (down 3%).

Lipa lands her fifth Hot 100 top 10, as “Dance the Night” joins “Cold Heart (Pnau Remix),” with Elton John (No. 7, January 2022); “Levitating” (No. 2, May 2021 – and the No. 1 song on the 2021 year-end Hot 100); “Don’t Start Now” (No. 2, March 2020); and “New Rules” (No. 6, 2018).

Meanwhile, with “Dance the Night” and “Barbie World” both from Barbie: The Album, the soundtrack to the box office smash Barbie, the set is the first soundtrack to spin off multiple new Hot 100 top 10s since Disney’s Encanto yielded two in 2022: “We Don’t Talk About Bruno,” by Carolina Gaitán, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz and the Encanto Cast (No. 1 for five weeks), and “Surface Pressure,” by Jessica Darrow (No. 8).

Notably, a week after Jason Aldean’s “Try That in a Small Town” hit No. 1 on the Hot 100, the song tumbles to No. 21, down 47% to 16.2 million streams and 85% to 26,000 sold, although it spends a third week at No. 1 on Digital Song Sales; it’s also up 35% to 11.8 million in radio audience. The song is the sixth to fall from No. 1 to a rank on the chart outside the top 20, after Jimin’s “Like Crazy” (1-45; April 15, 2023); Taylor Swift’s “Willow” (1-38; Jan. 2, 2021); 6ix9ine and Nicki Minaj’s “Trollz” (1-34; July 4, 2020); BTS’ “Life Goes On” (1-28; Dec. 12, 2020); and Travis Scott’s “Franchise,” featuring Young Thug and M.I.A. (1-25; Oct. 17, 2020).

Plus, as chart-watcher Jesper Tan of Subang Jaya, Malaysia, notes, having written in anticipating Wallen’s potential return to No. 1 on the Hot 100, as “Last Night” replaces “Try That in a Small Town” at the summit, country songs (as defined by those that have hit Hot Country Songs) top the Hot 100 back-to-back for the first time in over 42 years: on the chart dated March 14, 1981, Dolly Parton’s “9 to 5” returned to No. 1, supplanting Eddie Rabbitt’s “I Love a Rainy Night.”

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated Aug. 12), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (Aug. 8).

Source: billboard.com

Plus: Post Malone nets his fifth consecutive top 5-charting effort with No. 2 debut of Austin.

Travis Scott’s Utopia blasts in at No. 1 on the Billboard 200 albums chart (dated Aug. 12), capturing the third-biggest week of 2023 for any album and the largest for any R&B/hip-hop or rap release.

The star-laden hip-hop effort bows with 496,000 equivalent album units earned in the U.S. in the week ending Aug. 3, according to Luminate. Among the guests featured on Utopia are 10 acts who have all topped the Billboard 200 on their own: 21 Savage, Bad Bunny, Beyoncé, Drake, Future, Lil Uzi Vert, Playboi Carti, SZA, The Weeknd and Young Thug.

Utopia is Scott’s third No. 1 and first solo album since 2018’s Astroworld, which started atop the chart. In between Astroworld and Utopia, the Jackboys supergroup – led by Scott – notched a No. 1 with its self-titled release in early 2020. Utopia has been teased for years, as Scott first shared the album title in a series of social media posts in the summer and fall of 2020.

Also in the top 10 of the new Billboard 200, Post Malone clocks his fifth consecutive top five-charting effort as Austin bows at No. 2.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Aug. 12, 2023-dated chart will be posted in full on Billboard‘s website on Aug. 8. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of Utopia’s 477,000 equivalent album units earned in the week ending Aug. 3, SEA units comprise 243,000 (equaling 330.68 million on-demand official streams of the streaming set’s 19 total songs – the second-biggest streaming week of 2023), album sales comprise 252,000 (the second-largest sales week of 2023) and TEA units comprise 1,000.

Streaming activity comprises nearly half (49%) of Utopia’s first-week activity, with almost all of the remainder generated by album sales. The set’s streaming activity was so robust that the album would have been No. 1 from only its SEA units (and still have twice the total units of the No. 2 album on the chart, Post Malone’s Austin). The most-streamed song on the Utopia album, by official on-demand streams, is “Meltdown,” featuring Drake. It accounted for nearly 10% of the album’s streams during the week.

Utopia was preceded by its first single, “K-POP,” with The Weeknd and Bad Bunny, which debuted at No. 7 on the Billboard Hot 100 dated Aug. 5.

Utopia is available with three different track lists: a standard 18-song edition through all major digital retailers (including the iTunes Store and Amazon), a 19-song set at digital retail and streamers (which includes the song “Meltdown,” featuring Drake), and a 19-song version available on CD, vinyl and a “First Edition” digital album sold through Scott’s webstore (that includes the song “Aye” with Lil Uzi Vert). All of the standard digital retail release’s 18 songs are on both 19-song expanded versions. The “First Edition” digital album was released at the end of the tracking week, in the closing hours of Aug. 3, and sold for just $4.99. The “First Edition” variant sold exceptionally well, due to fan speculation as to the set’s track list, which was not advertised by Scott’s webstore.

Utopia’s sales were also enhanced by its availability across five CD variants (each with a different cover), five vinyl LP variants (with different covers and color vinyl), 15 deluxe boxed sets – each containing a piece of branded clothing and a copy of the album on CD or vinyl, six zine/CD deluxe editions (where a copy of the CD is housed inside a magazine-like package branded to the album), and two Fan Pack offers in which customers could choose to purchase a copy of the CD or vinyl LP with a piece of branded merchandise for a discounted price. Initially, the assorted CD and vinyl album cover art was not displayed to customers on Scott’s webstore. When fans placed orders, they selected one of five covers, not knowing what the final design would look like. Eventually, closer to street date, the cover art for all variants was revealed.

All physical formats of the album are exclusively sold through Scott’s official webstore. It has not been announced when, or if, any of the physical versions of the album will be released wide to any other retailers.

Scott drove customers to his webstore during Utopia’s pre-order campaign and during its first-week thanks to frequent new merchandise releases. Alongside merch drops, the webstore promoted discounted pricing on the Utopia album – going as low as $4.99 for its digital album.

In total, Utopia sold 252,000 copies in its first week. Of that sum, digital downloads comprise 111,000 (with 79% of that sum from the “First Edition” variant), CD sales comprise 63,000 (80% of that figure were CDs housed in boxed sets and zine packages) and vinyl sales comprise 79,000 (30.5% were vinyl housed in boxed sets). Of the album’s 252,000 sold across all formats (digital download, CD and vinyl), deluxe boxed sets and zine packages combined to sell 30% of that figure (about 75,000 of 252,000).

Utopia’s vinyl sales were so big, they mark the largest sales week for an R&B/hip-hop or rap album on vinyl since Luminate began tracking sales in 1991. Notably, Scott sold 55,000 copies of the vinyl edition of Utopia as individual purchases – those not contained inside a deluxe boxed set with merch. That figure would still represent the largest week for an R&B/hip-hop or rap set on vinyl in the Luminate era.

At No. 2 on the new Billboard 200, Post Malone scores his fifth consecutive and total top five-charting set as Austin launches with 113,000 equivalent album units earned. Of that sum, SEA units comprise 78,000 (equaling 101.14 million on-demand official streams of the set’s 18 songs), album sales comprise 34,000 and TEA units comprise 1,000.

Austin was led by a trio of charting songs on the Hot 100: “Chemical” (No. 13 peak in April), “Mourning” (No. 36 in June) and “Overdrive” (debuted at No. 47 on the July 29-dated chart).

Austin is absent any guest stars and presents a sonic shift for Post Malone, focusing more on pop and alternative sounds and guitar-based tunes instead of hip-hop. (Post Malone’s four previous albums all hit No. 1 on Billboard’s Top R&B/Hip-Hop Albums chart.)

The set was available to purchase across five CD variants (four with alternative covers, one of which includes a bonus track), three vinyl LPs (including a Target-exclusive color variant), a cassette tape, four digital download variants (each with a different cover, exclusive to his official webstore), and two Fan Pack offers. In addition, the album was issued in a deluxe version in the middle of its first tracking week, with a new bonus track added, “Joy.”

Austin sold about 11,500 copies on vinyl – marking Post Malone’s biggest week ever on vinyl.

Morgan Wallen’s chart-topping One Thing at a Time is a non-mover at No. 3 on the Billboard 200, shifting 96,000 equivalent album units (down 7%). It’s the first time the album has fallen below 100,000 units in a single week, in its 22nd week on the chart. The set earned in excess of 100,000 equivalent album units in its first 21 chart weeks, the most weeks of 100,000-plus units since the Billboard 200 began ranking titles by units in December of 2014.

The Barbie film soundtrack dips 2-4 in its second week with 91,000 equivalent album units (down 28%), Taylor Swift’s former leader Speak Now (Taylor’s Version) falls 4-5 with 66,000 units (down 16%), NewJeans’ 2nd EP ‘Get Up’ falls 1-6 in its second week with 55,000 units (down 56%) and Peso Pluma’s Génesis slips 5-7 with 50,000 units (down 6%).

Three former No. 1s round out the top 10, as Swift’s Midnights backtracks 6-8 with 49,000 (up less than 1%), Wallen’s Dangerous: The Double Album falls 7-9 with nearly 49,000 (down 5%) and Swift’s Lover holds steady at No. 10 with 43,000 (up 2%).

Source: billboard.com

Plus, the Barbie soundtrack makes a splash at No. 2, while Greta Van Fleet nabs its third top 10 with Starcatcher.

NewJeans land both their first No. 1 and first entry on the Billboard 200 albums chart (dated Aug. 5) as their 2nd EP ‘Get Up’ debuts atop the list. The set earned 126,500 equivalent album units in the U.S. in the week ending July 27, according to Luminate, mostly driven by CD sales of the album.

The Korean quintet brings a second all-female group to No. 1 on the Billboard 200 in less than a year, following BLACKPINK’s Born Pink last September. They are the only two albums by all-female groups to reach No. 1 in the last 15 years. (Before BLACKPINK, the last all-female group to lead the tally was Danity Kane with Welcome to the Dollhouse in April of 2008.)

The Korean quintet brings a second all-female group to No. 1 on the Billboard 200 in less than a year, following BLACKPINK’s Born Pink last September. They are the only two albums by all-female groups to reach No. 1 in the last 15 years. (Before BLACKPINK, the last all-female group to lead the tally was Danity Kane with Welcome to the Dollhouse in April of 2008.)

Get Up is mostly in the Korean language, but includes some English lyrics. It is the 20th mostly non-English language album to hit No. 1, and the fourth of 2023, following Stray Kids’ 5-STAR (one week at No. 1, June 17 chart), Karol G’s Mañana Será Bonito (one week, March 11) and TOMORROW X TOGETHER’s The Name Chapter: Temptation (one week, Feb. 11).

Though Get Up is NewJeans’ first album to chart on the Billboard 200, the group logged three entries before the album’s release on the U.S.-based Billboard Hot 100 songs chart, including the Get Up track “Super Shy,” which climbs to a new peak of No. 48 on the Aug. 5-dated chart.

Notably, the six-track Get Up is the second No. 1 album of 2023 to have fewer than 10 tracks, after another K-pop project, TOMORROW X TOGETHER’s five-song The Name Chapter: Temptation.

The all-star Barbie film soundtrack bounds in at No. 2 on the Billboard 200 with 126,000 equivalent album units earned — the biggest week for a full-length theatrical film soundtrack, by units, in more than four years. The last soundtrack to score a bigger week was Lady Gaga and Bradley Cooper’s A Star Is Born, which registered 129,000 on the March 9, 2019, chart (at No. 1), following its exposure on that year’s Academy Awards (Feb. 24).

Barbie marks the highest charting soundtrack in more than a year, since Encanto led the list for nine nonconsecutive weeks (January-March 2022). Barbie is also the highest debut for a full-length theatrical film soundtrack since the Beyoncé-led The Lion King: The Gift also opened at No. 2 three years ago (Aug. 3, 2019, chart).

The Barbie album features new music from Billie Eilish, Dua Lipa, Lizzo, Nicki Minaj and Ice Spice and Sam Smith (among many others), and even a pair of tracks from the film’s co-star Ryan Gosling.

Of Barbie’s starting unit sum of 126,000, SEA units comprise 70,000 (equaling 93.81 million on-demand official streams of the set’s 19 songs), album sales comprise 53,000, and TEA units comprise 3,000.

Meanwhile, Barbie boasts the largest sales week on vinyl for a theatrical film soundtrack (33,000) since Luminate began electronically tracking music sales in 1991. (The set’s vinyl sales were enhanced by its availability across at least six color variants.) Further, Barbie scores the largest first-week streams (93.81 million) for a soundtrack in over five years, since Black Panther started with 138.95 million (Feb. 24, 2018, chart).

Morgan Wallen’s former No. 1 One Thing at a Time dips 2-3 on the Billboard 200 with 103,000 equivalent album units (down 2%). The set has earned in excess of 100,000 equivalent album units in all 21 of its chart weeks, extending its own record as the album with the most weeks of 100,000-plus units since the Billboard 200 began ranking titles by units in December of 2014.

Taylor Swift’s Speak Now (Taylor’s Version) falls to No. 4 in its third week (79,000 equivalent album units; down 35%) after spending its first two weeks at No. 1. Peso Pluma’s Génesis drops 3-5 (53,000; down 4%), Swift’s chart-topping Midnights descends 4-6 (49,000; down 4%) and Wallen’s former leader Dangerous: The Double Album falls 5-7 (47,000; down 1%).

Greta Van Fleet notches its third top 10-charting album on the Billboard 200 as Starcatcher starts at No. 8. The set launches with 45,500 equivalent album units earned. Of that sum, album sales comprise 41,000, SEA units comprise 4,500 (equaling 5.83 million on-demand official streams of the set’s 10 songs) and TEA units comprise a negligible sum.

Rounding out the top 10 is a pair of former No. 1s: SZA’s SOS (7-9 with just over 42,000; down 2%) and Swift’s Lover (6-10 with 42,000; down 3%).

Source: billboard.com

Jung Kook becomes the second BTS member to reign, following Jimin. Plus, Jason Aldean’s “Try That in a Small Town” debuts at No. 2.

Jung Kook’s “Seven,” featuring Latto, bounds in at No. 1 on the Billboard Hot 100 songs chart. Jung Kook becomes the second member of BTS with a Hot 100 leader, after Jimin’s “Like Crazy” launched at No. 1 in April.

Latto also lands her first Hot 100 No. 1.

Plus, Jason Aldean’s “Try That in a Small Town” debuts at No. 2 on the Hot 100. The song, released in May, debuts with the biggest sales week for a country song in over 10 years, after CMT pulled its video, which premiered July 14, from rotation after three days, resulting in a surge of attention.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated July 29, 2023) will update on Billboard.com Tuesday (July 25). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.

“Seven” is the 1,151st No. 1 since the Hot 100 began in August 1958. It’s the 68th leader to debut at No. 1.

Streams, airplay & sales: “Seven” soars in at No. 1 on the Hot 100 with 21.9 million streams, 6.4 million in airplay audience and 153,000 combined digital and CD singles sold from its release July 14 through July 20, according to Luminate. (The song’s original and instrumental versions were released July 14 and its “Summer” and “Band” mixes arrived July 17; all were available for download for 69 cents. The song’s original version was also available for purchase on CD beginning July 14 for $1.99.)

“Seven” debuts at No. 2 on the Digital Song Sales chart and No. 4 on Streaming Songs. While below the all-format Radio Songs tally, it debuts at No. 30 on Adult Pop Airplay and No. 33 on Pop Airplay.

Jung Kook’s Hot 100 history: Jung Kook earns his first Hot 100 No. 1, or even top 10, following two charted songs in 2022: Charlie Puth’s “Left and Right,” featuring Jung Kook, hit No. 22 (July), after Jung Kook’s own “Stay Alive” spent a week on the list at No. 95 (February).

BTS now with 2 members with Hot 100 No. 1s: Jung Kook becomes the second member of BTS with a Hot 100 No. 1 (or, again, even a top 10), after Jimin’s “Like Crazy” debuted at No. 1 in April.

BTS – comprising j-hope, Jimin, Jin, Jung Kook, RM, Suga and V – has posted six Hot 100 leaders.

The superstar Korean septet is now among elite company, as nine groups boast multiple members with solo Hot 100 No. 1s:

• The Beatles
• The Black Eyed Peas
• Blind Faith
• BTS
• Destiny’s Child
• Fugees
• Genesis
• Hot Boys
• One Direction

Further, with BTS having logged six Hot 100 No. 1s and Jung Kook and Jimin with one No. 1 each, BTS joins The Beatles, The Black Eyed Peas, Destiny’s Child and Genesis as the only groups with leaders and multiple members also with No. 1s.

Latto leads: Latto likewise earns her first Hot 100 No. 1 with “Seven.” She previously hit the top 10 with “Big Energy,” which rose to No. 3 in April 2022.

Jason Aldean’s “Try That in a Small Town” roars onto the Hot 100 at No. 2, as it drew 11.6 million streams (up 547%) and 7.3 million in radio airplay audience (up 17%) and sold 228,000 (up 27,625%) July 14-20.

The track debuts at No. 1 on Digital Song Sales, where it’s Aldean’s first leader, and No. 37 on Streaming Songs. While not on Radio Songs, it holds at No. 25 in its ninth week on Country Airplay.

The song scores the largest digital sales week for a country title (defined as by those that have hit Billboard’s Country Digital Song Sales chart) in over 10 years, since Florida Georgia Line’s “Cruise,” featuring Nelly, sold 244,000, as reflected on charts dated July 6, 2013.

On July 18, Billboard confirmed that CMT had pulled the official video for “Try That in a Small Town” after three days in rotation; the network declined to say why. Following CMT’s decision, Aldean posted a message to his Instagram Stories addressing the contrasting reactions that the song and video have faced.

The song’s video, released July 14, features footage of an American flag burning, protesters in confrontation with police, looters breaking a display case and thieves robbing a convenience store. The clip has prompted a firestorm of opinions about it and the song’s intent and messaging.

Aldean achieves his second Hot 100 top 10, after “Dirt Road Anthem,” which, helped by its remix featuring Ludacris, hit No. 7 in July 2011.

“Try That in a Small Town” concurrently re-enters at No. 1 on Billboard’s Hot Country Songs chart, which employs the same multi-metric methodology as the Hot 100. (The single spent one prior week on Hot Country Songs, at No. 35 on the June 3-dated list, reflecting its first week of tracking.) Aldean adds his 10th Hot Country Songs champ. He first led with “Why” in May 2006 and had most recently reigned with “Burnin’ It Down” in 2014. He also notches his 37th top 10; he’s peaked in the top 10 at least once each year dating to his first such hit, “Hicktown,” in 2005 – the longest active streak of annual top 10s on the chart.

Morgan Wallen’s “Last Night” descends to No. 3 on the Hot 100 after 14 weeks at No. 1; it’s tied for the fifth-longest command in the chart’s history. It lands an eighth week atop Billboard’s Songs of the Summer chart, having ranked at No. 1 each week since the seasonal recap returned.

Luke Combs’ cover of Tracy Chapman’s “Fast Car” falls to No. 4 on the Hot 100 after three weeks at its No. 2 high.

Notably, thanks to Aldean, Wallen and Combs’ hits, which rank at Nos. 1, 2 and 3, respectively, on Hot Country Songs, the top three songs on the chart place in the Hot 100’s top four spots for the first time since the rankings began using the same formula.

Rema and Selena Gomez’s “Calm Down” dips 4-5 on the Hot 100, after reaching No. 3, as it logs a fifth week atop Radio Songs (92.9 million, up 1%). It tops Billboard U.S. Afrobeats Songs for a 47th week, extending the longest reign since the chart began (in partnership with music festival and global brand Afro Nation).

Gunna’s “Fukumean” rises 7-6 for a new Hot 100 high – and reaches No. 1 on Streaming Songs (27.4 million, up 16%), where it’s the rapper’s second leader, after “Drip Too Hard,” with Lil Baby, ruled for a week in October 2018. “Fukumean” tops both the multi-metric Hot R&B/Hip-Hop Songs and Hot Rap Songs charts for a second week each.

Two weeks after arriving as her third Hot 100 No. 1, Olivia Rodrigo’s “Vampire” retreats 3-7; Taylor Swift’s “Cruel Summer” climbs 9-8, after hitting No. 7; Miley Cyrus’ “Flowers” backtracks 6-9, after eight weeks at No. 1 beginning upon its debut in January; and, rounding out the top 10, Lil Durk’s “All My Life,” featuring J. Cole, drops 8-10, after it debuted at its No. 2 peak.

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated July 29), including the Hot 100 in its entirety, will refresh on Billboard.com Tuesday (July 25).

Source: billboard.com